Shop for heartwarming and unique nature art

Shop for nature art

Shop, shop, buy, save: you have heard it a lot recently. Be grateful if you can do that and afford things not only for yourself, but also for somebody else.

The year is getting close to its finish line. Before we jump over to the next chapter in our life, we can still do something nice. For somebody who hasn’t had much luck.

I hope that I can still make some things happen and possibly sell some of my art. Art is all I have. There is nothing else because every day when I could make myself do something I was painting, drawing and creating. Even on these days when it felt almost impossible. The rest of time went by as if in fog. No energy, no desire to move. Big tiredness and exhaustion.

Life isn’t always easy. I have had 4 bad years in a row which really tested me. It would be great I could say the rough times are over, but I don’t know yet. I’m seeing the surgeon on December 22. I am not sure what he will schedule or decide. Therefore, I’m not very excited about the upcoming Christmas.

Everything else did not go right either. The city decided to do construction work around my place; they were taking off and changing sidewalks. My place became inaccessible for quite a few weeks. Before and after that I got sick and my main conditions worsened. The construction workers cut off our internet cable accidentally and it was not ok with me because I don’t see much on the phone screen and I cannot do posting from the phone screen. Neither do I read news and other stuff, it’s just too small and causes strong headache.

I feel like I am a bit better now, but, unfortunately, my resources have dried up. Well, 4 years of struggles without normally working can do that.

Therefore, I will be pursuing what I had intended about a month ago: featuring some creations and paintings.

I am aware that very few people read any posts. Most bloggers click on “like” from the Reader, and that’s it. However, if you do read this, please help spreading the word. Anything ships and anything sells. The best would be somebody locally walks in and buys some painting or decoration. That would be the best gift for me, hence, that would allow me getting gifts for my family. Well, I might sound a bit off, but I am not trying to paint the reality darker than it is. There are bad times and good times. It is amazing how fast time becomes past. Please help to fill the upcoming days with some hope and excitement.

I wanted this to be some kind of a promotional text. However, my hand was typing something else. Against my will, isn’t that hilarious? Not the bright and glossy words which I was intending to put in this post, but rather the painful and sobering realization of the lost days and weeks. So, there is no promotion and advertising text, but the idea remains the same: I simply have to sell some beautiful, heartwarming pieces of art to make a few little wishes happen. I know it is going to be difficult, yet, we all hope for the best. Don’t we? Please let me know if you have ever seen on this website art that you liked so much you could buy it; for a gift or for pleasure, that definitely does not matter.

Shop for nature art

I placed the birds in their natural habitat. They come with a rustic frame, too. I didn’t get to take pictures of everything. It was quite dark here and daylight is over very rapidly.

Shop for nature art

I believe, this is a very unique and attractive art which also makes a great gift, as well as fantastic wall decoration. I have put in these artworks all my best thoughts. Nature has been always close to my heart and perception. I am not trying to copy it, but represent in a way I am feeling about it.

Shop for nature art

So, please shop for art. Shopping for art is rewarding to every involved party. I mean, that refers to these who have something left over from their spending budget.

Shop for art: merry and bright

I will keep posting more beautiful pictures on days when I can do that. Please share if you can, and please follow and share on Facebook or Twitter, too. Links are on the right side. Thanks!

Celebrate in style: the best way to get into Christmas mood

Celebrate in style, Christmas gifts

Second featured painting

Original art has a special attraction, energy and flare to it. I don’t think there can be too much art on any walls. I have usually some 200 works of art on display in my Art plus Life gallery, and it does not feel overwhelming or crowded. I rotate my art depending on demand and season. It feels very appropriate to have snow scenes and winter villages on display when Christmas is around the corner, and it is very obvious that spring flowers blossom around the gallery in spring.

I have a special love to small birds. I preferred them to any other creatures already as a kid. I assume that one should only paint what they know. I watch these birds during any season, and I have hundreds of sketches which I can turn into artworks later. I painted this particular painting “Robins, winter” last year. I painted 6 bird paintings. As it frequently happens, I felt I wanted to improve the color balance. So, I worked a few more weeks on this painting. I believe it became better and birds are more bird-like, as well, as the entire scene is lovely and welcoming and speaks for itself.

Bird painting for sale, holiday and Christmas art

Robins, winter, 16 x 20 in (41 cm x 51 cm) acrylic painting on canvas

It is also on Daily Paintworks

I do invite everybody to participate in a festive workshop at the beginning of December to try out how nice of an adventure it is to create something heart-warming and cheerful. We can choose the image, and some people usually prefer winter scenes, some illustration or wall decoration type of art, as well as some might go for birds. We also paint poinsettias almost every winter. I must admit, that is a subject which always works well on canvas and paper and looks great.

Workshop is on Sunday, December 10. It takes place between 12.30 and 3 pm. We will paint attractive 12 x 16 in images. Workshops are always fun. Participants also go home with a nice piece of art. I am attaching the “Robins, winter” painting for illustration, but I will certainly post more images as we get closer to the workshop date.

The best way to get into Christmas mood is to create art that suits the season. Let us celebrate in style with original art this year! Please let me know if you like “Robins, winter” painting and whether you’d love me to ship it to you!

Robins, winter, bird painting for sale

Art products are available from Fine Art America.

Celebrate in style, Christmas gifts

My favorite from all products with this particular painting is the spiral notebook. It looks unbelievably good! Mugs also look impressive, so do actually lots of my art products and prints.

 

Celebrate in style: art that suits any taste, first featured painting

Celebrate in style: art that suits any taste, first featured painting

Celebrate in style will include my creations which I will try to post as frequently as I can taking into account that painting takes between 6-8 hours a day, classes about 4 hours a day with set-up and clean-up twice a week, setting up for photos, editing, posting online and promoting my art takes abnormally many hours and nobody has cancelled doctor’s appointments, treatments and the daily chores. I do also create decorations and have to put up some in the front, that takes additional 4 hours a day, plus the mess … I have to sell something so that I can buy my gifts, therefore, I hope for some response.

I have painted and created over years lots of art that can be a great gift or a fantastic decoration.

This time, I am featuring a rustic Christmas tree painting. This painting is acrylic and mixed media on 20 x 16 in canvas (or 51 x 41 cm). The background imitates wood, and it is created on canvas and also painted around the edges, so it does not need any frame.

Winter trees are so adorable, and when the first snow is falling … that means getting into the holiday and Christmas spirit immediately. Having this simple, yet beautiful tree on a wall is also a pleasure. I finished painting this tree image and I could not stop enjoying and looking at it.

The idea comes from the internet. I saw somebody had painted things and text on wood, and I really liked the idea of creating such a look. I just had to figure out how to achieve this without wood. I simply did not have any, especially somewhat suitable pieces. Well, I usually create what I do not have. This painting has also touchable and visible texture, so, it even feels like wood.

We will have workshop on December 9th. If you are not that far and reside in Durham region, Ontario, you certainly could take part and paint something similar for your own pleasure. Please apply here:  https://inesepogagallery.com/classes-workshops-schedule/

Celebrate in style: art that suits any taste, first featured painting

Let us celebrate in style this year! It is nice to have something original, not a print on the wall. It is absolutely ok to create something when we cannot buy it. Enjoy and let me know if I can ship this wonderful rustic tree painting to you!

Value of creativity and creative fall paintings

Creativity is a very valuable feature. Creativity can save us in bad times and help blossom in good times. I have noticed that people either are creative, or they believe they do not need creativity. These who can buy everything ready-made, do not usually bother too much with being creative.

Creativity is frequently inherited: no child should grow up being only as creative as the computer or cell phone screen allows. The genuine creativity does not need much; it often uses just a small idea, a guess that we could make something out of nothing. By repurposing and recycling old things, we create a new life for them. That is a very interesting process on its own, and these old things become so adorable by adding just an artistically creative touch.

Creative brain is actually flexible, resourceful and very active brain. It tries to explore every potential, possibility and probability. It skips the surface and looks deeper: what if something useful is hiding there?

Most people are not born with a need for creativity or being addicted to a creative self-expression. It is possible to live long and happy life without ever having an idea what that is.

I do not like the pre-printed greeting cards because they take away from me the creative freedom: there is no space for my own poem or words I want to say to that particular person. I prefer to create my own greeting cards.

I have noticed a huge decline in human cognitive function just over the past 7 years. The decision making ability has decreased abnormally.

While most people can type, how many can still do hand-drawing or hand-writing? I hear you: who needs the handwriting or drawing when one can get everything done much faster using the touch screen? Well, our brain does. Nobody has cancelled the fine motor skills, and the more one excels at drawing from life, the more active brain they will have for a long time.

Art is definitely totally underappreciated as a recovery tool from cognitive slow-downs. The benefits from doing art and being creative are many.

Most people believe that perfecting drawing or painting skills is necessary only for artists, however, the regular artistic activities are the best brain booster ever, just to mention journaling, sketching, sketchbook keeping, writing and illustrating diaries, creating decorations or gifts.

One should not put it off until the moment when sharp decline in cognitive function is observed. Daily practicing is certainly the best: the more exercise we give the brain, the better our eye-hand coordination, memory and visual perception becomes.

Art classes do not require being an artist, but these who just picked up the pencil or brush should be also aware that art does not happen in 1 hour. Never. Painting a wall takes some skill, but painting images on that wall will certainly take a lot more skill.

Creativity can be developed and boosted, but the main thing is the willingness to be creative. That means thinking creatively, making unexpected decisions, finding answers to new questions and practising a lot.

I am very patient. I can works for years on a painting until I take it there where I want it to be.

The cheapening of art and the fact that everything is called art is really hurting me and artists who take art seriously. If I paint for 3 weeks every single day, I am not willing to sell such painting for 50 bucks. I am not. I also sometimes like some painting so much that I cannot detach myself from it. That passes over time, but there is huge attraction sometimes.

There are certainly people who produce art: use one template, the same set of colors and tools and just make out more and more of the same. That is art production.

We worked on sponge and acrylic project last week. I personally use sponge with acrylic paint a lot because that allows implementing under-painting or first layers much faster, thus, giving more time for top layers.

To learn using sponge with acrylic paints, you can apply for live art classes if you are in Durham region, Ontario: https://inesepogagallery.com/classes-workshops-schedule/

Retouched grey fall barns

Prints

Fall paintings grey barns
The grey fall barns creative fall paintings

The afternoon birch forest

Prints and art products with prints

Value of creativity, creative fall paintings, birch forest
Afternoon birch forest, creative painting

The birch forest path

Prints and art products with prints

Value of creativity, birch forest path painting
Birch forest path

Enjoy!

 

How to choose art classes

Many people who feel attracted to art, sign up for art and painting classes in the fall. Certainly, days are getting shorter and the weather gradually changes from very pleasant to quite nasty, rainy and chilly. I will not list all advantages of joining an art class or painting group this time because I’ve been mentioning them multiple times, and there are so many: from building your confidence and self-esteem and finding a great thing to fill up the long nights to effects similar to meditation which allow one floating away from daily troubles and problems, to mental fitness and rejuvenation of brain cells. The created art becomes just another gain along the way.

When choosing an art class, you should first check out what the instructor does: what are his or her favorite subjects, style, colors, approach. If you generally do not like such art as instructor is doing, so most likely you will the class unsuitable. For instance, if instructor is in meticulous copy creation of photos, you most likely will not be learning how to paint abstracts; or if she or he never do portrait painting, it is unlikely the class will provide with portrait painting skills.

Secondly, make sure the size of group somewhat works with you. I hear people complaining that they signed up for an art class and never got any attention, therefore, never learned anything. Well, if a weekly art class is 2 hours long and there are 20 or even more students in the classroom, how would you get a lot of attention? You can count on some 5 minutes of individual instruction in the best case because no instructor can run around all class while they are showing how to paint something. It is obvious that you have to choose a small art class if you require much advice or want very individual approach.

Thirdly, find out what level this art class is for. If some class is intended for advanced painters, most often, if you are just starting out you will not be able to catch up with others.

Beginner is somebody who hasn’t done at least 200 small size paintings or 150 larger paintings.

Next thing is: be realistic in expectations. That is probably the most overlooked aspect of any art class or studies of creative things.

Learning how to use tools takes time. That means: any tools. Although, everybody has seen a painting brush and quite frequently people have tried using it painting something on their own, it does not mean that you know how to actually use it. Any brush (they come in very many sizes, shapes and are made from all kinds of materials) can be used for some very specific things and also for some very general approaches. It is obviously possible to use just one brush start to finish, but the key is to find one that suits you and the task you want to accomplish. That depends also on your personal preferences, medium and subject.

Materials are an extremely important thing also for an art class, so, the best results will definitely be achieved using good quality materials straight from the beginning.

I have heard this often: I’m just learning, so I will use the cheapest materials for now. Well, that might not work at all because using bad materials can easily become a torture and nuisance. Sometimes students struggle around bad watercolor paper and they think they are doing something wrong, but, in fact, it is the paper which prevents from getting acceptable results. The funny part is that when one has a lot of experience they can survive with bad materials because their mastery will cover up the flaws, but initially, when there is very little knowledge, good materials will help overcoming your insecurities.

Equally important is also having your own materials. It might seem: what’s the difference? The answer is: there is a huge difference between paints, brushes, canvas, papers, pencils and even erasers, not to mention that is one of the most important aspects of learning. Tools matter, surface matters, paints and brands matter. There is no other way to become familiar with some materials in particular as using them.

Many people think that art classes and artistic activities cost a lot of money. Comparatively, I have to admit that is not really true. Most classes are way cheaper than going to a movie, about 8-10 times cheaper than attending a concert, at least 2 times cheaper than getting a hairdo, minimum 2 times cheaper than dining out at a medium quality place, much cheaper than boozing at a pub and so on. If your priority is to eat, work and sleep, that might seem like a big expense, but if you are looking for an overall improvement of your mental state, brain flexibility, memory, life quality and health improvement, it is just something which will pay back over many upcoming years. Therefore, the first question should not be “How much”. While the cost makes up an important part of anything we are doing and affording, there are very many other factors to consider. All classes are different: some are just a few weeks, some are a few months, some are short in a very large group and some are long and almost private. The most important part is to sign up for something that you feel interested in. One should also be prepared to learn, practice and memorize things, be spontaneous, courageous, daring and fearless, as well as have enough personal time for not feeling rushed.

I recently got new pictures and got a chance to post some watercolors on DailyPaintworks site.

I always work harder on pictures than actual paintings.

Colors in context images are much more like in reality.

I loved them, I hope it becomes a source of pleasure for other people, too.

This is the updated painting

 

They sell at $150, plus $15 shipping in Canada and USA.

Clear white on DPW

Enjoy!

White and pink flowers to enjoy the presence of spring

The best part of being able to create is probably that we only depend on our intentions and goals. There are no limitations in subjects or ways to create something. It is almost an absolute freedom, and pretty much nothing but our personal situation can be a set-back.

Freedom in creation means doing what one wants and prefers.  If it is technique that doesn’t work for you yet, you will just have to practice more.

I meet all the time people who think creating a painting is extremely easy. Most likely, instructions that say: paint like a master in one hour or time-lapse demos where a few hours of work are squeezed in just 1 minute make somebody believe that a decent size art takes only a few minutes. Well, try to paint just a wall or better start with smaller surfaces like a door. Even that takes time.

Creation takes time and efforts. When somebody looks at painting they sometimes doubt how that can possibly take 2 or 3 weeks working every day for about 6 hours. It depends on medium, definitely. Acrylic is much slower medium than watercolor. Whenever some part is dry, it is almost as if starting everything from new. Acrylic is much slower than oils also. That is why it takes a lot of layers and building up color and value.

The attitude totally changes when somebody tries doing painting themselves. There are people who believe that not that attractive first layers are sign of a hopeless art. That is profoundly wrong. I sometimes demonstrate how we can change and improve any painting (that includes my own art) by just adding dark shades and highlights or modifying perspective and number of details or elements. In that regard, acrylic is very forgiving and very user-friendly. The only limitation is time we spend on some art and time we are willing to spend on it. When it is a small painting, I do not feel always I want to continue working on it. Our personal attitude and preferences change over time, as well. That’s no surprise that we might not like subject we adored a while ago or we like colors we hated before.

That is normal. That is progress one or another direction.

Gallery view

Having painted blooms all around makes one feel fantastic. Even when my health is giving glitches, it’s a pleasure to be in the gallery and enjoy the elegant lines and uplifting colors.

If you never tried to create any art, it is a wonderful time to start out. The sketching season will be on soon, and that is just a pure pleasure being outdoors and literally absorbing the surrounding life, nature and beauty.

I hope to get some followers back since I lost of all of them while migrating the blog. I don’t think I have set up even all buttons yet, so, everything will come, just give it some time.

How does it feel to become a rose?

Rose is a wonderful subject for an acrylic painting. Especially, pink rose.

I always prefer and I always advice others to use real objects, real scenes and live models for their paintings. It’s not only because camera does not see things as a human eye does, but also because of immediate presence.

When somebody aims only for technically great achievements in arts, they certainly stick with photos because we quite cannot distinguish between tiny details when looking at something with just our eyes. I’m not painting or drawing anything I cannot see or which is too small to see. I prefer to go bolder and not to use any magnifying glass.

It can be tough with flowers time to time, especially in winter, and they generally do not last as long as painting takes from start to finish. Anyway, whenever possible using real things has its advantages. They also cause feelings, admiration, attraction or vice versa. This is also something we are trying to implement in our paintings. Technical ability is great, but technically perfect and emotionally cold art isn’t speaking to me. I’m not saying that I always keep working until I have achieved absolutely everything. There is something great about unfinished paintings, too. For instance, a chance to add imaginative characteristics or continue with one’s thoughts. When painting is small, 16 x 20 inches (40.5 cm x 51 cm) inches or so, it doesn’t feel right to spend a year painting it. I sometimes return to a painting after 2-3 years.

Therefore, it feels great becoming a rose. As we paint any petal, we build it and grow it to our liking. Although, it’s just a rose, it has it all: some hidden attraction, some mystery and some color combinations that do not always find reflection in a photo of the painting, but they do become visible when looking at the artwork in person.

Wild roses acrylic painting, 20 x 24 inches,

There are lots and lots of objects which can be painted not even leaving our room. People sometimes say: I don’t want to paint still life, it’s boring. That’s totally wrong. That is the best exercise in painting there can be found. People who can paint or draw can paint anything and draw anything from apple to face. Still life is the shortest way to explore values, edges, color transitions and the ways we can create them. It’s the best tool to learn underpainting, sketching and blocking in the main shapes. It’s also the easiest way to learn about lines and their relationships, as well as all kinds of shadows. Therefore, we should never underestimate still life as subject, genre or way of expression.

rose painting
pink rose acrylic painting

Pink rose acrylic painting for sale, 20 x 16 in

The lifeschool blog reviews pros and cons of using supplements and synthetic vitamins: Are you wasting your money for not working supplements and vitamins?

How drawing and painting teaches life and boosts mental fitness

Drawing and painting are some of the best things we can do in order to increase the brain activity, improve memory (not only visual) and become more confident, self-aware and efficient with making decisions.

How so? Every line and brush stroke we put down on paper or canvas comes from the brain impulses and activity of neurons at certain parts of the brain. Your hand doesn’t move on its own, it’s guided by our perception and the ability to transform visually or with other senses perceived information into individualized personal experience which is reflected as you draw or paint. It is a very complex process, and we tend to think there are mysterious powers of some kind involved. I sort of want to remove the magic aspect from creativity, just to keep things simple. Inspiration will add the magic, but we have to start from the basics.

Most people do not see the surrounding world as an artist does. So, the first task is learning to recognize all the multiple aspects of transforming a simple visual image into art that exhibits the artistically applicable features of this image. How do we do that?

Anything we draw or paint must find some echo in the storage space of our imagination. Such space of stored imaginary images is present within any memory based on associative and a priori acquired knowledge. Anything we create always relates to our fundamental knowledge of this world. Yet, the drawing or painting we are doing has SPECIFIC OBJECTS, VERY SPECIFIC ITEMS, a VERY SPECIFIC THEME and ATMOSPHERE. It is a scene like no other because it always presents individual features. No two apples are exactly the same, now flower copies the other one exactly line by line, vein by vein and trees come all in very various shapes, not to mention faces, landscapes or other scenery.

Since most people who learn painting or drawing believe that getting all information from the outside and simply following somebody without making their own decision will do the job, first artworks usually do not come out that great. While we are sketching or blocking in the basic shapes or lines, we should already try to decide why everything is where it is, and why composition evolves as it does. The reason we place our objects based on some principle on our paper or canvas is deciding early and planning for effects which we create later.

Adding paint or other elements is always making decisions: first about values, then about shapes, edges, washes and eventually we need to apply color if it is watercolor or acrylic or oil painting in color. Our brain has to make these decisions fast. Most mediums require using relevant timing. If we hesitate too much in some watercolor layers, it simply is too late to achieve the type of wash that makes such painting outstanding. If we are too slow, the acrylic layer we worked at is already dry or tacky and we have to return to it later.

Some images from recent art classes

 

Blooming in studio, painting makes us happier and definitely boosts mental fitness

 

 

There are two main things blocking our ability to proceed with painting or drawing when somebody attends or watches a class: we believe that instructor has made all decisions for us and our task is to blindly follow and to repeat what we see; and we are trying to do everything without any knowledge of why. There is no reasoning, no decisions which arise from our current activity.

For instance, when asked what he or she is doing with some particular part of painting, a very frequent answer is: “I don’t know”. How come? You have to know why you want one part dark and how to achieve that, you have to decide whether that particular object is small or large, has lost edges or sharp edges. That is, basically, we have to decide what exactly and why exactly every time we do something with our painting or drawing.

The biggest trouble maker is simple, aimless brushing around, moving paint all over until everything what there was is lost. That comes from not making a decision. When we decide that clouds are large and grey, we act to achieve this. It’s obvious that only acting based on decision can contribute to implementation of our intentions.

The instructor or art teacher isn’t a magician; they cannot affect directly and immediately the way your brain works. They hope you pay attention to what they say and demonstrate and you will make your own decisions based on this advice. However, if you do not answer for yourself why, what, when and how, the progress is noticeably delayed. Therefore, I also advice doing value sketches. This does not slow one down, but helps tremendously with planning and deciding on what, where and what way.

Eventually, the decision making we learn in classroom makes one much more efficient in other areas of life; hence, everything should be based on decision, not impulse and lack of thinking, so that we do not have to admit: I don’t know why I am doing this. You have to. Unfortunately, nobody can provide you with a dose of understanding perspective, values, shapes, contrasts, layouts and other elements as a capsule or tablet to simply swallow and apply. Everybody has their own ways of making the necessary decisions and they should arrive to this understanding on their own, based on advice, recommendations, techniques and principles teacher, demo or class has provided with.

2 new still life paintings for sale

 

Sunny still life, 12 x 16 in, acrylic on canvas

 

Recent study

Lifeschool post has some suggestions on how to avoid preventable accidents and also shares some stories of people who required lengthy recovery:  Preventing bad accidents

Art instruction: achieve good results painting with acrylic

I have been an art instructor for more than 35 years and I have spent thousands of hours watching how students start out with their paintings.  I have also been a beginner in arts many years ago. Therefore, I am aware of tough things which we experience when using such a medium as acrylic. Especially, if this type of paint is a completely new to you.

Acrylic paints are very friendly. No smells, no known allergy causing components. I would advise people with sensitive skin to use gloves: they should be thin and match size of your hand.

Acrylic is easy to use because we can repaint, paint over, cover up and restart painting any areas which we assume not good enough, not suitable our intention and not nice enough. We sometimes need to wait until the first layer is dry. Overworking one spot causes to come off all wet paint.

Acrylic paints can be applied thinly, diluted with glazing medium or water and in a thick layer creating almost impasto effects. It’s just so that prices of paints have tripled since 2008 in Canada, so it is obvious that using modelling paste or different materials as a base is better than applying a lot of paint.

The biggest challenges are two. 95% of beginning artists who work in acrylic USE TOO LESS PAINT. A LOT LESS than required, actually. That results in uneven, streaky coverage or there is no distinction in color and value. We have to add the paint we are using most as it is almost gone. Acrylic dries fast, so dipping on it a few drops of water or slightly spraying it with water time to time will help hugely. It might be so that somebody gets overwhelmed with all information they have to absorb in first classes, but still: having just a small drop of paint on your palette is not going to work. USE DECENT AMOUNT OF PAINT! ALWAYS! Keep it slightly wet all the time while you are using this paint.

Secondly, partially covered canvas does not look good. We can check whether the coverage is proper by taking a picture. If the canvas fabric is clearly visible, that part certainly requires more paint, sometimes: much more paint.

By its nature, acrylic acts like a glue. We have to use this feature in our favor and so we do. We start with more abstracted, not that careful layers and move onto something more definite. WE SHOULD NOT START WITH FINAL DETAILS OR ASSUME THAT ANY FIRST LAYER IS FINAL. Apply at least 3-5 layers and then decide what else you do. Never judge an unfinished painting or make unreasonable conclusions about it. We fix and change EVERYTHING as we add more layers.

The second challenge is BRUSHING PAINT ALL AROUND. We need to place the paint wherever we want it and leave this spot alone. With that being said, we shouldn’t create strong fat lines with sharp edges for darker areas or road sides, field ends and similar. We want darker areas, not darker frames everywhere. To achieve that, we feather out the outer edge on that area. Just let the brush dance on your canvas and don’t worry about too much blending in the first few layers. By letting the brush slightly touch canvas on one spot we can hold the particular color on that area where we want it. Brushing paint around results in achieving uniformly flat color on the entire canvas or area.  We have to use the color we want on the spot where we intend to apply it.

Instructor can demonstrate, explain or show principles, methods and approaches, but painting is still up to you. That means: you have to use the reference, remember to look at the reference whether it is a real abject or scene, or a photo thereof all the time, not only when you start the painting. That does not really happen in reality.

Painting is based on very many decisions we make every second; in fact, we make some hundreds of decisions every second. So, if you only follow the instructor, but haven’t decided anything for yourself, results will not be that great.

Why am I saying: pay attention to reference? I have to repeat that because most people don’t ever pay attention to reference. When we are just beginning the painting, they would have a brief look at it; and I notice after a small while that NOBODY LOOKS any more at the reference. YOU HAVE TO! Reference or value drawing (if you have created such) HAS ALL THE ANSWERS: where to use dark color, where to make strong edge, where to wash edge or lose it, where to place highlights and what exactly the shape of something is. It is extremely important, much more important than what brush to use.

Talking about brushes: always use the ones which you feel comfortable with and which suit the size of the area you are working on. Very simple. We use the largest possible brush for any task. Flat brush has MULTIPLE USES IN ACRYLIC. We can draw thin long lines with the edge of it; we can cover large areas using it flatly, parallel to surface in full width, we can use 2 different shades or colors on each end of the flat brush which simplifies and speeds up painting.

How does the painting or drawing happen? We transform the visually perceived information in the brain signals that eventually lead to our hand movements. Whenever our hand moves accordingly to decision we made, we achieve the desired result. The more decisions one makes and the more one understands why some parts are neutral, some have strong and some have weak values, the easier it is to paint or draw. Blindly following and copying RESTRICTS our ability to analyze, understand and apply creatively our vision.

We develop acrylic paintings from my sketches. The light barn with pink-red roof was painted by our youngest student Erin who is 11 and attends classes together with her mom. We just started a new project which we are also doing from a quick sketch of mine.

This post was waiting for a long time because I was very busy working on class images and steps.

Therefore, some images are from mid-December classes.

Painting, drawing and sketching manually is THE BEST MENTAL FITNESS EXERCISE. Nothing else can compete or compare to that. Period.

The lifeschool blog reviews challenges during dark and upsetting winter: https://inesepogalifeschool.com/2017/01/17/how-to-feel-good-and-survive-the-dullness-of-depressing-winter-days/ Please enjoy!

 

The long journey to a ready painting and deals continue for 3 more days

I have no choice, but to continue with advertising my art sale. 3 ladies responded. I am genuinely thankful for their support, and I hope they like their purchased paintings, however, taking into account the large number of items for which I do not have left any wall space and any storage space, which is due to the specific features of these premises, I would need much more sales happening. I have 3 days for keeping this going, and I hope to get maybe some walk-in people, as well.

I work a lot and hard to create my paintings. I know how much easier it is to make abstract art because that takes origin only in one’s imagination, and artists sometimes simply try to comply with market trends. Unfortunately, I am not in abstracts that much.

I’m too good with drawing, therefore, I cannot and do not want to skip that part. Over almost 50 years, I have developed excellent eye-brain-hand coordination and I do not need any grids, any photos, any help lines even when drawing portraits which I used to do a lot some 20 years ago. I stopped drawing faces because I always need a model which I really like (like my daughter, my niece, etc.), and I need this model to be patient enough to sit through painting sessions. Very few people have time nowadays for that, but I just do not like producing paintings from photographic source, and I dislike even more when somebody is copying photos. Meanwhile, so many artists take credits for literally editing and then copying the picture whether on a larger scale or on the same size paper or canvas. I don’t think that takes talent or is a gift and specific vision, this requires only patience, time and ability to apply paint accordingly with the photo. This is more executive work as opposed to creative work which involves only original scene, object or set-up without the use any additional tools.

The general opinion is usually that camera gets it right, and that is true to some extent only. If the distance between camera and object is small, or the distance within the scene is huge, camera will produce wrong proportions. Camera draws closer the closest part of the scene or objects, widens the middle portion and creates way more distant background part. You’ve all seen this how nose looks very large in regard to the rest of face when taking too close pictures. This is also very easy to see in case of reflections: when artist follows exactly the picture, not the scene in nature, the reflections of some not that far away objects will be stretched out for miles which is totally wrong when you compare that with reflection in nature.

Therefore, my point is that many instructions will make one not trust their vision, eyes and ability to recreate the same proportion, edge and line relationship and color transitions without additional tools. That is not true. However, to get to the level when one can do the so-called “blind drawing” which means you do not persistently look at paper or canvas but rather at your object and scene, takes trusting our brain and eyes, making decisions and allowing the eye-brain signals to be transmitted to our hand with pencil or brush. That means trusting ourselves more than camera or grid and believing that we can do everything what somebody else has already done. It also takes simply practicing daily and, at the end, this activity improves the brain functionality and flexibility to an incredibly high level, thus preventing loss of neurons, creating new synapses and taking care of good memory.

artforsalefallshow

Rural buildings

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A few of very many fall scenery paintings

When we sometimes look at a painting, it seems it didn’t take any time or efforts. It is due to the fact, that good art shouldn’t exhibit artistic struggles and technical difficulties, but mood and atmosphere of the painted scene or object. When we get past such struggles, the real creation takes place. Some of my paintings took 2 years to bring to a stage when I liked them. In average, each painting takes about 1 week to month to get it to the point when I am more or less satisfied with it. There are smaller watercolors which only take one to two days to accomplish, but any larger work requires much more time because most of my paintings are rather representative than abstract.

artforsalefallshow

Snow and winter scenes

artforsalefallshow

A bit different view: snow, winter and fir trees

Why do I love showing paintings in groups better than just posting one image at a time?

Internet display has huge drawbacks when it comes to art.

Firstly, small 8 x 10 inch paintings virtually look the same size as 3 feet by 4 feet paintings;

secondly, colors are much truer in group photos;

thirdly, the look of a painting and its colors will greatly depend on your device and its settings.

The differences are huge. I’ve also noticed that my paintings on Fine Art America site do not have the exactly the same color: some look completely green, and they are not in reality, some look very brown, but in reality these are grey shades. Certainly, the best way to know whether the painting speaks to you or not, is to see it in real size, to view it framed or unframed and to experience the personal impact it makes or doesn’t.

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A few of pink and white flowers paintings

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Wider view of white and pink flowers

The sale deals are still in effect, but shipping is extra because I learned by now that it can be high for very remote or difficult to access places. Everything is $100 to $450, but if you are interested and let me know your budget, we might work out some special deal. Fine Art America site for prints and other products:

http://fineartamerica.com/profiles/inese-poga.html

I hope, there are more people who would like some of my art. I’m posting only acrylics at the moment. Taking these pictures is time-consuming, as well; I also need a good light which can be a problem.

Many people clicked on “like”, however, only a handful actually read the previous post. Well, that’s just one more manifestation of never-enough-time-for-anything life we have.

I regret there was very little interest, and most likely the content of my previous post didn’t seem to touch too many people. I also understand that very many other artists who are among my followers will not buy any art, so the invitation goes out to the rest, and especially those who are only in a driving distance.

Art is the most space enhancing feature which there only can be. Just removing a few paintings from the wall, makes it look virtually empty, and my personal experience shows that there simply cannot be too much art around us.