Creek in fall colors and rushing stream

Autumn creek, fall colors watercolor painting

Love challenge

Many years ago, I had done some rough sketch with watercolor pencils on a 24 x 18” Arches paper. Probably in 2009 or 2010. We used to travel a lot back then. The sketch was of a creek with trees in fall colors. While the photo of step 1 is very white and light in value, the actual sketch was not. You might know that it’s not possible to erase watercolor pencil lines. I didn’t like everything in that sketch, but I love challenge. I decided let’s try to make out something of this creek in fall colors.

Techniques I used

I don’t use masking fluid, but rather prefer painting large and even huge shapes so that it’s possible to paint around whatever I need to. Good, firm and thick cold press watercolor paper allows for lifting and adjustment, as well as layering many times over the basic color. Rocks are great for application of salt. When applying salt, one has to be mindful of timing, there’s fairly narrow window when this technique works. If the rocks are really large and the entire painting is large, we can do numerous extra things.

Changing and correcting watercolor painting

The photos of painting steps of this creek in fall colors might not have the exact colors and contrast, however they give an idea of how one can change and improve watercolor painting even when initial shapes are not correct. I’m reading in Facebook groups how people describe watercolor as difficult and something one cannot correct. That’s wrong! If you paint large and on good paper, you can change and correct everything. The best colors to lift are all blue shades, even Payne’s grey can be lifted to almost white paper.

Use live art classes

I teach all painting techniques in my live art classes. I can see that online class doesn’t give one proper understanding of what and how to use, what timing should be applied, how to use paper towel, lifting and layering and what colors work and what don’t. It was a difficult picture to take photos of because of the distinct cool and very warm colors. Their use is absolutely intentional. That’s also important aspect – color temperature.

Imperfections are fine

Just like always, my photos could better, but I am going ahead and publishing the creek in fall colors. The reason I want to paint somewhat realistic watercolors, even imaginative ones is that abstracts are not challenging enough. I’m not worried also that absolutely everything isn’t perfect. When it comes to painting, I’m all for process and for challenge. If it’s easy, there are no thrills for me.

For beginners in watercolor painting

If you are a beginner and want to paint with watercolor, go big. You are not going to ever leant painting with tiny brushes on tiny paper. There’s simply no space for any effects. Also, using tutorials and watching somebody else paint isn’t going to help much. Brush and paints are important, but what matters most, is the hand that moves the brush. I would like to remind how important is value sketch in large size. Contrast and values are what make painting appear three-dimensional. To check your values, turn the painting in black and white. If it still shows the subject correctly, values are right, too.

Enjoy the art!

Personal choices of colors and style

Watercolor autumn landscape, fall colors and style

Bright and cheerful colors and style

Our personal preferences change all the time when it comes to colors which surround us. That goes even beyond mood or life situation. I usually prefer the following: the worse I feel, the more brightness, sunny colors and uplifting experiences I require. We all know that sometimes there’s not enough energy for anything, but a good outfit, sun and warmth outdoors and cheerful settings indoors can be very soothing. I’m always implementing this approach also in my art. To lift my own mood, to help others.

Not only colors and style

There’s one group of people who will only notice colors, but not the compositional excellence, quality of paint application and brushstroke. Well, when viewing something online, colors can be deceiving. Any image editing aps and cameras aim for unnatural look so that more attention is drawn to contrast, brightness and saturation of any image. The most difficult thing is to make something look as it is. I am really trying, but not often successfully.

Filling all walls with art

Different cultures prefer different things on their walls. In Latvia which is my native country, people usually do not display photos, unless it’s something extra artistic and rather art than photography. At least that was when I resided there. We keep family photos in albums, on our devices and so forth. Therefore, more paintings are displayed. My home is my studio also, and paintings are everywhere, on walls, leaning against the walls, on shelves and so forth. One might think that it feels overwhelming, but, in fact, it absolutely doesn’t.

Enjoy the autumn in art

I am allowing art of different seasons and subjects fill any room. It feels great thanks to the good energy flow from my original art. Every painting has its history, process of creation and associated emotions attached to it. I know from experience that my visitors can view a painting for quite a while. This post has attached a few original watercolors which I started painting for art classes as a demo. In this case, these were private art classes. They all have brightness, uplifting colors and style.

Specific features of attached watercolor paintings

All attached images are of large watercolor paintings – 24 x 18” or 61 x 46 cm. I use Strathmore 400 series watercolor paper in art classes. It is heavy, firm, cold press paper with some texture and allows for easy paint lifting. That’s important for me since I do not use any masking fluid. I don’t use masking fluid even on cotton paper, that’s just to see how well I can master paint application. I paint large which I advise anybody who wants to ever properly use not only watercolor, but any paint.

My own preferences and students’ choices

Would I have chosen the same subjects, colors and style if I had done these paintings on my own? Probably not. For art classes, I have to take into account the ease of paint application and mixing properties of paints. Also, I have to go with student’s choice, especially if it is a private class. Still, I think these paintings are worth to display and potentially sell because they are worked out quite nicely. Just one more thing: many people believe that one cannot correct watercolor painting. That’s wrong. You can, you just need to know how to do that.

I hope you enjoyed the post and paintings!

Original watercolor paintings for sale

Private art lessons

Group art classes

Art collections by Inese Poga

Vibrant red color in my still life paintings

Red color in large still life paintings, watercolor

Just like other primary colors, red color can have numerous variations of cool and warm shades. Red color is eye catching and energizing. I won’t try to list all symbolic meanings, but among well-known attributes, red color has a protective aura.

Unfortunately, no camera with all automated settings, can ever much the sensitivity of experienced artist’s application of any color. Therefore, the red color in a painting might be more yellow, as it very often is, more orange, or bluer. The color distortion has a wide range, and it is also difficult to correct because any change affects the entire image.

Creating the still life with red jug from 2012 drawing

 It took a lot of guessing what goes where since I didn’t have the actual reference in front of me.

The new still life with red jug, has many red tones.  I tried to capture them on images, as well, and I must admit, not always successfully. I know, people say, it doesn’t really matter, but if you see the actual painting and image thereof, you would agree that it matters. I created the drawing on Arches cotton watercolor paper in 2012. When I started feeling better, I decided to finalize all paintings on good paper since it has become extra expensive. Painting on such paper, is a pleasure.

 The new painting is large: 24 x 18″ or 61 x 46 cm.

I noticed quite early that direction of light is very important for me. Whether you look at my drawings, pastel or acrylic paintings, or watercolor art, light always comes from the left. It’s just how I see everything. Once you have established your personal perception of light direction, you will notice how easy it is to apply shadows and use the composition effectively.

All still life paintings in this post have red color in them, some more, some less. Some have very warm red, some – rather cool. The same applies to different parts of one and the same image. When people start painting, they rarely think of these things – direction of light, cool and warm colors, volume and contrast and so forth. The subject is not that important, but the before mentioned things are since they are the main principles of painting.

I’ve always loved drawing and painting still life. It is easy to set up using whatever you already have at home. Certainly, some items suit still life settings better than the others. Yet, there is a way to implement anything. It could be your personal items, fruits, vegetables, flowers, books, souvenirs, attractive dishes, plants, bottles, jars and jug, I mean, the choice is endless. I love painting still life because I don’t need any photos for reference.

Any of my still life paintings always start with the pencil sketch or drawing. I draw sometimes straight on watercolor paper, sometimes – on whatever paper I have, and then transfer the drawing onto watercolor paper. Most of still life paintings are done on Arches cotton paper. I don’t use bright white paper, but rough and cold press for sure. I like the texture of paper even though it can make painting process more difficult.

I hope you enjoyed the attractive red color!

Original watercolor paintings for sale

Group art classes

Returning with a flower painting

Watercolor painting of pink flowers

Reopening art studio and returning to painting

As you probably know, it isn’t easy to restart anything after a long absence. My health took a big blow, so I am just starting out again. This time, I decided to make my return with a flower painting on Arches cotton paper. As always, it’s quite large since I completely dislike painting tiny art. I have still some issues, therefore, I am limiting my painting activities to 2-3 hours a day. The flower painting took me about 6 days.

 

12 years in making

There’s no doubt, cotton paper is the easiest paper to paint on, yet, it has become extremely expensive. Many of my watercolor paintings are drawing-based. I don’t aim for copying the reality, but I want my subject to be recognizable and having some emotional impact. I had begun this particular painting with a drawing which I did some 12 years ago. The paper is good and why to waste it? While I had no other reference, but only the drawing, I still tried to figure out how to proceed progressing slowly and cautiously.

 

Painting in layers

I usually paint in layers, especially when it comes to complex subject with many parts. Since I don’t have a photo or the actual flowers, the first layers help me understand what and where to place and what colors to use. I make my drawing very light in order the graphite pencil wouldn’t shine through too much. Every subsequent layer will add more vibrance and increase the value intensity wherever necessary.

 

Color temperature and values

Not only flower painting in watercolor, but also any other complex subject we paint, benefits from coordination of color temperature and values. I certainly start out light, just because I don’t know exactly where what should be. In this case, I also leaved the background white for a while. The paper I am using isn’t the bright white, but somewhat off-white. Nevertheless, colors shine and make sense.

 

Choosing warm and cool colors

Beautiful soft colors for attractive flower painting. I used a few red tones and also quite a few yellow shades for the most important areas. The green colors are a combination of blue, Payne’s grey and different shades of yellow and green. I normally allow colors mixing on paper, but sometimes I need strong pure color to add the vibrancy. You probably won’t notice on photos much difference in warm and cold colors, and iPhone doesn’t like light colors making them practically white.

 

Flower painting that soothes

I intentionally kept everything rather calm and soft. I think the slight shades of background help. I am very satisfied with the finished painting and not that much with the photos of it. When viewing art online, you have to always remember that there are numerous devices and apps involved. Also, large painting online looks exactly like the small ones, but in reality, that makes all the difference. I hope this flower painting will make you feel good and calm just like it helped me to overcome pain and health issues.

It’s great to be back!

Original watercolor paintings for sale

Private art lessons

Interpreting your vision when painting

Bluebell forest, acrylic painting

Art and creative side of us relates to our ability to interpret our vision, our perception, our emotions about what we create to a great extent. I personally strongly disagree that everything is art, for the simple reason that it isn’t. Empty frame isn’t art, and a piece of wallpaper, just because it’s in frame isn’t art. Are a few paint blotches and a few unrelated brushstrokes art? Is our vision that poor or our ability that degraded that we are fine with not only animated and undeveloped shapes, but practically nothing?

The ability to draw and paint reflects our ability to interpret the world, our life, the planet, the universe as such. Our universe at that. While modern art tries to convince us that the shapes, forms and interpretation of a five-year-old is all there is what we call art, it isn’t true. When somebody starts learning manual writing, their lines and shapes are never perfect. They are all over the place. Some people never get beyond that. Why? They have no interest in perfecting it, they are simply unable to because their brain doesn’t process multifaceted things in more than one dimension.

What is a normal painting process? We have an idea, maybe view, maybe image and the next step is to figure out how we turn this vision into an image perceivable not only by yourself, but others, as well. That means planning underpainting, background, choosing our personal color palette. That is not what somebody tells you, but how you feel about it. Normal painting process involves composition, the most important part, feature or color which will be dominant, the abstract layers and the well-defined front ground. It also involves volume, contrast, values and all tools which create that: perspective, atmospheric and linear, shadows, direction of light and so forth.

Many art teaching sites say: no experience required. That would be fine, you start somewhere. However, if it is just a painting in one sitting, there’s just way too much information to be absorbed. Secondly, painting greatly relays on our physical ability and knowledge how to move brush, how much paint or water to use, what brush to use and the mostly neglected – brush cleaning step. Don’t clean the brush? All colors will be muted, muddy and not bright. It is an automatic step; we develop it over time.

Therefore, I always advice to start with a simple image which allows developing brushstroke, use of paint and color. One thing about people who just started to paint is – they never use enough paint. So, I repat numerous times, use more paint, use more paint. You cannot paint with empty air or water. The other problematic area is that we paint at first what is behind and underneath. We don’t use the final color, we build it up, layer by layer.

Nobody can learn turning their vision into decent art within a few hours. It’s just not possible. We allow our brain to process all information, and we also have to develop the automatic movements of hand. It takes time we get our hand to do what our brain and vision tell us. Therefore, at first, everybody paints like a small kid. No flowing lines, no great color transitions, it’s all rather very animated, simplified and sort of rough. Do you want to go further than that? It depends on whether you want to create something which says – you, your subject, your vision.

Deep down, we always paint ourselves. Even when we are painting a landscape, a still life, a floral, a building or portrait. It should be us not only by the choice of subject, color palette or type of brushstroke. Basically, it takes time to learn how you can turn your vision into artwork which is yours, start to finish. My experience says, it’s better to learn from your own errors and achievements than trying to copy somebody else’s work. The only way to be you also in your vision is simply to do things what are close to you and your personal perception of the world.

The attached images are of paintings created over longer time, not like yesterday. I have had hard times posting recently because of my health issues, but I still think these paintings deserve attention and maybe can inspire somebody else to keep trying until it all works. Every painting probably should be the featured image, unfortunately, with so many, I cannot choose just one.

Enjoy!