Interpreting your vision when painting

Bluebell forest, acrylic painting

Art and creative side of us relates to our ability to interpret our vision, our perception, our emotions about what we create to a great extent. I personally strongly disagree that everything is art, for the simple reason that it isn’t. Empty frame isn’t art, and a piece of wallpaper, just because it’s in frame isn’t art. Are a few paint blotches and a few unrelated brushstrokes art? Is our vision that poor or our ability that degraded that we are fine with not only animated and undeveloped shapes, but practically nothing?

The ability to draw and paint reflects our ability to interpret the world, our life, the planet, the universe as such. Our universe at that. While modern art tries to convince us that the shapes, forms and interpretation of a five-year-old is all there is what we call art, it isn’t true. When somebody starts learning manual writing, their lines and shapes are never perfect. They are all over the place. Some people never get beyond that. Why? They have no interest in perfecting it, they are simply unable to because their brain doesn’t process multifaceted things in more than one dimension.

What is a normal painting process? We have an idea, maybe view, maybe image and the next step is to figure out how we turn this vision into an image perceivable not only by yourself, but others, as well. That means planning underpainting, background, choosing our personal color palette. That is not what somebody tells you, but how you feel about it. Normal painting process involves composition, the most important part, feature or color which will be dominant, the abstract layers and the well-defined front ground. It also involves volume, contrast, values and all tools which create that: perspective, atmospheric and linear, shadows, direction of light and so forth.

Many art teaching sites say: no experience required. That would be fine, you start somewhere. However, if it is just a painting in one sitting, there’s just way too much information to be absorbed. Secondly, painting greatly relays on our physical ability and knowledge how to move brush, how much paint or water to use, what brush to use and the mostly neglected – brush cleaning step. Don’t clean the brush? All colors will be muted, muddy and not bright. It is an automatic step; we develop it over time.

Therefore, I always advice to start with a simple image which allows developing brushstroke, use of paint and color. One thing about people who just started to paint is – they never use enough paint. So, I repat numerous times, use more paint, use more paint. You cannot paint with empty air or water. The other problematic area is that we paint at first what is behind and underneath. We don’t use the final color, we build it up, layer by layer.

Nobody can learn turning their vision into decent art within a few hours. It’s just not possible. We allow our brain to process all information, and we also have to develop the automatic movements of hand. It takes time we get our hand to do what our brain and vision tell us. Therefore, at first, everybody paints like a small kid. No flowing lines, no great color transitions, it’s all rather very animated, simplified and sort of rough. Do you want to go further than that? It depends on whether you want to create something which says – you, your subject, your vision.

Deep down, we always paint ourselves. Even when we are painting a landscape, a still life, a floral, a building or portrait. It should be us not only by the choice of subject, color palette or type of brushstroke. Basically, it takes time to learn how you can turn your vision into artwork which is yours, start to finish. My experience says, it’s better to learn from your own errors and achievements than trying to copy somebody else’s work. The only way to be you also in your vision is simply to do things what are close to you and your personal perception of the world.

The attached images are of paintings created over longer time, not like yesterday. I have had hard times posting recently because of my health issues, but I still think these paintings deserve attention and maybe can inspire somebody else to keep trying until it all works. Every painting probably should be the featured image, unfortunately, with so many, I cannot choose just one.

Enjoy!

New painting season and art classes

Fall landscape paintings

New painting season to match changes in nature

As the seasons change and the fall makes us feel its presence, a new painting season starts. I switch from summer projects to abundance of sparkling colors and more autumnal subjects. For students who take the brush in their hands for the first time and for experienced artists, it is a great moment to submerge oneself into this fantastic experience of creation. The nostalgic feel of something going away, the thoughtfulness of nature preparing for sleep, the dance of leaves in the backyard and harvest on the table: this is an never ending inspiration for poets and artists alike.

Wide choice of medium and subject options

The new painting season is going to be rich in colors and painting subjects. All media capture fall colors well. Watercolor does it with bright washes and brilliance of pure color, like the transparent fall sky and the gold and red of leaves. Acrylic allows for numerous layers, thus polishing the painting to a perfect fall art. We can use pastel and pencil also, why not? I hope I and my current students will create something impressive. We already welcomed the new painting season with the first set of acrylic painting classes.

New season of painting classes

Painting classes have always been popular. I used to have participants who attended my painting classes every week, month after month, and so for quite a few years. That was before the online classes and tutorials started to take over the internet space. The advantage of art class as opposed to tutorial or paint night is very significant: art classes teach you to use tools, explore surfaces, many techniques, as well as painting and drawing subjects. The goal of art classes is to teach you to become independent and to be able to paint or draw anything afterwards.

The story told by trees

During this new painting season, we will allow trees to tell their story, allow the brush to dance on canvas. We will use sponge and fan brush because that’s a very fantastic way to capture fall nature. One just needs to know how to go about that and what colors and in what sequence to use. I love watercolor, I love acrylic painting, and there’s nothing wrong with color sketch or simple ink or pencil drawing. However, the new painting season will be devoted to new type of art which will shine not only through composition, color choices, but also new approaches and techniques.

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Summer landscape – fantastic subject

Landscape paintings

What to paint in the summertime? If you are in the countryside, traveling or live in the suburbs, I believe it’s impossible to avoid painting at least a few landscapes. What do we include in the summer landscape? Everything which speaks to us or says loudly: it’s hot, it’s wonderful, and it’s summer. My summer landscape is based on my surroundings and what I see outdoors. My private park has numerous wildflowers, and it is actually rather wild with huge old trees, various greases and plants.

We can interpret any landscape in numerous ways. Choosing certain color for wildflowers, buildings, sunny or cool color for grasses, adding trees or water, roads or fences – it depends only on artist where you want your viewer to go. I would like my viewer and art collector to feel happy about what nature provides us with, enjoy the views which might not be around forever. In that regard, I am documenting the natural beauty before we kill the Earth completely. Thee is so much beauty in the simplest summer landscape.

In my opinion, taking pictures of art and then posting them as separate images without background, literary destroys the art. I do that still because many places require to do so. Original art breathes and emits plenty of great, uplifting energy. All devices and cameras take away a lot already, and the small image you can see on the phone isn’t really my painting. It’s gone through numerous adjustments and algorithms. Regardless of that, I hope the energy within my summer landscape paintings is still visible.

These particular paintings were created between 2010 and 2021. There are many more, but one post can include only few images. I believe I already added too many pictures, but – when else to allow color to sparkle and imagination to run freely?  I intend to initiate Studio 65 sale to celebrate my birthday. That’s pretty much the only celebration I will have. Most of paintings are available as originals and also as prints. Originals are available from my art studio in Ajax, Ontario, Canada. Prints – anywhere.

Bright and happy, we could use more of that, couldn’t we?

Wish me well? Maybe buy a small art print or all kinds of things with my art, including puzzles, from my Fine Art America site:

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Have a great summer!

Acrylic flower paintings in new settings – art never expires

Large flower paintings, art for sale

Flower paintings in acrylic

As an artist, we always have some favorite paintings. Some of them we don’t sell at all, and some we give as gifts to dear people. Since many of my previous posts were about watercolor, I’d love to post this time a few acrylic flower paintings. This post has quite a few images of painted pink and white flowers. Unfortunately, as we get older, there seems to be less time for anything. That refers to painting, posting, sharing and so on. Somebody told me that we feel this way since we spend more time on any task.

Flower paintings, pink and white paintings

Quality over quantity

I suppose with experience, both life and art, we value quality over quantity. Anybody who’s spent decades creating art, can reflect of the process of discovery. Discovering subject, discovering new color palette, discovering adorable things we didn’t like before, discovering new dimensions of the same old story. I love pure and clean colors, and pink color offers so many shades.

Flower paintings, rose painting

My paintings with past

As the time goes by so swiftly, I sort of regret not painting exactly what I prefer. That’s as opposed to subjects I teach in art classes. I’ve mentioned before that an artwork for juried show, artwork for quick sale, commissioned artwork and paintings which I create as demonstrations – they are all very different by nature. Time has been always a factor, but also my health problems. So, you have to be ok when you cannot do anything at all also. I didn’t paint these flower paintings yesterday, but hopefully got better images of them.

Art is more than copy of reality

My taste doesn’t comply with generally preferred art which we see online. That is sunsets, waves, backlit shapes, too sweet nature scenes, as well as very close copies of photos. I always believed art is more than copy of reality. The latter anybody can manage with enough patience, tools and devices. Not everybody can paint spontaneously or draw without any printouts or edited images.

Flower paintings, pink magnolia

Relation to reality

On the other hand, I love that my paintings display things which are recognizable. People frequently tell me; they know that or this place in my painting. Well, such place doesn’t exist, but apparently the painting relates to somebody’s experience. Sometimes, the viewer can feel fragrance of flower. That’s why I avoid painting completely abstract art, but I still have a lot of abstracted paintings, especially, the extra textured ones. Also, my backgrounds are not definite.

Amaryllis, flower paintings

Everything is art, but I disagree

While all artistic genres – music, singing, acting, writing, poetry – have moved on and aimed for higher goals and more mastery, internet has facilitated degradation of classic art. If you want to see what’s for sale and what’s taught on some skill-sharing sites, just google any term. It can be quite awful and total beginners art. I remember how my students 10 and more years ago were so self-critical. Nowadays, that’s a ready-for-sale art. I agree, it’s easier to hang an abstract on the wall, but it becomes a simple decoration, not always art. How long are you going to look at 2 lines or some big blob of one color?

Colorful, large flower paintings

Enjoy!

I always struggled with photos of my paintings because to my sharp artistic eye, the photos have never the exact colors and I usually have to crop off some crucial parts to make the image straight. Nevertheless, let me know if you like some flower or other painting. I don’t think original paintings have ever been so affordable. It’s been a while, and I wish everything was better, but enjoy! With better, I mean mostly the financial side. The creative side is fine, I never have any problem with that.

Rose painting, pansy painting, flower paintings for sale

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Painting without restrictions, spring landscape

Painting in progress, Highland creek landscape

Being in spring landscape

What to do during the dull and dark February days? Probably, just keep painting. Acrylic painting is a bit more difficult with heating on, but it is also very rewarding. I pick myself up and place in the middle of spring. We used to go for walks along the Highland creek which offers attractive views and many varieties of trees, wild plants, chance to watch animals, jump over rocks and rushing water. Creek is wide in the middle part and water stays quite still in some spots. This is like mental transition in time and to another place. Thus, spring landscape is born.

Central part of Highland creek flood water painting

Imaginated reality

As you know, art has no restrictions. That includes the painting subject, colors we use, parts we paint and parts we don’t. I’m usually not that worried about how realistic something looks when painted. There must be some joy and fun put into every brushstroke. I usually paint as I see something in my head. When I look at empty canvas, I can easily visualize what is going to be there, in this spring landscape for instance. Similar to when we have a piece of fabric and we can imagine how the ready outfit will look. Imagination has no borders, too.

Top part of Highland creek flood water painting

Spring landscape as painting subject

This Highland creek flood water painting was done for the private art classes. I thought spring landscape was very fitting since we can paint much less of it or add much more to any part. We can leave the distant part completely abstract. Well, my student was impatient and here and there jumped over the gradual steps which processing an acrylic painting requires. My demo steps got jumpy, too, but, nevertheless, this painting was brought to completion just a few days ago. What you are seeing, however, is not the painting, but images of it. I straggled getting all parts of it onto pictures.

See painting steps above

Getting correct colors in acrylic painting

What’s most important for me personally, is whether the mood in an artwork can move us, inspire us, make us want to be there, in that place which doesn’t actually exist in the real world. I am trying to also teach my students patience and correct use of acrylic paints. While any wet acrylic painting might look perfectly right, it will definitely dry darker. The weaker the paint we use, the darker our painting might become. I regret noticing how Liquitex heavy body professional grade paints have lost some of their quality over years. That refers to Titanium white and yellow shades.

Close-up of front part

The usual acrylic painting principles

Regardless of our artistic intention, we always work from dark to light in acrylic, always from underneath upwards, always from back to front. With heating on, acrylic paint can dry immediately, therefore, we glaze separate parts and work in small segments. The lore layers acrylic painting has, the better it will look. That especially refers to the moment when somebody sees the actual painting in person. I sometimes go over even the final layers if the paint has become too dull in some spots.

Highland creek flood water, acrylic painting 24 x 18″ or 61 x 46 cm

Place yourself in this spring landscape

I hope you love this spring landscape and its mood. I believe you’d hear birds singing and water rushing over wet rocks and grasses if you are able to forget the surroundings for a moment and be immersed in this painting. It’s in great size, not too huge, not too tiny, 24 x 18″ or 61 x 46 cm. The steep vertical format adds a good quality to this spring landscape and pushes compositionally important elements close to the viewer.

Just like always, thanks if you read my post! I intend to catch up with likes and comments.

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