Pansies, they smile for sure
My garden provides me will all painting subjects which I usually use for floral and still life paintings. I can also see quite a landscape from the second-floor balcony, so I’m all set up for any nature painting without needing to take any photos. First of all, with nowadays cameras, perspective is completely distorted, it would damage drawing or painting to huge extent. Colors are practically never true, and that is a reason good enough to rely rather on our own eyes. This time I’m presenting the new smiling yellow pansy faces surrounded by great shapes of leaves and abstracted background.
Never-ending supply of art ideas
We had big problems buying any seeds this past spring, therefore, I have mostly what grows from my own seeds and flowers and veggies which planted themselves. I got 2 sets of pansies. The one which I painted this time, was larger. It had interesting colors in the middle: not completely purple and not completely dark red in the lower part. Yellow is not that difficult color to paint as it is very annoying getting pictures of it. I can never go wrong with art ideas which grow all around the garden. It’s never-ending inspiration, always something new and more beautiful than before.
More art, less reality
When I draw or paint something, I usually change a lot from what it is in reality. I want on my painting more art, more me, more my style, and less reality. That doesn’t mean I will paint my subject in a completely abstract manner. The reason is there’s way too much abstract art already, and also – it is much easier to work on one’s style and maintain it when using recognizable and nature-like things. Pansies are a convenient subject for painting, especially when you have some around. For photo-taking reasons, I will make next painting pink or red because watercolors in such palette shades are much easier captured with any camera.
You see what you see
I regret that most of you will ever see only images of my art. I dare saying that you will never know what I and how I paint in reality. I surely can tell you that the camera made the light-yellow spaces white and caused the darker areas look like outline which they are not, I can tell that my colors are crafted and very balanced, but you see what you see. Plus, there’s no perception of size and its impact. It is again a 24 x 18 in or 61 x 46 cm painting, and that is quite large for watercolor. As it leans against the white support board, it lights up the entire studio. It’s cloudy and rainy today and this painting just shines as extra light source.
Pansy smiles, purple hearts, watercolor 24 x 18 in or 61 x 46 cm
New live art classes
After a long interruption of almost 2 years, I’m resuming live art classes in a very cozy outdoor space which is surrounded by blooming and green plants. This feature will add more safety to participants. It’s just so that I haven’t seen that many yet. To be honest, I’ve never met or had a student who learned mastering their style or medium online. I’ve written about that before: it’s one-sided, and that’s the problem. The human perception is very distinctive when it comes to any art concepts, therefore, everybody understands and applies the same thing in all kinds of ways, and rarely – correctly. In my mind, there’s nothing which can replace a real, live interaction, but that’s just my opinion. I suppose for drawing and painting animated outline drawing or extra simplified watercolor wash, anything is fine.
Real classes versus online: Compare
Mastering medium: Learn more
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