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Spring color palette

Spring color palette private art classes

Spring color palette with grey

I am impatiently waiting for spring, and while it is still cold, windy and cold with snow covering most of the soil outdoors, I paint spring. I paint spring using my spring color palette which is pretty much always the same. My spring color palette includes different grey tones, as well, but camera cannot keep up with my soft color transitions and frequently sees grey as blue. I hope, the spring color palette can be perceived as you look at my paintings on your device. As we well know, any device has its own settings, thus, impacting heavily what one sees.

Color palette for watercolor painting
My recent spring color palette

Color palette also changes

I have had many favorite color stretches over many decades while painting. I have had totally grey phases, and very blue, very green and bright multicolor painting periods also. As an artist, I never stay the same because everything changes and our hate-love relationship with colors changes, as well. I love balanced color palette and use it whenever possible. Phone camera wasn’t designed to get things look real, but rather enhance everything. It also destroys correct perspective regardless of how you adjust it.

Color palette for spring road watercolor

Imagination at work

Spring color palette is vivid and rebirth-affirming. I’m very sure if you live in different climates, your color palette is quite distinctive from mine. I don’t paint mountains or oceans, just because I don’t see them here. I also don’t rely on photos, but rather on imagination and visual memory. That makes things easier for me. Simplicity which excites is a good term to describe these paintings.

Saturated colors

The old house was painted in 2018. Apparently, watercolor works much better on thick Arches watercolor paper. Layering colors is easier and the entire painting has more saturated values. Pictures which I took with iPhone back then, are rather dark and some look even blurry. I should get new pictures of all paintings which I still have, but that’s too much of work and too much of re-posting and editing. I did, however, take new pictures of the old rural house.

Old rural house, spring landscape
Old house watercolor painting in spring colors, 20 x 16 in or 51 x 41 cm

Still grey and Road into distance paintings

Still grey with birch tree and the Road into distance are new watercolor paintings. They are created using the same color palette, but I couldn’t get a good image of the large one, the Road into distance painting, It’s a fantastic, large size watercolor with beautiful color transitions. I would say, it has gentle and soft spring colors and all values are simply perfect. If you ever happen to be in Ajax, Ontario, you could stop by and see with your own eyes how no picture can ever match the original painting.

Road into distance, watercolor painting
Road into distance, 24 x 18 in or 61 x 46 cm watercolor painting

If you just started painting with watercolor

If you just started using watercolor, always test your colors. Nowadays, the color name alone doesn’t mean much. I have 3 Payne’s grey paints from different manufacturers, and they range from rather blue to very black color. The same goes for Sap green and Green gold. Burnt sienna and Raw sienna are very different colors from different manufacturers. All blue colors can be anything. Yellow is usually quite weak color from the student grade sets.

Spring painting color palette
Still gre, spring landscape painting with birch, watercolor

What you can do on your watercolor paper

You should also test watercolor paper. It’s not advisable using anything lighter than 140 lb for watercolor painting. Non-cotton paper generally buckles, warps and doesn’t absorb neither water, nor pigment. Therefore, you cannot expect watercolor wash to be perfect, adjust it with paper towel. If there’s too much water on such paper, it settles down at the lowest point due to gravity and you see the “blooms” which look good in abstract art, but wrong in improper area. It’s very easy to lift paint from non-cotton paper. It’s easier for beginners because you can correct many aspects of your painting.

Don’t expect the same outcome

Spring color palette with grey birch

Cotton paper, like Arches allows achieving fantastic washes. It absorbs paint and pigment, therefore, one needs to plan painting. You can stretch and soak it before painting or use water on it before you start painting. I didn’t use Arches this time, but Strathmore 400 series paper. Getting paint on it is more difficult than lifting it. The number of layers is limited. If you use Arches (at least 140 lb. paper), number of layers is quite unlimited. Arches 300 lb. paper doesn’t buckle at all. It’s like wood, thick, firm and allows using and creating great effects. It’s very expensive at the moment, though.

Thanks, talk to you later in spring again! This post is different, thanks for reading!

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Art studio highlights of 2022

Inese's Art Studio

My art studio experienced numerous changes in 2022. First of all: the move which started with packing already in February. By the middle of March, I started adapting and adjusting the available space for art studio needs. By any means, it wasn’t easy. It’s needless to say that neither painting, nor art classes couldn’t start until May, I believe. If you have ever packed up and then unpacked a large art studio with numerous artworks and countless tools, brushes, paint tubes and paint sets, papers of all kinds and so forth, you probably know that it is a very complex undertaking.

  • Art studio, spring
  • Art studio, spring painting

I paint spring during winter months, and 2022 was no exception. It is very inspiring and self-explanatory for me to go with the change of seasons, except, I am trying to be always ahead. The adjusted and new spring paintings were published in February. Trillium blooms are fantastic subject, and white color on its own makes painting alive.

Art studio, spring creek

The first painting I painted in the new studio was a fairly large early spring landscape (above) with lots of trees. I do love trees, I watch them, observe and to me they feel like live beings. I frequently use textures on canvas for more impact and strong statement. The horizontal Apple tree landscape was also finished soon.

Apple trees, rural landscape

I moved to garden and abstracted landscape paintings afterwards. That was done because of art classes and since every class needs a demo, I bring to finished stage some of them. That is how Colors of garden and Colors of summer came to life.

  • Art studio show, garden painting
  • Abstract art, green summer fields

Summer flew by swiftly, working in the garden and giving numerous private classes in drawing. Teaching drawing isn’t easy also since regardless of what I explain and how much I show, it is the student who moves their hand with pencil. I haven’t taken photos of all drawings and sketches, but there were numerous, and we do large drawings in order to reveal all important aspects.

Art studio, art classes images

I took new photos of previous paintings, and some have never been published before. I find that only featured image on WordPress is sharp and correct while the images contained within the post look somewhat off. Anyway, numerous pictures were taken and lots of hours spent on making them look like the real painting.

Hay bales, autumn fields

Then came preparations for my 5-week long solo art show at Ajax Community Centre. Any show means work and feeling not good sort of interfered with that. Anyway, some art required touch-up and more layers of protective medium and some art was painted specifically for the fall show. Two times this year, my step-by-step demonstrations ran in the magazine which is devoted to art in the Greater Toronto Area. My art studio is doing fine, but not enough.

  • Art studio, watercolor paintings
  • Birch road, huge watercolor painting

This year was complicated in many regards. It’s impossible to say whether good or bad. I still need to do better next year. While I have created many new paintings in acrylic watercolor, ink and graphite, I will try to incorporate myself more into the local community, gain more attention and be more present on the art scene. My art studio is set up now, and everything has found its place. Well, all it takes is more work, more motivation and simply – more luck and opportunity.

Snowman, watercolor painting

Wishing everybody a successful and pleasant New Year! I hope it won’t disappoint.

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Colors of summer, colors of garden

Colors of garden, acrylic painting

It happens every spring and summer: my students are very interested in painting something great which involves bright colors of garden or wildflowers. Therefore, I get my canvas and demonstrate patiently once more the attractive colors of garden which we see in spring and summer, and numerous plants which we can imagine.

It’s interesting that I have finally many students in private art classes. That’s quite amazing because usually groups were filling first. Certainly, private class is different from group class, and preparation thereof is quite time-consuming. We spend on one drawing 2 to 3 art classes and on a painting at least 3, but very often – 4 classes. That means I can finalize the art within 4 weeks.

I published good, very large drawings in the previous post, and it looks like they didn’t attract too many viewers and I didn’t hear the gasps which follow when somebody looks at the actual drawing.

While there’s often no other way, presenting art on the internet is boring and it never causes the same reaction as when looking at art in reality. I’d say, closeness and experiencing size of art really matter, and – to a huge extent. I usually do identify sizes of paintings online, but what you see on your screen is the size you experience. On the phone, the size becomes tiny. Needless to add that everything is extra bright on the phone and that might not always suit the painting. I do miss the chance to meet people in person, to share the thoughts behind each drawing or painting and steps of its creation.

  • Colors of garden, acrylic painting
  • Garden painting
Close-up view of top and front flowers

I’ve been still working on putting together our house and starting a new garden almost in a forest, quite literally, and to me, this seems a never-ending task, at least for now. Therefore, I’ve posted hardly anything anywhere. You might think: what’s a big deal about giving a class, but for me it is a time-consuming preparation process and major input of energy into the actual teaching. I take teaching very seriously, just like I take seriously everything that matters to me.

Colors of garden

Colors of garden, acrylic painting on canvas, 24 x 18 in or 61 x 46 cm. The size of this painting is 24 x 18 inches or 61 x 46 cm. I always start a painting on pre-painted or color-primed canvas. It’s easier to paint like that for everybody.

I don’t want to disappear completely from the internet space, so I am posting at least one new, just finished painting. I do adjust myself to requirements of the demo, and this particular subject is strong, bright and very present, and so are the colors of garden. Colors of garden in any case can be breathtaking.

  • Colors of garden, acrylic painting
  • Summer colors

I hope you like the pictures scattered around this post, and I’d love nothing more than to sell something from my art collections. It’s been a long time since I had a live show, but one is coming up this fall. It was cancelled due to pandemic.

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Art collections by Inese Poga

I hope you have a good time at your place and enjoy the recent painting and other artworks!

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Not sure how to start painting? I have some tips

How to start drawing, drawing by Inese Poga

When it comes to painting, I wish all potential students had: the ability to create value sketches and drawings of whatever subject they intend to paint. That doesn’t apply very directly to abstract artists, yet, even they would benefit from knowing what value, color temperature, contrast, negative space, etc. is. More or less realistic painting features even more components, including direction of light, shadows, aerial or atmospheric perspective, linear perspective, elements of composition and so forth. When creating art, we cannot forget about the quality of materials, artist’s ability to apply them, and there’s also a spiritual and mental factor to creation of art. Confidence, inspiration, focus, being able to observe and memorize visual information are all important aspects of creation when you start painting.

Start drawing
We were using real items for our still life drawing, its size is 24 x 18 in or 61 x 46 cm

Wen everything comes together: theoretical and practical skills, experience, perfect mood and great materials, we can speak of excellent artwork. Beginners will normally focus on the technical side of creation, and using brush or pencil with confidence and skill, is a huge part of success. However, if we want to see progress, we have to build a base. Value sketch or drawing are the best possible base building blocks which help you start painting. Controlling graphite pencil is much easier than swiftly flowing paint, therefore, one can learn very gradually. Pencil drawing includes all aspects of painting, plus pressure control, minus colors.

Why is it important to know how the shadows are formed? Why is it important to create negative space and apply different values? Because that’s how our drawing gets dimension, depth and interestingness. If you are very familiar with these aspects, you will paint easier and the result will be more satisfying. Painting uses exactly the same visual components. If you are like me who has excellent visual memory, you will create art without thinking about these aspects. If you are just starting out, you will have to learn how everyone of these aspects contributes to successful painting and brings your idea to life.

  • Drawing still life
For this still life, we used real items again, size 24 x 18 in or 61 x 46 cm

To be honest, it’s by far not enough to trace the outline and then apply color to create a painting. Painting works when you know why something is there and why it is like that and no other way. Pencil drawing teaches all of the above and provides with good hand movement memory. It doesn’t matter actually what medium we use: if we master the principles and components, only the physical application of medium is different. As we know: the stronger the base, the better we can build upon it. Not sure where to start? Start with drawing.

  • Start drawing landscape
  • Landscape sketching
For this spring creek drawing, we used photo which we modified as necessary, size 24 x 18 in or 61 x 46 cm

Drawing big and huge is even better than simply drawing. The aspects and components of painting I mentioned before need space to make them visible. We use most often large size paper: 24 x 18 in or 61 x 46 cm for classes. I use the same size for my value sketches. We don’t have to finish the drawing as finalized artwork, but we can do that, as well. I bring most of my value sketches to condition when they can serve as a reference for watercolor or acrylic painting. Setting up real items or viewing real trees, grasses and plants and anything else allows creating easier. I teach drawing only in private classes because it requires very individual approach. The attached images are created from real things and photos. The weather is great in spring and summer, so start drawing outdoors and turn your sketches into completed artworks.

Good luck! Thanks for reading!

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Playing with green color

Green spring landscape, painting in progress

Green is a color which we feel extremely attracted to in spring. I do feel that way, and maybe you do, as well, if you’ve had many months of grey and white view out of your window. I celebrate the return of green color since it uplifts my mood and promises nicer days ahead.

There are numerous concepts and assumptions about using green in art. Many artists avoid it almost completely not be accused mixing their colors properly. Just like with everything else, it’s better to have our own take on that and experiment.

For acrylic painting, there’ s practically no need to buy green paint. Why? Depending on your personal preference, it’s possible to mix up any green shade from other colors, including three primary colors. I don’t like aqua and phthalo too much, and although, they are strong and good for cooler areas, I prefer using the quieter tones.

Green spring landscape
After 5 layers are applied on the textured background

I love black plus yellow plus touch of blue, or blue plus burnt sienna and touch of yellow. Here and there simple blue plus yellow work well. The thing is we can have cold and warm yellow and very cold and warmer blue and that changes the green we are having. Every one of colors we get has some good potential for applying it. Where? It always depends on the project, intention and technique.

Green spring landscape
After 7 layers of paint or so

It is advisable to break up the green spaces with calming tones of purple, red or cool/warm brown. My most favorite set of basic colors for spring is blue, green, grey and some warm brown, burnt sienna or white. It is a calming combination and surely conveys the concept of an artwork well.

Green spring landscape
After adding light color to selected areas

I had a 24 x 20 in or 61 x 51 cm canvas from 2015. Everything is expensive right now, and that is an extremely high-quality canvas. I cannot recall what exactly my idea back then in 2015 was, but I decided to reuse it. This canvas had quite visible textures underneath of a few layers of grey/green/blue colors. I couldn’t change the tree shapes or location dramatically, the same goes for the water patch. Therefore, I adjusted the textured image and after a few layers it started to come to life.

Spring creek landscape
Green spring creek
Closer view of top and middle parts of painting

It’s interesting how many starting-out artists believe they’ve got to finish their painting in one sitting. That is the damaging impact of paint nights which are not art classes, but entertainment, and tutorials which use rather tiny canvas or paper. If the size of painting is quite large, it is physically impossible. Every single spot need attention and work. Acrylic paint requires timing the paint application. That means, we cover some areas very quickly and for some – we wait until the previous layers are dry. That way we get our colors to shine and shapes to work well. That translates as painting in small segments and retuning to them layer after layer.

Green spring landscape

I called this painting “The moment before”. That includes everything that happens before the nature explodes in brilliance of blooms and abundance of green in leaves and grasses. The photos are taken with iPhone and the camera of 13 Pro Max is quite disappointing. The actual painting has no real yellow in it, and the green is well-coordinated in cool and warm areas. You might not see it that way, but anyway, that’s how it is.

The moment before, 24 x 20 in or 61 x 51 cm. Enjoy!

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