Different approach to art class: focus on relaxing and stress-free creativity

I am offering a new art class this fall: to paint and to relax letting all concerns and problems go.

I noticed that some students were taking art classes way too seriously, and being not in a relaxed mood does not allow achieving the same results what people, who always take things easy, do.

I want to make a welcoming environment for creation so that purely technical goals become secondary while painting.

American traditional art teaching pays too much attention to the technical execution of art while leaving the emotional and spiritual side totally neglected. Especially, when I just relocated to Canada, it was definitely overwhelming how sometimes artwork would scream: I am technically perfect, every smallest dot and line is where they should be and every color is exactly as the textbook requires. That is why some artists go for big lengths: they trace and copy photos, and redraw and repaint everything what in digitally adjusted photo is. Where is the creativity? That allows achieving a perfection which frequently lacks feelings and does not move emotions. I would like to emphasize: the creative process is the most valuable part of the artistic phenomenon.

Perfection with art is not the best guiding idea because it simply does not allow unfolding the creative potential.

I hear this quite frequently: I’m not touching this painting anymore because I do not want to damage it. Well, leaving work unfinished isn’t good either.

I also wanted to make an art class which is impossible to replicate online: just because the content of this class rests on the presence and the interaction between me, group and everybody as an individual.

I will gear everything towards a great, interesting, amazing and positive experience. That means learning about oneself and art, and learning to be creative without the annoying pressure which some teaching venues want to impose on somebody who is looking for a new skill and ability.

We will also perform a few focusing and relaxing ceremonies, and I will show some ways to have your brush to follow your thoughts.

We will use blocks of paper, so that at the end of this 10 positive experience events session everybody will have an image diary and will be able to continue adding creations.

Inspiration and immersion in calm, creative environment is something we do not find often.

I believe, this new type of art class where experience and activity flow together creating emotional satisfaction, thus, releasing stresses and providing with a new perspective on the bothering issues in one’s life, will be well attended and appreciated.

It’s very interesting that I was away and did not do any advertising so far, but people were applying, in fact, a lot of people, that includes the new daytime art class.

I am adding as illustration some brush stroke and wash only paintings which do not need any drawing. We use only watercolor and water, and we watch what happens and how our thoughts and ideas look on paper.

Watercolor paintings without drawing: fun, relaxing brushing and interesting flow of pigment:

Leaf patterns, washes and more washes

Road towards the fall

Distant storm

Side by side with summer

Sponge trees

October sketch

Art classes are for everybody because we will be using only our personal preferences with choosing colors, subjects and the way they look.

Participants will have a lot of choice: they can draw, they can use pen or they can also do very abstract or semi-abstract art for their image diary. That’s why it’s called: stress relief with color and line.

Art classes and fall start soon

It is almost fall. This might be the most inspirational time for poets and artists, especially these ones who are taken away by color.

My art classes usually resume in the fall. I went to Latvia earlier this year, so, art classes can start sooner and be long enough to learn plenty. It’s going to be October.

I had to think a lot how to arrange art classes this year: I tried 1-day workshops, 2-day workshops, monthly classes and 2 classes on the same subject. I tried everything, I believe. I will have 10 classes in a row this season because it felt as if previous approach did not give enough time for everybody, and I definitely do not like rushing people.

These classes are supposed to give a lot of space and freedom for interpreting subject in a very personal way. We have created wonderful paintings before, and they never looked the same. Every student had used their own view on things, and that is pretty much how art should be: originating in the artist, not in a photo which gets copied onto a paper or canvas. I would love that every class is experience and process and less an attempt to stick to perfection because when we do not get everything perfect we are upset. I encourage everybody to play with shapes, contrasts, colors and try finding the ones that make sense for that particular student personally. We are all similar and very different at the same time: why would we try to create copies of each others work?

Talking about relaxation and recharging after some stressful stretch of time or event: I will have a new daytime class which will focus on pleasure and excitement that only colors and good mood can provide us with. I was told quite frequently that not everybody can attend the late afternoon class, so, here you go: meditate, relax and enjoy doing these watercolor studies that are suitable for absolutely everybody as long as they are willing to try some brushstrokes. This class does not require a lot of materials, and we will do exactly that: we will get lost in artistic freedom to create whatever we feel like at that moment. I have a pretty good idea how well this will work out, so, it should be a fantastic class if you are looking for a great pastime and if you feel you need to decrease your stresses and forget about problems.

Late afternoon watercolor and acrylic class will continue the good tradition of this studio: enjoy the process and learn in a relaxing environment. I have thought about new subjects which will be very suitable for exploration and studies, and I will try to gear students’ attention towards the use of tips and tricks, many different techniques and ways of paint application, as well as watercolorists will get a boost with their drawing skill.

When I am traveling from place to place, there is rarely time to sit down and quietly paint or sketch. As you know, I want my subject to be in front of me, whether that is a still life apple or some flower, or a scene. I quite honestly cannot stand repainting photos, so, I am very happy every time when there is a chance to get something on paper. It’s not much. My subjects had wilted and gotten bad while I was away, but still: that is at least an exercise. I did not have a desk or decent table, and I had to balance everything on my lap or stretch a bit in order to reach to water or paint which is a fun of some sort.

Some sketch and 2 watercolor paintings, that’s all I got done so far while traveling

Rowan berries or ash berries, as well as some sunflower and apples

Quick sketch

This really says: fall

 

Just like always: no decent light, phone pictures are sometimes trouble, but still: you will have some idea.

And from another angle:

I have noticed: if I cannot paint or draw for a longer time, I feel like I am totally missing something. I hope you have nice plans for your fall season, as well!

Illustration or sketch: one, two, three: ready! How to start sketching

Illustration or sketch can be simplified in order to get it done outdoors or to complete indoors because sometimes the weather can be quite bothersome and not cooperating with our intentions.

I have had a chance to watch numerous people when they first learn painting or drawing.

I would love to share some observations because they might inspire somebody to just get a pencil, a brush and paper and go ahead.

Do we need rules in art?

It might sound strange, but most people believe there are many rules when we draw or paint. Maybe the instruction on some sites makes one feel that if you do not follow rules you cannot paint or draw. That is not true. That is actually completely wrong.

While there are lots of tricks, shortcuts and favorite ways to get things done faster and better, one should not try to stick to something which we call rules. Not with creativity. Not in art.

That would mean the small kid who does not have an idea of rules and instructions should not be able to draw. But the small kid is able to draw. Every kid is able to draw and paint.

As people grow up they find out that life wants us to comply with requirements, regulations, rules and certain instructions. It’s no surprise they want to apply rules to everything what we do. I know artists who would call the way of paint application a rule, or the way of drawing something on paper a rule.

No rules, just do your best!

I would love to encourage these who want to try art, to just go with their intention.

I hear quite frequently: I don’t know anything about painting or drawing. Well, you don’t have to. You just have to start trusting your eyes and trying to draw or paint whatever you intend to.

What to use for watercolor sketching?

Everything you can afford or like. If you do not know whether you will continue or not, why would you buy $75 watercolor brush? We always use the largest watercolor brush that still allows achieving what we want. It’s pretty much common sense. You could survive with just one number 10 watercolor brush if it has a good fine tip. 20-brush sets from Dollarstore won’t do anything, don’t go for these.

If you are applying wet paint on your sketch, traditional sketching paper won’t allow that. It is too thin. That’s pretty much common sense, as well; it could tolerate dry pencil or some pen, but not washes, especially repeated washes or paint lifting.

I would advise to always use watercolor paper for drawing, sketch, illustration, practise, color or flow practise because that is thicker and can be made wet.

If you are a beginner, you can live with just beginner’s watercolor paint set.

You can do illustration or sketch any way you like

If you are afraid to draw right away with pen, do the initial drawing in pencil and go over with pen afterwards. Keep the best lines and erase everything else, and here you have a nice, clean, attractive drawing. Why to use pen? It is simply easier. Pen makes the outline clearly visible, all image looks finished and elaborated even when the drawing is far from perfect and watercolor washes will bring your artistic attempt to life.

There is no wrong or right way to sketch, to draw or to paint

All artists develop their own style over time. Should you expect the first attempts to be perfect? No, don’t do that. Always tell yourself: Let us see what happens. Treat all of your first year’s art as a practise, as an experiment. Some will be god, some will fly into the waste basket, and that is absolutely fine.

People call everything which did not come out perfect: a mistake. That does not always apply to art either.

Some artistic mistakes and flaws can become the foundation of your personal style. Some experiments can set the tone for anything you do in the future. Therefore: experiment, experiment and experiment!

I am attaching some works from previous sketching session.

Illustration or sketch can be carried out in any style you prefer

I am advising to use pen just for simplicity and speed. It really helps. I also love the accomplished look of such sketches which can be definitely used as completely finished art on the wall or for any other purpose.

 

First we draw with pencil the main lines. We draw lightly without using pressure. After that we repeat the best lines in pen.

Choose whatever colors you love and would want in your sketch. Activate with water. Test on testing paper how transparent the watered down mix is. Apply small amount of water onto the main image area. You can use spray bottle if it creates mist. Check against light: if the shine is about to disappear, that’s the best time for first washes.

More washes or less diluted paint, and we are done.

 

If you allow first layers to dry and then make your paper wet again, nothing will happen to the dried out first layers. It is safe to go over with water. Don’t rub or scratch with the brush; that will definitely take some paint of.

Corrections are done with paper towel when the painting is wet: pressing paper towel onto paper will take off most of wet paint. When the paper is completely dry, apply washes and use damp brush or paper towel to lift color or paint you don’t want. Repeat until you like it.

The thicker the watercolor paper, the more things you can do with it.

Cheap watercolor paper is for tests and some practice only. It is simply too thin to do something more.

You can choose any pen you can afford or like. Your pen can be different color, too. Black simply fits any other color and makes it stand out more.

Large sketch using much wider pen

All watercolor illustrations and sketches look great. If you want them to be better: practice more and don’t expect immediate perfection.

Where would we be without the beauty?

Beauty is the most universal, self-expressing phenomenon that does not require words or language knowledge. It is present in all walks of life, but it becomes something extremely perceivable due to art.

As we rush our daily schedules and spend most of the time running, we might not notice the moment when a bud opens. The magic moment when the fragile petals unfold and when the sun and rain pour life into it. It becomes a mediator of beauty. Every smallest vein and line, every nuance of color is so unique.

The biggest advantage of being able to create, draw and paint is the feeling of being a creator. We can do anything with the sheet of white paper in front of us. It’s our choice what goes on it. I choose the never-ending, personality enriching and mood uplifting divine features of the nature. It is a cheerful activity on its own. It is more than meditation, it is much more than immersing in oneself, it is the imperative life-continuing reveal of the underlying essence of life, and the essence of life is beauty.

Cherry blossoms, watercolor painting. Beauty unfolding

 

Apple blossoms, watercolor painting. Beauty in a very visual way.

Enjoy! Happy Mother’s Day! I know my mom will love these paintings.

How about a painting party?

Do you ever think that having a painting party or private painting event might be a fantastic way to have a good time and have a glimpse into art creation secrets? Many people admit they are extremely exhausted, tired and losing interest in their daily chores. There are plenty of people who suffer from the burnout syndrome. That happens especially when the job involves some kind of repetition and routine, and good results are not always there. It can be caused by clients or family who do not appreciate your efforts or lack of success in things you are trying to achieve. Winter time is causing depressive state of mind, and sometimes we simply are feeling that we need something completely new. New experience, new challenge, time for ourselves. It does not really matter how average or outstanding is the art we create at such events. We have to be somewhat realistic: nobody can become an artist within a few hours. However, we can still do something meaningful. It is better than simply snoozing on the couch or eating at the local fast food restaurant just because one is bored.

Creativity is present in every single one of us, it’s just so that it can be fairly tricky to put your creative abilities to the test. Well, people who love entertainment without negative side effects can certainly enjoy such an afternoon or evening.

It is fairly tough on me because I’m only one person who does everything, but I’m OK with that. It is not that such parties are every week. Therefore, you should try, too. Every neighborhood has art places that offer to enjoy painting with friends, family or colleagues.

Photo gallery shows a recent painting party. This family had chosen a scene with rocks and highly textured background. I placed all textures on canvas 2 days before the event, and it actually took me a while.

Lifeschool blog talks about risks associated with the use of synthetic vitamins and supplements:

https://inesepogalifeschool.com/2017/02/20/healthy-lifestyle-habits-that-put-you-at-risk-for-undesirable-side-effects/

How does it feel to become a rose?

I always prefer and I always advice others to use real objects, real scenes and live models for their paintings. It’s not only because camera does not see things as a human eye does, but also because of immediate presence.

When somebody aims only for technically great achievements in arts, they certainly stick with photos because we quite cannot distinguish between tiny details when looking at something with just our eyes. I’m not painting or drawing anything I cannot see or which is too small to see. I prefer to go bolder and not to use any magnifying glass.

It can be tough with flowers time to time, especially in winter, and they generally do not last as long as painting takes from start to finish. Anyway, whenever possible using real things has its advantages. They also cause feelings, admiration, attraction or vice versa. This is also something we are trying to implement in our paintings. Technical ability is great, but technically perfect and emotionally cold art isn’t speaking to me. I’m not saying that I always keep working until I have achieved absolutely everything. There is something great about unfinished paintings, too. For instance, a chance to add imaginative characteristics or continue with one’s thoughts. When painting is small, 16 x 20 inches (40.5 cm x 51 cm) inches or so, it doesn’t feel right to spend a year painting it. I sometimes return to a painting after 2-3 years.

Therefore, it feels great becoming a rose. As we paint any petal, we build it and grow it to our liking. Although, it’s just a rose, it has it all: some hidden attraction, some mystery and some color combinations that do not always find reflection in a photo of the painting, but they do become visible when looking at the artwork in person.

Wild roses acrylic painting

There are lots and lots of objects which can be painted not even leaving our room. People sometimes say: I don’t want to paint still life, it’s boring. That’s totally wrong. That is the best exercise in painting there can be found. People who can paint or draw can paint anything and draw anything from apple to face. Still life is the shortest way to explore values, edges, color transitions and the ways we can create them. It’s the best tool to learn underpainting, sketching and blocking in the main shapes. It’s also the easiest way to learn about lines and their relationships, as well as all kinds of shadows. Therefore, we should never underestimate still life as subject, genre or way of expression.

Pink rose acrylic painting for sale

The lifeschool blog reviews pros and cons of using supplements and synthetic vitamins: https://inesepogalifeschool.com/2017/02/07/are-you-wasting-your-money-for-supplements-and-vitamins-without-experiencing-any-benefits/

How drawing and painting teaches us life and boosts mental fitness

Creative involvement in drawing and painting is one of the best things we can do in order to increase the brain activity, improve memory (not only visual) and become more confident, self-aware and efficient with making decisions.

How so? Every line and brush stroke we put down on paper or canvas comes from the brain impulses and activity of neurons at certain parts of the brain. Your hand doesn’t move on its own, it’s guided by our perception and the ability to transform visually or with other senses perceived information into individualized personal experience which is reflected as you draw or paint. It is a very complex process, and we tend to think there are mysterious powers of some kind involved. I sort of want to remove the magic aspect from creativity, just to keep things simple. Inspiration will add the magic, but we have to start from the basics.

Most people do not see the surrounding world as an artist does. So, the first task is learning to recognize all the multiple aspects of transforming a simple visual image into art that exhibits the artistically applicable features of this image. How do we do that?

Anything we draw or paint must find some echo in the storage space of our imagination. Such space of stored imaginary images is present within any memory based on associative and a priori acquired knowledge. Anything we create always relates to our fundamental knowledge of this world. Yet, the drawing or painting we are doing has SPECIFIC OBJECTS, VERY SPECIFIC ITEMS, a VERY SPECIFIC THEME and ATMOSPHERE. It is a scene like no other because it always presents individual features. No two apples are exactly the same, now flower copies the other one exactly line by line, vein by vein and trees come all in very various shapes, not to mention faces, landscapes or other scenery.

Since most people who learn painting or drawing believe that getting all information from the outside and simply following somebody without making their own decision will do the job, first artworks usually do not come out that great. While we are sketching or blocking in the basic shapes or lines, we should already try to decide why everything is where it is, and why composition evolves as it does. The reason we place our objects based on some principle on our paper or canvas is deciding early and planning for effects which we create later.

Adding paint or other elements is always making decisions: first about values, then about shapes, edges, washes and eventually we need to apply color if it is watercolor or acrylic or oil painting in color. Our brain has to make these decisions fast. Most mediums require using relevant timing. If we hesitate too much in some watercolor layers, it simply is too late to achieve the type of wash that makes such painting outstanding. If we are too slow, the acrylic layer we worked at is already dry or tacky and we have to return to it later.

Some images from recent art classes

art-classes-oshawa

Blooming in studio

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On the easel: beautiful subject

art-classes-art-students-whitby-ontario

Natalia joined us just recently: very talented girl

There are two main things blocking our ability to proceed with painting or drawing when somebody attends or watches a class: we believe that instructor has made all decisions for us and our task is to blindly follow and to repeat what we see; and we are trying to do everything without any knowledge of why. There is no reasoning, no decisions which arise from our current activity.

For instance, when asked what he or she is doing with some particular part of painting, a very frequent answer is: “I don’t know”. How come? You have to know why you want one part dark and how to achieve that, you have to decide whether that particular object is small or large, has lost edges or sharp edges. That is, basically, we have to decide what exactly and why exactly every time we do something with our painting or drawing.

The biggest trouble maker is simple, aimless brushing around, moving paint all over until everything what there was is lost. That comes from not making a decision. When we decide that clouds are large and grey, we act to achieve this. It’s obvious that only acting based on decision can contribute to implementation of our intentions.

The instructor or art teacher isn’t a magician; they cannot affect directly and immediately the way your brain works. They hope you pay attention to what they say and demonstrate and you will make your own decisions based on this advice. However, if you do not answer for yourself why, what, when and how, the progress is noticeably delayed. Therefore, I also advice doing value sketches. This does not slow one down, but helps tremendously with planning and deciding on what, where and what way.

Eventually, the decision making we learn in classroom makes one much more efficient in other areas of life; hence, everything should be based on decision, not impulse and lack of thinking, so that we do not have to admit: I don’t know why I am doing this. You have to. Unfortunately, nobody can provide you with a dose of understanding perspective, values, shapes, contrasts, layouts and other elements as a capsule or tablet to simply swallow and apply. Everybody has their own ways of making the necessary decisions and they should arrive to this understanding on their own, based on advice, recommendations, techniques and principles teacher, demo or class has provided with.

2 new still life paintings for sale

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This was started 4 years ago, oh well, time flies

still-life-for-sale-2

Recent study

Lifeschool post has some suggestions on how to avoid preventable accidents and also shares some stories of people who required lengthy recovery: Accidents, bad luck, etc

How to start and achieve good results painting with acrylic

I have spent thousands of hours watching how students start out with their paintings and I have also been beginner many years ago. Therefore, I am aware of tough things which we experience when using such a medium as acrylic. Especially, if this type of paint is a completely new to you.

Acrylic paints are very friendly. No smells, no known allergy causing components. I would advise people with sensitive skin to use gloves: they should be thin and match size of your hand.

Acrylic is easy to use because we can repaint, paint over, cover up and restart painting any areas which we assume not good enough, not suitable our intention and not nice enough. We sometimes need to wait until the first layer is dry. Overworking one spot causes to come off all wet paint.

Acrylic paints can be applied thinly, diluted with glazing medium or water and in a thick layer creating almost impasto effects. It’s just so that prices of paints have tripled since 2008 in Canada, so it is obvious that using modelling paste or different materials as a base is better than applying a lot of paint.

The biggest challenges are two. 95% of beginning artists who work in acrylic USE TOO LESS PAINT. A LOT LESS than required, actually. That results in uneven, streaky coverage or there is no distinction in color and value. We have to add the paint we are using most as it is almost gone. Acrylic dries fast, so dipping on it a few drops of water or slightly spraying it with water time to time will help hugely. It might be so that somebody gets overwhelmed with all information they have to absorb in first classes, but still: having just a small drop of paint on your palette is not going to work. USE DECENT AMOUNT OF PAINT! ALWAYS! Keep it slightly wet all the time while you are using this paint.

Secondly, partially covered canvas does not look good. We can check whether the coverage is proper by taking a picture. If the canvas fabric is clearly visible, that part certainly requires more paint, sometimes: much more paint.

By its nature, acrylic acts like a glue. We have to use this feature in our favor and so we do. We start with more abstracted, not that careful layers and move onto something more definite. WE SHOULD NOT START WITH FINAL DETAILS OR ASSUME THAT ANY FIRST LAYER IS FINAL. Apply at least 3-5 layers and then decide what else you do. Never judge an unfinished painting or make unreasonable conclusions about it. We fix and change EVERYTHING as we add more layers.

The second challenge is BRUSHING PAINT ALL AROUND. We need to place the paint wherever we want it and leave this spot alone. With that being said, we shouldn’t create strong fat lines with sharp edges for darker areas or road sides, field ends and similar. We want darker areas, not darker frames everywhere. To achieve that, we feather out the outer edge on that area. Just let the brush dance on your canvas and don’t worry about too much blending in the first few layers. By letting the brush slightly touch canvas on one spot we can hold the particular color on that area where we want it. Brushing paint around results in achieving uniformly flat color on the entire canvas or area.  We have to use the color we want on the spot where we intend to apply it.

Instructor can demonstrate, explain or show principles, methods and approaches, but painting is still up to you. That means: you have to use the reference, remember to look at the reference whether it is a real abject or scene, or a photo thereof all the time, not only when you start the painting. That does not really happen in reality.

Painting is based on very many decisions we make every second; in fact, we make some hundreds of decisions every second. So, if you only follow the instructor, but haven’t decided anything for yourself, results will not be that great.

Why am I saying: pay attention to reference? I have to repeat that because most people don’t ever pay attention to reference. When we are just beginning the painting, they would have a brief look at it; and I notice after a small while that NOBODY LOOKS any more at the reference. YOU HAVE TO! Reference or value drawing (if you have created such) HAS ALL THE ANSWERS: where to use dark color, where to make strong edge, where to wash edge or lose it, where to place highlights and what exactly the shape of something is. It is extremely important, much more important than what brush to use.

Talking about brushes: always use the ones which you feel comfortable with and which suit the size of the area you are working on. Very simple. We use the largest possible brush for any task. Flat brush has MULTIPLE USES IN ACRYLIC. We can draw thin long lines with the edge of it; we can cover large areas using it flatly, parallel to surface in full width, we can use 2 different shades or colors on each end of the flat brush which simplifies and speeds up painting.

How does the painting or drawing happen? We transform the visually perceived information in the brain signals that eventually lead to our hand movements. Whenever our hand moves accordingly to decision we made, we achieve the desired result. The more decisions one makes and the more one understands why some parts are neutral, some have strong and some have weak values, the easier it is to paint or draw. Blindly following and copying RESTRICTS our ability to analyze, understand and apply creatively our vision.

We develop painting from my sketches. The light barn with pink-red roof was painted by our youngest student Erin who is 11 and attends classes together with her mom. We just started a new project which we are also doing from a quick sketch of mine.

This post was waiting for a long time because I was very busy working on class images and steps.

Therefore, some images are from mid-December classes.

Painting, drawing and sketching manually is THE BEST MENTAL FITNESS EXERCISE. Nothing else can compete or compare to that. Period.

The lifeschool blog reviews challenges during dark and upsetting winter: https://inesepogalifeschool.com/2017/01/17/how-to-feel-good-and-survive-the-dullness-of-depressing-winter-days/ Please enjoy!

 

Reds and gold for Christmas and holidays

How have you been? I was so busy during the past 2 months that I hardly could do anything else except work, work and work.

I thought it would be great to have a good show this year since the summer was not the best. It feels the 3 bad years are over and I can start fresh. Meaning: much better, at much higher level, much more efficient and much more skillful. That is not hard to do when health has returned.

I know how many people would love some art and there is not enough money for everything. I will probably try in the New Year posting some giveaways on Facebook (link is on the right: Art plus Life).

Well, I am completely behind posting schedule on either blog, this one and lifeschool. I promise to post some articles and poems more often once I get over Christmas.

reds-and-gold-for-christmas-88

The theme of this year is: Reds and gold for Christmas. Red is such a warm and energizing color, we need it; we need it especially when it’s cold and nasty outside, or inside the heart. I was spending almost all day trying to get some pics for my show. Well, light was bad, but I tried, tried and tried until I was somewhat satisfied.

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Some new friendly birds

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Different settings

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No celebration without poinsettia

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Lovely golds and robins

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Golden light of candles

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It was difficult to guess which one was the painted poinsettia when I first looked at pictures.

I wish you not overdoing with gifts, but choosing soul-warming, mood-lifting and energy-giving things. Like a painting? Why not?

Watercolor mania? Yes, incurable

It isn’t so that I am completely obsessed with painting, but I have given thousands of workshops and classes just within the last 4 years. There were moments when I had 5 or 4 every week. Every class or workshop required some reference painting, plus, I certainly wanted to paint something on my own, as well. My problem is that preparation for any class and workshop and my own paintings always took so much time that I never really got to selling anything seriously. I would put on the “Open” sign, and that was pretty much it. I am realizing now that I have so many paintings which would easily fill up the largest gallery.

Watercolors up to 11 x 14 in (28 x 36 cm)

Some are framed, some matted 

 

Most of them make great greeting cards, as well, and look fantastic in white or light grey frames

Most of these paintings are in piles and wrapped up because classes involve a lot of splashing, so nobody actually gets to see them. That includes me, as well, because I rarely have time to sort things out. These are just some of small size (7 x 10 and up to 11 x 14) and medium size (12 x 16 to 22 x 18) watercolors.

Flower power

 

 

I did not even realize that, but the number of paintings has reached sort of tipping point. I would need at least 3-4 times larger space to either hang it all or display in any other way. It is time to reconsider everything and become more serious about doing something with all this art which, quite honestly, has taken numerous hours of drawing and painting. I always enjoyed that, but I am short for storage and space. What good do these paintings if nobody ever can see them? Therefore, I would be very happy some of them found new walls and homes.

Anyway, most likely I will have to repeat this before Christmas and holidays, but still, I believe, these are very attractive paintings which would look great in any place, especially in a proper frame.

All details and separate images are on  Fine Art America.

You can view all images and then let me know if you would like to see if original is still available. Shipping will be extra.

 

Everything $100 to $350. Shipping extra. Thanks if you checked them out!

If you ever doubted whether to start drawing and painting, just go for it. Being addicted to painting is not the worst that can happen. It is an entirely distinctive new world which never stops surprising.