How to choose art classes

Many people who feel attracted to art, sign up for art and painting classes in the fall. Certainly, days are getting shorter and the weather gradually changes from very pleasant to quite nasty, rainy and chilly. I will not list all advantages of joining an art class or painting group this time because I’ve been mentioning them multiple times, and there are so many: from building your confidence and self-esteem and finding a great thing to fill up the long nights to effects similar to meditation which allow one floating away from daily troubles and problems, to mental fitness and rejuvenation of brain cells. The created art becomes just another gain along the way.

When choosing an art class, you should first check out what the instructor does: what are his or her favorite subjects, style, colors, approach. If you generally do not like such art as instructor is doing, so most likely you will the class unsuitable. For instance, if instructor is in meticulous copy creation of photos, you most likely will not be learning how to paint abstracts; or if she or he never do portrait painting, it is unlikely the class will provide with portrait painting skills.

Secondly, make sure the size of group somewhat works with you. I hear people complaining that they signed up for an art class and never got any attention, therefore, never learned anything. Well, if a weekly art class is 2 hours long and there are 20 or even more students in the classroom, how would you get a lot of attention? You can count on some 5 minutes of individual instruction in the best case because no instructor can run around all class while they are showing how to paint something. It is obvious that you have to choose a small art class if you require much advice or want very individual approach.

Thirdly, find out what level this art class is for. If some class is intended for advanced painters, most often, if you are just starting out you will not be able to catch up with others.

Beginner is somebody who hasn’t done at least 200 small size paintings or 150 larger paintings.

Next thing is: be realistic in expectations. That is probably the most overlooked aspect of any art class or studies of creative things.

Learning how to use tools takes time. That means: any tools. Although, everybody has seen a painting brush and quite frequently people have tried using it painting something on their own, it does not mean that you know how to actually use it. Any brush (they come in very many sizes, shapes and are made from all kinds of materials) can be used for some very specific things and also for some very general approaches. It is obviously possible to use just one brush start to finish, but the key is to find one that suits you and the task you want to accomplish. That depends also on your personal preferences, medium and subject.

Materials are an extremely important thing also for an art class, so, the best results will definitely be achieved using good quality materials straight from the beginning.

I have heard this often: I’m just learning, so I will use the cheapest materials for now. Well, that might not work at all because using bad materials can easily become a torture and nuisance. Sometimes students struggle around bad watercolor paper and they think they are doing something wrong, but, in fact, it is the paper which prevents from getting acceptable results. The funny part is that when one has a lot of experience they can survive with bad materials because their mastery will cover up the flaws, but initially, when there is very little knowledge, good materials will help overcoming your insecurities.

Equally important is also having your own materials. It might seem: what’s the difference? The answer is: there is a huge difference between paints, brushes, canvas, papers, pencils and even erasers, not to mention that is one of the most important aspects of learning. Tools matter, surface matters, paints and brands matter. There is no other way to become familiar with some materials in particular as using them.

Many people think that art classes and artistic activities cost a lot of money. Comparatively, I have to admit that is not really true. Most classes are way cheaper than going to a movie, about 8-10 times cheaper than attending a concert, at least 2 times cheaper than getting a hairdo, minimum 2 times cheaper than dining out at a medium quality place, much cheaper than boozing at a pub and so on. If your priority is to eat, work and sleep, that might seem like a big expense, but if you are looking for an overall improvement of your mental state, brain flexibility, memory, life quality and health improvement, it is just something which will pay back over many upcoming years. Therefore, the first question should not be “How much”. While the cost makes up an important part of anything we are doing and affording, there are very many other factors to consider. All classes are different: some are just a few weeks, some are a few months, some are short in a very large group and some are long and almost private. The most important part is to sign up for something that you feel interested in. One should also be prepared to learn, practice and memorize things, be spontaneous, courageous, daring and fearless, as well as have enough personal time for not feeling rushed.

I recently got new pictures and got a chance to post some watercolors on DailyPaintworks site.

I always work harder on pictures than actual paintings.

Colors in context images are much more like in reality.

I loved them, I hope it becomes a source of pleasure for other people, too.

This is the updated painting

 

They sell at $150, plus $15 shipping in Canada and USA.

Clear white on DPW

Enjoy!

Art is created in a different dimension

Art is even more than meditation. It transfers us to a different place, it happens in a different dimension and it results in a completely different experience.

I need, just like most of us, to shut off the world here and there.

To recharge, regain energy and clean my internal, soul-bound me.

I know that somebody might say: well, there are important subject and totally unimportant, and trying to paint unimportant things is just waste of time.

It doesn’t really matter, not one small bit.

It is totally possible to forget to eat, to forget what the weather outdoors is; what day it is and whether there are some urgent chores to be done.

The funny thing is that everybody can get into it.

I certainly would advise to let everything disappear time to time.

 

These are my lovely veggies

Love veggies is available from studio, this website and DailyPaintworks site:

$150 plus shipping in Canada $20 and to USA shipping is $25 because this is a large painting Love veggies

At least on my computer, better color balance is visible: ash berries or rowan berries, watercolor, The fall branch is also on DailyPaintworks:

Branch of ash berries

Sunflower sketch

 

I also got finally better pictures of sunflower sketch and ash berries. Well, in order these pictures were normally visible, every picture should be featured at the beginning of post. I just  really do not care about many things, and frequency of posting is one of them. I am in the middle of a creative uplifting swing. I hope it takes me somewhere higher.

Culture Days: free sketching event

Culture Days is a big deal in Canada. I must admit people love these free events and it is also a fantastic motivation to get involved.

We should love culture and we should implement creativity in our schedule regardless of what day or month that is.

People who do arts and creative things get much less depressed and they are less affected by bad news that surrounds us.

They learn living mindfully and consciously, and care about balance: while creativity takes some money that we put in materials, tools and space, it gives back a lot, too. That is not always countable in dollars and measurable by profits, but the gain is rather in experience. That is an incomparable experience, and if you have never tried to create something or engage in creativity, you most likely do not know how uplifting, encouraging and healing this experience can be.

My personal goal is to convince more people to devote some part, even if it is a small part to art and artistic self-expression.

Creativity is life, light and future. Consumerism is a dead-end and self-destruction.

Art culture reveals the nation’s true potential and values.

Although, I have absolutely no sponsors as large art places do, I still wanted to offer everybody to try sketching. Just to see how much fun it can be and that one doesn’t need any previous art experience to get started. I will provide with all materials.

I always bring watercolor sets from my annual trips to Europe. Therefore I will give away 2 watercolor sets which can be used indoors and outdoors for sketching and watercolor painting. If you intended to sign up for either Tuesday daytime or Tuesday night watercolor painting class, so you have a chance to win these watercolor sets tomorrow.

Giveaway: 2 sets of watercolor paints for beginners in painting.

To give some inspiration to these who are interested in acrylic painting, I am attaching 2 images.

Art is light. A large, very textured, light filled acrylic painting “The path of fall”

Acrylic, 30 in x 24 in (76 cm x 61 cm), only for pickup in Ontario since it is quite heavy, $600

Color in waterfall: acrylic on canvas, 24 in x 20 in (61 cm x 51 cm); $420

Ships in Canada approx. $40 and to USA at approx. $50


Culture and art are two sides of one creative experience.

It is rainy and nasty today, but I hope the sun will be out tomorrow.

Therefore, I kindly invite everybody who can make it to come to my studio tomorrow between 1 and 4 pm. I will also show and explain pros and cons of art materials, as well as demonstrate them in action.

Culture days should bring art and creativity to every person in the local community. Just don’t be lazy and come out for a pleasant and great experience!

Different approach to art class: focus on relaxing and stress-free creativity

I am offering a new art class this fall: to paint and to relax letting all concerns and problems go. The key to creativity is being relaxed and not to expect miracles, but learn creating them.

I noticed that some students were taking art classes way too seriously, and being not in a relaxed mood does not allow achieving the same results what people, who always take things easy, do.

I want to make a welcoming environment for creation so that purely technical goals become secondary while painting.

American traditional art teaching pays too much attention to the technical execution of art while leaving the emotional and spiritual side totally neglected. Especially, when I just relocated to Canada, it was definitely overwhelming how sometimes artwork would scream: I am technically perfect, every smallest dot and line is where they should be and every color is exactly as the textbook requires. That is why some artists go for big lengths: they trace and copy photos, and redraw and repaint everything what in digitally adjusted photo is. Where is the creativity? That allows achieving a perfection which frequently lacks feelings and does not move emotions. I would like to emphasize: the creative process is the most valuable part of the artistic phenomenon.

Perfection in art is not the best guiding idea because it simply does not allow unfolding the creative potential.

I hear this quite frequently: I’m not touching this painting anymore because I do not want to damage it. Well, leaving work unfinished isn’t good either.

I also wanted to make an art class which is impossible to replicate online: just because the content of this class rests on the presence and the interaction between me, group and everybody as an individual.

I will gear everything towards a great, interesting, amazing and positive experience. That means learning about oneself and art, and learning to be creative without the annoying pressure which some teaching venues want to impose on somebody who is looking for a new skill and ability.

We will use blocks of paper, so that at the end of this  positive painting session  everybody will have an image diary and will be able to continue adding creations.

Inspiration and immersion in calm, creative environment is something we do not find often or elsewhere.

I believe, this type of art class where experience and activity flow together creating emotional satisfaction, thus, releasing stresses and providing with a new perspective on the bothering issues in one’s life, will be well attended and appreciated.

It’s very interesting that I was away and did not do any advertising so far, but people were applying, in fact, a lot of people, that included the new daytime watercolor painting class.

I am adding as illustration some brush stroke and wash only paintings which do not need any drawing. We use only watercolor and water, and we watch what happens and how our thoughts and ideas look on paper.

Watercolor paintings without drawing: fun, relaxing brushing and interesting flow of pigment:

Leaf patterns, washes and more washes, available at $85

Leaf patterns

Road towards the fall

Distant storm

Side by side with summer, available at $40 

Side by side with summer

Sponge trees

October sketch

Art classes are for everybody because we will be using only our personal preferences with choosing colors, subjects and the way they look.

And finally, the best new watercolor painting “Water edge”, available at $85 plus shipping Water edge

Participants will have a lot of choice: they can draw, they can use pen or they can also do very abstract or semi-abstract art for their image diary. That’s why it’s called: stress relief with color and line.

Art classes and fall start soon

Fall art classes start soon. That is a fact. Fall is here. This might be the most inspirational time for poets and artists, especially these ones who are taken away by color.

My fall art classes usually resume in October. I went to Latvia earlier this year, so, art classes can start sooner and be long enough to learn plenty. It’s going to be October.

I had to think a lot how to arrange art classes this year: I tried 1-day workshops, 2-day workshops, monthly classes and 2 classes on the same subject. I tried everything, I believe. I will have 8 classes in a row this season because it felt as if previous approach did not give enough time for everybody, and I definitely do not like rushing people.

These classes are supposed to give a lot of space and freedom for interpreting subject in a very personal way. We have created wonderful paintings before, and they never looked the same. Every student had used their own view on things, and that is pretty much how art should be: originating in the artist, not in a photo which gets copied onto a paper or canvas. I would love that every class is experience and process and less an attempt to stick to perfection because when we do not get everything perfect we are upset. I encourage everybody to play with shapes, contrasts, colors and try finding the ones that make sense for that particular student personally. We are all similar and very different at the same time: why would we try to create copies of each others work?

We will have new fall art class: a  daytime watercolor and sketching class which will focus on pleasure and excitement that only colors and good mood can provide us with. I was told quite frequently that not everybody can attend the late afternoon class, so, here you go: meditate, relax and enjoy doing these watercolor studies that are suitable for absolutely everybody as long as they are willing to try some brushstrokes. This class does not require a lot of materials, and we will do exactly that: we will get lost in artistic freedom to create whatever we feel like at that moment. I have a pretty good idea how well this will work out, so, it should be a fantastic class if you are looking for a great pastime and if you feel you need to decrease your stresses and forget about problems.

Fall art classes: late afternoon watercolor and acrylic painting class will continue the good tradition of this studio: enjoy the process and learn in a relaxing environment. I have thought about new subjects which will be very suitable for exploration and studies, and I will try to gear students’ attention towards the use of tips and tricks, many different techniques and ways of paint application, as well as watercolorists will get a boost with their drawing skill.

When I am traveling from place to place, there is rarely time to sit down and quietly paint or sketch. As you know, I want my subject to be in front of me, whether that is a still life apple or some flower, or a scene. I quite honestly cannot stand repainting photos, so, I am very happy every time when there is a chance to get something on paper. It’s not much. My subjects had wilted and gotten bad while I was away, but still: that is at least an exercise. I did not have a desk or decent table, and I had to balance everything on my lap or stretch a bit in order to reach to water or paint which is a fun of some sort.

Some sketch and 2 watercolor paintings, that’s all I got done so far while traveling

Rowan berries or ash berries, as well as some sunflower and apples, we will try some nature scenes with still life elements in our fall art classes, too.

Quick sketch: inspiration for fall art classes

 

This really says: fall

 

 

 

I have noticed: if I cannot paint or draw for a longer time, I feel like I am missing something a lot. I hope you have nice plans for your fall season, as well!

Who benefits from art and artists

When you look at art for sale, it can sometimes seem the artist is probably under drugs and wants to extremely profit from their paintings, drawings or other type of art. It seems so.
I once asked a lady who was enquiring about my paintings: do you know anybody who would work for about two months, every day, about 6-8 hours a day and then receive for all this work 200 bucks minus materials? It isn’t that I tried to get her to pay more or whatever, it’s just the reality.
She was a nice lady, and she honestly said she didn’t know anybody who would work on such terms. I could add to this that I don’t know either, except fellow artists who for different reasons are in the same boat.
A brief list of these who benefit not only from  full-time artists, but anybody who creates art and tries to sell their art:
companies that make pencils, papers, tracing papers, graphite papers, drawing sketching, watercolor and all kinds of art papers,
companies that manufacture canvas, canvas panels, canvas boards, stretcher bars and canvas fabric,
companies that make paints, pigments, mediums for paints, solvents, vanishes, and all kinds of chemicals that are necessary for putting paint on canvas or paper at different stages or preserving the ready art,
companies that make easels, supports and all kinds of frame manufacturers, framing places and manufacturers of framing supplies, that includes mats, matting paper, glass, Plexiglas and similar materials;
every artists needs a website or blog, as well as social media presentation, so there are lots of platforms and hosting companies which sell everything from security certificates, to software for managing website, hosting, themes, plugins and many tools in order the website stayed functional;
companies that manufacture computers, tablets, ipads, cameras, video cameras and phones since we need to get the image somewhat captured and transferred to online space;
any landlord who leases studio or showroom space;
any utility provider who sells power, gas and water to the studio;
any show, gallery, exhibition, fair, including juried shows, online competitions and online shows which charge a fee for putting the artwork out there;
any online sales or art print sales provider which charges membership fee and commission;
money collecting and payment processing companies, i. e. Paypal, banks, etc.
That is not the entire list, and to some extent it is similar to expenses that are inevitable for any freelance or self-employed person, but the creation of art is definitely at the higher end of expenses, costs of materials and time consumption.
Artist obviously pays for paints, paper, canvasses, frames and framing, fees for shows and gallery representation and any utilities, as well as monthly payment for studio regardless of whether there is going to be some profit or not. Even when the art ends up in the waste basket, it still involves cost.
I know one would say: anybody who creates a product must create it first and there is never a guarantee of selling it. True, however, most products which are 100% unique, handmade and original sell for much more than the materials and labor that goes into them.
So, we have arrived at the most crucial question: who enables the artist to benefit? Who makes it possible for the artist to profit from their talent, work and efforts?
The artist can only profit from his or her clients who purchase the work whether as a product with art image on or in it, or as an original painting and drawing.
That is you. Somebody who loves and appreciates art. Somebody who has some money and is willing to spend it not on food, not on outfit, not on make-up or furniture, but art. Art is not a medication and it won’t cover you as a blanket, but it can feel that way, too. I know people who can stand for half an hour at some of my paintings and they feel exactly that: warmth and energy, and healing power.
I hope when you go to an art show next time and when you look at some painting, you will be aware that along with artist’s efforts, talent, time and soul there goes in a lot of other expense. That is an expense which is not covered quite frequently.
Being a freelance writer and artist is not easy by any means. There is a lot of insecurity: I do not know when some new work request arrives, I cannot ever guess with certainty when some painting will sell. I obviously cannot work when I’m not well, and that causes other problems. The domino effect.
Why to do this? At the present moment, this is the only option I have.
I am not sure if I will have to post something else before I fly to Latvia next Monday, yes, I unintentionally have chosen the full solar eclipse day, but whatever; I am presenting a few paintings which come as result of giving the flower painting class.

Lovely pinks

I compared also Arches 300 paper with Saunders Waterford 300.

Saturday rose is available at $150 plus shipping Saturday rose

Sunday rose is available at $150 plus shipping, Daily Paintworks, Sunday rose

Unfortunately, both papers were not bright white. If you have enough time to dry paper decently between layers, Arches is better. It is very easy to paint on it. However, I did not have time to dry paper, so Saunders Waterford was better because it does not keep flowing that much.


I do appreciate any sale through this site, at studio or through any other site because that allows me to benefit small bit from my creations.

Taking pictures of art and displaying: it is a challenge

Taking pictures of art is my never-ending challenge. I have been dealing with some other issues, too.

What happened to all good themes on WordPress.org?

Oh well.

I’ve been sitting at computer way too long. As I told before, I don’t have a better theme on my website right now for a very silly reason: I just couldn’t find a good one. It seems almost impossible.

All of them look great as demos.

Once I started to adapt them to what I want, I ended up seeing that:

one page themes don’t work;

with all kinds of fancy stuff overloaded themes don’t work;

completely plain and totally flat themes don’t work, so on and so on. I tried 8 themes, lost money on one, and here I am: with the same 2017.

I decided to leave it as is because while I was doing my theme adjustments, I worked as a slave for two weeks, 14 hours a day and that was affecting my life and everything else I had to do.

I am going to Latvia, but prospects traveling without cash are not very attractive.

Joining the Daily paintworks

I finally signed up for Daily paintworks where one tries to sell original art, not prints.

It took me five years to decide, and it is rather a desperate measure. All online art sites are crowded and there is a confusing amount of artworks to choose from.

Participation is quite costly, too, so one is pretty much under pressure to sell something.

Well, extremely cheap and tiny art sells well there, but I don’t have anything smaller than 11 x 14 inches. Very few old pieces might be 8 x 10 inches. So, I signed up and one can place only one artwork per day, so I have two paintings there at the moment.

Summer fence is available at $120 plus shipping

 Summer fence watercolor

Purple variety painting

Once again, I will try to do something also locally which is very unlikely to be a successful thing because this neighborhood is quite dead.

And I will try to sell something also over the internet from this same site.

Taking pictures of art: it isn’t easy

My biggest problem has been inability to capture on image the art as it really is; and this problem is persistent for many years. I don’t think it’s only mine problem. Camera looks at painting differently, and the color balance really depends on colors in painting.

Blue shades, greys and blue green colors look better.

Red, orange and yellow is a huge problem. I have paintings which have a lot of red and I cannot show them online because the color comes out weird, and it is not at all as in my painting. It is usually impossible to bring back the color balance with editing either.

Taking pictures of art in context and with background

I have noticed that watercolor artists use to take pictures of their paintings using contextual background. I started to take such picture of my art intuitively: some 8 years ago or so.

I paid attention very soon to the fact that everything that did not display only the cropped painting image looked fine. I mean, painting regained all natural colors and its good look.

That also gives some idea about the size because it is quite annoying to see how on some sites my very large art is displayed smaller than my small art.

Just placing something next to painting or photographing paintings in a bunch, having some surroundings show behind or taking art picture when it is on the wall, or using for decoration whatever, results in a photo that has all colors well balanced.

Taking pictures of art and displaying online

This particular theme does not allow also displaying everything as I would love to. The featured image becomes too huge. I tried to add my own css when doing theme adjustments, so I made the blog posts page larger size, but decreasing the widget area resulted in losing the number of followers. I will have to live with this display for a while because too much editing the theme caused all content text disappearing completely.

I can display on my website my art as I prefer, but when I have to post it somewhere else, it needs to be cropped and possibly edited, but I have noticed if the colors aren’t right, no editing will make that painting look as it is.

Most art looks better in reality. It can be so annoying at times that after taking about 30 pictures of some painting not one is good enough to post somewhere.

My art deals

I will be offering nice deals on my art up to August 19, and I will ship my paintings anywhere, but shipping will be extra. I got in big trouble last year because I was using UPS; and the shipping was costing more (isn’t that insane?) than my paintings I was shipping. I was so upset that I decided not to use UPS again. I’ve been shipping quite large art to Europe just by Canada post and the cost was somewhat ok, it was at least better.

Anyway, have a look at my art and I will also post more exercises for those who love painting with watercolor and are learning and experimenting with sketching and watercolor.

Maybe I should make a specific Facebook page for that? We’ll see how it goes.

I believe pictures of paintings look better in a context and on a background.

It is worth experimenting with that, as well.

Illustration or sketch: one, two, three: ready! How to start sketching

Illustration or sketch can be simplified in order to get it done outdoors or to complete indoors because sometimes the weather can be quite bothersome and not cooperating with our intentions.

I have had a chance to watch numerous people when they first learn painting or drawing.

I would love to share some observations because they might inspire somebody to just get a pencil, a brush and paper and go ahead.

Do we need rules in art?

It might sound strange, but most people believe there are many strict rules when we draw or paint. Maybe the instruction on some sites makes one feel that if you do not follow these rules you cannot paint or draw. That is not true. That is actually completely wrong.

While there are lots of tricks, shortcuts and favorite ways to get things done faster and better, one should not try to stick to something which we call strict rules. Not with creativity. Not in art.

That would mean the small kid who does not have an idea of rules and instructions should not be able to draw. But the small kid is able to draw. Every kid is able to draw and paint.

As people grow up they find out that life wants us to comply with requirements, regulations, rules and certain instructions. It’s no surprise they want to apply rules to everything what we do. I know artists who would call the way of paint application a rule, or the way of drawing something on paper a rule.

No rules, just do your best!

I would love to encourage these who want to try art, to just go with their intention.

I hear quite frequently: I don’t know anything about painting or drawing. Well, you don’t have to. You just have to start trusting your eyes and trying to draw or paint whatever you intend to.

What to use for watercolor sketching?

Everything you can afford or like. If you do not know whether you will continue or not, why would you buy $75 watercolor brush? We always use the largest watercolor brush that still allows achieving what we want. It’s pretty much common sense. You could survive with just one number 10 watercolor brush if it has a good fine tip. 20-brush sets from Dollarstore won’t do anything, don’t go for these.

If you are applying wet paint on your sketch, traditional sketching paper won’t allow that. It is too thin. That’s pretty much common sense, as well; it could tolerate dry pencil or some pen, but not washes, especially repeated washes or paint lifting.

I would advise to always use watercolor paper for drawing, sketch, illustration, practise, color or flow practise because that is thicker and can be made wet.

If you are a beginner, you can live with just beginner’s watercolor paint set.

You can do illustration or sketch any way you like

If you are afraid to draw right away with pen, do the initial drawing in pencil and go over with pen afterwards. Keep the best lines and erase everything else, and here you have a nice, clean, attractive drawing. Why to use pen? It is simply easier. Pen makes the outline clearly visible, all image looks finished and elaborated even when the drawing is far from perfect and watercolor washes will bring your artistic attempt to life.

There is no wrong or right way to sketch, to draw or to paint

All artists develop their own style over time. Should you expect the first attempts to be perfect? No, don’t do that. Always tell yourself: Let us see what happens. Treat all of your first year’s art as a practise, as an experiment. Some will be god, some will fly into the waste basket, and that is absolutely fine.

People call everything which did not come out perfect: a mistake. That does not always apply to art either.

Some artistic mistakes and flaws can become the foundation of your personal style. Some experiments can set the tone for anything you do in the future. Therefore: experiment, experiment and experiment!

I am attaching some works from previous sketching session.

Illustration or sketch can be carried out in any style you prefer

Illustration can be done easily.  I am advising to use pen just for simplicity and speed. It really helps. I also love the accomplished look of such sketches which can be definitely used as completely finished art on the wall or for any other purpose.

Illustration example: pen outline

First we draw with pencil the main lines. We draw lightly without using pressure. After that we repeat the best lines in pen.

Illustration: first washes applied over pen lines

Choose whatever colors you love and would want in your sketch. Activate with water. Test on testing paper how transparent the watered down mix is. Apply small amount of water onto the main image area. You can use spray bottle if it creates mist. Check against light: if the shine is about to disappear, that’s the best time for first washes.

Illustration is ready: more washes or less diluted paint, and we are done.

If you allow first layers to dry and then make your paper wet again, nothing will happen to the dried out first layers. It is safe to go over with water. Don’t rub or scratch with the brush; that will definitely take some paint of.

Corrections are done with paper towel when the painting is wet: pressing paper towel onto paper will take off most of wet paint. When the paper is completely dry, apply washes and use damp brush or paper towel to lift color or paint you don’t want. Repeat until you like it.

The thicker the watercolor paper, the more things you can do with it.

Cheap watercolor paper is for tests and some practice only. It is simply too thin to do something more.

You can choose any pen you can afford or like. Your pen can be different color, too. Black simply fits any other color and makes it stand out more.

Large sketch using much wider pen

All watercolor illustrations and sketches look great. If you want them to be better: practice more and don’t expect immediate perfection.

Draw the line: put things in perspective

Perspective in art is much easier to implement than perspective in life. In fact, there is nothing much to it as far as we are aware of  how it works and what it does for a painting or drawing.

Perspective creates depth and dimension in any drawing and painting which deals with suitable subject.

Traditional linear perspective uses size, overlap of objects and their placement in composition, as well as convergence of lines.

If you love landscape, street scenes, rural scenes with farms and barns, simple roads, streams or rivers, so on and so forth, you will need to implement linear and atmospheric perspective and also use color values accordingly to perspective principles.

Well, if you are drawing and painting plein air, you most likely use some perspective.

Some people are confused: how many vanishing points to use: 1, 2, 3 or even more?

The answer is that will depend on the placement of your shapes and forms on different planes.

1 point perspective uses 1 vanishing point on the horizon line.

Most often we use 1 point perspective with roads, streams, tree and fence lines and buildings on both or one side of a path or road. That creates an easy perceivable composition which is pleasure to look at and easy to create.

2 point perspective respectively will use 2 vanishing points.

Plein air drawing

Pen and watercolor sketch, mostly done outdoors, since this building is next to my entrance

When drawing close-ups of buildings or placing many scattered buildings in composition we can use rather 2, 3 or 4 point perspective because that will allow achieving lots of depth and dimension.

When some objects are close, some distant or scattered all around, you could use 3 and 4 vanishing points. It does not mean that your drawing becomes extremely complex. It means that you will have freedom to place compositionally wherever you want it and make it the size you’d like.

I noticed that most drawing demos that involved 2 point perspective did not explain that the roof top line runs through 1 vanishing point. That was also the most confusing part for students since they had a problem placing the roof line where it belongs.

Please enjoy the recent paintings and sketches which involve perspective.

Thin and thick pen and watercolor for creation of perspective sketch

Simple watercolor plein air sketch

Perspective in man-made structures: large watercolor. To create it, I first did a pencil sketch on transparent transfer paper in the size of the painting.

This is a demo pen and watercolor painting for 1 point perspective

I am giving a set of 4 classes about perspective in sketches and drawings at the moment. Therefore, I haven’t made any perspective videos or demos yet. However, I am working on materials and most likely this winter I will be able to post something to learn from online.

Other than that, bad health and garden work kept me from finishing work at my website. It’s still half done.

If Bluehost with their Mojo Marketplace were not cheating and if I had the theme I initially wanted, my website would be completed and running beautifully by now. Unfortunately, I had to wait for refund and then I got very sick and then I had to prepare classes, so I could not work on finalizing neither the layout nor content of my website.

I did not post recently that much for the same reason: I thought I just wait for a while until it’s all done. That moment never came so far; therefore, I am posting my recent works that involve creating perspective. Most drawings, sketches and watercolor paintings are done outdoors or plein air. A few are demos. It’s needless to say that perspective is an important part of any painting, sketch or drawing. Learning how to create perspective is not difficult or overwhelming.

Please be patient and you will be able to check out my advice on creation of perspective in any drawing or painting. I will definitely have lots of images and sample drawings.

Where would we be without the beauty?

Beauty is the most universal, self-expressing phenomenon that does not require words or language knowledge. It is present in all walks of life, but it becomes something extremely perceivable due to art.

As we rush our daily schedules and spend most of the time running, we might not notice the moment when a bud opens. The magic moment when the fragile petals unfold and when the sun and rain pour life into it. It becomes a mediator of beauty. Every smallest vein and line, every nuance of color is so unique.

The biggest advantage of being able to create, draw and paint is the feeling of being a creator. We can do anything with the sheet of white paper in front of us. It’s our choice what goes on it. I choose the never-ending, personality enriching and mood uplifting divine features of the nature. It is a cheerful activity on its own. It is more than meditation, it is much more than immersing in oneself, it is the imperative life-continuing reveal of the underlying essence of life, and the essence of life is beauty.

Cherry blossoms, watercolor painting. Beauty unfolding

 

Apple blossoms, watercolor painting. Beauty in a very visual way.

Enjoy! Happy Mother’s Day! I know my mom will love these paintings.

The best way to start painting with watercolors

… is using pen and watercolor wash.

We all want our art to be great and impressive. However, if you are new to some medium or absolutely new to drawing and painting, you have to bear in mind: nothing happens right away and with the first brush stroke. I have had absolute beginners who were somewhat disappointed that their first piece of art wasn’t exhibition quality. Well, that is normal.

Every skill takes time, efforts and work.

Creation of drawing or painting involves lots and lots of information. Some people are courageous by nature and love to experiment, and that is a very good start. Some people are perfectionists and they believe everything they do must be either perfect or they are ready to give it up; and that is a completely wrong approach.

My personal attitude towards something new in painting: different subject, medium, tools or technique never focuses on perfection. I focus on potential. Something might work out and something might not. There will be easy parts and probably difficult parts. That way. I call this attitude: let us see what happens.

Progress is usually gradual. That is why we start with simple things and move to more complicated things.

Pen and watercolor wash is a great technique for beginning watercolorists. Some like it so much that they stick to this technique and turn it into their personal style.

If you are insecure about drawing lines with pen, sketch them in using pencil. You can draw over with pen and delete everything else. We have now clean drawing in black ink, and the white paper is not damaged.

Anything can serve as a subject: from your morning coffee cup to flowers in a vase or at the fence, from a bird at your window to sprouting vegetables in a garden. Any scene with some object is good, but flowers look extremely nice when done in pen and watercolor.

When somebody says they cannot draw, I don’t believe that. Most often that means they tried 1 or 2 drawings and these drawings were not splendid. So, they make a conclusion that they cannot draw. Talk to me after 200-300 drawings. That is a decent start. It is also much easier to point out what else one should do in order to create better art when they have done some attempts.

Pen and watercolor flowers and spring scenes

Flowers are extremely suitable subject for this type of watercolor application

Apple blooms in pen and watercolor: great starting subject

Birds fit in this category, as well

Spring mood with butterflies: excellent subject for beginners in watercolor

This exercise is for absolute beginners

Why to start with pen and watercolor? It is forgiving, it is easy and fast, and it allows learning watercolor application more effortlessly. The pen lines provide additional support. It is a flattering technique since practically any painting or drawing looks good regardless of how sufficient one is with watercolor only.

I have done numerous pen and watercolor paintings over years, just because it is fun, it is easy and looks fantastic.