The best way to start painting with watercolors

… is using pen and watercolor wash.

We all want our art to be great and impressive. However, if you are new to some medium or absolutely new to drawing and painting, you have to bear in mind: nothing happens right away and with the first brush stroke. I have had absolute beginners who were somewhat disappointed that their first piece of art wasn’t exhibition quality. Well, that is normal.

Every skill takes time, efforts and work.

Creation of drawing or painting involves lots and lots of information. Some people are courageous by nature and love to experiment, and that is a very good start. Some people are perfectionists and they believe everything they do must be either perfect or they are ready to give it up; and that is a completely wrong approach.

My personal attitude towards something new in painting: different subject, medium, tools or technique never focuses on perfection. I focus on potential. Something might work out and something might not. There will be easy parts and probably difficult parts. That way. I call this attitude: let us see what happens.

Progress is usually gradual. That is why we start with simple things and move to more complicated things.

Pen and watercolor wash is a great technique for beginning watercolorists. Some like it so much that they stick to this technique and turn it into their personal style.

If you are insecure about drawing lines with pen, sketch them in using pencil. You can draw over with pen and delete everything else. We have now clean drawing in black ink, and the white paper is not damaged.

Anything can serve as a subject: from your morning coffee cup to flowers in a vase or at the fence, from a bird at your window to sprouting vegetables in a garden. Any scene with some object is good, but flowers look extremely nice when done in pen and watercolor.

When somebody says they cannot draw, I don’t believe that. Most often that means they tried 1 or 2 drawings and these drawings were not splendid. So, they make a conclusion that they cannot draw. Talk to me after 200-300 drawings. That is a decent start. It is also much easier to point out what else one should do in order to create better art when they have done some attempts.

Pen and watercolor flowers and spring scenes

Flowers are extremely suitable subject for this type of watercolor application

Apple blooms in pen and watercolor: great starting subject

Birds fit in this category, as well

Spring mood with butterflies: excellent subject for beginners in watercolor

This exercise is for absolute beginners

Why to start with pen and watercolor? It is forgiving, it is easy and fast, and it allows learning watercolor application more effortlessly. The pen lines provide additional support. It is a flattering technique since practically any painting or drawing looks good regardless of how sufficient one is with watercolor only.

I have done numerous pen and watercolor paintings over years, just because it is fun, it is easy and looks fantastic.

Dreaming goes on because art is timeless

Before you leave this site, please, spend a short moment with my other blog which is not that visible since it’s secondary (WordPress, it’s time to change that!!!), and the post tells a fairy-tale about Christmas: https://inesepogalifeschool.com/2016/12/22/christmas-fairy-tale-going-home/

Inese Poga's art show

Show, large room, right side

Inese Poga's art show

Show, large room, left side

Art for sale

Sun slightly disturbing, but the light was excellent

artbylocalartist Inese Poga

It’s good to wrap up things and have the feeling of “I have done everything I could, and it is what it is”. It would be certainly way better to finish the year in more elevated mood, like “Was this ever fantastic!” That’s not going to happen this time.

It’s good not to have any classes for a while because that allows getting back to me: doing things that I want and prefer, not only classwork. Giving classes is a big responsibility; it takes a lot of energy and time-consuming preparation work.

I certainly would like to move to my personal themes and my personal visions in art, but unfinished paintings are really standing in the way: you look at some, and it says: hey, just add a few brush strokes, just wash in some more background, it’s not going to be that much of your time! I end up spending a lot of time, and since these are paintings that I started a long time ago, my internal critic disagrees with some aspects. Why did I start this at all? Right, during the class. Why did I choose that much detail? Why didn’t I make it simple and with large accents? Basically, it’s difficult because I have moved on and it feels like catching up on some long time ago forgotten thought or idea.

I will try to be more disciplined and not start that many new paintings, but then again when I didn’t do demos on canvas, I suddenly painted a few great paintings … on messed up cardboard. The wavy texture shines through, and they are not any good for display. It’s even impossible to take any picture of them. You never know with painting: something good can appear where one didn’t expect that and everything can go wrong when we had high expectations. There are so many forces and energies involved that it isn’t by far as simple as “just do it right or according to your plan”.

Classes also put a lot of pressure on any teacher because teaching is also not that simple. I usually think and plan and sketch until I find the right image for a particular group. I also have to think about simplified ways how to put it on canvas or paper.

16 x 12 orchid by Inese Poga

Magnolia, the small version

artbylocalartist gerbera

Gerbera daisy

artbylocalartist my favorite

Finally, got a better picture of poinsettia

artbylocalartist very red poppies

Ones side still pale, but I didn’t have any picture of these red poppies

art Toronto artist

They all looked so attractive

artbylocalartist Barn reflection

We did recently this reflection, everybody loved painting it

artbylocalartist Sunset over shores

This was the subject for a Saturday workshop

artbylocalartist some birches

We are often painting birches

artbylocalartist autumn and birches

This is one of recent class paintings

I had put up a beautiful show, those who came were really impressed, but I believe, my timing was a bit off. I will start to prepare the next show “Blooms and Leaves” fairly soon, and that might be ready by the end of April or by May. Anyway, there is not such a thing as lack of paintings for sale at my gallery. It’s always open and available to anybody over the internet. Just ask.

Merry Christmas to these who celebrate it and fantastic holidays to those who have other celebrations!

Stick to your plan and pay attention to reference

Lesson 3

Whatever we are doing, we need some kind of a draft in our head or some plan which we keep in mind. However, it is easier said than done. That especially refers to classes. I have noticed that most people want to draw or paint without any plan and without any thinking. It might be so that when starting out it is hard to know what parts or segments should be paid most attention to. There are lots of simple things which make the object look multi-dimensional. By far, those are not only darker and stronger values. Strongly emphasized edges or absence thereof, always darker spots behind the lighter areas also contribute a lot to the spatial perception, not to mention color if it is used. I remember from early years I was told that the darkest dark should meet the lightest light. It can be tough to implement, especially when not having a real reference, but just a photography or sketch. I am personally not excited about patterns which repeat in a regular rhythm such as petals or trees along the path, blooms on a branch and similar things which we unintentionally place on our canvas when there is no firm plan or sketch.

Flower paintings in acrylic magnolias

Magnolias, recent class demo and I always work together with students straight in front of the class

Why am I saying: pay attention to reference? Because most people don’t do that. When we are just beginning the painting, they would have a look at the reference image or set-up. After a while, I notice nobody looks any more at the reference. You have to! The only exception is when it is a completely abstract work which has been drafted in one’s imagination or when we paint from memory. Painting from memory takes practice, however, and beginning artists cannot handle that too well. Reference or value drawing (if you have created such) has all the answers: where to use dark color, where to make strong edge, where to wash edges to lose them, where to place highlights and what exactly the shape of something is. It is extremely important, much more important than what brush to use. Talking about brushes: always use these ones which you feel comfortable with and which suit the size of the area you are working on. Very simple. We can use no brush at all, use a sponge or palette knife, that is a matter of a preference and choice. I know how some instructors want to make rules about everything. There are no rules in the use of tools. It is very obvious that using a very wide brush for tiny spot is simply difficult and vice versa. I know a lot of artists who create the entire painting with just one brush. I do that sometimes, too.

Flower paintings in acrylic Pink rose

The Pink rose, recent class demo

So, the conclusion is: do not change things around dramatically or completely when the work is halfway through and always keep an eye on the reference. That’s why it is so rewarding to paint from real objects, live is live and photo is just a photo. Live comes with smell, touch, very visible shape and very noticeable values. Do not pressurize yourself and painting: there are moments when we need to stop and make a decision about the next step.

Flower paintings in acrylic Pansies

Purple pansies, finished just yesterday

Paintings and drawings really hate when they are not treated with due respect. It is much better to allow everything to develop in a natural way. For illustration I have attached the recent flower paintings. There are many more, but they just need finalizing touches. You know: painting is never done, right?

Artistic freedom and risks taking to a higher level of ourselves

Time … Time … How to make it slow down and stop for a moment? I have the answer, but unfortunately, this doesn’t help me getting done everything. We can capture a moment in a painting, and that doesn’t mean we can capture only the scene we are drawing or painting, we are also making impressions of our senses, our mood and feelings.

Although, I’ve been working hard and working a lot, my art and lifeschool blog were left alone again. Well, if I’m so tired that I’m almost fainting, I certainly won’t be posting anything. I believe doing our best can be not enough sometimes, but that is the only result we are able to have here and there. I do not push myself, as well. Rest is important, so is sleep.

My classroom got a face-lift. There are so many flaws with easels which are sold at the art store that I had to finally get to the issue and design my own easels for the use in classroom. They are extremely light and perfectly stable; nothing dances around, falls off or turns over. They allow painting when sitting and when standing. That took a while, and thanks to my husband and his skills, we have these easels working well now. I had to make also some smaller things like cardboard trays because I am seeing very often how disorganized the work-space is. That does not help. Work-space has to be easily approachable and everything has to be in the right place.

Acrylic painting for adults, new classroom

New easels

Art classes Whitby Ontario, new classroom for adult artists

Arranging everything

Acrylic painting classes Whitby Ontraio

New classroom settings

Artistic freedom Thursday class has 6 students

Pleasure lives here

Garden demo, too bad on cardboard

 

Garden demo for Wednesday, here only starting out, lots of work required yet, we will work on this for 2 more weeks

Acrylic painting Poppies Demo 1.5 hours

My less than 2 hours demo today

Talking about supplies which we use: we shouldn’t try using the entire art store. I counted last night; we need 14 paint tubes at most. We can paint very well with just 8. That means a bit more mixing. We normally won’t be using 6 or even 10 brushes during a few hours. Most often, we can perfectly paint acrylic with just one medium size flat brush. Watercolor requires minimum 3 brushes, but not 10 either. I can understand why somebody tries to take everything to the class: it’s called just in case. The negative aspect of too much art supplies is that it causes confusion. Especially when somebody is starting out, they won’t even notice what each brush does, and they will get to using it even less.

We had a fantastic group painting today. I have 3 hour painting sessions on Saturdays. We start on blank canvas and at the end of these 3 hours we usually have something to show for. I loved that nobody was disappointed because sometimes people imagine they can go within 3 hours from “never painted or was holding brush in my hand” to “perfect art created by a master”. That does not happen, so I am happy with people who have reasonable expectations.

Creation of art has to be fun and relaxing activity. When I hear people saying I am afraid, I am really wondering how so? I can imagine how one is afraid from a surgery, even dentist, test, speech to thousands of TV viewers or a job interview which can change the entire life. What is the worst that can happen when we paint something not as we think we should? With acrylic, nothing at all. We will need a bit more paint and possibly time to start that particular spot from new. Therefore, being afraid to paint sounds strange. Most likely, that is why kids and people who love taking risks have very good results. Once we get over the barrier we placed in front of ourselves, we are fine. I wouldn’t even call this courage. I’d rather call this: pleasure to experiment, take plunges into unknown and experience freedom.

Artistic freedom is like no other freedom and it is the most uplifting one. When somebody tells me there are very many rules in art, I’d like to disagree. There is no one single other person who can see and experience the reality in the same way we do. Why our imagination and creative potential should then be squeezed in some kind of frame of regulations? It shouldn’t. Any other freedom comes paired with duties and obligations. Artistic freedom of creative self-expression is a complete alone standing freedom. There are no and there should not be any restrictions. There are tips and tricks, and common sense how to get things done faster, better, more sufficiently and more impressively in art. Yes, there are. We can either accept or disregard them and try to discover everything from new. Art and creativity  mean a new world every single time we take the brush or pencil in our hand, I think we should build this new world in accordance with our personal preferences, likes and our vision.

I believe, many people like my approach, so my art groups have grown a lot. My space is limited to 12 participants, but I prefer not more than 10 artists for acrylic.

My wish to everybody starting out in art: do not take it too seriously, enjoy, have fun and you’ll find over time how nicely everything works out and falls in place. The above does not refer to people who make their living with art. That is a hard work, one of the hardest I know.

The pleasant laziness on cozy Christmas day

It is such a blessing to slow down, take a breath and enjoy doing nothing while listening to fantastic Christmas songs. The lights are on, some candles are burning. It is so peaceful, indoors and outdoors, in the soul and heart, that the feeling of happiness, gratitude and love is almost touchable.

Peaceful Christmas day paintings and home decorations

I have put on the Latvian radio 2, they play non-stop Christmas songs, and these melodies are so sweet and touching that I couldn’t wish for a better music to accompany my memories tonight.

I hope all fellow bloggers are having a good time wherever they are, I hope they didn’t have to experience the rough weather which destroyed so many people’s homes this Christmas.

Peaceful Christmas day Snow painting and decorations

The weather is great in Whitby, Ontario. There is no wind, stars start showing up, the sky is almost clear and the silence covers everything.

Peaceful Christmas day beautiful decorations

Wishing everybody peace, warmth, love and light during this Christmas day and all the following holidays! Have a blessed evening and night! May stars and the full moon shine on you and remind that love never ends.

Peaceful Christmas day

Sending hugs, love and prayers to everybody who shares peace, hope and love at Christmas!

Latvian radio Christmas music:

Latvian Radio 2

The most recent Lifeschool post reviews ways we can improve the way we feel by simply choosing the right nutrients and avoiding alcohol, drugs and medications: Feed your happiness, not depression

The new blog: who knows it exists?

I have new posts on Lifeschool blog, the most recent one is The patient, calming and adorable garden neighbor cucumber

I was getting ready for this new blog for a long time. I was quite disappointed because I only later was able to find out that one blogger can have only one account, meaning one blog is the primary which is the art blog, and subsequently it will be very difficult to get people to even see this new blog because it will appear on all comments and likes as this primary site. Therefore, I’d appreciate people who find interesting my primary blog checked out and if interested followed the other Lifeschool blog. Unfortunately, WordPress will charge you for the new domain name and for theme and everything associated, but the other blog/s will only be some kind of attachment to the main or primary blog. I simply wanted to keep art matters separate from life matters, but as I found out, it hardly makes any sense because it’s virtually impossible to direct traffic there, unless I would switch these blogs places, but I’m not interested to do so at the moment.

When I announced the other blog for the first time, many fellow bloggers simply clicked on “like”, most likely from the Reader, and they never read the body of the post. If that happens again again, oh well, I at least tried to something about the situation.

Dill the wonder herb

2 pictures from the other blog, there are lots of them, and I work hard and make professional setups for picture taking, so, please try to stop by!

Garden vegetables cucumber

From the first likes I can see, it’s happening for the second time: nobody clicks on links, but follows and likes this blog. Well, thanks for the follow, but this seems to be incurable: nobody has time to read any single line. I still hope, at least somebody pays attention!!!

Art loaded with uplifting and positive energy for good luck and new art products

I have been recently more about aesthetics than painting. The reason is very simple: I avoid painting when my own energy levels are low due to physical pain or mental dissatisfaction or bad mood.

We all probably used to have sense of energy and its vibrations, just like some animals and birds still do. There are energy-sensitive people, people who do not feel or recognize any energy flow, but experience it subconsciously and people who are unable to perceive energy at all, even though, they just like everybody else are affected by that. I paint implementing lots of good energy in my creations, it’s not only because I cannot make myself draw or paint gruesome, terrifying or evil objects and scenes, but mainly because that is who I am: a medium for converting the great energy from the beautiful nature scenes, flowers, still life objects into the sensitively perceivable feeling of good vibrations. I doubt this could be anyhow felt through the internet images or prints since these are copies of copy copies. One thing I know is that people who physically look at my paintings in person can experience these energies, assuming they do not belong to the energetically deaf category.

I have painted numerous red flowers as commissions, poppies, wild roses and similar florals on request of people who can sense energy and are able to recognize it. Some of them have placed these paintings in the entrance hall to prevent bad luck and bad energy entering their personal living space. I know a couple who hang a dark red, pink and white flower painting of mine at the upper staircase overlooking the entire stair, and they told ever since everything started to just become better and better in their life. Just to clarify some things: positive energy is not the same as positive thinking. We have to work hard and we need to inherit or develop sort of sixth sense to become somebody who is able to give positive energy to other people or to surround oneself and items in these surroundings with such an energy.

Some people wanted red flowers for their living rooms and some for bedrooms as an energy carrier for passion and love. I believe any appropriate place is good and these paintings work because I have puts lots of energy into them. I take it from the beauty of objects to be painted and these paintings become a shield to stop bad energy flow.

I was recently feeling very sick and suffered terribly from side effects of medications which I had to use, and the consequences of avoiding these meds could have led to bad outcome, so I limited my creative efforts to taking pictures, and I have placed quite a few already in my new blog http://inesepogalifeschool.com/. Basically, I was doing just the minimum and quite honestly feeling bad about that. My grandmother was a healer, she knew everything about energy, herbs, grasses, colors and impact of words, spoken and written, and thankfully, I learned a lot of that, may have even inherited some of this knowledge. However, I don’t know anybody who can help themselves as much as it is possible to help others. Quite often I remember her and regret she is not around anymore because if she was, I wouldn’t even need these medications.

I also uploaded some of the most recent images onto Fine Art America site and could not stop enjoying the beautiful products they are now offering. From now on, these products which include not only all kinds of framed and not framed prints, but also phone cases, pillows, tote bags, duvet covers, shower curtains are available on retail throughout Canada and the USA in 150+ locations of Deck the WallsThe Great Frame Up, and the Framing and Art Centre!

Everything is available online from: http://fineartamerica.com/profiles/inese-poga.html

Since I’ve been literally down for quite a while I would appreciate a lot spreading out a word about my August 15 and 16 sales http://inesepogagallery.com/art-plus-life-studio-gallery-events/ and any kind of support. I hope you won’t be bored looking at some of my art products.

I managed to finish a few 20 x 24 paintings and this is the most recent one:

Acrylic painting for sale lonely tree in landscape

Here it is in some frames, but Fine Art America offers huge numbers of mats and frames, it is completely up to the customer what to choose

Framed painting of lonely tree

Here in mat and the next without mat:

Acrylic painting lonely tree framed

The red barn also in reality has got a rustic frame, this is from FAA

Red barn acrylic painting framed

There is wide selection of all kinds of inexpensive totes and pillows and similar items

Poppy painting fragment

This is a part of my new Facebook banner

Tote and pillow

Tote with red poppies

And the beautiful passion pillow

Passion pillow with red poppies

I also loved the look of other paintings on bags and pillows

daisies tote bag

Daisies tote bag and pillow

daisy pillow

Wildflower tote bags and pillows

tote bag wildflowers

It’s possible to select the background color

wildflower framed

Framed wildflowers

I have only black and grey frames for 20 x 24 in and 16 x 20 in paintings at the gallery

framed poppy painting

Original painting at gallery

and available as print

poppies art print

I hope you enjoyed! I would appreciate a lot you stopped by to have a look at all products http://fineartamerica.com/profiles/inese-poga.html

Please accept these unpretentious flowers

How did flowers evolve?

From happiness.

What gave them their fragrance?

Love.

I hope all moms received plenty of flowers today. They are a thing of enormous beauty, and they can say everything without words, just like art.

I also hope you are showing your love to your mom while there is still time enough, and you are not too late with your “I love you mom!”

It is so easy to love a small child; it takes more than superficial attraction to love genuinely very old people. To understand them and to appreciate, and to be grateful they are with us. Moms of people who belong to my generation are getting close to 90.

Thankfully, my mom is still doing lots of good things, sewing and gardening, not to mention small daily stuff like dishwashing, or cleaning. She loves flowers, so I sent her some, although, the Ocean is between us, that cannot stop us from exchanging some words on the phone or over Skype. The distance has the ability to make things clearer and more valuable. Simple words can get a new meaning.

Well, I was not very productive recently, but I have made some watercolors for cards, something unsophisticated, but sincere.

Happy Mother’s Day to every mom, grandmother and great grandmother! I hope your kids, grandchildren and great grandchildren are blessings to you.

Pansies for Mother's Day

Please accept these unpretentious flowers as small thank you for everything you are to your children!

To find a bit of lasting happiness

Well, some of you probably noticed, I wasn’t posting for almost 2 weeks. Quite a while, but I obviously was busy, and the art blog starts to put a bit of pressure on me because I love inserting illustrations, but don’t have them ready sometimes.

It was a fairly important date last week: my studio-gallery has been 5 years at its current location, in Whitby, Ontario. It was the 5th anniversary since I started Art plus Life. Wondering where is … plus life? The other blog will come soon.

Although, I didn’t think it was a very remarkable date at first, as I scrolled through all pictures (I have many thousands of them), I could see that there has been huge progress, in fact, and a lot has been achieved and done during these 5 years.

I will not try to comment on all pictures, but since I thought seeing was more than telling, here we go: please have a look at the retrospective pictures gallery.

I started out with one student. I had 2 students after a week, and some more joined after a month. Wednesday class was the first one to become regular once a week class, with small interruptions it has been running since fall 2012. Teens Tuesday class was on since March 2012, as well. I started to hold Saturday workshops only about 8 months ago, it proved to be useful thing, so these will continue next September.

I look at these pictures, and it is hard to describe the mixed feelings: sort of satisfaction, sort of so much work in preparation, and lots of happiness, I have to admit. When most people come to this studio, they start from zero, since they have never drawn or painted before. We learn about paints, colors, brushes, papers and canvasses. I have been watching many talents unfolding and I have seen many depressed, exhausted and desperate persons turning into happy ones.

The Wednesday group feels like a family, we’ve been together for a long time. Diana used to be in this group, as well, but her life made a jump, and so we regretfully are not seeing her. Well, we welcome new students all the time, and the most incorrect assumption one can have is this one: painting and drawing is for those who want to be artists. Not at all! It is for everybody, to find peace, to rejoin with their soul, to spend great time, to make a good use of days when the weather is bad, to conquer addictions, to overcome fear and lack of confidence, to find a bit of happiness.

 

I have been working on my creeks which students already got done, and the brown cottage is our current project.

Recent art projects for adult painting classes

It’s clear that we are excited about blue at the moment.

Recent works in progress

To put some nice accent on this round date: 5 years, a show, sale and hands-on event follows in June 6 and 7.

 

Million shades of everything: experiment!

When somebody wants to try painting, they usually are not very excited about getting lots of materials. However, some people would like to have their own paints, at least some of them in order to work on sketches or perfect the scenes we have done during workshops.

Acrylic color mixing art classes for beginners

Did you know that using just ultramarine blue, primary magenta, cadmium yellow medium and titanium white, it is possible to mix up quite a few thousands of shades, and these mixes are pretty much unlimited taking into account how slight change in proportion would alter the color? We don’t usually use only premixed colors or paints straight from the tube. Everybody is aware that yellow plus blue allows mixing up greens, and red plus blue creates purple shades.

Acrylic color mixing art classes for adults

Adding yellow to different shades of blue and red causes the graying effect and results in fantastic variations of neutrals. Why do we need grey shades and background neutrals? Well, they make other colors shine. We don’t have to always paint sunsets in order to observe how yellow shines on a grey-blue or purple, but we often need those fairly saturated neutrals to build up some scene or object. They also give all objects more substance.

Acrylic color mixing experiment

One can have color charts and theory books and check out all available information on color mixing, yet not manage it when it comes to painting. How so? We know many things in theory. Quite a lot of them, but when it comes to applying the theoretical knowledge in practice, everything is completely different. I’ve observed the following: we just discussed some approach or principle, and we are now about to use what we learned about it practically. What happens? Nothing. Theoretical knowledge without decent amount of practicing is worth zero.

Acrylic color mixing Spring paintings

We were doing a lot of spring scenes, roads and fences recently.

Acrylic color mixing workshop image

This is the image we got done within 3 hours.

I slightly adjusted it later, mainly trees.

Acrylic color mixing workshop Spring scene

Painting, drawing, singing, dancing, playing an instrument and similar can be only taught by explaining, showing and demonstrating. Plus theory which many people assume the most important part and that is not true. The rest is up to that person who wants to acquire new skills or ideas. Because they will have to do this on their own: they will have to use what they just saw or heard about practically, and they will be moving brush and adding colors. It is a great exercise for decision-making: we have to make a decision every second or even more frequently.

I’m always encouraging students to experiment. Experimenting and exploring is the key to knowledge. Why? There is never only one correct way of painting or drawing something. In fact, there are thousands of ways when we are trying to get similar results. Let’s take for example video tutorials. How to paint trees? How to paint clouds? How to paint forest? The answer is: whatever way you find it suitable for you because these tutorials will show how to paint trees according to X, or clouds as Y is seeing and perceiving them, and forest in a manner of Z, but A might consider such trees incorrect, and B will tell you that nobody should paint clouds like Y was doing them. If video material gives you push and you’re trying to figure it out after watching how effortlessly somebody has done it, fine. However, when you are one on one with brush and paints, things are not the same. The more paint colors you have, the more confused you might become. Well, many color mixes yield very close colors, especially in acrylic where everything will be much darker after it dries.

Do not allow anybody to steal the pleasure of discovery from you! Some people are very insecure initially since they believe they don’t know enough about painting to paint. Well, that’s just wrong. There are artists who have more experience, but nobody knows everything about everything. The other matter is that we develop our mastery and build experience only when we take creative risks and dare to explore and experiment. Therefore, experiment, experiment, experiment! It is good to ask a question when something is not happening the way you expected, but there is no need to check every single move on the internet and perform major search just because you are not sure whether to use blue-green or yellow-green on some spot. Do it your own way, it might take longer, but all efforts will pay off when you’ll have painted exactly what you were trying to.

These images show my efforts trying to take a decent picture of a wet painting in a poorly lightened room.

Acrylic color mixing Road to Spring

However, I quite liked two of these not ready for a website images:

Acrylic color mixing Spring scene

This has reflection because it was too wet.

Acrylic color mixing Spring painting

This came out darker than in reality

It is much better to have your own painting on the wall than some print. Print is a print, it will never have the energy of an original, therefore it makes sense to frame also kids art because it has that special touch. Does our art have to be perfect? We can certainly try to get to that stage, but absolutely flawless and impressive art is extremely rare. It sometimes happens, obviously not with every single piece. I’m doing this all the time: just working towards one great picture which will be the best ever.

Two major errors are these: beginners try to paint with hardly any paint, with a tiny droplet of it. In acrylic that means, it dries out almost instantly.

Acrylic paintings art classes for teens

The small poppies, just a 15 minute exercise, looks good on the wall, not that great as a picture.

Second: beginning artists always pay attention to color and most often absolutely no attention to value. We can change color in a second, but for any painting we need some kind of values placed accordingly to our plans. Therefore: experiment! So that you can meet the spring in nicely decorated house and use your own paintings for that purpose.

Road to spring acrylic painting by Inese Poga

Finally got a better picture which looks more than the real painting.