White and pink flowers to enjoy the presence of spring

The best part of being able to create is probably that we only depend on our intentions and goals. There are no limitations in subjects or ways to create something. It is almost an absolute freedom, and pretty much nothing but our personal situation can be a set-back.

Freedom in creation means doing what one wants and prefers.  If it is technique that doesn’t work for you yet, you will just have to practice more.

I meet all the time people who think creating a painting is extremely easy. Most likely, instructions that say: paint like a master in one hour or time-lapse demos where a few hours of work are squeezed in just 1 minute make somebody believe that a decent size art takes only a few minutes. Well, try to paint just a wall or better start with smaller surfaces like a door. Even that takes time.

Creation takes time and efforts. When somebody looks at painting they sometimes doubt how that can possibly take 2 or 3 weeks working every day for about 6 hours. It depends on medium, definitely. Acrylic is much slower medium than watercolor. Whenever some part is dry, it is almost as if starting everything from new. Acrylic is much slower than oils also. That is why it takes a lot of layers and building up color and value.

The attitude totally changes when somebody tries doing painting themselves. There are people who believe that not that attractive first layers are sign of a hopeless art. That is profoundly wrong. I sometimes demonstrate how we can change and improve any painting (that includes my own art) by just adding dark shades and highlights or modifying perspective and number of details or elements. In that regard, acrylic is very forgiving and very user-friendly. The only limitation is time we spend on some art and time we are willing to spend on it. When it is a small painting, I do not feel always I want to continue working on it. Our personal attitude and preferences change over time, as well. That’s no surprise that we might not like subject we adored a while ago or we like colors we hated before.

That is normal. That is progress one or another direction.

Gallery view

Having painted blooms all around makes one feel fantastic. Even when my health is giving glitches, it’s a pleasure to be in the gallery and enjoy the elegant lines and uplifting colors.

If you never tried to create any art, it is a wonderful time to start out. The sketching season will be on soon, and that is just a pure pleasure being outdoors and literally absorbing the surrounding life, nature and beauty.

I hope to get some followers back since I lost of all of them while migrating the blog. I don’t think I have set up even all buttons yet, so, everything will come, just give it some time.

Dreaming goes on because art is timeless

Before you leave this site, please, spend a short moment with my other blog which is not that visible since it’s secondary (WordPress, it’s time to change that!!!), and the post tells a fairy-tale about Christmas: https://inesepogalifeschool.com/2016/12/22/christmas-fairy-tale-going-home/

Inese Poga's art show

Show, large room, right side

Inese Poga's art show

Show, large room, left side

Art for sale

Sun slightly disturbing, but the light was excellent

artbylocalartist Inese Poga

It’s good to wrap up things and have the feeling of “I have done everything I could, and it is what it is”. It would be certainly way better to finish the year in more elevated mood, like “Was this ever fantastic!” That’s not going to happen this time.

It’s good not to have any classes for a while because that allows getting back to me: doing things that I want and prefer, not only classwork. Giving classes is a big responsibility; it takes a lot of energy and time-consuming preparation work.

I certainly would like to move to my personal themes and my personal visions in art, but unfinished paintings are really standing in the way: you look at some, and it says: hey, just add a few brush strokes, just wash in some more background, it’s not going to be that much of your time! I end up spending a lot of time, and since these are paintings that I started a long time ago, my internal critic disagrees with some aspects. Why did I start this at all? Right, during the class. Why did I choose that much detail? Why didn’t I make it simple and with large accents? Basically, it’s difficult because I have moved on and it feels like catching up on some long time ago forgotten thought or idea.

I will try to be more disciplined and not start that many new paintings, but then again when I didn’t do demos on canvas, I suddenly painted a few great paintings … on messed up cardboard. The wavy texture shines through, and they are not any good for display. It’s even impossible to take any picture of them. You never know with painting: something good can appear where one didn’t expect that and everything can go wrong when we had high expectations. There are so many forces and energies involved that it isn’t by far as simple as “just do it right or according to your plan”.

Classes also put a lot of pressure on any teacher because teaching is also not that simple. I usually think and plan and sketch until I find the right image for a particular group. I also have to think about simplified ways how to put it on canvas or paper.

16 x 12 orchid by Inese Poga

Magnolia, the small version

artbylocalartist gerbera

Gerbera daisy

artbylocalartist my favorite

Finally, got a better picture of poinsettia

artbylocalartist very red poppies

Ones side still pale, but I didn’t have any picture of these red poppies

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They all looked so attractive

artbylocalartist Barn reflection

We did recently this reflection, everybody loved painting it

artbylocalartist Sunset over shores

This was the subject for a Saturday workshop

artbylocalartist some birches

We are often painting birches

artbylocalartist autumn and birches

This is one of recent class paintings

I had put up a beautiful show, those who came were really impressed, but I believe, my timing was a bit off. I will start to prepare the next show “Blooms and Leaves” fairly soon, and that might be ready by the end of April or by May. Anyway, there is not such a thing as lack of paintings for sale at my gallery. It’s always open and available to anybody over the internet. Just ask.

Merry Christmas to these who celebrate it and fantastic holidays to those who have other celebrations!

Reds and gold for Christmas and holidays

How have you been? I was so busy during the past 2 months that I hardly could do anything else except work, work and work.

I thought it would be great to have a good show this year since the summer was not the best. It feels the 3 bad years are over and I can start fresh. Meaning: much better, at much higher level, much more efficient and much more skillful. That is not hard to do when health has returned.

I know how many people would love some art and there is not enough money for everything. I will probably try in the New Year posting some giveaways on Facebook (link is on the right: Art plus Life).

Well, I am completely behind posting schedule on either blog, this one and lifeschool. I promise to post some articles and poems more often once I get over Christmas.

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The theme of this year is: Reds and gold for Christmas. Red is such a warm and energizing color, we need it; we need it especially when it’s cold and nasty outside, or inside the heart. I was spending almost all day trying to get some pics for my show. Well, light was bad, but I tried, tried and tried until I was somewhat satisfied.

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Some new friendly birds

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Different settings

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No celebration without poinsettia

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Lovely golds and robins

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Golden light of candles

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It was difficult to guess which one was the painted poinsettia when I first looked at pictures.

I wish you not overdoing with gifts, but choosing soul-warming, mood-lifting and energy-giving things. Like a painting? Why not?

Where did the time go?

Time is rushing us so badly that it sometimes feels I just wake up and go back to sleep. At least, I got this feeling recently. Along with doctor’s appointments, household stuff, daily meals, cleaning, laundry, classes, preparation of new images and steps for their painting, preparation of hand-out materials, advertising, social media posts, and I had two huge medical writing jobs, each one took a week approximately: that meant there was no time to paint. Although, my show is coming up and this is a gift season for which I should have better prepare. There was just zero time.

I put up a few decorations yesterday, and I had to give a class later, and that was it. The day just disappeared again. Anyway, I’m posting a watercolor still life which was done about 3 weeks ago, but THERE WAS NO TIME TO POST ANYTHING!

Watercolor still life

I hope my duties will somewhat balance out during the upcoming weeks and I can get to things which I really want to do: JUST SIMPLY PAINT. Starting image for a class is not quite the same: I have to take into account all distinctive levels of skill, and we often have absolute beginners, so that painting is just an illustration for what I am saying while teaching. Showing is definitely better than only telling about it. It is very helpful also that I can see and correct things which are usually problematic: very little paint, too much water, completely dry brush, unclean brush, putting pressure on brush and similar basic issues with painting supplies. The one thing which is ALWAYS WRONG is: trying to paint with tiny bits of paint or not having paint on a brush. We have to be generous! I think, generally, generous people also have much better results when creating art, they simply are not that much afraid of wasting anything. That certainly helps!

Watercolor still life detail

Painting takes time; at least a few hours here and there have to be set aside, so that no disturbances, interruptions or hassles harm the image which lives already in the imagination. I just didn’t get this chance recently, but I’m looking hopefully to the future.

Watercolor mania? Yes, incurable

It isn’t so that I am completely obsessed with painting, but I have given thousands of workshops and classes just within the last 4 years. There were moments when I had 5 or 4 every week. Every class or workshop required some reference painting, plus, I certainly wanted to paint something on my own, as well. My problem is that preparation for any class and workshop and my own paintings always took so much time that I never really got to selling anything seriously. I would put on the “Open” sign, and that was pretty much it. I am realizing now that I have so many paintings which would easily fill up the largest gallery.

Watercolors up to 11 x 14 in (28 x 36 cm)

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Some are framed, some matted 

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Scenery washes and birds

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Some blue and pink shades

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Most of them make great greeting cards, as well

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Most of these paintings are in piles and wrapped up because classes involve a lot of splashing, so nobody actually gets to see them. That includes me, as well, because I rarely have time to sort things out. These are just some of small size (7 x 10 and up to 11 x 14) and medium size (12 x 16 to 22 x 18) watercolors. There are still lots of unframed or not signed, many large and very large and for those I have no place at all, they are stocked upstairs to prevent from damage.

12 x 16 inch (30 x 41 cm) and up to 20 x 16 in ( 51 x 41 cm) watercolors

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Flower power

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Pure watercolor and pen plus watercolor

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Lovely reds and pinks

 

Rose, wild rose and edge of poppies and tomato

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Fall leaves and spring flowers

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More detail

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At least 4 tulips are available

I did not even realize that, but the number of paintings has reached sort of tipping point. I would need at least 3-4 times larger space to either hang it all or display in any other way. It is time to reconsider everything and become more serious about doing something with all this art which, quite honestly, has taken numerous hours of drawing and painting. I always enjoyed that, but I am short for storage and space. What good do these paintings if nobody ever can see them? Therefore, I would be very happy some of them found new walls and homes.

Anyway, most likely I will have to repeat this before Christmas and holidays, but still, I believe, these are very attractive paintings which would look great in any place, especially in a proper frame.

All details and separate images are on http://fineartamerica.com/profiles/inese-poga.html

Everything $100 to $350. Shipping extra. Thanks if you checked them out!

If you ever doubted whether to start drawing and painting, just go for it. Being addicted to painting is not the worst that can happen. It is an entirely distinctive new world which never stops surprising.

Your support would be much appreciated

If you read this post, not only clicked on like, that would be wonderful.

I am finally returning to life and life is returning to me, however, the long time period of not being able to do much has its sequences.

I asked before the readers and people who wouldn’t be hurt by spending something on any painting for help and possibly support. It was fantastic how one lady bought a painting which should arrive at her place in the USA tomorrow, and I hope she will be happy with that painting. I hope there is somebody else among you who would not mind to support me after these terrible health struggles for quite a while.

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After giving so many workshops and classes and since I’m always painting along with my students, I have very many 16 x 20 in paintings.  We never repeat any single painting, so to speak to keep the inspiration flowing and our artistic juices fresh.

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Not all of these 16 x 20 inch paintings are finished. I sometimes change my mind; I sometimes have moved forward and have no interest in subject any longer, and therefore quite often additional work or reworking are required. Whenever I feel like doing so, I keep working on these paintings, however, I would like to discontinue small size landscapes, and return to large and very large paintings. Even many years ago, I loved painting large art. Not only I find it more expressive and more impressive, it is easier for me to paint in that scale because eyesight does not get any better, but I hate wearing glasses when painting because they destroy the correct proportions and mislead in interpretation of a subject. That’s my intention: to return to large pieces and especially to still life because that was always my most favorite subject. Still life which consists of something man-made, live flowers and leaves which symbolizes life and either food, vegetables and fruits, or subjects like glasses, books, candles, watches and similar. I still love birds, and I am watching them; and I can say I do not need any more references to paint birds which are in my backyard. About 40 bird paintings are available at my gallery.

Fall path, full sheet watercolor

Fall birch path large watercolor painting

Summer path along the river, full sheet watercolor

summer along the river large watercolor

Spring creek has appeared here and there on this blog

spring creek, large watercolor

I have paintings which I haven’t seen for a while; these are large watercolors which took me a few months to paint a few years ago. I couldn’t frame all very large painting, therefore, nobody gets to see them because watercolor is sensitive without glass. Full size watercolors are not included in sales, but everything else is. I need to make space and invest in new paints and canvasses, as well as watercolor and pastel paper. As you know, good paper is expensive, but it’s worth it. Those of you who paint probably have experienced that difference between good and bad watercolor paper is insane. It’s possible to say right away on what paper some painting has been painted. Paint and water sit and float on the top of a cheap paper and they never act as on thick and multi-layer paper. That explains why some watercolor just do not look right.

A few small studies in watercolor

sky reflection, small size watercolor

Small watercolor of sky reflection

spring in the fields watercolor painting

Small spring watercolor

Not all paintings have pictures and some of them are visible only in group photos. I make also extremely textured paintings, and it is sort of impossible to get a good picture of a highly textured painting. Light is reflected brighter from higher spots and shadows also disturb to have the right balance which exists in reality, but not on a photo. Well, there might be even people who can come to the gallery in person; that certainly is the best because no photo can replace the impression of an artwork. Any painting up to 20 x 24 inches without frame ships anywhere.

I have uploaded quite a lot of art on Fine Art America; they have so many products with images that I have lost count. I get from any purchase $2 to $10, except greeting cards in which case it is $0.50 to $1.

My art and artsy products on Fine Art America http://fineartamerica.com/profiles/inese-poga.html?tab=artworkgalleries

I hope at least a few of you like something that much that they would not mind to own it. I mean especially originals. Please ask me about extremely good deals on 12 x 16 and 8 x 10 in watercolor paintings. I just learned my lesson that shipping with UPS was more expensive than painting, so any shipping will be extra. Thanks in advance!

Lifeschool blog talks about dreams that do not always come true, but hope is never given up: https://inesepogalifeschool.com/2016/09/11/the-soothing-sunday-thoughts-castles-of-sand/