Author: Inesepaints

Artist, art instructor: fine art, watercolor, acrylic, drawing; medical writer and researcher, specializing in life sciences, brain function, memory and psychology
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Fall still life: time just flew by

Fall still life, shop watercolor paintings

Still life has it all

Still life has been my most favorite subject ever since I can remember myself. I love setting up some fruit and arrange some leaves, flowers and jars, so that it looks exactly as I like. Still life allows capturing everything that is important in a painting: proportions, values, direction of light and shadows and contrast. Still life is essence of art.

Time constraints

Time is rushing us so badly that it sometimes feels I just wake up and go back to sleep. At least, I got this feeling recently. Along with doctor’s appointments, household stuff, daily meals, cleaning, laundry, classes, preparation of new images and painting steps, preparation of hand-out materials, advertising, social media posts, two huge medical writing jobs: that meant there was no time to paint. Although, my show is coming up and this is a gift season for which I should have been preparing. Well, I am trying to do my best.

I put up a few decorations yesterday, and I had to give a class later, and that was it. The day just disappeared again. Anyway, I’m posting a watercolor still life which was done about 3 weeks ago,

Daily duties and art

I hope my duties will somewhat balance out during the upcoming weeks and I can get to things which I really want to do: i simply would love to paint more. I love just setting up a still life, drawing and painting it.

Starting painting for a class is not quite the same: I have to take into account all distinctive levels of skill, and we often have absolute beginners, so that painting is just an illustration for what I am saying while teaching.

Showing is definitely better than only telling about it. It is very helpful also that I can see and correct things which are usually problematic for students: very little paint, too much water, completely dry brush, dirty brush, putting too much pressure on brush and similar basic issues  which frequently arise when starting to paint.

Common beginners’ mistakes

One thing which is always wrong when painting in any medium and using any subject is trying to paint with tiny bits of paint or not having paint on a brush. We have to be generous!

I think,  generous people also have much better results when creating art, they simply are not that much afraid of wasting anything. That certainly helps!

About this particular painting

I had started it while traveling to Latvia. I had two apples and some beautiful leaves. I created a composition which felt like I needed to add something more to it. Since I didn’t have pears and grapes, I simply drew them in. I just got the first layer, and didn’t get back to this painting until I arrived back in Canada. It looked quite terrible as first rough layers only.

Starting to paint first layer

So, Thought what can I do about this painting because it looked promising and I loved the composition. I added background, quite a few layers, but don’t have any pictures, and after a few layers of extra washes, it came to life and started looking great.

Apples and pears, still life

Autumn fruit still life, 16 x 12 in or 41 x 30.5 cm

Feel your subject

For me, painting a still life means to become my subject and to feel its energy. I feel like the apple in this still life, or like the pear, or even the leaf. I love soothing and warm colors. That is best achieved when using not a photo, but real things. I will also not stop painting until the still life feels right to me.

Painting takes time. You should be ready to spend on a painting at least a few hours here and there, so that disturbances, interruptions or other activities are not a problem. I just didn’t get this chance recently, but I’m looking hopefully to the future.

Fall still life

Closer look at the central part

Reasons to paint still life

I intend to draw and paint more still life paintings. Why? I cannot frequently get out into the nature, but things to use in a still life setting are always easily available. I believe drawing still life is as good practice as drawing faces or scenes with figures. The main thing is: we teach our eyes and brain to see and perceive.

Art prints and other artistic products are available from Fine Art America

Art collections by Inese Poga.

There is so much to like, purchase, enjoy and decorate with!

Please, review my art classes schedule and if you are located close-by, join our classes and attend workshops!

Registration:  Art classes and workshops

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Creating is learning and living more intense

Apples, Purple variety, watercolor painting

Creativity is personal

Any creation involves saying something about ourselves. That is how we are telling others what our point of view is. True creativity is never copying and reproducing, but taking an idea that lives or is just born in our imagination and bringing it to life.

The use of color and technique

The use of color is also a very personal feature. To mix up a color which we find unique and love, we have to learn the process of color mixing. It is important not to stick with paint colors out of tube. Composition can be explained as good layout of the painted subject on a particular size paper, canvas or other surface material. There are generally applicable principles, and we should know them. Specific take on composition is a personal feature of an artist, and we should rather develop our own preferred compositions.

Choice of painting subject

Choice of painting subject is always important, and it is also a very personal feature. We should remember that it is much more useful to learn principles of drawing or painting without reproducing subjects somebody else is already painting in a very specific manner. You like it because they are painting it great. Nevertheless, we should not copy this style and painting subject.

Choice of technique and style

How and what we draw and paint always depends on us. As we progress, we study the many ways of achieving the desired result. Learning is an ongoing activity, and it’s erroneous to assume somebody knows everything. Experiment is the best teacher of all. Try for yourself and you will see whether it works or not.

Experiment and error

Learning process always involves mistakes and errors. Only people who do nothing never make mistakes. Try not being a perfectionist, at least at early stages of learning how to draw and paint. Perfectionism lives inside many minds, but it is restrictive and limiting. Art which is less than perfect is still art and provides you with improvement value.

Take the path of discovery

I personally always think: let’s see what happens. Everybody who is painting or drawing has thrown out lots of paper and damaged quite a lot of canvas. There is nothing bad about that. I had a girl who once said: I do not want to throw away this expensive paper just because I started the painting wrong. Don’t do that! When something cannot be corrected, throw it out without any regret.

Start over

It is much more difficult to correct wrong lines and colors than start a fresh using the new knowledge you just discovered. I believe that every task adds something to our knowledge and skills.

Sunflower drawing
Sunflower drawing
Sunflower watercolor
Sunflower watercolor

Creating on the go

I am not at home at the moment, but visiting my closest family in Latvia. I had a few sheets of paper and student grade paints in  too few colors. Such paints don’t have the transparency or flow ability of good quality paints. However, I could not resist when I saw this bloom and these apples, because I do not have these painting subjects in Canada. I always prefer drawing from real subject. It was more difficult because I didn’t have the right tools and brushes, but I did not allow that stopping me. I can reuse the same drawings with decent paints and better size paper or canvas at home.

Apples in apple tree drawing
Drawing for apple watercolor
Apples watercolor, unfinished
First layers of watercolor
Apples, Purple variety, watercolor painting
I finished the painting after I returned home, Purple variety

More about drawing: Drawing and watercolor

Inspiration to take art classes: Get started

My art prints:

Art collections by Inese Poga

My life school blog

My life school blog deals with GREEN LIVING and importance of changing our perception in order the Earth was living and livable longer. Links to 3 recent posts which continue the same conversation about green living.

Living green means simplifying and enhancing life
The new perception of prosperity and green living has become a must
The very green walk in October forest: we have to end consumerism

 

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What it takes to complete painting, fall art show

Fall art show

Fall art show, studio sale, don’t miss art deals

Fall art show is here. Buy art from the artist. It will be original art and it will come at a lot less than buying from a gallery. Studio sale offers plenty of art at great prices. 3 ladies already responded. I am genuinely thankful for their support, and I hope they like their paintings, however, taking into account the large number of items for which I do not have left any wall space and any storage space, I would need much more sales happening. Please, take advantage of very affordable rates and keep shopping.

Perfecting my own style

I work a lot and hard to create my paintings. I know how much easier it is to make abstract art because that takes origin only in one’s imagination. Artists sometimes simply try to comply with market trends also. Unfortunately, I am not in abstracts that much, I prefer more challenge. I have developed my own realism style which is not a copy of photo, but artistically enhanced realism.

Fall in the hills, fall art show
Inese Poga's art studio, fall art show

Creating art takes time and patience

When we look at a painting, it seems it didn’t take any time or efforts. It is due to the fact, that good art shouldn’t exhibit artistic struggles and technical difficulties, but mood and atmosphere of the painted scene or subject. When we get past such struggles, the genuine creation happens. Some of my paintings took 2 years to bring to a stage when I liked them. In average, each painting takes about 1 week to month to get it to the point when I am  satisfied with it. There are smaller watercolors which only take one to two days to accomplish, but any larger work requires much more time because most of my paintings are rather representative than abstract.

Fall art show
Still life painting, fall art show

Showing groups of paintings

My paintings are usually series of related images. Bright flowers will match the other floral paintings. Soft and tranquil fall colors appear in many paintings of this season. Noteworthy are also tree and birch paintings which work very well together.

Fall art show
Fall art show: a few of pink and white flower paintings

Fine Art America site for art prints and other art products:

Art collections by Inese Poga

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Nothing compares to summer painting outdoors

Watercolor painting, summer watercolor

I wish summer stayed with us longer

Summer days are running away so fast that it is pretty clear: this summer is almost gone. It is certainly the best time to grab our paint box, some paper, pencil or brush and go outside. The weather isn’t too friendly in Ontario this year. I cannot recall so many heat waves and so many days without a drop of rain while I have been living in Canada. My mornings are spent at a clinic, afternoons – trying to get back in shape, but painting helps staying well.

What to start with?

When people ask me what they should start painting or drawing with, my answer is very simple: draw and paint anything around you. There is nothing better than drawing from real subjects and real places. Once you get used to it, you will notice how everything is more vibrant and more realistic when we paint from life.

Use real reference materials whenever possible

Lots of instructions start with: take a picture. I would love to say, however, do not take any pictures, but set up a still life or do a reference sketch. If it is a large work and you are afraid you’d forget the scene, you might also take a reference picture. The problem is that most people want to copy their reference photo instead of just using it. I might sound like an old vinyl, but it’s so silly to copy the photo and then pretend you painted it from scratch.

Chickadee, watercolor painting, summer

Chickadee in summer shade, watercolor, 12 x 16 inches or 30.5 x 41 cm

If you can draw, you can draw anything

The next thing which matters is this: once you learn drawing, you are able to draw anything. This happens because you have perfected your visual perception, developed eye-hand coordination and your hand starts perceiving impulses from your brain. Drawing happens as if on its own, and all we have to do is relax and observe.

Backyard, watercolor art collections

The backyard, 12 x 16 inches or 30.5 x 41 cm

Watercolor painting, Backyard fence painting, summer watercolor

Create your personal color palette

Is it important to stick with colors which somebody else is using? Not at all. It is much better to explore and develop your personal color combinations. I also find that paints of different brands act very differently. My favorite watercolor paints are St. Petersburg artist grade paints. I haven’t seen any other paints which have such transparency and allow mixing colors easy. The secret is the natural and pure pigments they use as opposed to many paint manufacturers which cheat and replace pigments with fillers and binders. That means chemicals which do not enhance color or its purity.

Important art supplies

I usually use just one large round size 12-14 brush and one size 6 round brush for any up to 20 x 24 in watercolor painting. Along with paints and brushes, an extremely important part for watercolor painting is paper. When I am asking my students, why they are using this really thin and bad paper, they’d normally answer: they are just learning and it’s not worth to spend money on a good thick paper. This is a wrong assumption. Every paper acts differently. The thinner and lighter papers do not even absorb paint. It floats on the surface and creates ugly marks. It is also quite easy to lift paint, but not that easy to add more. My favorite paper is Arches. However, paint keeps traveling through layers of paper even quite a while after paint application. I am using other heavy, cold press papers also.

Reflection, pure watercolor painting, summer landscape

Blue reflexion, summer watercolor painting

Watercolor landscape for sale

Use good art supplies for practice

If you practice on a bad paper, you won’t know how much easier it is to paint on a good paper. Watercolor paper is definitely the most important part of all supplies for watercolor painting. I haven’t done much recently because I am trying to recover. It’s already a month after surgery, but it seems like I will need more time.

Support is always much appreciated

I would appreciate a purchase of any of my original paintings. After such a long period of being out of work, any support would mean a lot. I can certainly offer very good deals on originals; but prints and other products on Fine Art America site are inexpensive anyway. Since people rarely read these posts, this might go unnoticed, but anyway, I hope I can get something sold. Big thank you goes to 3 ladies, who bought 5 watercolor paintings!

My art prints and artistic products on Fine Art America:

Art collections by Inese Poga

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Stick to your plan and pay attention to reference

Acrylic painting, flowers

Having a plan, sticking to it

Sticking to a plan is a key also in painting. Whatever we are doing, we need some kind of a draft in our head or some plan which we keep in mind. However, it is easier said than done. That especially refers to beginners in art. I have noticed that most people want to draw or paint without any plan and without any thinking.

Elements of a painting

Perhaps, when starting out, it is hard to know what parts or matters we should pay most attention to. There are lots of simple things which make the subject look multi-dimensional. By far, those are not only darker and stronger values. Strongly emphasized edges or absence thereof, strong dark areas behind the lighter ones also contribute significantly to the spatial perception, not to mention color if it is used.

Things to do and not to do

I was told that the darkest dark should meet the lightest light when I started painting about 50 years ago. It can be tough to implement, especially without real reference, when we have only a photography or a sketch. I am personally not excited about patterns which repeat in a regular rhythm such as petals or trees along the path, blooms on a branch and similar things which we unintentionally place on our canvas when there is no firm plan or sketch.

Acrylic painting, spring magnolia
Pink spring magnolia blossoms is an acrylic painting on 20 x 16 in or 51 x 41 cm canvas, Spring mood, light colors and feeling.

Reference is a guide

Why am I saying: pay attention to reference? Because most people don’t do that. When we are just beginning the painting, they would have a look at the reference image or set-up. After a while, I notice nobody looks any more at the reference. You have to! The only exception is when it is a completely abstract work which has been drafted in one’s imagination or when we paint from memory.

Painting or drawing from memory

Painting from memory takes practice, and beginning artists cannot handle that too well. Reference or value drawing (if you have created such) has all the answers: where to use dark color, where to make strong edge, where to wash out edges to lose them, where to place highlights and what exactly the shape of something is.

Preferred brushes

Knowing what values go where is extremely important, much more important than what brush to use. However, talking about brushes: always use the ones which you feel comfortable with and which suit the size of the area you are working on. Very simple. We can use no brush at all, but sponge or palette knife, that is a matter of preference and choice.

Try no rules, but use principles

I know how some art instructors want to make rules about everything. There are no rules in the use of tools. It is very obvious that using a very wide brush for tiny spot is simply difficult and vice versa. I know a lot of artists who create the entire painting with just one brush. I do that sometimes, too.

Acrylic painting, pink rose
Pink rose, acrylic painting on canvas, 20 x 16 in or 51 x 41 cm, this painting is also a demonstration artwork for art class.

Real versus photo

So, the conclusion is: do not change things around dramatically or completely when the work is halfway through and always keep an eye on the reference. If something does not work at all, it is better to start over again. That’s why it is so rewarding to paint from real subjects, live is live and photo is just a photo. Live comes with smell, touch, very visible shape and very noticeable values.

Purple pansies, acrylic painting
Lovely purple pansy faces, acrylic painting on 20 x 16 in canvas. Bold color, large flowers

No pressure

Do not put pressure on yourself and painting: there are moments when we need to stop and make a decision about the next step. Paintings and drawings really hate when they are not treated with due respect. It is much better to allow everything to develop in a natural way. For illustration, I have attached the recent flower paintings. There are many more, but they just need finalizing touches. You know: painting is never done, right?