The extremely calming pencil drawing

Drawing buildings

Pencil sketch and drawing

For me, many of paintings start with pencil sketch or drawing. It can be a marker or a simple black pen, too. I’ve never counted my drawings, but there are numerous of them, many hundreds. Every time when I give an art class, I create an outline sketch, value sketch or quite a detailed drawing. Compared to other medium choices we have, drawing is the simplest and the least dependent medium on anything. We need just something to draw with and on, but the rest can be imagination, real items, even a photo. In my opinion, pencil drawing is the beginning of any art which displays realism to some degree.

Easy drawing process

Pencil drawing doesn’t require timing your process. It allows to start, put off and continue any time afterwards. With water media, such as watercolor or acrylic, timing is an extremely important factor. The same goes for humidity, ambient temperature and similar aspects. Quality of water media art is strongly affected by the quality of art supplies. Pencil drawing can be done even when we do not have special pencils of different hardness, we can draw even without eraser and pretty much on any paper. I do regret that many of my drawings are done on transparent paper since I needed them to be transferable onto watercolor paper. They don’t look that good when photographed and cannot be presented as finished artwork, although, many are. In fact, any large and very large drawings are problematic to photograph.

Sketch and draw real things

I’ve noticed that people, who haven’t been using photos as reference for creation of their art initially, develop the ability to draw more effortlessly and it is easier for them to understand the mechanism of capturing something which has volume onto a flat surface. These, who have started out tracing, copying and using somebody else’s drawing, have more difficult times. It’s probably because they don’t trust their eyes, have less confidence and don’t want to take risks or experiment. However, all it takes is seeing your subject in an artistic way. Seeing is the part which many of us are lacking.

Drawing shadows
Quick marker drawing on shadows

All buildings and one-point perspective drawings are constructed and drawn from imagination, without using any reference.

Constructed one-point perspective drawing, full size 24 x 19 in or 61 x 48 cm

Distorted photo images

I come from a different background; therefore, I simply didn’t have photos and couldn’t take them either. That worked out as an advantage eventually. If you look online at photo images, you cannot help, but notice how distorted they are. That most likely comes from the frequent use of phone cameras and the way perspective, as well as colors are automatically adjusted. What we get, is a profoundly wrong reference which is no good for drawing or painting. If you pay attention to shadows or reflection, solid structures and their dimensions, or for that matter, comparative size of separate parts and their proportion, the absence of correct linear perspective is very notable. If the reflection or shadows stretch for miles, it simply looks wrong. It will be even less acceptable in a painting. The same applies to buildings and street views.

Drawing buildings
Drawing from pre-pandemic art class, also imagined, constructed drawing, no reference needed
Drawing buildings
Drawing from 2018, 1 point perspective, also just lines and linear perspective

Live art classes

Since private art classes resumed, we’ve done a few drawings, pencil sketches, as well as watercolors and acrylic landscapes. My younger students usually aim for filling up portfolio, therefore, they want to learn about perspective, shadows, direction of light and similar aspects of drawing. That is fantastic because regardless of medium, any more or less realistic art consists of the same parts: composition, linear and atmospheric perspective, values, contrast, light and shadows, as well as size and proportions between parts. It is interesting that younger students eagerly want to learn about perspective, correct proportions, types of shadows and ways to display play of light on their drawings and paintings. One-point perspective is a very good subject for beginners.

Painting process simplified

The fastest way to learn about all aspects of a successful painting is using pencil. Pencil drawing allows seeing the essence of your subject easier and in a more impressive manner. Students love the fact that they cannot do drawing wrong, hence, we can erase anything if want to. Pencil drawing is a fantastic pastime for people, who have time, or the best artistic practice and preparation step for artists, established and beginning. It is a calm and soothing activity. There’s no rush as with water-soluble paint which might dry too fast, get tacky and so forth. There are no worries about water flowing where you don’t want it or pigment acting weirdly. Pencil dances on the paper and this allows creating our phantasy or reality. Whichever we choose, we are the winners. Pencil drawing is extremely rewarding in any regard.

Mastering drawing

Taking or making time and being observant is difficult for folks nowadays, but drawing requires seeing things which people normally do not notice. This activity makes our world bigger with every single pencil line. Due to preparation work for art classes, as well as the huge time that was necessary for setting up the outdoor classroom, I have not been able to post practically anything on both my blogs. Well, here you have it. My pencil drawings are not done just within a few hours. My drawings are usually large, up to 29 x 22 in or 74 x 56 cm, and they take plenty of time. I would say, to post this article with images which come from different years, and to take and edit current photos, took me at least a month. Many hours go into every single drawing, most often, 20 or more hours for the large ones for sure. However, it is time well spent.

Line drawing, pencil outlines intended for watercolor painting

Online presentation and new art classes

You will obviously see the small online images. The paper was bright white, yet, it didn’t look that bright on my pictures. Well, it is what it is. Enjoy and join the art classes if you live around Ajax, Ontario:

Group art classes

Private art classes might be an option: Private art lessons

I have added the artistic prints page, it takes to another site, so, click on the back arrow to get back onto my site:

Artistic products and art prints

My other blog is about life and getting the best out of it. Many people who click on “like” from the Reader, do not know I have it, but I write also poetry and stories, about my observations and interesting facts which became notable after many decades. You might like to have a look:

Life school blog

Have a great time in August!

Life as art, creation as lifestyle, part 2

Light corner of art studio

Good life comes from good things

I have drawn and painted numerous flowers so far not only in pen lines and watercolor, transparent watercolor, but also in acrylic, and less known are my pastel paintings just because I don’t have any photos of them. Among them are roses, magnolias, orchids, daffodils, tulips, lilies, calla lilies, daisies, peonies, pansies, poppies, sunflowers, lilac, trillium, wildflowers, forest flowers and flower fields. I probably forgot to mention some. Flowers are convenient for painting since they are always around. Something is always available and that suits me and my personalized realism. Being in the middle of so much beauty, real and painted, feels extremely good.

Garden rose, watercolor painting

My opportunity

As I explained in Part 1, my background is very different from Canada-born artists. I am purely expressing my personal vision about the subject because nothing stands between me and my idea which I am putting on canvas or paper, not even a photo, and no devices are involved. I could say it’s the purest form of creation, going from what you see to what you create. I love most turning white paper and blank canvas into something where you can walk in or are able to almost touch the drawn or painted subject.

Pink geranium, floral watercolor painting

Technique versus idea and emotional aspect

While it’s possible to get carried away by the technical side of painting or drawing, I’d love to remind that there’s also a concept, an idea and a hidden meaning within such art. The concept isn’t the subject itself, it’s what it can tell the viewer and how deep emotional impact it can make. That’s my opportunity to stand out. Drawing for me is pure pleasure because I don’t have to struggle with it, I usually do not need any eraser. Pencil dances on paper, the subject takes shape and it will definitely have more meaning than simply trying to be lifelike.

Summer pansies in purple, watercolor painting for sale

Complexity or simplicity of subject and display on the internet

I wrote in part 1 that the driving force for me is the subject, especially the challenging aspects of it, ability to create more complex and deeper paintings. I love complex paintings more. Also, it isn’t important whether my subject looks exactly like the real thing. I want the viewer to get my message, the idea behind the visible lines and colors. On the internet, you can only see a fairly small image of my art, often, the size does not reflect the actual size. On this blog, all vertical images look much larger than the horizontal ones, except the featured image must be horizontal. On Fine Art America print site,  vertical paintings look much smaller than the horizontal ones and so on. Therefore, display doesn’t make a correct impression.

Still life with apples
Drawing based still life

Drawing as base for watercolor painting

Realistic watercolor painting most often uses drawing before paint application. We can avoid that and create everything with brush only, and I have done that, too. However, when it comes to complex still life, floral or landscape painting, it’s best to plan values and know where to use what. I transfer such drawing onto watercolor paper using extra light and hardly visible lines. Watercolor paper doesn’t like eraser, and strong pencil lines disturb the image, at least I like only transparency of watercolor paint to be visible. This all refers to watercolor done traditionally: leaving white of paper for white and layering different value colors where they belong.

Red apples, watercolor
As seen in my sister’s garden, purple apples

Solo shows and juried art shows

I started out very well in 2011 in Ontario with showing my large watercolors and fewer acrylic paintings in a gallery near Toronto Beaches. I couldn’t find this gallery on a map now, it has probably changed hands and has a different name. I also took part in art fairs, juried art shows, gave classes and workshops at my own gallery, everything was working really well. Recently, a few art students from back then shared their memories on Facebook and told how much they had learned in my art classes and how much they appreciated them. It was a different time. Being in a commercially zoned property definitely helped. Then health problems caused me to slow down between 2016 and 2019, plus, we had to move 2 times after 2018.

Moving an art studio

Moving just a house is difficult and stressful, but moving an entire large art studio with all kinds of art supplies, extra furniture, easels and numerous paintings of my own together with house, was a hassle. It’s inevitable that some art gets damaged, I had that happen even when moving art around to shows. It seems everything is packed up safely, but such move normally involves many people and not everyone of them knows how to handle a huge painting, for instance. That’s why I feel reluctant showing very large framed watercolors now. Glass sometimes breaks, it’s not only the high price for museum grade glass that worries me. Painting can get scratches, too, and the entire thing needs re-framing.

Fall landscape, watercolor by artist Inese Poga

My painting method and technique

When I paint in color, I definitely need daylight. Regardless how good the artificial light is, it causes changes in color. Therefore, some parts of painting require extra work, that can be a lot of extra work. With watercolor especially, there might be parts which I cannot undo. Whenever possible, I paint only by daylight. The usable portion of my current place isn’t that big, maybe spacious enough, but I could utilize easily double this size for an art studio. When there’s a lot of heating in winter, it’s very difficult to paint with acrylic paints. They dry on touch. For watercolor, it doesn’t matter because I can always make the paper wet again. Colors or shapes are not affected when re-wetting watercolor paper.

Beautiful sunflower painting, floral watercolor

Art is my full-time job

It is a huge risk to take on art as one’s entire lifestyle and full-time job. There are only a few fields where competition is as fierce as in art and teaching art. I had strong support when I engaged in art in Canada, but during the pandemic everything went downhill real fast. I don’t teach art as entertainment because my definition of learning is not the same as social drinking and using art as extra feature. I take painting seriously and I teach aspects I have discovered during many decades to those who want to master medium or observational drawing. That requires focus, interest in learning as a process, not only in a quick result. My students, who displayed the most willingness to learn, have become excellent artists.

Still life with nuts and berries
Very much drawing based pen and watercolor painting

I will share my acrylic painting creation process and my thoughts about teaching observations in Part 3.

Watercolor painting, peppers
Realistic painting of Bell peppers on white background

Also, please, have a look at my art collections: Art collections by Inese Poga

All online show pieces will be listed soon, currently acrylic art page is still getting done:

Special art offers

Original watercolor paintings for sale

More acrylic paintings will be added: Shop original acrylic paintings

Thanks for reading!

First painting of Summer place series and more daisies

Summer place 1, acrylic painting by Inese Poga

This time, I’m presenting Summer place 1 which actually started the series. This painting should have been posted right after the Summer place 2 which is shown in the previous post, but I got done very little these days. That is especially true about posting pictures, but not creating paintings.

I wish I had some clear vision about all this situation and where it is heading, but it is quite difficult at the moment. I’ve run out of acrylic paints. I ordered some, and the waiting has been about a month so far. In normal conditions, I do not ever prefer online shopping, but it is the only option right now. I’m also waiting for some other things which are essential for me because the previous computer died and I lost good software which I cannot get back. The realization that I have left not that much good watercolor paper and I will be still missing some acrylic paints because I simply forgot to order them the first time, makes me feel not good.

To create good art, I use high quality art supplies, often the best available. I do not want to waste these good canvases and papers and paint on them with leftover paint. The shipping might be faster when ordering online in other countries, but it is quite slow in Ontario.

There is one more important aspect to all of this: I love giving live art classes. They ended by the second half of February. I had to take off my art show halfway through, and without any physical showings, I just haven’t managed to sell anything either. I took off the “Buy now” buttons for a moment because I just would not be able to handle and cover the shipping right now, in particular, for large paintings which many of them are. In fact, I do not have tiny paintings. To somewhat facilitate my presence online, I intend to widen the social media circle and I updated my website nicely, too. More work will be done, but I’m not rushing it.

Springtime is usually spent in the garden; therefore, I can devote less hours to art. I always appreciate interest in art and people, who have bought it. This time is stressful for many people and bloggers. I would be probably wrong to expect somebody trying to buy art at the moment. Meanwhile, there is so much of it that lack of space is becoming a serious issue. We have moved almost every year for a while, and carrying around large numbers of sensitive paintings is very difficult. Sometimes art gets damaged, sometimes I’m struggling.

The Summer place 1 is an updated canvas. I had painted the fence during previous year, and it just never looked as a completed painting. I added more trees and drew in the building, and it came to life immediately. I do frequently travel in my thoughts and imagination, that includes time traveling. Summer place 1 looks like that adorable place where I spent my youth.

The white daisies were updated, too, because the previous version needed a facelift. I find that it is much easier to paint on textured or previously painted canvas. Acrylic is such paint: the more we add, the more layers we build, the better it looks. Any of my paintings take about a few days to a few weeks to paint. Photography unfortunately cannot capture the transparent layers or halftones, and that annoys me slightly.

Art collections by Inese Poga

I have numerous Mother’s Day cards and paintings, from which the most viewed was Rose for my mom.

Enjoy!

Scrolling through old pictures, finding amazing art

Painting the garden watercolor

The unfortunate spring of 2020

This year will be marked by COVID-19 pandemic forever. This time is a very specific one, and so are our experiences. One can spend more hours on simply reminiscing about the moments which were captured on photos last year, the year before that and many years ago. This time also shows us how wrong we were about many things and how little we appreciated the freedom to move around and to go places whenever we felt like.

Art creation requires to be alone

However, for someone like me, there is no much change. I am not excited about Ontario winter which extends into spring, and in April as this year again. We had snowflakes dancing around daffodil buds for a few days now. Regretfully, it has been cold, and spring didn’t keep its promise about plenty of sunshine which it arrived with.

Missing and hoping

So, I was scrolling through pictures from previous years not only because I didn’t have anything better to do, but also because I needed to reinstall everything onto another computer after the old one crashed. The pictures from earlier years cause wide range of emotions. I am so proud of having painted numerous outstanding quality paintings, I miss the live art classes, I want to be in the blossoming spring backyard sooner. I start feeling older and I look at my own life as a train running away. I actually stopped making big plans many years ago after the accident in 1992. It would be interesting to know what my life would have turned out without going through that awful time. However, due to aftereffects of that accident I came to Canada.

Museum quality art

The attached images are of large watercolor paintings which I painted between 2008 and 2011. I honestly regret I cannot show you the actual paintings in their actual size. The image size is 23 x 30 inches or 58 x 76 cm. I am excited myself to explore the flow of lines, the perfection of detail, the soft and unexpected transitions of color which photos unfortunately cannot capture. Most of these paintings are put away and preserved in large folders. The ones in frames are under glass and neither pictures, nor videos would show them without a glare.

Mastering the medium

All of these paintings realistically show mastery in paint application and composition. I usually spend at least a few weeks to a few months on just one painting. They have been accepted in juried shows and exhibited in all kinds of galleries. After I broke the large museum grade glass on one painting, I stopped taking them out. These paintings are excellent value, and they should be treated like such.

Affordability of art supplies

It doesn’t even seem that long ago, just a decade or a bit longer, but art materials, especially watercolor paper was so affordable! I used very heavy duty and very thick Arches paper for anything, even sketches and quick drafts. The same paper costs a lot more money today because 1 sheet is $25-$35 in Canada. Is this only my imagination, or quality also does not feel the same? Any paint quality has definitely decreased big time over the past 10 years while prices are 3-4 times higher.

Art supplies matter

The truth is: great watercolor paper makes up for at least 25% of watercolor art quality. It is physically impossible to create good washes and flow of pigment on paper which does not absorb paint and water. Looking at these pictures makes me sad, too. I wish all art materials were available without any hassles again! I am waiting currently for some acrylic paints to arrive. I also hope watercolor paper became less expensive. Actually, the highest prices for any art materials are in Canada.

Should I even paint something more?

Most likely, I should sell more, not paint more. It is a matter of space and storage, as well. Yet, once somebody is hooked on creating art, it becomes like addiction. I’ve been in art for 50 years, and I don’t think I am going to ever discontinue painting. When I look at the art scene of today, I must say, I feel disappointed. Most images are computer generated, vector images, digitally enhanced or digitally painted images.

Good quality hand made art

Good quality hand made art is becoming quite rare. I would emphasize: good quality. The reason might be that most people do not want to spend time learning how to draw. It is way easier to trace or copy or print off and then paint over. While one has outline, they also need a lot more: understanding what values are, how contrast, light, direction of light and composition, as well as perspective contribute to any painting. These aspects are the ones which are missing in big part of today’s art.

The thorough painting process

I usually create full-size hand drawing for each of these paintings. Most of drawings show also the scale of values. Therefore, I do not need any other reference if the still life or landscape setup and view is not available any longer. I set up or looked at a scene and then drew it. Here is one example setup which was the base reference for my garden painting.

I transferred the drawing (I used a large window for that as a lightbox) onto watercolor paper and kept working every day when the weather allowed.

The garden painting: so much great time spent with it, painted in 2011. This painting is 23 x 30 inches or 58 x 76 cm.

I cannot recall the year, but I think it was 2008 when I painted this road. It is also full-sheet watercolor painting on Arches. Some of my paintings have never been published, this is one of them

The forest road watercolor from 2008, This painting is 23 x 30 inches or 58 x 76 cm.

The birch path painting refers to a Latvian forest path. When it comes to painting, I am always subconsciously referencing my memory which stores Latvian landscapes, views and scenery. I have added Canadian landscapes to my memory in the recent years, but Latvia still prevails.

The picture comes from 2010 and might have more contrast. It was photographed through glass back then. However, the actual painting still looks very impressive and asks one to walk this path. This painting is 23 x 30 inches or 58 x 76 cm.

The spring creek was half imaginary, half photo-referenced. It took about a month to paint it. Image shows it more yellow, but it’s rather crisp light green and the blue is very attractive.

Spring creek, full-sheet or 23 x 30 inches (58 x 76 cm). spring watercolor painting

And finally, so far never published watercolor from 2010. It is also 23 x 30 inches or 58 x 76 cm

Along the summer stream, full-sheet watercolor on Arches

The difficult photo managing experience

Back then just as today, I was struggling with getting good photos of my paintings. It’s more struggle now thanks to Windows 10 photos app which seems to be incompatible with iPhone 11 Pro Max. Every time when I am trying to download pictures, one or another side doesn’t want to cooperate. Windows 10 photo app not only does not allow me to set my own parameters for download, they mess up everything and I have to manually copy over and delete lots of pictures. Sometimes this app wants to download all photos from phone, sometimes does not recognize any.

Simple editing tools

I was still using the great Microsoft Digital Image Editor 2006 up to the moment when my previous computer crashed. That was all I need for adjustment of my pictures. It was simple, fast, extremely efficient. One can find numerous photo manipulation apps now, but there is none for keeping the image as is, just fixing exposure, light and contrast. Most pictures displayed here were taken up to 2011. They are practically unedited, except, I added frames.

Blogging, pleasantries and some annoying habits

I have intended to post more of previous paintings since I also haven’t seen them for a while, that means for at least a few years. I know how people are busy. It’s just so that if you do not look at the actual post and the actual images, you most likely have no idea what I am talking about. I have noticed some bloggers click on “like” under 20 posts, but they certainly haven’t seen or read any of them.  I am trying to always respond to all comments timely and I do appreciate your comments a lot. However, I never put blogging before the actual life, therefore, I will like back posts which deserve that and comment back in case I have something to say about your article when I have time.

My paintings on Fine Art America, large collection of art prints:

Art collections by Inese Poga

Stay safe and take good care about yourself!

Spring flowers are in bloom at the studio

Soft yellow spring daffodils

While the weather is still changing swiftly outdoors, my studio blossoms in full force. Spring flowers are in bloom!

Art is timeless, it can easily survive us. Art is a gentle reminder that we never know everything and we are here just to learn and to give our skills to others.

We are adding new projects practically weekly, and I am finalizing some paintings at least twice a week. Light is great during the day and days are becoming longer, too. I am not sure how much brighter the light should be for video recording. It is very sufficient when painting, but for video recording it is still not enough as it appears.

Doing is better than watching

My personal point is, nobody has ever learned anything by watching others do it. We can either paint or draw, or watch others paint. It’s pretty much so that we cannot do both at the same time. I would say, if you want to learn, just go for it. Everybody damages many watercolor papers and paints over previously painted canvas many times and until they manage to use the brush properly, as well as understand what colors they like and how to create them.

What is important

It was never about how to paint or draw an apple, or one particular flower, or one particular landscape. Painting and drawing is a skill which follows certain principles and teaches one to become efficient with decision making.

No need to be afraid

It is silly to be afraid of damaging paper or canvas. While we learn, we are in process of discovering so many aspects of our subject. This is a path which involves many sideways and much blundering around until we find the right way for us.

White and yellow daffodils, watercolor

Trillium forest, watercolor on paper, one of my recent watercolor painting projects. It is so lovely to paint fresh greens!

This was an amazing project, and we really enjoyed creating dark background around the white blossoms.

More spring flowers from previous projects

That’s what I do every spring: disappear in flowers until it is time to start digging and planting seeds in the soil.

Enjoy the spring blossoming and lovely colors of flowers. This subject really works well using any medium, but especially watercolor, thanks to speed and fast coverage of large areas.

New art prints on Fine Art America: 

Art collections by Inese Poga

Apply for art classes: Sign up here

See my framed prints on pixels.com:  Framed art prints of Inese Poga’s paintings

Copyrights of the displayed art belong to artist Inese Poga. Please, do not copy, or use, or place images of my art on any other websites without written consent from Inese Poga. See full Copyright notice on the widget area.