Category: Nature

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Scrolling through old pictures, finding amazing art

Painting the garden watercolor

The unfortunate spring of 2020

This year will be marked by COVID-19 pandemic forever. This time is a very specific one, and so are our experiences. One can spend more hours on simply reminiscing about the moments which were captured on photos last year, the year before that and many years ago. This time also shows us how wrong we were about many things and how little we appreciated the freedom to move around and to go places whenever we felt like.

Art creation requires to be alone

However, for someone like me, there is no much change. I am not excited about Ontario winter which extends into spring, and in April as this year again. We had snowflakes dancing around daffodil buds for a few days now. Regretfully, it has been cold, and spring didn’t keep its promise about plenty of sunshine which it arrived with.

Missing and hoping

So, I was scrolling through pictures from previous years not only because I didn’t have anything better to do, but also because I needed to reinstall everything onto another computer after the old one crashed. The pictures from earlier years cause wide range of emotions. I am so proud of having painted numerous outstanding quality paintings, I miss the live art classes, I want to be in the blossoming spring backyard sooner. I start feeling older and I look at my own life as a train running away. I actually stopped making big plans many years ago after the accident in 1992. It would be interesting to know what my life would have turned out without going through that awful time. However, due to aftereffects of that accident I came to Canada.

Museum quality art

The attached images are of large watercolor paintings which I painted between 2008 and 2011. I honestly regret I cannot show you the actual paintings in their actual size. The image size is 23 x 30 inches or 58 x 76 cm. I am excited myself to explore the flow of lines, the perfection of detail, the soft and unexpected transitions of color which photos unfortunately cannot capture. Most of these paintings are put away and preserved in large folders. The ones in frames are under glass and neither pictures, nor videos would show them without a glare.

Mastering the medium

All of these paintings realistically show mastery in paint application and composition. I usually spend at least a few weeks to a few months on just one painting. They have been accepted in juried shows and exhibited in all kinds of galleries. After I broke the large museum grade glass on one painting, I stopped taking them out. These paintings are excellent value, and they should be treated like such.

Affordability of art supplies

It doesn’t even seem that long ago, just a decade or a bit longer, but art materials, especially watercolor paper was so affordable! I used very heavy duty and very thick Arches paper for anything, even sketches and quick drafts. The same paper costs a lot more money today because 1 sheet is $25-$35 in Canada. Is this only my imagination, or quality also does not feel the same? Any paint quality has definitely decreased big time over the past 10 years while prices are 3-4 times higher.

Art supplies matter

The truth is: great watercolor paper makes up for at least 25% of watercolor art quality. It is physically impossible to create good washes and flow of pigment on paper which does not absorb paint and water. Looking at these pictures makes me sad, too. I wish all art materials were available without any hassles again! I am waiting currently for some acrylic paints to arrive. I also hope watercolor paper became less expensive. Actually, the highest prices for any art materials are in Canada.

Should I even paint something more?

Most likely, I should sell more, not paint more. It is a matter of space and storage, as well. Yet, once somebody is hooked on creating art, it becomes like addiction. I’ve been in art for 50 years, and I don’t think I am going to ever discontinue painting. When I look at the art scene of today, I must say, I feel disappointed. Most images are computer generated, vector images, digitally enhanced or digitally painted images.

Good quality hand made art

Good quality hand made art is becoming quite rare. I would emphasize: good quality. The reason might be that most people do not want to spend time learning how to draw. It is way easier to trace or copy or print off and then paint over. While one has outline, they also need a lot more: understanding what values are, how contrast, light, direction of light and composition, as well as perspective contribute to any painting. These aspects are the ones which are missing in big part of today’s art.

The thorough painting process

I usually create full-size hand drawing for each of these paintings. Most of drawings show also the scale of values. Therefore, I do not need any other reference if the still life or landscape setup and view is not available any longer. I set up or looked at a scene and then drew it. Here is one example setup which was the base reference for my garden painting.

Painting the garden watercolor

I transferred the drawing (I used a large window for that as a lightbox) onto watercolor paper and kept working every day when the weather allowed.

Large watercolor garden painting by Inese Poga
The garden painting: so much great time spent with it, painted in 2011. This painting is 23 x 30 inches or 58 x 76 cm.

I cannot recall the year, but I think it was 2008 when I painted this road. It is also full-sheet watercolor painting on Arches. Some of my paintings have never been published, this is one of them

Sunset road watercolor by Inese Poga
The forest road watercolor from 2008, This painting is 23 x 30 inches or 58 x 76 cm.

The birch path painting refers to a Latvian forest path. When it comes to painting, I am always subconsciously referencing my memory which stores Latvian landscapes, views and scenery. I have added Canadian landscapes to my memory in the recent years, but Latvia still prevails.

Birch path, original watercolor painting by Inese Poga
The picture comes from 2010 and might have more contrast. It was photographed through glass back then. However, the actual painting still looks very impressive and asks one to walk this path. This painting is 23 x 30 inches or 58 x 76 cm.

The spring creek was half imaginary, half photo-referenced. It took about a month to paint it. Image shows it more yellow, but it’s rather crisp light green and the blue is very attractive.

Spring creek, original paintings by Inese Poga
Spring creek, full-sheet or 23 x 30 inches (58 x 76 cm). spring watercolor painting

And finally, so far never published watercolor from 2010. It is also 23 x 30 inches or 58 x 76 cm

Along the summer stream
Along the summer stream, full-sheet watercolor on Arches

The difficult photo managing experience

Back then just as today, I was struggling with getting good photos of my paintings. It’s more struggle now thanks to Windows 10 photos app which seems to be incompatible with iPhone 11 Pro Max. Every time when I am trying to download pictures, one or another side doesn’t want to cooperate. Windows 10 photo app not only does not allow me to set my own parameters for download, they mess up everything and I have to manually copy over and delete lots of pictures. Sometimes this app wants to download all photos from phone, sometimes does not recognize any.

Simple editing tools

I was still using the great Microsoft Digital Image Editor 2006 up to the moment when my previous computer crashed. That was all I need for adjustment of my pictures. It was simple, fast, extremely efficient. One can find numerous photo manipulation apps now, but there is none for keeping the image as is, just fixing exposure, light and contrast. Most pictures displayed here were taken up to 2011. They are practically unedited, except, I added frames.

Blogging, pleasantries and some annoying habits

I have intended to post more of previous paintings since I also haven’t seen them for a while, that means for at least a few years. I know how people are busy. It’s just so that if you do not look at the actual post and the actual images, you most likely have no idea what I am talking about. I have noticed some bloggers click on “like” under 20 posts, but they certainly haven’t seen or read any of them.  I am trying to always respond to all comments timely and I do appreciate your comments a lot. However, I never put blogging before the actual life, therefore, I will like back posts which deserve that and comment back in case I have something to say about your article when I have time.

My paintings on Fine Art America, large collection:

Stay safe and take good care about yourself!

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My solo art show February 14 – March 19

Red country barn, acrylic painting

If it was only painting

My show is finally up. Putting up a show, small or extensive, takes time, many hours of work, dealing with selection, adjustments and paperwork. It felt as if the small tasks were never-ending: glazing, covering with protective layer, attaching wires, designing and printing price tags. I have taken numerous pictures. Light was not that good some days; well, it’s February. Therefore, contrast ranged from extreme to none, brightness went from burnt  out images to a total lack of light.

Lots of work and many decisions

Even putting up paintings at location was time-consuming. Any place has its pluses and minuses. Light is as it is, and I had to figure out the best layout immediately and without hesitation. There was staff, who went up the ladder and put up each painting, and while they were doing their best, everything took some adjustment. I think I managed to do very well with placement of my art.

It is a great advantage to see art in person

While less people attend shows or art events nowadays since everything is on the internet, I would like to still emphasize that nothing compares to seeing art with your own eyes and experience the feeling of direct presence. There are so many devices between the real painting and its image on the internet! Any of these devices change the look of painting to a great extent, so some things get lost along the way, which especially refers to balanced and carefully crafted colors and contrast.

Paintings which were included in this show

My paintings frequently display paths and roads. Road, as well as path is an important symbolic element of my art. We are always on the way, always going to something new which is still to be discovered and explored. I am posting this time a few completely new and a few overworked paintings. That especially refers to “Nostalgia” series.

Subjects of my art

I loved to find untouched landscapes in close vicinity of a town: old country barns, quiet streams, birch groves and meandering forest paths. I genuinely love wildflowers, they appear quite frequently in my art. The same goes for always painting spring in winter.  That is a natural mood lift and fantastic way of spending dark and gloomy days when storms, snow, cold and ice make the outdoor landscape very hostile.

Less text, more art

This post is intended to show paintings, therefore, less text, more art.

Early spring with red barn, acrylic painting on canvas by Inese Poga
Red country barn, early spring, acrylic painting 76 x 61 cm, acrylic on canvas
Early spring with red country barn, painting by Inese Poga
Red country barn, early spring won the easel, Nostalgia series
Nature paintings, spring paintings
Path in blue hill woods, Nostalgia series, acrylic painting, 24 x 20 in or 61 x 51 cm
Original art by Inese Poga
A few of show paintings
Acrylic landscape, summer reflection
Reflection of clouds, summer stream, acrylic painting on 24 x 20 in or 61 x 51 cm canvas
Art show by Inese Poga
With little bit of background and wider view
Nostalgia, acrylic painting by Inese Poga
Nostalgia, the painting which initiated the series of landscapes disappearing from our neighborhoods, acrylic on canvas, 24 x 20 in 61 x 51
With background, acrylic landscape
Nostalgia painting on background of other art

Interested to purchase? Shop originals

If you happen to live in Greater Toronto Area and especially around Ajax, please stop by. My show is on at Ajax Town Hall Council Chambers Lobby until March 19. 25 works of art are exhibited. I take from the first responses, that people like it. Enjoy!

Link to Fine Art America printed art products:

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Space for improvement

Bullfinch and cardinal paintings

Space for improvement and skills

I wish the New Year brought back the importance and significance of real, high quality art. When we say: state-of-the-art, we mean something exclusive, outstanding, novel and unique. When we look at all entries on different internet sites which are labeled “art”, there is frequently mediocrity, lots of attempts which do not present skill or mastery, and numerous repeated concepts, e. g., eyes, lips and hands. I see lots of space for improvement there. Subjects, such as back-lit trees, sunsets, starry night skies and silhouettes are also in abundance. However, even a repeating concept is not that bad as long as the execution is skillful and shows some unique artistic touches.

Make it unique and unforgettable

Therefore, I’d love to see hand-made art as something exclusive, outstanding and unique. Just like in any other area, we are witnessing unnecessary self-criticism when a very good artist asks social media visitors how to improve an already great painting (unless, it’s an attempt to get more publicity) and complete lack of any self-criticism. Art should be seen more as something which cannot be repeated or copied by anybody for that matter. Also, designs and wall-filler pieces are also referred to as art. While it is a decorative piece like sign or poster, or framed wallpaper, etc., it isn’t really art.

Quantity versus quality

We have become a society which values quantitative results more, for instance, number of followers, likes, comments, sales, profit, number of created items, and so on. Chasing quantitative outcome, as in an article a day, painting a day, poem or song a day decreases quality because such creativity becomes obligation. Creation itself is directly the opposite. It is a summary of efforts, inspiration, trials, errors, discoveries and sometimes futile efforts. Eventually, such attempts result in what we call art. If you have ever created something, you know that creation also includes doubts and corrections of wrong assumptions.

Creation is not always a smooth ride

Good painting is not created within a few hours. Well, maybe a tiny one could be done that fast. Large paintings can take not only weeks, but months returning to painting every single day. We need to prime canvas, work out the concept, do sketches, color matches, transfer complex drawing and so forth. That can be a smooth or not at all smooth process. Some idea looks great as a sketch, and then I turn it into painting, and it plain and simple does not work. So, I start over. 

Creation takes talent and skills

It’s a lot of work, a lot of skill, and I dare say, talent, as well. For some unknown reason, talent is greatly denied its importance. While everybody can learn everything, not everybody can achieve the top of artistic expression. We mostly hear that creating art is just work and practice. That is not true. I do not want to say that all my art is top-notch. It is normal that some pieces come out very well and some not that much. I also have many paintings which I haven’t been able to photograph in a presentable way, so I don’t publish them anywhere. The difference probably is that I am trying to become better and better with every brush stroke and never stop improving.

New paintings of small birds for bird lovers

I am attaching images of acrylic paintings which picture small birds. They were started as demos for art classes. I certainly added many more layers after class. It is very beneficial for an acrylic painting to apply many layers of paint. These pictures show a background with Christmas ornaments, however, I intended these paintings so that they can be used during any season, not only around this time. I used the ornaments to make colors match more my actual original paintings. Enjoy!

Learning, teaching, promoting

My current focus in art is to promote my own art and to give private classes to interested students. Group classes are great, and through these art classes I have met numerous wonderful people. However, it is an extreme pleasure to help shaping a talent and genuine devotion. Students, who attend private art classes, have certain goals and they are interested in a particular medium, subject or skill. That makes painting and teaching process fun.

Private classes: One on one classes

Apply for art classes: Sign up for an art class

Unlimited path for improvement

Since I give very many classes and do very many demo paintings, I also need to bring the painting I started as a demo to finished stage. That’s why some subjects are not my preferred subjects, yet, it is a space for improvement. I am still trying to do my best and not pollute the internet with inadequate quality art. And, certainly, our tastes might be distinctive, yet, good quality is recognized everywhere.

Bullfinch, acrylic on canvas
European bullfinch or redbreast is seen more in Europe. It is the favorite winter bird. My painting displays early spring, and I believe it turned out as good painting.

New cardinal couple painting
This is the new version of cardinal couple since there are at least 6 more cardinal and cardinal couple paintings. It is a favorite subject of many students in winter.

Happy New Year and thank you

As the year is almost over, I’d like to thank all blogging friends, everybody, who took their time commenting and liking my articles, as well as people, who bought my art and attended my art classes and workshops. Your friendship and interest in my art means a lot to me, and I am grateful there are so many of you. Happy New Year! Happy artistic journey and lots of new discoveries in 2020!

Here you can view my FAA art collections and buy art prints:

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Artworks, brushworks, paintworks

Golden sidewalk, fall painting in acrylic

Essential aspects of artworks

Painting isn’t just brushing around. Many different things go into a single painting. That’s why nobody can learn painting within a few hours.

Painting process includes idea, concept and composition, choosing and mixing colors or deciding on palette, paint application using different tools and brushes of all types, brushstroke, blending and creation of values, contrast and adding highlights. The painting process also includes understanding of abstracted parts and backgrounds, ability to see and understand what is more important and what should be left out of painting. Each one of these aspects involves continuous work and ongoing elaboration.

Loose isn’t sloppy

I sometimes get the impression that by liking loose painting style, it is understood that we can apply sloppy, coincidental and not targeted brushstroke (when there is a brushstroke). In fact, any part of putting paint on canvas must be targeted and have some intention behind it. Moving paint around is probably the worst habit one can have or develop. The first step is always to learn practical use of brushes and tools. That refers to painting in any medium.

Flat brush for acrylic painting

Flat brush is magic in that regard that it can carry out numerous functions. Flat brush has a few surfaces and edges. We can make it work fast and create smooth color and values transitions. We can use two different colors or shades of them on each side of the brush. We can draw thin lines using the edge of flat brush and holding it so that it is perpendicular to canvas. We can use it for easy blending with clean water and as a dump brush. We can use any edge or side of it to paint small parts. I assume a decent flat brush an essential tool for acrylic painting,

Fan brush, sponge and paper towel

Any of these tools can be used for textured prints and also for quick cover of large areas. It makes sense to learn using fan brush in a sensitive way. Most people won’t rotate fan brush and won’t use just a part or corner of it, We use in classroom fan brushes which I have specifically cut out with scissors to create more impressive prints. Such brush also controls amount of paint better. Paper towel is our best friend with any medium. It is very important to have many sheets of paper towel around the painting surface as soon as you start working.

Understanding values, contrast and direction of light

If somebody has done a lot of drawing and sketching to establish the composition, focal point and also value pattern in a painting, they will understand these aspects much easier. I find that a value sketch is probably the most useful. Once we have done a value sketch, we do not need even a photo reference. Value sketch will identify all areas which are of great importance. I know that most beginners assume ability to draw and creating value sketches in color a waste of time. Yet, I can honestly say that nothing else helps more than such sketch.

Fall sunset, acrylic painting
This painting which we did in art classes, uses contrasting colors with distinctive temperature, as well as extra simple composition.

The most important part of painting

The most important part of painting is decision making. When somebody has plenty of experience, they apply paint in an automated manner. It is predictable what each color combination, each type of paint application and each element of composition will do for our painting. Until we have gained sufficient experience, it is mostly guessing whether something will work well in your painting or not.

Acrylic painting, red country barn in fall
Red barn, maple gold, acrylic painting on canvas

Red barn, acrylic painting
Red barn, maple gold painting with small bit of background

Layer it on

Acrylic is a friendly medium. Acrylic paint can be applied (in fact, should be applied) in many layers. Each layer will bring out more or neutralize colors and values appearing underneath. If canvas fabric is visible in the final version of painting, it is clear that one has used too less paint and too few layers. That is a common beginners’ mistake: to believe that one layer of paint will do. One layer of paint is not sufficient, especially, because acrylic paint becomes flatter as it dries. We have to go over and over some part of painting for a few times until we have established the correct proportion of colors and values.

Golden sidewalk, fall acrylic painting
Golden sidewalk, acrylic on canvas. We were painting Golden sidewalk during adult acrylic painting classes. This is my demo painting, I always add more layers after class.

Golden sidewalk, fall painting with acrylic
Golden sidewalk painting got lots of attention on Facebook. I must admit it looks very good also in reality.

More about recent acrylic painting: Paintings in progress

Sign up for art classes: Art classes, schedule and registration

Thanks for reading! Enjoy!

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Fruity, simple, attractive

Still life with fruit, watercolor still life painting

Fruity, simple and attractive is still life with apples. Between years 2013 and 2018, I used to spend either August or September in Latvia. They have numerous fruit trees. Apples were in all tones and colors: red, white, green, purple and scarlet. Their round perfect shape was always attractive to me, so, I rarely could resist sketching or painting some apples whether with leaves or other elements.

Still life with apples

This particular painting comes from my bright color period. I think it was 2008 when I painted this still life. It is quite large, 15 x 22 inches or 38 x 56 cm. I used to enjoy extra bright colors and St. Petersburg watercolors definitely facilitate that.

Still life with purple apples

This apple still life was painted in Latvia looking at a tree and balancing paper in my lap. The weather wasn’t really cooperating, but I managed to finalize this painting upon my return to Canada.

Still life with fruit, watercolor

Similarly, this still life with apples and pears was painted at my daughter’s computer desk. The space was too small to lay out paints and paper in a manner that I could paint without worrying that something falls to the floor. However, I love how it came out. I got some leaves in the garden, and they had a few green pears. I love my color combination in this one.

Still life with apples

These are clear white apples which grow in my sister’s garden. They are ripe in August or even sooner, but must be consumed swiftly. They are extremely juicy and sweet, but go bad fast. I haven’t actually seen this sort of apples in Canada. I think this still life came out quite nice, too. I had to add final touches upon my return to Canada.

I have many sketches of apples, some unfinished watercolors and also acrylic still life painting with fruit and apples. It is not possible to remember all paintings which feature apples.

My personal point is that anything makes a good painting. Simple things can be painted and drawn as great as very complex subjects. I do always advise starting with such subjects that are around you and are easily found and replaced. That is a wonderful exercise in composition and color. It is also pleasure for eyes. Such paintings look great on any wall.

My art on Fine Art America:

Art classes: Register here

Resources: Get inspired