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How to start and achieve good results painting with acrylic

I have spent thousands of hours watching how students start out with their paintings and I have also been beginner many years ago. Therefore, I am aware of tough things which we experience when using such a medium as acrylic. Especially, if this type of paint is a completely new to you.

Acrylic paints are very friendly. No smells, no known allergy causing components. I would advise people with sensitive skin to use gloves: they should be thin and match size of your hand.

Acrylic is easy to use because we can repaint, paint over, cover up and restart painting any areas which we assume not good enough, not suitable our intention and not nice enough. We sometimes need to wait until the first layer is dry. Overworking one spot causes to come off all wet paint.

Acrylic paints can be applied thinly, diluted with glazing medium or water and in a thick layer creating almost impasto effects. It’s just so that prices of paints have tripled since 2008 in Canada, so it is obvious that using modelling paste or different materials as a base is better than applying a lot of paint.

The biggest challenges are two. 95% of beginning artists who work in acrylic USE TOO LESS PAINT. A LOT LESS than required, actually. That results in uneven, streaky coverage or there is no distinction in color and value. We have to add the paint we are using most as it is almost gone. Acrylic dries fast, so dipping on it a few drops of water or slightly spraying it with water time to time will help hugely. It might be so that somebody gets overwhelmed with all information they have to absorb in first classes, but still: having just a small drop of paint on your palette is not going to work. USE DECENT AMOUNT OF PAINT! ALWAYS! Keep it slightly wet all the time while you are using this paint.

Secondly, partially covered canvas does not look good. We can check whether the coverage is proper by taking a picture. If the canvas fabric is clearly visible, that part certainly requires more paint, sometimes: much more paint.

By its nature, acrylic acts like a glue. We have to use this feature in our favor and so we do. We start with more abstracted, not that careful layers and move onto something more definite. WE SHOULD NOT START WITH FINAL DETAILS OR ASSUME THAT ANY FIRST LAYER IS FINAL. Apply at least 3-5 layers and then decide what else you do. Never judge an unfinished painting or make unreasonable conclusions about it. We fix and change EVERYTHING as we add more layers.

The second challenge is BRUSHING PAINT ALL AROUND. We need to place the paint wherever we want it and leave this spot alone. With that being said, we shouldn’t create strong fat lines with sharp edges for darker areas or road sides, field ends and similar. We want darker areas, not darker frames everywhere. To achieve that, we feather out the outer edge on that area. Just let the brush dance on your canvas and don’t worry about too much blending in the first few layers. By letting the brush slightly touch canvas on one spot we can hold the particular color on that area where we want it. Brushing paint around results in achieving uniformly flat color on the entire canvas or area.  We have to use the color we want on the spot where we intend to apply it.

Instructor can demonstrate, explain or show principles, methods and approaches, but painting is still up to you. That means: you have to use the reference, remember to look at the reference whether it is a real abject or scene, or a photo thereof all the time, not only when you start the painting. That does not really happen in reality.

Painting is based on very many decisions we make every second; in fact, we make some hundreds of decisions every second. So, if you only follow the instructor, but haven’t decided anything for yourself, results will not be that great.

Why am I saying: pay attention to reference? I have to repeat that because most people don’t ever pay attention to reference. When we are just beginning the painting, they would have a brief look at it; and I notice after a small while that NOBODY LOOKS any more at the reference. YOU HAVE TO! Reference or value drawing (if you have created such) HAS ALL THE ANSWERS: where to use dark color, where to make strong edge, where to wash edge or lose it, where to place highlights and what exactly the shape of something is. It is extremely important, much more important than what brush to use.

Talking about brushes: always use the ones which you feel comfortable with and which suit the size of the area you are working on. Very simple. We use the largest possible brush for any task. Flat brush has MULTIPLE USES IN ACRYLIC. We can draw thin long lines with the edge of it; we can cover large areas using it flatly, parallel to surface in full width, we can use 2 different shades or colors on each end of the flat brush which simplifies and speeds up painting.

How does the painting or drawing happen? We transform the visually perceived information in the brain signals that eventually lead to our hand movements. Whenever our hand moves accordingly to decision we made, we achieve the desired result. The more decisions one makes and the more one understands why some parts are neutral, some have strong and some have weak values, the easier it is to paint or draw. Blindly following and copying RESTRICTS our ability to analyze, understand and apply creatively our vision.

We develop painting from my sketches. The light barn with pink-red roof was painted by our youngest student Erin who is 11 and attends classes together with her mom. We just started a new project which we are also doing from a quick sketch of mine.

This post was waiting for a long time because I was very busy working on class images and steps.

Therefore, some images are from mid-December classes.

Painting, drawing and sketching manually is THE BEST MENTAL FITNESS EXERCISE. Nothing else can compete or compare to that. Period.

The lifeschool blog reviews challenges during dark and upsetting winter: https://inesepogalifeschool.com/2017/01/17/how-to-feel-good-and-survive-the-dullness-of-depressing-winter-days/ Please enjoy!

 

Dreaming goes on because art is timeless

Before you leave this site, please, spend a short moment with my other blog which is not that visible since it’s secondary (WordPress, it’s time to change that!!!), and the post tells a fairy-tale about Christmas: https://inesepogalifeschool.com/2016/12/22/christmas-fairy-tale-going-home/

Inese Poga's art show

Show, large room, right side

Inese Poga's art show

Show, large room, left side

Art for sale

Sun slightly disturbing, but the light was excellent

artbylocalartist Inese Poga

It’s good to wrap up things and have the feeling of “I have done everything I could, and it is what it is”. It would be certainly way better to finish the year in more elevated mood, like “Was this ever fantastic!” That’s not going to happen this time.

It’s good not to have any classes for a while because that allows getting back to me: doing things that I want and prefer, not only classwork. Giving classes is a big responsibility; it takes a lot of energy and time-consuming preparation work.

I certainly would like to move to my personal themes and my personal visions in art, but unfinished paintings are really standing in the way: you look at some, and it says: hey, just add a few brush strokes, just wash in some more background, it’s not going to be that much of your time! I end up spending a lot of time, and since these are paintings that I started a long time ago, my internal critic disagrees with some aspects. Why did I start this at all? Right, during the class. Why did I choose that much detail? Why didn’t I make it simple and with large accents? Basically, it’s difficult because I have moved on and it feels like catching up on some long time ago forgotten thought or idea.

I will try to be more disciplined and not start that many new paintings, but then again when I didn’t do demos on canvas, I suddenly painted a few great paintings … on messed up cardboard. The wavy texture shines through, and they are not any good for display. It’s even impossible to take any picture of them. You never know with painting: something good can appear where one didn’t expect that and everything can go wrong when we had high expectations. There are so many forces and energies involved that it isn’t by far as simple as “just do it right or according to your plan”.

Classes also put a lot of pressure on any teacher because teaching is also not that simple. I usually think and plan and sketch until I find the right image for a particular group. I also have to think about simplified ways how to put it on canvas or paper.

16 x 12 orchid by Inese Poga

Magnolia, the small version

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Gerbera daisy

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Finally, got a better picture of poinsettia

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Ones side still pale, but I didn’t have any picture of these red poppies

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They all looked so attractive

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We did recently this reflection, everybody loved painting it

artbylocalartist Sunset over shores

This was the subject for a Saturday workshop

artbylocalartist some birches

We are often painting birches

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This is one of recent class paintings

I had put up a beautiful show, those who came were really impressed, but I believe, my timing was a bit off. I will start to prepare the next show “Blooms and Leaves” fairly soon, and that might be ready by the end of April or by May. Anyway, there is not such a thing as lack of paintings for sale at my gallery. It’s always open and available to anybody over the internet. Just ask.

Merry Christmas to these who celebrate it and fantastic holidays to those who have other celebrations!

Reds and gold for Christmas and holidays

How have you been? I was so busy during the past 2 months that I hardly could do anything else except work, work and work.

I thought it would be great to have a good show this year since the summer was not the best. It feels the 3 bad years are over and I can start fresh. Meaning: much better, at much higher level, much more efficient and much more skillful. That is not hard to do when health has returned.

I know how many people would love some art and there is not enough money for everything. I will probably try in the New Year posting some giveaways on Facebook (link is on the right: Art plus Life).

Well, I am completely behind posting schedule on either blog, this one and lifeschool. I promise to post some articles and poems more often once I get over Christmas.

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The theme of this year is: Reds and gold for Christmas. Red is such a warm and energizing color, we need it; we need it especially when it’s cold and nasty outside, or inside the heart. I was spending almost all day trying to get some pics for my show. Well, light was bad, but I tried, tried and tried until I was somewhat satisfied.

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Some new friendly birds

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Different settings

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No celebration without poinsettia

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Lovely golds and robins

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Golden light of candles

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It was difficult to guess which one was the painted poinsettia when I first looked at pictures.

I wish you not overdoing with gifts, but choosing soul-warming, mood-lifting and energy-giving things. Like a painting? Why not?

Where did the time go?

Time is rushing us so badly that it sometimes feels I just wake up and go back to sleep. At least, I got this feeling recently. Along with doctor’s appointments, household stuff, daily meals, cleaning, laundry, classes, preparation of new images and steps for their painting, preparation of hand-out materials, advertising, social media posts, and I had two huge medical writing jobs, each one took a week approximately: that meant there was no time to paint. Although, my show is coming up and this is a gift season for which I should have better prepare. There was just zero time.

I put up a few decorations yesterday, and I had to give a class later, and that was it. The day just disappeared again. Anyway, I’m posting a watercolor still life which was done about 3 weeks ago, but THERE WAS NO TIME TO POST ANYTHING!

Watercolor still life

I hope my duties will somewhat balance out during the upcoming weeks and I can get to things which I really want to do: JUST SIMPLY PAINT. Starting image for a class is not quite the same: I have to take into account all distinctive levels of skill, and we often have absolute beginners, so that painting is just an illustration for what I am saying while teaching. Showing is definitely better than only telling about it. It is very helpful also that I can see and correct things which are usually problematic: very little paint, too much water, completely dry brush, unclean brush, putting pressure on brush and similar basic issues with painting supplies. The one thing which is ALWAYS WRONG is: trying to paint with tiny bits of paint or not having paint on a brush. We have to be generous! I think, generally, generous people also have much better results when creating art, they simply are not that much afraid of wasting anything. That certainly helps!

Watercolor still life detail

Painting takes time; at least a few hours here and there have to be set aside, so that no disturbances, interruptions or hassles harm the image which lives already in the imagination. I just didn’t get this chance recently, but I’m looking hopefully to the future.

Creating is learning, learning means: living more intense

Any creation involves saying something about ourselves. That’s how we are telling others what our point of view is. True creativity is never copying and reproducing, but taking an idea that lives or is just born in our imagination and bringing it to life.

I regret seeing how plenty of instruction is meant to learn not principles and methods, but trying to reproduce a particular artist’s style and manner. Creativity is great not because we can do things that other artists or writers have done, but because we can create everything exactly as we want, have intended and imagined.

The use of color is a very personal feature, color mixing: a general approach to make a shade or tone we want, and therefore, learning the latter is important. Composition can be explained as good and impactful view on items painted on a particular size paper, canvas or other base material. There are generally applicable principles and that’s what we should know. Specific compositional approaches are a personal feature of a particular artist, and we should rather develop our own.

Choice of subject is always important, but we should remember that it is much more useful to learn principles of drawing or painting without sticking to subjects somebody else is painting in some particular manner and doing it great.

How and what always depends on us. The many ways for achieving the desired result we ae learning. Learning is an ongoing activity, and it’s erroneous to assume somebody knows everything. Experiment is the best teacher of all: how do we know if we never tried?

Mistakes and errors are an essential part of learning process. It’s silly to be afraid of mistakes and do nothing. Perfectionism most likely lives inside many minds, but that does not mean anything less than perfect has no value.

I personally always think: let’s see what happens. Everybody who is painting or drawing has thrown out lots of paper and damaged quite a few canvas. There is nothing bad about that. I had a girl who once said: I do not want to throw away this expensive paper just because I started the painting wrong. Well, it is much more difficult to correct wrong lines and colors than start a fresh work using the new knowledge. I believe that every task adds something to our knowledge and skills.

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Sunflower drawing

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Sunflower watercolor

I am not at home at the moment, but visiting my closest family in Latvia. I had a few sheets of paper, kid’s paints in fairly bad colors, meaning, they didn’t have the transparency or flow abilities of good quality paints, but still: I simply saw this bloom and these apples, and that; s what I do not have at home. I always prefer drawing from real subject. It was more difficult because the right tools and brushes are helpful, but I did not allow that stopping me. I could return to and reuse the same drawings with decent paints and better size paper or canvas, but these are results at this moment.

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Drawing for apple watercolor

art-we-love Apples watercolor

I would like to just remind that adults and teens are welcome to attend November/December classes which will start as soon as I get home.

Lifeschool blog deals with GREEN LIVING and importance of changing our perception in order the Earth was living and livable longer. I had to write about the green living for our survival because they are handled so much better in Europe. I have added lots of pictures. Since it’s the secondary blog, it is not that visible, so here is a special invitation. However, those who never read posts, won’t notice that either. Anyway, I hope it is a nice weekend approaching.

Links to 3 recent posts: they continue the same conversation about green living.

https://inesepogalifeschool.com/2016/10/14/living-green-means-simplifying-and-enhancing-life/

https://inesepogalifeschool.com/2016/10/14/the-new-perception-of-prosperity-and-green-living/

https://inesepogalifeschool.com/2016/10/10/the-very-green-walk-in-october-forest-we-have-to-end-consumerism/

 

Watercolor mania? Yes, incurable

It isn’t so that I am completely obsessed with painting, but I have given thousands of workshops and classes just within the last 4 years. There were moments when I had 5 or 4 every week. Every class or workshop required some reference painting, plus, I certainly wanted to paint something on my own, as well. My problem is that preparation for any class and workshop and my own paintings always took so much time that I never really got to selling anything seriously. I would put on the “Open” sign, and that was pretty much it. I am realizing now that I have so many paintings which would easily fill up the largest gallery.

Watercolors up to 11 x 14 in (28 x 36 cm)

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Some are framed, some matted 

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Scenery washes and birds

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Some blue and pink shades

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Most of them make great greeting cards, as well

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Most of these paintings are in piles and wrapped up because classes involve a lot of splashing, so nobody actually gets to see them. That includes me, as well, because I rarely have time to sort things out. These are just some of small size (7 x 10 and up to 11 x 14) and medium size (12 x 16 to 22 x 18) watercolors. There are still lots of unframed or not signed, many large and very large and for those I have no place at all, they are stocked upstairs to prevent from damage.

12 x 16 inch (30 x 41 cm) and up to 20 x 16 in ( 51 x 41 cm) watercolors

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Flower power

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Pure watercolor and pen plus watercolor

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Lovely reds and pinks

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Rose, wild rose and edge of poppies and tomato

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Fall leaves and spring flowers

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More detail

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At least 4 tulips are available

I did not even realize that, but the number of paintings has reached sort of tipping point. I would need at least 3-4 times larger space to either hang it all or display in any other way. It is time to reconsider everything and become more serious about doing something with all this art which, quite honestly, has taken numerous hours of drawing and painting. I always enjoyed that, but I am short for storage and space. What good do these paintings if nobody ever can see them? Therefore, I would be very happy some of them found new walls and homes.

Anyway, most likely I will have to repeat this before Christmas and holidays, but still, I believe, these are very attractive paintings which would look great in any place, especially in a proper frame.

All details and separate images are on http://fineartamerica.com/profiles/inese-poga.html

Everything $100 to $350. Shipping extra. Thanks if you checked them out!

If you ever doubted whether to start drawing and painting, just go for it. Being addicted to painting is not the worst that can happen. It is an entirely distinctive new world which never stops surprising.

The long journey to a ready painting and deals continue for 3 more days

I have no choice, but to continue with advertising my art sale. 3 ladies responded. I am genuinely thankful for their support, and I hope they like their purchased paintings, however, taking into account the large number of items for which I do not have left any wall space and any storage space, which is due to the specific features of these premises, I would need much more sales happening. I have 3 days for keeping this going, and I hope to get maybe some walk-in people, as well.

I work a lot and hard to create my paintings. I know how much easier it is to make abstract art because that takes origin only in one’s imagination, and artists sometimes simply try to comply with market trends. Unfortunately, I am not in abstracts that much.

I’m too good with drawing, therefore, I cannot and do not want to skip that part. Over almost 50 years, I have developed excellent eye-brain-hand coordination and I do not need any grids, any photos, any help lines even when drawing portraits which I used to do a lot some 20 years ago. I stopped drawing faces because I always need a model which I really like (like my daughter, my niece, etc.), and I need this model to be patient enough to sit through painting sessions. Very few people have time nowadays for that, but I just do not like producing paintings from photographic source, and I dislike even more when somebody is copying photos. Meanwhile, so many artists take credits for literally editing and then copying the picture whether on a larger scale or on the same size paper or canvas. I don’t think that takes talent or is a gift and specific vision, this requires only patience, time and ability to apply paint accordingly with the photo. This is more executive work as opposed to creative work which involves only original scene, object or set-up without the use any additional tools.

The general opinion is usually that camera gets it right, and that is true to some extent only. If the distance between camera and object is small, or the distance within the scene is huge, camera will produce wrong proportions. Camera draws closer the closest part of the scene or objects, widens the middle portion and creates way more distant background part. You’ve all seen this how nose looks very large in regard to the rest of face when taking too close pictures. This is also very easy to see in case of reflections: when artist follows exactly the picture, not the scene in nature, the reflections of some not that far away objects will be stretched out for miles which is totally wrong when you compare that with reflection in nature.

Therefore, my point is that many instructions will make one not trust their vision, eyes and ability to recreate the same proportion, edge and line relationship and color transitions without additional tools. That is not true. However, to get to the level when one can do the so-called “blind drawing” which means you do not persistently look at paper or canvas but rather at your object and scene, takes trusting our brain and eyes, making decisions and allowing the eye-brain signals to be transmitted to our hand with pencil or brush. That means trusting ourselves more than camera or grid and believing that we can do everything what somebody else has already done. It also takes simply practicing daily and, at the end, this activity improves the brain functionality and flexibility to an incredibly high level, thus preventing loss of neurons, creating new synapses and taking care of good memory.

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Rural buildings

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A few of very many fall scenery paintings

When we sometimes look at a painting, it seems it didn’t take any time or efforts. It is due to the fact, that good art shouldn’t exhibit artistic struggles and technical difficulties, but mood and atmosphere of the painted scene or object. When we get past such struggles, the real creation takes place. Some of my paintings took 2 years to bring to a stage when I liked them. In average, each painting takes about 1 week to month to get it to the point when I am more or less satisfied with it. There are smaller watercolors which only take one to two days to accomplish, but any larger work requires much more time because most of my paintings are rather representative than abstract.

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Snow and winter scenes

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A bit different view: snow, winter and fir trees

Why do I love showing paintings in groups better than just posting one image at a time?

Internet display has huge drawbacks when it comes to art.

Firstly, small 8 x 10 inch paintings virtually look the same size as 3 feet by 4 feet paintings;

secondly, colors are much truer in group photos;

thirdly, the look of a painting and its colors will greatly depend on your device and its settings.

The differences are huge. I’ve also noticed that my paintings on Fine Art America site do not have the exactly the same color: some look completely green, and they are not in reality, some look very brown, but in reality these are grey shades. Certainly, the best way to know whether the painting speaks to you or not, is to see it in real size, to view it framed or unframed and to experience the personal impact it makes or doesn’t.

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A few of pink and white flowers paintings

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Wider view of white and pink flowers

The sale deals are still in effect, but shipping is extra because I learned by now that it can be high for very remote or difficult to access places. Everything is $100 to $450, but if you are interested and let me know your budget, we might work out some special deal. Fine Art America site for prints and other products:

http://fineartamerica.com/profiles/inese-poga.html

I hope, there are more people who would like some of my art. I’m posting only acrylics at the moment. Taking these pictures is time-consuming, as well; I also need a good light which can be a problem.

Many people clicked on “like”, however, only a handful actually read the previous post. Well, that’s just one more manifestation of never-enough-time-for-anything life we have.

I regret there was very little interest, and most likely the content of my previous post didn’t seem to touch too many people. I also understand that very many other artists who are among my followers will not buy any art, so the invitation goes out to the rest, and especially those who are only in a driving distance.

Art is the most space enhancing feature which there only can be. Just removing a few paintings from the wall, makes it look virtually empty, and my personal experience shows that there simply cannot be too much art around us.

Your support would be much appreciated

If you read this post, not only clicked on like, that would be wonderful.

I am finally returning to life and life is returning to me, however, the long time period of not being able to do much has its sequences.

I asked before the readers and people who wouldn’t be hurt by spending something on any painting for help and possibly support. It was fantastic how one lady bought a painting which should arrive at her place in the USA tomorrow, and I hope she will be happy with that painting. I hope there is somebody else among you who would not mind to support me after these terrible health struggles for quite a while.

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After giving so many workshops and classes and since I’m always painting along with my students, I have very many 16 x 20 in paintings.  We never repeat any single painting, so to speak to keep the inspiration flowing and our artistic juices fresh.

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Not all of these 16 x 20 inch paintings are finished. I sometimes change my mind; I sometimes have moved forward and have no interest in subject any longer, and therefore quite often additional work or reworking are required. Whenever I feel like doing so, I keep working on these paintings, however, I would like to discontinue small size landscapes, and return to large and very large paintings. Even many years ago, I loved painting large art. Not only I find it more expressive and more impressive, it is easier for me to paint in that scale because eyesight does not get any better, but I hate wearing glasses when painting because they destroy the correct proportions and mislead in interpretation of a subject. That’s my intention: to return to large pieces and especially to still life because that was always my most favorite subject. Still life which consists of something man-made, live flowers and leaves which symbolizes life and either food, vegetables and fruits, or subjects like glasses, books, candles, watches and similar. I still love birds, and I am watching them; and I can say I do not need any more references to paint birds which are in my backyard. About 40 bird paintings are available at my gallery.

Fall path, full sheet watercolor

Fall birch path large watercolor painting

Summer path along the river, full sheet watercolor

summer along the river large watercolor

Spring creek has appeared here and there on this blog

spring creek, large watercolor

I have paintings which I haven’t seen for a while; these are large watercolors which took me a few months to paint a few years ago. I couldn’t frame all very large painting, therefore, nobody gets to see them because watercolor is sensitive without glass. Full size watercolors are not included in sales, but everything else is. I need to make space and invest in new paints and canvasses, as well as watercolor and pastel paper. As you know, good paper is expensive, but it’s worth it. Those of you who paint probably have experienced that difference between good and bad watercolor paper is insane. It’s possible to say right away on what paper some painting has been painted. Paint and water sit and float on the top of a cheap paper and they never act as on thick and multi-layer paper. That explains why some watercolor just do not look right.

A few small studies in watercolor

sky reflection, small size watercolor

Small watercolor of sky reflection

spring in the fields watercolor painting

Small spring watercolor

Not all paintings have pictures and some of them are visible only in group photos. I make also extremely textured paintings, and it is sort of impossible to get a good picture of a highly textured painting. Light is reflected brighter from higher spots and shadows also disturb to have the right balance which exists in reality, but not on a photo. Well, there might be even people who can come to the gallery in person; that certainly is the best because no photo can replace the impression of an artwork. Any painting up to 20 x 24 inches without frame ships anywhere.

I have uploaded quite a lot of art on Fine Art America; they have so many products with images that I have lost count. I get from any purchase $2 to $10, except greeting cards in which case it is $0.50 to $1.

My art and artsy products on Fine Art America http://fineartamerica.com/profiles/inese-poga.html?tab=artworkgalleries

I hope at least a few of you like something that much that they would not mind to own it. I mean especially originals. Please ask me about extremely good deals on 12 x 16 and 8 x 10 in watercolor paintings. I just learned my lesson that shipping with UPS was more expensive than painting, so any shipping will be extra. Thanks in advance!

Lifeschool blog talks about dreams that do not always come true, but hope is never given up: https://inesepogalifeschool.com/2016/09/11/the-soothing-sunday-thoughts-castles-of-sand/

Nothing compares to summer painting outdoors

Summer days are running away so fast that it is pretty clear: this summer is completely lost for me. I am usually waiting for summer so much that I do not even live during winter. It is certainly the best time to grab our paint box, some paper and go outside.

The weather isn’t too friendly in Ontario: I cannot recall so many heat waves and so many days without a drop of rain while I am here. My mornings are spent at a clinic, afternoons: fighting fatigue, so I just will have to put off my outdoor painting for some weeks yet.

When people ask: what should I start painting or drawing with, the answer is very simple. Draw and paint anything around you. There is nothing better than drawing from real objects and real scenes. Once you get used to it, you will notice how everything is more vibrant and livelier when we paint from life.

Summer paintings 1 chikadee

Lots of instructions start with: take a picture. I would love to say, however, if you have something set up or around you, do not take any pictures. I mean, if it is a large work and you are afraid, you’d forget the scene, well, you might also take a reference picture. The problem is that most people want to copy their reference photos instead of just using them. I might sound like an old vinyl, but it’s so silly to copy the photo and then pretend you painted it from scratch.

That’s why we have eyes and brain; we are supposed to use them as intensively as possible.

The next thing which matters is this: once you learn drawing, you are able to draw ANYTHING. This happens because you have exercised your visual perception, developed eye-hand coordination and your hand starts perceiving impulses from your brain.

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My backyard

Is it important to stick with colors which somebody else is using? Not at all. It is much more interesting to explore and develop your PERSONAL color combinations. I also find that paints of different brands act very differently. My favorite watercolor paints are St. Petersburg artist grade paints. I haven’t seen anything else which has such transparency and allows mixing up all sorts of shades that easily. It is almost impossible to get a dull painting with these paints. The secret is the natural and pure pigments they use as opposed to many paint manufacturers who pretty much cheat and replace pigments with filers and binders. That means chemicals which do not enhance color or paint application.

Along with paints and brushes (I usually use just large round approx. size 12 and one size 6 brush for any medium size up to 20 x 24 in watercolor painting) an extremely important thing for watercolor is paper. When I am asking a student: why are you using this really thin and bad paper, they’d normally say, they are just learning and it’s not worth to spend money on a good thick paper. This is profoundly wrong assumption. Every paper will act differently. The thinner and lighter papers do not even absorb paint: it floats on a surface and creates ugly marks. It is also quite easy to lift paint, but not that easy to add more. My most favorite paper is not Arches. I do not like how paint keeps traveling through layers of paper even quite a few minutes after its application. I am using other heavy, cold press papers whenever possible.

Summer painting 2 Backyard summer

My lovely old fence post

If you practice on a bad paper, you won’t know how much easier it is to paint on a good paper. Watercolor paper is definitely the most important part of all supplies for watercolor painting.

I haven’t done much recently because I am trying to recover. It’s already a month after surgery, but it seems like I will need a lot more time.

The current lifeschool blog post tells a story about the ugly side of success and how this can destroy lives:

I would appreciate more than anything else a purchase of any of my paintings. After such a long period of time not being able to work, any financial support would mean a lot. I can certainly offer very good deals on originals, and prints and other products on Fine Art America site are inexpensive anyway. Since people rarely read these posts, this might go unnoticed, but anyway, I hope I can get something sold, there are about 600 paintings of all sizes.

I had to forget about art for a while

It’s been a while. Again. I haven’t disappeared, I was just having a surgery because my worsening condition did not provide with a better option. If you are following my secondary blog, you probably know how I had to struggle with post-surgery complications. Updates are here: https://inesepogalifeschool.com/2016/07/18/the-inappreciative-patient-and-my-lost-summer-pleasures/

It didn’t go as smooth as we expected.

It is the first day since long time when I can type a small article. It was rough, that’s all I can say. My student Liz came to see me and brought me some nutritious food when I realistically was unable to do anything. Thanks Liz, that was the best care ever!

Liz and Gord had also left a beautiful flower bouquet, card with wishes to get better soon and a gardening book. Very thoughtful. I do not have many friends here, if any at all, so this was I appreciated sincerely. Here you can see what’s left from the colorful bouquet by now. Honestly, I was so bad I could not even speak with them on the day they came, and I am genuinely sorry for that. The small bird was attached, too, and you know, I just love birds.

health and art 4

Small bit left over from the cheerful bouquet 

Artistic projects and any painting did not cross my mind, although, it helps doing something. I just couldn’t. When I was not in a nightmarish sleep, I was dizzy and shaky, basically side of this treatment are not pleasant. Well, I am just starting to see things clearly and walk around slowly and carefully.

Last class was in first half of June, and that’s how the gallery looked like at that moment.

Art sale Whitby Ontario

Before heading to surgery, I tried to keep calm and work on finishing some small 16 x 20 inches paintings that were left unfinished. I will call them “Idyllic 1” and “Idyllic 2″which means to me a place which is totally different from the current reality. More idyllic images will follow.

Art for your cottage

They might need some work, but I intend to leave them as they are because these paintings are for ever linked to this pre-surgery moment when I needed dreamscapes to avoid the daily anxieties and suffering.

Art for your cottage

If everything goes better and smoother, I could restart some classes as early as in August. We will see.

The sale to raise funds for my treatment was very short because I had to deal with health issues. I would love to invite anybody to either look at Fine Art America site (on the right side is a link), or just scroll through my paintings and the blog. Ironically, when expenses reach peak levels, there is no energy and chance to make any income. If you are somebody who won’t be hurt by spending $50-$100, I could send you some originals, especially small to medium size watercolors. FAA has all kinds of products from prints, phone cases, pillows, T-shirts, purses and bags to shower curtains and more . I receive a little bit, $2-$10 from each sale, but that is still great. I am hoping to recover soon to the point when I can do something: it is so intolerable to just sleep and stay in bed when there is so abnormally much to do. I also hope the crisis is over and, therefore, the future will be definitely better.

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