Art classes and fall start soon

It is almost fall. This might be the most inspirational time for poets and artists, especially these ones who are taken away by color.

My art classes usually resume in the fall. I went to Latvia earlier this year, so, art classes can start sooner and be long enough to learn plenty. It’s going to be October.

I had to think a lot how to arrange art classes this year: I tried 1-day workshops, 2-day workshops, monthly classes and 2 classes on the same subject. I tried everything, I believe. I will have 10 classes in a row this season because it felt as if previous approach did not give enough time for everybody, and I definitely do not like rushing people.

These classes are supposed to give a lot of space and freedom for interpreting subject in a very personal way. We have created wonderful paintings before, and they never looked the same. Every student had used their own view on things, and that is pretty much how art should be: originating in the artist, not in a photo which gets copied onto a paper or canvas. I would love that every class is experience and process and less an attempt to stick to perfection because when we do not get everything perfect we are upset. I encourage everybody to play with shapes, contrasts, colors and try finding the ones that make sense for that particular student personally. We are all similar and very different at the same time: why would we try to create copies of each others work?

Talking about relaxation and recharging after some stressful stretch of time or event: I will have a new daytime class which will focus on pleasure and excitement that only colors and good mood can provide us with. I was told quite frequently that not everybody can attend the late afternoon class, so, here you go: meditate, relax and enjoy doing these watercolor studies that are suitable for absolutely everybody as long as they are willing to try some brushstrokes. This class does not require a lot of materials, and we will do exactly that: we will get lost in artistic freedom to create whatever we feel like at that moment. I have a pretty good idea how well this will work out, so, it should be a fantastic class if you are looking for a great pastime and if you feel you need to decrease your stresses and forget about problems.

Late afternoon watercolor and acrylic class will continue the good tradition of this studio: enjoy the process and learn in a relaxing environment. I have thought about new subjects which will be very suitable for exploration and studies, and I will try to gear students’ attention towards the use of tips and tricks, many different techniques and ways of paint application, as well as watercolorists will get a boost with their drawing skill.

When I am traveling from place to place, there is rarely time to sit down and quietly paint or sketch. As you know, I want my subject to be in front of me, whether that is a still life apple or some flower, or a scene. I quite honestly cannot stand repainting photos, so, I am very happy every time when there is a chance to get something on paper. It’s not much. My subjects had wilted and gotten bad while I was away, but still: that is at least an exercise. I did not have a desk or decent table, and I had to balance everything on my lap or stretch a bit in order to reach to water or paint which is a fun of some sort.

Some sketch and 2 watercolor paintings, that’s all I got done so far while traveling

Rowan berries or ash berries, as well as some sunflower and apples

Quick sketch

This really says: fall

 

Just like always: no decent light, phone pictures are sometimes trouble, but still: you will have some idea.

And from another angle:

I have noticed: if I cannot paint or draw for a longer time, I feel like I am totally missing something. I hope you have nice plans for your fall season, as well!

Draw the line: put things in perspective

Perspective in art is much easier to implement than perspective in life. In fact, there is nothing much to it as far as we are aware of  how it works and what it does for a painting or drawing.

Perspective creates depth and dimension in any drawing and painting which deals with suitable subject.

Traditional linear perspective uses size, overlap of objects and their placement in composition, as well as convergence of lines.

If you love landscape, street scenes, rural scenes with farms and barns, simple roads, streams or rivers, so on and so forth, you will need to implement linear and atmospheric perspective and also use color values accordingly to perspective principles.

Well, if you are drawing and painting plein air, you most likely use some perspective.

Some people are confused: how many vanishing points to use: 1, 2, 3 or even more?

The answer is that will depend on the placement of your shapes and forms on different planes.

1 point perspective uses 1 vanishing point on the horizon line.

Most often we use 1 point perspective with roads, streams, tree and fence lines and buildings on both or one side of a path or road. That creates an easy perceivable composition which is pleasure to look at and easy to create.

2 point perspective respectively will use 2 vanishing points.

Plein air drawing

Pen and watercolor sketch, mostly done outdoors, since this building is next to my entrance

When drawing close-ups of buildings or placing many scattered buildings in composition we can use rather 2, 3 or 4 point perspective because that will allow achieving lots of depth and dimension.

When some objects are close, some distant or scattered all around, you could use 3 and 4 vanishing points. It does not mean that your drawing becomes extremely complex. It means that you will have freedom to place compositionally wherever you want it and make it the size you’d like.

I noticed that most drawing demos that involved 2 point perspective did not explain that the roof top line runs through 1 vanishing point. That was also the most confusing part for students since they had a problem placing the roof line where it belongs.

Please enjoy the recent paintings and sketches which involve perspective.

Thin and thick pen and watercolor for creation of perspective sketch

Simple watercolor plein air sketch

Perspective in man-made structures: large watercolor. To create it, I first did a pencil sketch on transparent transfer paper in the size of the painting.

This is a demo pen and watercolor painting for 1 point perspective

I am giving a set of 4 classes about perspective in sketches and drawings at the moment. Therefore, I haven’t made any perspective videos or demos yet. However, I am working on materials and most likely this winter I will be able to post something to learn from online.

Other than that, bad health and garden work kept me from finishing work at my website. It’s still half done.

If Bluehost with their Mojo Marketplace were not cheating and if I had the theme I initially wanted, my website would be completed and running beautifully by now. Unfortunately, I had to wait for refund and then I got very sick and then I had to prepare classes, so I could not work on finalizing neither the layout nor content of my website.

I did not post recently that much for the same reason: I thought I just wait for a while until it’s all done. That moment never came so far; therefore, I am posting my recent works that involve creating perspective. Most drawings, sketches and watercolor paintings are done outdoors or plein air. A few are demos. It’s needless to say that perspective is an important part of any painting, sketch or drawing. Learning how to create perspective is not difficult or overwhelming.

Please be patient and you will be able to check out my advice on creation of perspective in any drawing or painting. I will definitely have lots of images and sample drawings.

Where would we be without the beauty?

Beauty is the most universal, self-expressing phenomenon that does not require words or language knowledge. It is present in all walks of life, but it becomes something extremely perceivable due to art.

As we rush our daily schedules and spend most of the time running, we might not notice the moment when a bud opens. The magic moment when the fragile petals unfold and when the sun and rain pour life into it. It becomes a mediator of beauty. Every smallest vein and line, every nuance of color is so unique.

The biggest advantage of being able to create, draw and paint is the feeling of being a creator. We can do anything with the sheet of white paper in front of us. It’s our choice what goes on it. I choose the never-ending, personality enriching and mood uplifting divine features of the nature. It is a cheerful activity on its own. It is more than meditation, it is much more than immersing in oneself, it is the imperative life-continuing reveal of the underlying essence of life, and the essence of life is beauty.

Cherry blossoms, watercolor painting. Beauty unfolding

 

Apple blossoms, watercolor painting. Beauty in a very visual way.

Enjoy! Happy Mother’s Day! I know my mom will love these paintings.

The best way to start painting with watercolors

… is using pen and watercolor wash.

We all want our art to be great and impressive. However, if you are new to some medium or absolutely new to drawing and painting, you have to bear in mind: nothing happens right away and with the first brush stroke. I have had absolute beginners who were somewhat disappointed that their first piece of art wasn’t exhibition quality. Well, that is normal.

Every skill takes time, efforts and work.

Creation of drawing or painting involves lots and lots of information. Some people are courageous by nature and love to experiment, and that is a very good start. Some people are perfectionists and they believe everything they do must be either perfect or they are ready to give it up; and that is a completely wrong approach.

My personal attitude towards something new in painting: different subject, medium, tools or technique never focuses on perfection. I focus on potential. Something might work out and something might not. There will be easy parts and probably difficult parts. That way. I call this attitude: let us see what happens.

Progress is usually gradual. That is why we start with simple things and move to more complicated things.

Pen and watercolor wash is a great technique for beginning watercolorists. Some like it so much that they stick to this technique and turn it into their personal style.

If you are insecure about drawing lines with pen, sketch them in using pencil. You can draw over with pen and delete everything else. We have now clean drawing in black ink, and the white paper is not damaged.

Anything can serve as a subject: from your morning coffee cup to flowers in a vase or at the fence, from a bird at your window to sprouting vegetables in a garden. Any scene with some object is good, but flowers look extremely nice when done in pen and watercolor.

When somebody says they cannot draw, I don’t believe that. Most often that means they tried 1 or 2 drawings and these drawings were not splendid. So, they make a conclusion that they cannot draw. Talk to me after 200-300 drawings. That is a decent start. It is also much easier to point out what else one should do in order to create better art when they have done some attempts.

Pen and watercolor flowers and spring scenes

Flowers are extremely suitable subject for this type of watercolor application

Apple blooms in pen and watercolor: great starting subject

Birds fit in this category, as well

Spring mood with butterflies: excellent subject for beginners in watercolor

This exercise is for absolute beginners

Why to start with pen and watercolor? It is forgiving, it is easy and fast, and it allows learning watercolor application more effortlessly. The pen lines provide additional support. It is a flattering technique since practically any painting or drawing looks good regardless of how sufficient one is with watercolor only.

I have done numerous pen and watercolor paintings over years, just because it is fun, it is easy and looks fantastic.

How about a painting party?

Do you ever think that having a painting party or private painting event might be a fantastic way to have a good time and have a glimpse into art creation secrets? Many people admit they are extremely exhausted, tired and losing interest in their daily chores. There are plenty of people who suffer from the burnout syndrome. That happens especially when the job involves some kind of repetition and routine, and good results are not always there. It can be caused by clients or family who do not appreciate your efforts or lack of success in things you are trying to achieve. Winter time is causing depressive state of mind, and sometimes we simply are feeling that we need something completely new. New experience, new challenge, time for ourselves. It does not really matter how average or outstanding is the art we create at such events. We have to be somewhat realistic: nobody can become an artist within a few hours. However, we can still do something meaningful. It is better than simply snoozing on the couch or eating at the local fast food restaurant just because one is bored.

Creativity is present in every single one of us, it’s just so that it can be fairly tricky to put your creative abilities to the test. Well, people who love entertainment without negative side effects can certainly enjoy such an afternoon or evening.

It is fairly tough on me because I’m only one person who does everything, but I’m OK with that. It is not that such parties are every week. Therefore, you should try, too. Every neighborhood has art places that offer to enjoy painting with friends, family or colleagues.

Photo gallery shows a recent painting party. This family had chosen a scene with rocks and highly textured background. I placed all textures on canvas 2 days before the event, and it actually took me a while.

Lifeschool blog talks about risks associated with the use of synthetic vitamins and supplements:

https://inesepogalifeschool.com/2017/02/20/healthy-lifestyle-habits-that-put-you-at-risk-for-undesirable-side-effects/

How does it feel to become a rose?

I always prefer and I always advice others to use real objects, real scenes and live models for their paintings. It’s not only because camera does not see things as a human eye does, but also because of immediate presence.

When somebody aims only for technically great achievements in arts, they certainly stick with photos because we quite cannot distinguish between tiny details when looking at something with just our eyes. I’m not painting or drawing anything I cannot see or which is too small to see. I prefer to go bolder and not to use any magnifying glass.

It can be tough with flowers time to time, especially in winter, and they generally do not last as long as painting takes from start to finish. Anyway, whenever possible using real things has its advantages. They also cause feelings, admiration, attraction or vice versa. This is also something we are trying to implement in our paintings. Technical ability is great, but technically perfect and emotionally cold art isn’t speaking to me. I’m not saying that I always keep working until I have achieved absolutely everything. There is something great about unfinished paintings, too. For instance, a chance to add imaginative characteristics or continue with one’s thoughts. When painting is small, 16 x 20 inches (40.5 cm x 51 cm) inches or so, it doesn’t feel right to spend a year painting it. I sometimes return to a painting after 2-3 years.

Therefore, it feels great becoming a rose. As we paint any petal, we build it and grow it to our liking. Although, it’s just a rose, it has it all: some hidden attraction, some mystery and some color combinations that do not always find reflection in a photo of the painting, but they do become visible when looking at the artwork in person.

Wild roses acrylic painting

There are lots and lots of objects which can be painted not even leaving our room. People sometimes say: I don’t want to paint still life, it’s boring. That’s totally wrong. That is the best exercise in painting there can be found. People who can paint or draw can paint anything and draw anything from apple to face. Still life is the shortest way to explore values, edges, color transitions and the ways we can create them. It’s the best tool to learn underpainting, sketching and blocking in the main shapes. It’s also the easiest way to learn about lines and their relationships, as well as all kinds of shadows. Therefore, we should never underestimate still life as subject, genre or way of expression.

Pink rose acrylic painting for sale

The lifeschool blog reviews pros and cons of using supplements and synthetic vitamins: https://inesepogalifeschool.com/2017/02/07/are-you-wasting-your-money-for-supplements-and-vitamins-without-experiencing-any-benefits/

How drawing and painting teaches us life and boosts mental fitness

Creative involvement in drawing and painting is one of the best things we can do in order to increase the brain activity, improve memory (not only visual) and become more confident, self-aware and efficient with making decisions.

How so? Every line and brush stroke we put down on paper or canvas comes from the brain impulses and activity of neurons at certain parts of the brain. Your hand doesn’t move on its own, it’s guided by our perception and the ability to transform visually or with other senses perceived information into individualized personal experience which is reflected as you draw or paint. It is a very complex process, and we tend to think there are mysterious powers of some kind involved. I sort of want to remove the magic aspect from creativity, just to keep things simple. Inspiration will add the magic, but we have to start from the basics.

Most people do not see the surrounding world as an artist does. So, the first task is learning to recognize all the multiple aspects of transforming a simple visual image into art that exhibits the artistically applicable features of this image. How do we do that?

Anything we draw or paint must find some echo in the storage space of our imagination. Such space of stored imaginary images is present within any memory based on associative and a priori acquired knowledge. Anything we create always relates to our fundamental knowledge of this world. Yet, the drawing or painting we are doing has SPECIFIC OBJECTS, VERY SPECIFIC ITEMS, a VERY SPECIFIC THEME and ATMOSPHERE. It is a scene like no other because it always presents individual features. No two apples are exactly the same, now flower copies the other one exactly line by line, vein by vein and trees come all in very various shapes, not to mention faces, landscapes or other scenery.

Since most people who learn painting or drawing believe that getting all information from the outside and simply following somebody without making their own decision will do the job, first artworks usually do not come out that great. While we are sketching or blocking in the basic shapes or lines, we should already try to decide why everything is where it is, and why composition evolves as it does. The reason we place our objects based on some principle on our paper or canvas is deciding early and planning for effects which we create later.

Adding paint or other elements is always making decisions: first about values, then about shapes, edges, washes and eventually we need to apply color if it is watercolor or acrylic or oil painting in color. Our brain has to make these decisions fast. Most mediums require using relevant timing. If we hesitate too much in some watercolor layers, it simply is too late to achieve the type of wash that makes such painting outstanding. If we are too slow, the acrylic layer we worked at is already dry or tacky and we have to return to it later.

Some images from recent art classes

art-classes-oshawa

Blooming in studio

art-classes-for-acrylic-painting

On the easel: beautiful subject

art-classes-art-students-whitby-ontario

Natalia joined us just recently: very talented girl

There are two main things blocking our ability to proceed with painting or drawing when somebody attends or watches a class: we believe that instructor has made all decisions for us and our task is to blindly follow and to repeat what we see; and we are trying to do everything without any knowledge of why. There is no reasoning, no decisions which arise from our current activity.

For instance, when asked what he or she is doing with some particular part of painting, a very frequent answer is: “I don’t know”. How come? You have to know why you want one part dark and how to achieve that, you have to decide whether that particular object is small or large, has lost edges or sharp edges. That is, basically, we have to decide what exactly and why exactly every time we do something with our painting or drawing.

The biggest trouble maker is simple, aimless brushing around, moving paint all over until everything what there was is lost. That comes from not making a decision. When we decide that clouds are large and grey, we act to achieve this. It’s obvious that only acting based on decision can contribute to implementation of our intentions.

The instructor or art teacher isn’t a magician; they cannot affect directly and immediately the way your brain works. They hope you pay attention to what they say and demonstrate and you will make your own decisions based on this advice. However, if you do not answer for yourself why, what, when and how, the progress is noticeably delayed. Therefore, I also advice doing value sketches. This does not slow one down, but helps tremendously with planning and deciding on what, where and what way.

Eventually, the decision making we learn in classroom makes one much more efficient in other areas of life; hence, everything should be based on decision, not impulse and lack of thinking, so that we do not have to admit: I don’t know why I am doing this. You have to. Unfortunately, nobody can provide you with a dose of understanding perspective, values, shapes, contrasts, layouts and other elements as a capsule or tablet to simply swallow and apply. Everybody has their own ways of making the necessary decisions and they should arrive to this understanding on their own, based on advice, recommendations, techniques and principles teacher, demo or class has provided with.

2 new still life paintings for sale

still-life-for-sale-1

This was started 4 years ago, oh well, time flies

still-life-for-sale-2

Recent study

Lifeschool post has some suggestions on how to avoid preventable accidents and also shares some stories of people who required lengthy recovery: Accidents, bad luck, etc

How to start and achieve good results painting with acrylic

I have spent thousands of hours watching how students start out with their paintings and I have also been beginner many years ago. Therefore, I am aware of tough things which we experience when using such a medium as acrylic. Especially, if this type of paint is a completely new to you.

Acrylic paints are very friendly. No smells, no known allergy causing components. I would advise people with sensitive skin to use gloves: they should be thin and match size of your hand.

Acrylic is easy to use because we can repaint, paint over, cover up and restart painting any areas which we assume not good enough, not suitable our intention and not nice enough. We sometimes need to wait until the first layer is dry. Overworking one spot causes to come off all wet paint.

Acrylic paints can be applied thinly, diluted with glazing medium or water and in a thick layer creating almost impasto effects. It’s just so that prices of paints have tripled since 2008 in Canada, so it is obvious that using modelling paste or different materials as a base is better than applying a lot of paint.

The biggest challenges are two. 95% of beginning artists who work in acrylic USE TOO LESS PAINT. A LOT LESS than required, actually. That results in uneven, streaky coverage or there is no distinction in color and value. We have to add the paint we are using most as it is almost gone. Acrylic dries fast, so dipping on it a few drops of water or slightly spraying it with water time to time will help hugely. It might be so that somebody gets overwhelmed with all information they have to absorb in first classes, but still: having just a small drop of paint on your palette is not going to work. USE DECENT AMOUNT OF PAINT! ALWAYS! Keep it slightly wet all the time while you are using this paint.

Secondly, partially covered canvas does not look good. We can check whether the coverage is proper by taking a picture. If the canvas fabric is clearly visible, that part certainly requires more paint, sometimes: much more paint.

By its nature, acrylic acts like a glue. We have to use this feature in our favor and so we do. We start with more abstracted, not that careful layers and move onto something more definite. WE SHOULD NOT START WITH FINAL DETAILS OR ASSUME THAT ANY FIRST LAYER IS FINAL. Apply at least 3-5 layers and then decide what else you do. Never judge an unfinished painting or make unreasonable conclusions about it. We fix and change EVERYTHING as we add more layers.

The second challenge is BRUSHING PAINT ALL AROUND. We need to place the paint wherever we want it and leave this spot alone. With that being said, we shouldn’t create strong fat lines with sharp edges for darker areas or road sides, field ends and similar. We want darker areas, not darker frames everywhere. To achieve that, we feather out the outer edge on that area. Just let the brush dance on your canvas and don’t worry about too much blending in the first few layers. By letting the brush slightly touch canvas on one spot we can hold the particular color on that area where we want it. Brushing paint around results in achieving uniformly flat color on the entire canvas or area.  We have to use the color we want on the spot where we intend to apply it.

Instructor can demonstrate, explain or show principles, methods and approaches, but painting is still up to you. That means: you have to use the reference, remember to look at the reference whether it is a real abject or scene, or a photo thereof all the time, not only when you start the painting. That does not really happen in reality.

Painting is based on very many decisions we make every second; in fact, we make some hundreds of decisions every second. So, if you only follow the instructor, but haven’t decided anything for yourself, results will not be that great.

Why am I saying: pay attention to reference? I have to repeat that because most people don’t ever pay attention to reference. When we are just beginning the painting, they would have a brief look at it; and I notice after a small while that NOBODY LOOKS any more at the reference. YOU HAVE TO! Reference or value drawing (if you have created such) HAS ALL THE ANSWERS: where to use dark color, where to make strong edge, where to wash edge or lose it, where to place highlights and what exactly the shape of something is. It is extremely important, much more important than what brush to use.

Talking about brushes: always use the ones which you feel comfortable with and which suit the size of the area you are working on. Very simple. We use the largest possible brush for any task. Flat brush has MULTIPLE USES IN ACRYLIC. We can draw thin long lines with the edge of it; we can cover large areas using it flatly, parallel to surface in full width, we can use 2 different shades or colors on each end of the flat brush which simplifies and speeds up painting.

How does the painting or drawing happen? We transform the visually perceived information in the brain signals that eventually lead to our hand movements. Whenever our hand moves accordingly to decision we made, we achieve the desired result. The more decisions one makes and the more one understands why some parts are neutral, some have strong and some have weak values, the easier it is to paint or draw. Blindly following and copying RESTRICTS our ability to analyze, understand and apply creatively our vision.

We develop painting from my sketches. The light barn with pink-red roof was painted by our youngest student Erin who is 11 and attends classes together with her mom. We just started a new project which we are also doing from a quick sketch of mine.

This post was waiting for a long time because I was very busy working on class images and steps.

Therefore, some images are from mid-December classes.

Painting, drawing and sketching manually is THE BEST MENTAL FITNESS EXERCISE. Nothing else can compete or compare to that. Period.

The lifeschool blog reviews challenges during dark and upsetting winter: https://inesepogalifeschool.com/2017/01/17/how-to-feel-good-and-survive-the-dullness-of-depressing-winter-days/ Please enjoy!

 

Dreaming goes on because art is timeless

Before you leave this site, please, spend a short moment with my other blog which is not that visible since it’s secondary (WordPress, it’s time to change that!!!), and the post tells a fairy-tale about Christmas: https://inesepogalifeschool.com/2016/12/22/christmas-fairy-tale-going-home/

Inese Poga's art show

Show, large room, right side

Inese Poga's art show

Show, large room, left side

Art for sale

Sun slightly disturbing, but the light was excellent

artbylocalartist Inese Poga

It’s good to wrap up things and have the feeling of “I have done everything I could, and it is what it is”. It would be certainly way better to finish the year in more elevated mood, like “Was this ever fantastic!” That’s not going to happen this time.

It’s good not to have any classes for a while because that allows getting back to me: doing things that I want and prefer, not only classwork. Giving classes is a big responsibility; it takes a lot of energy and time-consuming preparation work.

I certainly would like to move to my personal themes and my personal visions in art, but unfinished paintings are really standing in the way: you look at some, and it says: hey, just add a few brush strokes, just wash in some more background, it’s not going to be that much of your time! I end up spending a lot of time, and since these are paintings that I started a long time ago, my internal critic disagrees with some aspects. Why did I start this at all? Right, during the class. Why did I choose that much detail? Why didn’t I make it simple and with large accents? Basically, it’s difficult because I have moved on and it feels like catching up on some long time ago forgotten thought or idea.

I will try to be more disciplined and not start that many new paintings, but then again when I didn’t do demos on canvas, I suddenly painted a few great paintings … on messed up cardboard. The wavy texture shines through, and they are not any good for display. It’s even impossible to take any picture of them. You never know with painting: something good can appear where one didn’t expect that and everything can go wrong when we had high expectations. There are so many forces and energies involved that it isn’t by far as simple as “just do it right or according to your plan”.

Classes also put a lot of pressure on any teacher because teaching is also not that simple. I usually think and plan and sketch until I find the right image for a particular group. I also have to think about simplified ways how to put it on canvas or paper.

16 x 12 orchid by Inese Poga

Magnolia, the small version

artbylocalartist gerbera

Gerbera daisy

artbylocalartist my favorite

Finally, got a better picture of poinsettia

artbylocalartist very red poppies

Ones side still pale, but I didn’t have any picture of these red poppies

art Toronto artist

They all looked so attractive

artbylocalartist Barn reflection

We did recently this reflection, everybody loved painting it

artbylocalartist Sunset over shores

This was the subject for a Saturday workshop

artbylocalartist some birches

We are often painting birches

artbylocalartist autumn and birches

This is one of recent class paintings

I had put up a beautiful show, those who came were really impressed, but I believe, my timing was a bit off. I will start to prepare the next show “Blooms and Leaves” fairly soon, and that might be ready by the end of April or by May. Anyway, there is not such a thing as lack of paintings for sale at my gallery. It’s always open and available to anybody over the internet. Just ask.

Merry Christmas to these who celebrate it and fantastic holidays to those who have other celebrations!

Creating is learning, learning means: living more intense

Any creation involves saying something about ourselves. That’s how we are telling others what our point of view is. True creativity is never copying and reproducing, but taking an idea that lives or is just born in our imagination and bringing it to life.

I regret seeing how plenty of instruction is meant to learn not principles and methods, but trying to reproduce a particular artist’s style and manner. Creativity is great not because we can do things that other artists or writers have done, but because we can create everything exactly as we want, have intended and imagined.

The use of color is a very personal feature, color mixing: a general approach to make a shade or tone we want, and therefore, learning the latter is important. Composition can be explained as good and impactful view on items painted on a particular size paper, canvas or other base material. There are generally applicable principles and that’s what we should know. Specific compositional approaches are a personal feature of a particular artist, and we should rather develop our own.

Choice of subject is always important, but we should remember that it is much more useful to learn principles of drawing or painting without sticking to subjects somebody else is painting in some particular manner and doing it great.

How and what always depends on us. The many ways for achieving the desired result we ae learning. Learning is an ongoing activity, and it’s erroneous to assume somebody knows everything. Experiment is the best teacher of all: how do we know if we never tried?

Mistakes and errors are an essential part of learning process. It’s silly to be afraid of mistakes and do nothing. Perfectionism most likely lives inside many minds, but that does not mean anything less than perfect has no value.

I personally always think: let’s see what happens. Everybody who is painting or drawing has thrown out lots of paper and damaged quite a few canvas. There is nothing bad about that. I had a girl who once said: I do not want to throw away this expensive paper just because I started the painting wrong. Well, it is much more difficult to correct wrong lines and colors than start a fresh work using the new knowledge. I believe that every task adds something to our knowledge and skills.

art-for-everyboy-to-create

Sunflower drawing

art-classes sunflower

Sunflower watercolor

I am not at home at the moment, but visiting my closest family in Latvia. I had a few sheets of paper, kid’s paints in fairly bad colors, meaning, they didn’t have the transparency or flow abilities of good quality paints, but still: I simply saw this bloom and these apples, and that; s what I do not have at home. I always prefer drawing from real subject. It was more difficult because the right tools and brushes are helpful, but I did not allow that stopping me. I could return to and reuse the same drawings with decent paints and better size paper or canvas, but these are results at this moment.

art-to-make apple drawing

Drawing for apple watercolor

art-we-love Apples watercolor

I would like to just remind that adults and teens are welcome to attend November/December classes which will start as soon as I get home.

Lifeschool blog deals with GREEN LIVING and importance of changing our perception in order the Earth was living and livable longer. I had to write about the green living for our survival because they are handled so much better in Europe. I have added lots of pictures. Since it’s the secondary blog, it is not that visible, so here is a special invitation. However, those who never read posts, won’t notice that either. Anyway, I hope it is a nice weekend approaching.

Links to 3 recent posts: they continue the same conversation about green living.

https://inesepogalifeschool.com/2016/10/14/living-green-means-simplifying-and-enhancing-life/

https://inesepogalifeschool.com/2016/10/14/the-new-perception-of-prosperity-and-green-living/

https://inesepogalifeschool.com/2016/10/10/the-very-green-walk-in-october-forest-we-have-to-end-consumerism/