Painting without restrictions, spring landscape

Painting in progress, Highland creek landscape

Being in spring landscape

What to do during the dull and dark February days? Probably, just keep painting. Acrylic painting is a bit more difficult with heating on, but it is also very rewarding. I pick myself up and place in the middle of spring. We used to go for walks along the Highland creek which offers attractive views and many varieties of trees, wild plants, chance to watch animals, jump over rocks and rushing water. Creek is wide in the middle part and water stays quite still in some spots. This is like mental transition in time and to another place. Thus, spring landscape is born.

Central part of spring landscape painting
Central part of Highland creek flood water painting

Imaginated reality

As you know, art has no restrictions. That includes the painting subject, colors we use, parts we paint and parts we don’t. I’m usually not that worried about how realistic something looks when painted. There must be some joy and fun put into every brushstroke. I usually paint as I see something in my head. When I look at empty canvas, I can easily visualize what is going to be there, in this spring landscape for instance. Similar to when we have a piece of fabric and we can imagine how the ready outfit will look. Imagination has no borders, too.

Top of spring landscape painting
Top part of Highland creek flood water painting

Spring landscape as painting subject

This Highland creek flood water painting was done for the private art classes. I thought spring landscape was very fitting since we can paint much less of it or add much more to any part. We can leave the distant part completely abstract. Well, my student was impatient and here and there jumped over the gradual steps which processing an acrylic painting requires. My demo steps got jumpy, too, but, nevertheless, this painting was brought to completion just a few days ago. What you are seeing, however, is not the painting, but images of it. I straggled getting all parts of it onto pictures.

Spring landscape project, steps
Painting steps

Getting correct colors in acrylic painting

What’s most important for me personally, is whether the mood in an artwork can move us, inspire us, make us want to be there, in that place which doesn’t actually exist in the real world. I am trying to also teach my students patience and correct use of acrylic paints. While any wet acrylic painting might look perfectly right, it will definitely dry darker. The weaker the paint we use, the darker our painting might become. I regret noticing how Liquitex heavy body professional grade paints have lost some of their quality over years. That refers to Titanium white and yellow shades.

Front part of spring landscape
Front part, close-up

The usual acrylic painting principles

Regardless of our artistic intention, we always work from dark to light in acrylic, always from underneath upwards, always from back to front. With heating on, acrylic paint can dry immediately, therefore, we glaze separate parts and work in small segments. The lore layers acrylic painting has, the better it will look. That especially refers to the moment when somebody sees the actual painting in person. I sometimes go over even the final layers if the paint has become too dull in some spots.

Highland creek, spring landscape
Highland creek flood water, acrylic painting 24 x 18″ or 61 x 46 cm

Place yourself in this spring landscape

I hope you love this spring landscape and its mood. I believe you’d hear birds singing and water rushing over wet rocks and grasses if you are able to forget the surroundings for a moment and be immersed in this painting. It’s in great size, not too huge, not too tiny, 24 x 18″ or 61 x 46 cm. The steep vertical format adds a good quality to this spring landscape and pushes compositionally important elements close to the viewer.

Painting in progress, Highland creek landscape

Just like always, thanks if you read my post! I intend to catch up with likes and comments.

Private art lessons

Group art classes

Art collections by Inese Poga

Pansy smiles, once again, and new art classes

Yellow pansies, floral watercolor

Pansies, they smile for sure

My garden provides me will all painting subjects which I usually use for floral and still life paintings. I can also see quite a landscape from the second-floor balcony, so I’m all set up for any nature painting without needing to take any photos. First of all, with nowadays cameras, perspective is completely distorted, it would damage drawing or painting to huge extent. Colors are practically never true, and that is a reason good enough to rely rather on our own eyes. This time I’m presenting the new smiling yellow pansy faces surrounded by great shapes of leaves and abstracted background.

Never-ending supply of art ideas

We had big problems buying any seeds this past spring, therefore, I have mostly what grows from my own seeds and flowers and veggies which planted themselves. I got 2 sets of pansies. The one which I painted this time, was larger. It had interesting colors in the middle: not completely purple and not completely dark red in the lower part. Yellow is not that difficult color to paint as it is very annoying getting pictures of it. I can never go wrong with art ideas which grow all around the garden. It’s never-ending inspiration, always something new and more beautiful than before.

More art, less reality

When I draw or paint something, I usually change a lot from what it is in reality. I want on my painting more art, more me, more my style, and less reality. That doesn’t mean I will paint my subject in a completely abstract manner. The reason is there’s way too much abstract art already, and also – it is much easier to work on one’s style and maintain it when using recognizable and nature-like things. Pansies are a convenient subject for painting, especially when you have some around. For photo-taking reasons, I will make next painting pink or red because watercolors in such palette shades are much easier captured with any camera.

You see what you see

I regret that most of you will ever see only images of my art. I dare saying that you will never know what I and how I paint in reality. I surely can tell you that the camera made the light-yellow spaces white and caused the darker areas look like outline which they are not, I can tell that my colors are crafted and very balanced, but you see what you see. Plus, there’s no perception of size and its impact. It is again a 24 x 18 in or 61 x 46 cm painting, and that is quite large for watercolor. As it leans against the white support board, it lights up the entire studio. It’s cloudy and rainy today and this painting just shines as extra light source.

Pansy smiles, purple hearts, watercolor 24 x 18 in or 61 x 46 cm

New live art classes

After a long interruption of almost 2 years, I’m resuming live art classes in a very cozy outdoor space which is surrounded by blooming and green plants. This feature will add more safety to participants. It’s just so that I haven’t seen that many yet. To be honest, I’ve never met or had a student who learned mastering their style or medium online. I’ve written about that before: it’s one-sided, and that’s the problem. The human perception is very distinctive when it comes to any art concepts, therefore, everybody understands and applies the same thing in all kinds of ways, and rarely – correctly. In my mind, there’s nothing which can replace a real, live interaction, but that’s just my opinion. I suppose for drawing and painting animated outline drawing or extra simplified watercolor wash, anything is fine.

Real classes versus online: Compare

Mastering medium: Learn more

If you dream to become a master of your medium, you need a real art class. Apply here; Art classes

Pink and purple summer flowers with painting steps

Morning pansy, pansy watercolor painting

Summer flowers

When else to use live flowers as a model if not in summer when everything is in full bloom and getting more beautiful by hour? Although, we’ve been hit in Ontario by a heat wave, there’s plenty to paint outdoors and indoors. I won’t write a long text this time because pictures will display the painting sequence I use and also probably inspire somebody to get a brush, pencil and watercolor paper. There you have it: I’m presenting pink and purple summer flowers with painting steps.

Petunias

Petunias are usually in every garden. The pink and purple petunia painting is more abstract. I do usually create a drawing on a separate paper for reference and not to damage the watercolor paper with erasing anything. I transfer my drawing onto watercolor paper using daylight on a glass door and how it perfectly shines through even thick watercolor paper.

Watercolor paper

Watercolor paper is one of the most important aspects of watercolor painting. I started Bright petunias believing that I was using Arches watercolor paper. After a while, I realized it didn’t work like Arches. If you have painting experience, you know that Arches facilitate beautiful washes and easy flow of paint. It is possible to lift paint also. I discovered that this sheet came from leftover Saunders-Waterford paper. Some 10 years ago, it used to be a good paper, but it gradually became worse and worse, and the last batch they sent me was so bad, that I will simply never buy any Saunders-Waterford paper again.

Washes with big brushes

I always start with basic washes which I am applying to wet paper. Any cotton paper needs to be wet in areas which you intend to work on, except for fine details which we add at the end. Then I gradually build the shadows and shapes using multiple layers of paint. My pictures show how unsuitable the paper actually is. The only plus is it doesn’t buckle; therefore, I don’t have to tape it down as with cheap watercolor papers.

Paints and brush

I always use round brush with fine tip, size 14. I always use large brushes as long as possible for they hold a lot of water and pigment, yet allow getting extra fine edges and lines, too. I switch to number 6 round brush with fine tip only at the end when I need some tiny elements painted. I always use St. Petersburg original and authentic watercolor paints. I’ve never had better paints so far and I have tried very many. I’d give the second place Da Vinci paints, but they don’t sell them any longer at my art store. St. Petersburg paints have all the best qualities of watercolor paint thanks to the manufacturing process and raw materials.

Bright petunias, watercolor by Inese Poga

Bright petunias

The result could be smoother, but for an abstracted painting, it works. I use colors intuitively and carelessly actually and lots of water. For color testing, I am making use of extra sheet of cheaper watercolor paper because it shows the exact color I will have.

Morning pansy

For Morning pansy, I followed exactly the same steps. I’m creating drawing, transferring drawing to paper, making paper wet around the central flowers, staring with damping paint around the main part and allowing it to dry before I move on and start putting paint on flower. Then I create leaves. The entire painting requires going over and over some parts. At the end I’m adding water drops. In the base of every single painting are the same principles: want impact, create values. Color to me is always secondary and I use color whichever I prefer at that moment.

Result

Morning pansy, watercolor painting by Inese Poga
While I didn’t try to paint reality since I never do, colors and shapes work extremely well in this painting thanks to a very strong contrast not only between colors, but also between background and subject.

Inspiration

I think that could inspire you to paint your own summer flowers, but I will sell later full classes including the drawing templates on this website. My art is always based on drawings and I like it that way. Such art reveals progress and refinement of my personal style. I’ve done abstract watercolors, too, but they seem to be way too simple and never a real challenge. I love tricky things and exploration of effects and somewhat realistic art allows me doing that.

Note: Please, respect my copyrights, and since these particular painting steps are not intended for copying, use your own drawing, but apply process and advice.

More of everything, my art prints:

November needs more color and sunflowers

Sunflower painting, watercolor by artist Inese Poga

Sunflowers, the sunny flowers

Sun plus flowers equals sunflowers. It is also an excellent painting subject when it gets darker in October and November. We switched from bright fall colors to rainy and snowy start of November. Warmth of sunflower color fills up the entire studio. Gentle, soft flow of light yellow and burnt sienna tones among the strong earthy greens and burnt umber is a very attractive color combination. I am a good example of how artist’s taste and feel for the subject changes over time during a few decades. I was painting a similar image years ago, and my color choices were completely different then.

Large watercolor sunflower

My painting style

Specifics of my painting style include spontaneous and intuitive use of color and improvisation on the spot. I don’t use masking fluid much, especially, for paintings which are done as a demo for an art class. There’s simply no time for that. Ability to improvise helps with demonstration. Many unexpected  and interesting things can happen painting intuitively! Since I have been painting and teaching for many years, I can act and react very promptly, including change of subject if necessary. I love freedom in my own art. I do teach others to treat their painting like that, too. This particular sunflower painting is 20 x 16 in or 51 x 41 cm.

Beautiful sunflower painting

Red barn in fall

Subject of the following painting is a red country barn which I also painted in acrylic. My watercolor painting is larger than the acrylic one. Its size is 18 x 14 in (46 x 36 cm). Size means a lot in live presentation, but unfortunately not online. This painting relies on combination of saturated fall colors, tree shape and barn. Barn is placed strategically to increase the perspective and feeling of depth. I am trying to take pictures of my art with background in order size of paintings would be more visible. However, it’s not always possible. I love bold colors as much as simple grey and saturated brown tones. This particular image shines because of colors and diagonal use of composition elements.

Red barn painting

Barn on green

This is a barn which was painted a while ago. I love painting buildings, because of organized and completed lines and perspective. My mom had saved some drawings which were done when I was 12 and 13. That’s like half a century ago. These were my drawings of buildings and plants which I had done looking at the actual subject. We didn’t have internet or cameras then. I always loved drawing what’s around me. This painting is also quite big, it shows a country barn and side building as I see it. Green is also super amazing color and it really makes one feeling alive. The same goes for painting: vivid greens and lovely buildings.

Watercolor painting, Country barn and summer green

I hope you love my sunflowers and other paintings! It was great pleasure to paint the recent sunflowers, and this painting is the newest addition to my watercolor collection also.

Sunflower painting

Enjoy, be inspired and paint! I do appreciate visitors to my sale pages, here is Original watercolors page, it gets updated quite frequently:

Original watercolor paintings for sale

I was also chosen to be a Spotlight Artist in Fine Art America’s traditional still life group with the pumpkin still life which I published before. That is nice!

All FAA images:

Copyright notice: Copyright of displayed paintings, drawings, images of work in progress and images of finished paintings belong to artist Inese Poga. Please, respect my copyright. The use of my images is prohibited if I have not issued a written permission. That includes no pinning on Pinterest.

Artworks, brushworks, paintworks

Golden sidewalk, fall painting in acrylic

Essential aspects of artworks

Painting isn’t just brushing around. Many different things go into a single painting. That’s why nobody can learn painting within a few hours.

Painting process includes idea, concept and composition, choosing and mixing colors or deciding on palette, paint application using different tools and brushes of all types, brushstroke, blending and creation of values, contrast and adding highlights. The painting process also includes understanding of abstracted parts and backgrounds, ability to see and understand what is more important and what should be left out of painting. Each one of these aspects involves continuous work and ongoing elaboration.

Loose isn’t sloppy

I sometimes get the impression that by liking loose painting style, it is understood that we can apply sloppy, coincidental and not targeted brushstroke (when there is a brushstroke). In fact, any part of putting paint on canvas must be targeted and have some intention behind it. Moving paint around is probably the worst habit one can have or develop. The first step is always to learn practical use of brushes and tools. That refers to painting in any medium.

Flat brush for acrylic painting

Flat brush is magic in that regard that it can carry out numerous functions. Flat brush has a few surfaces and edges. We can make it work fast and create smooth color and values transitions. We can use two different colors or shades of them on each side of the brush. We can draw thin lines using the edge of flat brush and holding it so that it is perpendicular to canvas. We can use it for easy blending with clean water and as a dump brush. We can use any edge or side of it to paint small parts. I assume a decent flat brush an essential tool for acrylic painting,

Fan brush, sponge and paper towel

Any of these tools can be used for textured prints and also for quick cover of large areas. It makes sense to learn using fan brush in a sensitive way. Most people won’t rotate fan brush and won’t use just a part or corner of it, We use in classroom fan brushes which I have specifically cut out with scissors to create more impressive prints. Such brush also controls amount of paint better. Paper towel is our best friend with any medium. It is very important to have many sheets of paper towel around the painting surface as soon as you start working.

Understanding values, contrast and direction of light

If somebody has done a lot of drawing and sketching to establish the composition, focal point and also value pattern in a painting, they will understand these aspects much easier. I find that a value sketch is probably the most useful. Once we have done a value sketch, we do not need even a photo reference. Value sketch will identify all areas which are of great importance. I know that most beginners assume ability to draw and creating value sketches in color a waste of time. Yet, I can honestly say that nothing else helps more than such sketch.

Fall sunset, acrylic painting
This painting which we did in art classes, uses contrasting colors with distinctive temperature, as well as extra simple composition.

The most important part of painting

The most important part of painting is decision making. When somebody has plenty of experience, they apply paint in an automated manner. It is predictable what each color combination, each type of paint application and each element of composition will do for our painting. Until we have gained sufficient experience, it is mostly guessing whether something will work well in your painting or not.

Acrylic painting, red country barn in fall
Red barn, maple gold, acrylic painting on canvas

Red barn, acrylic painting
Red barn, maple gold painting with small bit of background

Layer it on

Acrylic is a friendly medium. Acrylic paint can be applied (in fact, should be applied) in many layers. Each layer will bring out more or neutralize colors and values appearing underneath. If canvas fabric is visible in the final version of painting, it is clear that one has used too less paint and too few layers. That is a common beginners’ mistake: to believe that one layer of paint will do. One layer of paint is not sufficient, especially, because acrylic paint becomes flatter as it dries. We have to go over and over some part of painting for a few times until we have established the correct proportion of colors and values.

Golden sidewalk, fall acrylic painting
Golden sidewalk, acrylic on canvas. We were painting Golden sidewalk during adult acrylic painting classes. This is my demo painting, I always add more layers after class.

Golden sidewalk, fall painting with acrylic
Golden sidewalk painting got lots of attention on Facebook. I must admit it looks very good also in reality.

More about recent acrylic painting: Paintings in progress

Sign up for art classes: Art classes, schedule and registration

Thanks for reading! Enjoy!