Category: spring

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Spring color palette

Spring color palette private art classes

Spring color palette with grey

I am impatiently waiting for spring, and while it is still cold, windy and cold with snow covering most of the soil outdoors, I paint spring. I paint spring using my spring color palette which is pretty much always the same. My spring color palette includes different grey tones, as well, but camera cannot keep up with my soft color transitions and frequently sees grey as blue. I hope, the spring color palette can be perceived as you look at my paintings on your device. As we well know, any device has its own settings, thus, impacting heavily what one sees.

Color palette for watercolor painting
My recent spring color palette

Color palette also changes

I have had many favorite color stretches over many decades while painting. I have had totally grey phases, and very blue, very green and bright multicolor painting periods also. As an artist, I never stay the same because everything changes and our hate-love relationship with colors changes, as well. I love balanced color palette and use it whenever possible. Phone camera wasn’t designed to get things look real, but rather enhance everything. It also destroys correct perspective regardless of how you adjust it.

Color palette for spring road watercolor

Imagination at work

Spring color palette is vivid and rebirth-affirming. I’m very sure if you live in different climates, your color palette is quite distinctive from mine. I don’t paint mountains or oceans, just because I don’t see them here. I also don’t rely on photos, but rather on imagination and visual memory. That makes things easier for me. Simplicity which excites is a good term to describe these paintings.

Saturated colors

The old house was painted in 2018. Apparently, watercolor works much better on thick Arches watercolor paper. Layering colors is easier and the entire painting has more saturated values. Pictures which I took with iPhone back then, are rather dark and some look even blurry. I should get new pictures of all paintings which I still have, but that’s too much of work and too much of re-posting and editing. I did, however, take new pictures of the old rural house.

Old rural house, spring landscape
Old house watercolor painting in spring colors, 20 x 16 in or 51 x 41 cm

Still grey and Road into distance paintings

Still grey with birch tree and the Road into distance are new watercolor paintings. They are created using the same color palette, but I couldn’t get a good image of the large one, the Road into distance painting, It’s a fantastic, large size watercolor with beautiful color transitions. I would say, it has gentle and soft spring colors and all values are simply perfect. If you ever happen to be in Ajax, Ontario, you could stop by and see with your own eyes how no picture can ever match the original painting.

Road into distance, watercolor painting
Road into distance, 24 x 18 in or 61 x 46 cm watercolor painting

If you just started painting with watercolor

If you just started using watercolor, always test your colors. Nowadays, the color name alone doesn’t mean much. I have 3 Payne’s grey paints from different manufacturers, and they range from rather blue to very black color. The same goes for Sap green and Green gold. Burnt sienna and Raw sienna are very different colors from different manufacturers. All blue colors can be anything. Yellow is usually quite weak color from the student grade sets.

Spring painting color palette
Still gre, spring landscape painting with birch, watercolor

What you can do on your watercolor paper

You should also test watercolor paper. It’s not advisable using anything lighter than 140 lb for watercolor painting. Non-cotton paper generally buckles, warps and doesn’t absorb neither water, nor pigment. Therefore, you cannot expect watercolor wash to be perfect, adjust it with paper towel. If there’s too much water on such paper, it settles down at the lowest point due to gravity and you see the “blooms” which look good in abstract art, but wrong in improper area. It’s very easy to lift paint from non-cotton paper. It’s easier for beginners because you can correct many aspects of your painting.

Don’t expect the same outcome

Spring color palette with grey birch

Cotton paper, like Arches allows achieving fantastic washes. It absorbs paint and pigment, therefore, one needs to plan painting. You can stretch and soak it before painting or use water on it before you start painting. I didn’t use Arches this time, but Strathmore 400 series paper. Getting paint on it is more difficult than lifting it. The number of layers is limited. If you use Arches (at least 140 lb. paper), number of layers is quite unlimited. Arches 300 lb. paper doesn’t buckle at all. It’s like wood, thick, firm and allows using and creating great effects. It’s very expensive at the moment, though.

Thanks, talk to you later in spring again! This post is different, thanks for reading!

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Painting without restrictions, spring landscape

Painting in progress, Highland creek landscape

Being in spring landscape

What to do during the dull and dark February days? Probably, just keep painting. Acrylic painting is a bit more difficult with heating on, but it is also very rewarding. I pick myself up and place in the middle of spring. We used to go for walks along the Highland creek which offers attractive views and many varieties of trees, wild plants, chance to watch animals, jump over rocks and rushing water. Creek is wide in the middle part and water stays quite still in some spots. This is like mental transition in time and to another place. Thus, spring landscape is born.

Central part of spring landscape painting
Central part of Highland creek flood water painting

Imaginated reality

As you know, art has no restrictions. That includes the painting subject, colors we use, parts we paint and parts we don’t. I’m usually not that worried about how realistic something looks when painted. There must be some joy and fun put into every brushstroke. I usually paint as I see something in my head. When I look at empty canvas, I can easily visualize what is going to be there, in this spring landscape for instance. Similar to when we have a piece of fabric and we can imagine how the ready outfit will look. Imagination has no borders, too.

Top of spring landscape painting
Top part of Highland creek flood water painting

Spring landscape as painting subject

This Highland creek flood water painting was done for the private art classes. I thought spring landscape was very fitting since we can paint much less of it or add much more to any part. We can leave the distant part completely abstract. Well, my student was impatient and here and there jumped over the gradual steps which processing an acrylic painting requires. My demo steps got jumpy, too, but, nevertheless, this painting was brought to completion just a few days ago. What you are seeing, however, is not the painting, but images of it. I straggled getting all parts of it onto pictures.

Spring landscape project, steps
Painting steps

Getting correct colors in acrylic painting

What’s most important for me personally, is whether the mood in an artwork can move us, inspire us, make us want to be there, in that place which doesn’t actually exist in the real world. I am trying to also teach my students patience and correct use of acrylic paints. While any wet acrylic painting might look perfectly right, it will definitely dry darker. The weaker the paint we use, the darker our painting might become. I regret noticing how Liquitex heavy body professional grade paints have lost some of their quality over years. That refers to Titanium white and yellow shades.

Front part of spring landscape
Front part, close-up

The usual acrylic painting principles

Regardless of our artistic intention, we always work from dark to light in acrylic, always from underneath upwards, always from back to front. With heating on, acrylic paint can dry immediately, therefore, we glaze separate parts and work in small segments. The lore layers acrylic painting has, the better it will look. That especially refers to the moment when somebody sees the actual painting in person. I sometimes go over even the final layers if the paint has become too dull in some spots.

Highland creek, spring landscape
Highland creek flood water, acrylic painting 24 x 18″ or 61 x 46 cm

Place yourself in this spring landscape

I hope you love this spring landscape and its mood. I believe you’d hear birds singing and water rushing over wet rocks and grasses if you are able to forget the surroundings for a moment and be immersed in this painting. It’s in great size, not too huge, not too tiny, 24 x 18″ or 61 x 46 cm. The steep vertical format adds a good quality to this spring landscape and pushes compositionally important elements close to the viewer.

Painting in progress, Highland creek landscape

Just like always, thanks if you read my post! I intend to catch up with likes and comments.

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Watercolor, beating the blues with art

Sunny spring creek watercolor

Bright and sunny watercolor art

On TV, they were talking about winter blues. How this dull and wet January weather makes people feel down and upset. Our mind tells us that spring is far away, and to make everything worse, the sky cries with us. Bright and sunny watercolor art is my personal cure, my response to mood swings and upset mind. I paint the places where I want to be and flowers which will start in April or May.

Uplifting creativity

Not all people are artists, but many have paint sets at their disposal. Brushing bright, sunny colors on paper or canvas makes a big difference. It’s an immersive activity which allows to create our own imagined reality, very distinctive from the current settings. This year has been tough so far, so taking our mind off the painful and upsetting matters is vitally important.

New watercolor paintings, pansies

New large-size watercolor art

All of these watercolor paintings are the same size – 24 x 18 inches or 61 x 46 cm. Well, to express ourselves, we need space. Tiny paper just won’t do that for you. It’s not cotton paper I used for these paintings. All of our art stores are closed now, and that leaves online shopping which I dislike. Paper is a very important part of watercolor painting, and each paper acts differently. This paper allows lifting paint easily, but it’s very problematic when adding paint layers.

Spring pansies, watercolor
Spring pansies, painting
Pansy bloom, watercolor
Pink pansy bloom

Spring pansies, 24 x 18″ watercolor painting

Watercolor painting with pansies was started in the winter of 2021. So, it sat in a folder until I decided to add a few layers of paint and finish it up. Photos show way more white space, and I just cannot do anything about it. That’s how phone camera acts when there are white or light areas. Just imagine more purple and pink color on blooms because that’s how they look. Anyway, pansy blooms make a great subject in all regards. Use any color, any number and view of blooms.

painting of pansies

Early spring flood, 24 x 18″ watercolor painting

The Early spring flood is based on views around our place. It’s a painting where you just throw on colors – Payne’s grey, Cobalt blue, Burnt sienna, Green gold, some yellow and Burnt umber. This all mixes itself on paper and then we swipe clean the areas which we would prefer to be white. We outline the trees, add leaves, wash on more color and sprinkle with a little of leaf green.

Spring landscape painting

Watercolor wash and color

It is much easier to create watercolor paint washes on cotton paper, but if you don’t have it, any firm and thick watercolor paper will do. It needs to be thick and heavy since thin paper just rolls off and buckles. It was tricky to get any pictures of this painting since I don’t have good photographing light, and it’s been cloudy and very dark almost every single day. I love the dreamy quality of this painting, although I couldn’t get it on pictures. Colors are balanced – I used warm and cool shades to create the early spring mood.

Watercolor, part of landscape
Part of painting
Spring flood, watercolor

Sunny spring creek, 24 x 18″ watercolor painting

I started the Spring creek painting (one more!) for a private art class last spring. It was half-done, just as many of art classes paintings are. It took me a while to get back to it, but I am very satisfied with the play of colors and placement of details. This painting is done with Cobalt and Brilliant blue, Burnt umber, burnt sienna, Lemon and Cadmium yellow, as well as Raw sienna and Sap green and little bit of Payne’s grey. This painting involves quite many layers.

Sunny spring creek watercolor
Spring creek painting, top part
Part of creek painting

Bright and happy art reality

I’d say these paintings show a very bright and happy place and that’s where I reside when I don’t have to deal with daily chores and other issues. It’s a perfect escape from daily routines, a perfect way to beat the winter blues. I think it’s time to write a new guidance for beginning artists. Trust me, tutorials cannot teach much about painting as such since it’s always something a particular person prefers and does. When we learn paint, we decide on everything – style, colors and subject, but tutorial requires to simply follow and copy.

Spring creek, watercolor painting

I hope you’re dealing well with everything which comes your way. Spring will arrive eventually. Thanks for reading!

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Playing with green color

Green spring landscape, painting in progress

Green is a color which we feel extremely attracted to in spring. I do feel that way, and maybe you do, as well, if you’ve had many months of grey and white view out of your window. I celebrate the return of green color since it uplifts my mood and promises nicer days ahead.

There are numerous concepts and assumptions about using green in art. Many artists avoid it almost completely not be accused mixing their colors properly. Just like with everything else, it’s better to have our own take on that and experiment.

For acrylic painting, there’ s practically no need to buy green paint. Why? Depending on your personal preference, it’s possible to mix up any green shade from other colors, including three primary colors. I don’t like aqua and phthalo too much, and although, they are strong and good for cooler areas, I prefer using the quieter tones.

Green spring landscape
After 5 layers are applied on the textured background

I love black plus yellow plus touch of blue, or blue plus burnt sienna and touch of yellow. Here and there simple blue plus yellow work well. The thing is we can have cold and warm yellow and very cold and warmer blue and that changes the green we are having. Every one of colors we get has some good potential for applying it. Where? It always depends on the project, intention and technique.

Green spring landscape
After 7 layers of paint or so

It is advisable to break up the green spaces with calming tones of purple, red or cool/warm brown. My most favorite set of basic colors for spring is blue, green, grey and some warm brown, burnt sienna or white. It is a calming combination and surely conveys the concept of an artwork well.

Green spring landscape
After adding light color to selected areas

I had a 24 x 20 in or 61 x 51 cm canvas from 2015. Everything is expensive right now, and that is an extremely high-quality canvas. I cannot recall what exactly my idea back then in 2015 was, but I decided to reuse it. This canvas had quite visible textures underneath of a few layers of grey/green/blue colors. I couldn’t change the tree shapes or location dramatically, the same goes for the water patch. Therefore, I adjusted the textured image and after a few layers it started to come to life.

Spring creek landscape
Green spring creek
Closer view of top and middle parts of painting

It’s interesting how many starting-out artists believe they’ve got to finish their painting in one sitting. That is the damaging impact of paint nights which are not art classes, but entertainment, and tutorials which use rather tiny canvas or paper. If the size of painting is quite large, it is physically impossible. Every single spot need attention and work. Acrylic paint requires timing the paint application. That means, we cover some areas very quickly and for some – we wait until the previous layers are dry. That way we get our colors to shine and shapes to work well. That translates as painting in small segments and retuning to them layer after layer.

Green spring landscape

I called this painting “The moment before”. That includes everything that happens before the nature explodes in brilliance of blooms and abundance of green in leaves and grasses. The photos are taken with iPhone and the camera of 13 Pro Max is quite disappointing. The actual painting has no real yellow in it, and the green is well-coordinated in cool and warm areas. You might not see it that way, but anyway, that’s how it is.

The moment before, 24 x 20 in or 61 x 51 cm. Enjoy!

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Spring edition, moving art studio

Moving art studio

My art studio is moving again, indeed, it has happened so many times during the recent years. I’ve moved three times since 2018 and now I have to do that again. While it sounds quite simple, it actually isn’t. The toughest part is finding a place and qualify for it. That requires mountains of paperwork, numerous hours of printing, scanning, signing, sending documents and so forth. That is the reason I hardly looked at the internet, any social media or blog sites. There wasn’t enough time in a day to cope with all that, and nothing was left for painting, unfortunately.

  • Art studio, moving
  • Art studio, spring
The Amsterdam paint tubes are added for color balance in photos, I use Liquitex for painting.

I did try to catch up with the artistic side, I sure did. However, that mostly resulted in wasted paint and a bit of frustration. As soon as I squeezed out acrylic paint and got in the mood for painting, the phone rang or I received a message, we have to go: to see a place, to meet somebody, to do whatever, and there was no other way around it. As you know, acrylic paint dries very fast, and even when preserving some in a tight container, it doesn’t work quite well as the fresh one.

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The most recent painting: White trillium blooms in spring forest

I’m really hooked on the moment when nature awakes. The most fantastic view for me can be a tiny sprout breaking through the soil and greeting the sunshine. The first wild flowers are such a welcome sight! Strength to overcome the freeze and courage to break through impossible obstacles: that is what grasses and wild flowers have. I cannot resist, I return to wildflowers in spring settings every year.

White trillium blooms
Refreshed and updated photo of Trillium bloom hills

One of my most favorite color combinations involves earthy tones, many shades of green as in sprouts, young leaves and grasses, blue patches of sky, as well as bright white, blue and pink of the wildflowers. According to such palette, I paint some knew dreamscape which I most often have seen only in imagination or which is stored in my memory chambers.

Art studio, white anemones
Spring creek and white forest anemones, updated and refreshed

My art studio in this big house had to be adjusted and the actual painting space was sparse. As you might know from my previous posts, I usually paint only by daylight. There have been times when I have to add evenings, but I try to avoid painting at night when artificial light is required. It could be my eyesight which dictates that, but I am very sure that for true color match we need the daylight.

White anemones,art studio
White spring anemones, new photo

So, the art studio is on the move again, and I have started to pack up a few things. Very large and small paintings will be moved first, as well as part of my countless brushes and art supplies. I would love to sell a few more paintings, but I don’t have much time for advertising at the moment. We will be moving 9 large rooms into 5 rooms, only one of which is large. My art studio is going to be arranged there, in the largest room. Daylight will be much better in the new place, however. It’s an older building with large windows, lots of character and huge backyard. That is such a luxury nowadays!

  • Art studio colors
  • Art studio colors and paintings
The paint tubes are added for color balance, iphone doesn’t get colors right

My best guess is everything will be ready around April 15, and that’s when I can start with my own paintings and art classes. Until then, – I go through moving troubles, packing and unpackaging, sorting, cleaning and being busy with all kinds of things which are not necessarily art related. There will be moment when we won’t have internet yet, and when I am all set up, I will come up with my newest discoveries in painting. You can still scroll through my blog which documents all art studio moves, gives lots of advice for new and established artists and offers excellent quality art at great prices. Stay well! I’d love to hear from you!

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