How to remove creative blocks

Acrylic painting supplies

Since the new fall semester is starting soon at my studio and people are signing up for fall semester art classes, I would like to point out a few creative blocks that prevent us from unfolding our creative potential to full extent. We are all very different and we come with our good and bad habits. We have great and not that great qualities, but there are some things we need to leave at home when starting an art class.

Self-criticism

Students sometimes describe their first drawing and painting attempts as bad, unsuccessful or failure. This can mean a few things. There are people who apply strict critical attitude to themselves. They might not love themselves or they might be afraid that if they do not say that first, somebody else will. In other cases self-criticism can mean just asking for a compliment, to be certain that whatever you do is fine. When somebody is just starting out to explore what drawing or painting is, they have to relax and stop programming themselves for inability to do anything.

Programming oneself for failure

Saying that you cannot do one thing or another creates strong internal resistance to experiencing new abilities and skills. If you have come to an art class, stop criticizing yourself and what you do: most likely, you wanted to learn. That’s what learning process is: going from not that great result to achieving everything you wanted. We must devote time and do some work in order to see how much and how far we can go. Please, leave the strict inner critic at home; don’t allow it to follow you into the classroom!

Flower painting class for adults

Expecting immediate results

Learning anything is a process, a journey and a discovery. Learning is a gradual process. We go from simple to complex, from general to specific, from mediocre to outstanding. Sky is the limit or rather, the only limitations are these which we put ourselves within.

Have you ever heard that somebody learned playing an instrument within a few hours? It is unlikely, isn’t it? Have you ever seen an Olympic champion who just picked up their sport a few days ago? Do you know about any writer who won global attention with the first line they ever wrote?

Time, practice and effort

Any new skill takes time, work, practice and effort. When it comes to drawing and painting, for some unknown reason, many people are convinced that they just go to an art class and become skilled within 2 hours. It might be because watching YouTube videos has made an impression that it is extra easy and fast. That applies especially to time-lapse and speed videos. You see quite many hours of work squeezed in a few minutes.

Lack of confidence and insecurity

We can distinct 3 main types when it comes to confidence and insecurity: some people are way too confident that they know everything, some keep a healthy balance, but some others doubt every breath they take.

The value of an art class is that it teaches confidence and how to become confident and forget all insecurities what one had. That is a valuable quality for any person, not only for the creative type. Lack of confidence is easy to detect in art. Most often we get rid of this disturbing feature by courageously going with our feelings about the particular subject. We have to also stop worrying about mistakes. They happen; they are a normal part of any learning process and creativity.

Fear

I have been writing about this issue numerous times. It is your paper, it is your canvas. You can put on it anything you feel like. If you do not take small artistic risks, progress will be slow. There is no point in trying to avoid mistakes or errors. Don’t be quick to describe your learning process as a failure.

Paper, canvas, brushes and pencil do not bite. There are no known health threats when using good quality, safe paints.

Mastery doesn’t happen immediately

Nobody has ever become a master within a few hours, nobody. Fear usually arises from comparing oneself to either the best images on the internet or to other students. Students sometimes say they have no experience only to try looking better in the context of the group. It is not a competition. It is a class. Class is a learning process.

Fear paralyzes our creative resources. Drawing and painting is seeing at first and then allowing the signal from our brain to travel to the hand with brush or pencil.

Extreme sensitivity

Being emotionally very sensitive can frequently involve anxiety and unjustified stresses. You must understand that nobody comes to an art class to judge what you paint or draw because all students want to learn or develop their beginner skills more. Art class is not a show or competition. If you do not want others to see what you have painted, say so. I do sometimes wonder why somebody would want to compare unfinished project, color swaps or draft sketches? You have all rights to keep your work private. If you do not want the teacher or art instructor to correct any of your lines, colors or show brushstrokes, just say so. It is sometimes better to simply show some technique, but if it makes some person feel not right, that’s ok.

Watercolor painting class

Emotional barrier

All of the above can create an emotional barrier which prevents you from either improving your skills or getting started with the new activity. You might feel uncomfortable with new things; however, it is so much excitement once you get out of the box where you have put yourself in! There are so many options to pursue and so many ways to develop any of your abilities. Taking the first step and diving into the unknown shouldn’t stop you from trying. It is way worth it.

Quitting before you even started

Art class is no different from any other class: there are fast learners, slow learners, the ones who grasp everything immediately and these ones who always doubt whether they should be even doing this class.

If you are not giving yourself a chance to experience what the new pursuit is about, you most likely will not be satisfied with it.

The truth is that every art, drawing and painting project takes time to elaborate. It also requires practicing some certain techniques and approaches. Acrylic, for instance, is such a medium that it does not look great at early stages. It can even look like a mess and that is great because you have a good base to build the subject on. Some steps might take longer and some are quick. Details and highlights add a special flare to any art, but that comes at later stages. Quitting after the first class will prevent you from seeing what you could have achieved, and especially, after a longer time.

Rose painting workshop

Unrealistic expectations

If you know what your level at the current activity is, and most likely, you do, expect normal progress, not pure miracles. Miracles happen, but only to these who dare.

Going from zero skills to good skills will definitely take time and practice. You will enjoy faster progress if you repeat at home everything you learned at class, but this time on your own. That will indicate which are the weak aspects and you might want to find out more about them during the next class.

Any teacher or instructor may seem like a magician during a demo, but they cannot make you move your hand, make decisions and apply recommendations. You will have to focus, be attentive and observant and also courageous enough to apply what you just learned. Should you expect a masterwork from just the first lines and brushstrokes? You shouldn’t, but during the learning semester that might happen.

Teen students, watercolor painting class

Lack of commitment

Some students are surprised that drawing and painting take work, efforts, a lot of thinking, decision making and even physical strength. For instance, covering quite large canvas takes also physical effort because it needs to be done quite fast to prevent drying and blend some areas seamlessly. We have to act sometimes very fast with large watercolor washes, too.

Creating something requires our input. The drawing or painting will be exactly as you create it. There is no point in saying: “I don’t like it!” Instead, try saying: “What do I like about this and what needs to be changed or improved as I proceed?”

Learning as an ongoing process

Attending any classes takes commitment. Skipping one class might be fine, but you will need to still catch up with others because it is an ongoing process. People, who are convinced that good work pays off, always achieve more and better results. Learning is a serious process. It will require your focus and attention. It is a fantastic, pleasurable and rewarding process, but if you think that it is just play and fun, you might be disappointed. Artists, who want to achieve great results, spend many years learning and never stop doing so.

Fall painting workshop for beginners

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Art collections by Inese Poga

I hope seeing you in the fall semester art classes!

Still life: essence of art

Still life with fruit and flowers, watercolor

Subject I love: still life

I have painted numerous still life paintings over years. It was not my most favorite subject when I was young, but I fall in love with this subject as time passed by. This genre usually works well for me: set up some things which can be found in the garden or fridge, find some cups, bowls and add a few flowers or leaves in absence of flowers. As you know, whenever possible I do not use photos because camera always distorts the image to some extent and the image is never what human eye can see.

Still life tells a story

Still life always tells a story, and this story can be read quite easily if and when the viewer wants to. It is by far not only shapes and color; it is much more than contrast between live and organic shapes and handmade items. Still life reflects my current opinions and my current emotions. It can express everything we are willing to disclose.

I started this particular still life 5 years ago. I had everything I need to set up something quite attractive. I did a rough value sketch in the actual size which is 22 x 30 inches or full sheet of Arches watercolor paper. I transferred the drawing onto watercolor paper and moved to first washes, just like always working from the back to the front.

Still life: art that tells story
This is how far I got in 2015., drawing from a setup in my studio
Still life: setup
I only created a few washes and left the painting alone for practically 5 years

Restarting the process

I suppose, I got busy afterwards and the items of my still life simply went bad. I did not have time for about 5 years until recently.

After I moved into my new Ajax place, I had to sort out all numerous art folders. I found a few started paintings, all on large size Arches watercolor paper, and I decided to do something about at least a few of them. It took me about 3 days to bring the painting to its final stages.

Close-up of still life top part

Lack of reference should not stop us

The sad thing is that I could only reference the rough sketch. I obviously used my memory and imagination, otherwise it did not work. Working from life results in more vivid and lifelike painting. However, if there is huge interruption in the process, completing such painting can be challenging. It is not only because I do not have the same setup, but also because we change over time. Our perception changes, our color preferences change and, finally, the way we work changes. Therefore, it can be tricky to pick up the process where it was left so many years ago.

Still life with fruit and flowers, watercolor

I took the risk, and I think the result is great. It is a very large painting. It took the entire table length to somehow accommodate it. I also had quite hard time taking pictures with iPhone because of the size.

Still life with fruit and flowers

Masterclass: new way to learn art this fall

This fall I am starting master-classes which will take place once a month. These will be classes for people with experience and they will be designed to elaborate a particular subject and master-class will also include extensive demo and explanations.

I would like to give art classes that genuinely teach somebody, so, that they have artistic freedom creating their own art. I find that most art classes teach students nothing. It is mostly just some design which is executed with paints. Learning is a great way to stay young and keep our brain flexible.

Sign up for FALL SEMESTER art classes

See more of my still life and other paintings on FAA:

Art collections by Inese Poga

Summer sketchbook: easy flowers

Red poppies, pen and watercolor sketch

Fill your summer sketchbook

This year, I am filling my summer sketchbook with floral art. Watercolor sketch, pen and watercolor or purely watercolor are excellent ways to paint summer scenes, summer flowers, summer landscapes and simply enjoy the outdoors and beauty. The easiest way to practice painting with watercolors is using pen and watercolor wash, that will fill your sketchbook in no time. That enables us creating great composition and not caring too much about pencil lines and perfect application of watercolor.

Summer poppies, 12 x 16 in or 30.5 x 40.5 cm

Excellent technique for beginners

Pen and watercolor wash is a great technique for beginning watercolor artists. The most exciting part is adding watercolor washes, as well as more detailed areas with more concentrated paint. We can create a wonderful painting in less time this way because we do not need multi-step drawing transfer onto watercolor paper. It is also much easier to know where to use paint because the black outline clearly identifies that.

The spring rose, 15 x 11 in or 38 x 28 cm

Greatness takes time

If you are new to a particular medium or absolutely new to drawing and painting, you have to remember: nothing happens right away. Every skill takes time, efforts and work to develop.  It is no reason to give up painting or drawing if you are not happy with the first few drawings and sketches. You might be surprised how much better one becomes after a while.

Sunflowers, pen and watercolor, 12 x 16 in or 30.5 x 40.5 cm

Not every painting is masterwork

Focusing on perfection right away will cause you to be disappointed. Any artist will tell you that they have damaged, and thrown out lots and lots of initial sketches, painted over initial scenes, changed the layout and composition completely, switched to a different color or tools. They have done many things before they have created the first amazing painting. Not every drawing or painting is or should be a masterwork. It should be a stepping stone on our way to better art. We use our errors as a way of discovering how to achieve what we want and have intended.

Red poppies, pen and watercolor, 11 x 14 in or 28 x 36 cm

For your inspiration

Get inspired by my simple pen and watercolor sketches. This time, they are floral sketches and paintings. Go outdoors; see what you have in your backyard. Sketching is always better if you do not use any photos, but the real thing in front of you. Pen and watercolor technique allows achieving fast results, therefore, your subject will not change while you draw and sketch it.

Clematis, pen and watercolor, 12 x 16 in or 30.5 x 40.5 cm

Art supplies for drawing and sketching to fill your summer sketchbook

CANSON XL cold press, 140 lb watercolor paper, size 12 x 16 or 12 x 18 in

Arches, cold press, 140 lb watercolor paper, size 12 x 16 or 12 x 18 in

Saunders Waterford, cold press, watercolor paper in whatever weight is available and affordable, size 12 x 16 or 12 x 18 in

For pen, you can use any black pen which does not bleed with application of water. I recommend MICRON brand which contains archival ink, size from 1 to 05, test it. You can test it at the store for thickness of line before buying to see which one you like.

Graphite pencil, HB or even harder

Soft, kneaded, artist’s grade eraser, it is sold in art stores.

Paper towel, a few sheets

Set of watercolors in basic colors

All my art prints, art cards and other products on FAA:

Art collections by Inese Poga

If you’d like to sign up for my art classes, please click on link Art classes

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Art for sale: Shop Inese’s art

Flowers and paintings

Flowers and paintings, acrylic flower painting

Flowers and paintings enhance each other

Flowers and paintings are a natural fit. Don’t you think? I started to take some pictures, and there were flowers which I had used for watercolor class as a reference material nearby. Colors came out more balanced, and the ambient impact was flawless.

I decided to sell both: flowers and plants as we move ahead. I think it is a great idea because I have numerous plants and numerous paintings. In fact, I have many hundreds of paintings.

Enjoy the recent paintings

This time, you can enjoy my recent flower paintings surrounded by more beauty of live plants and blossoms.

The beautiful contrast between daffodils from the garden and spring magnolia painting, or maybe it is a compliment?

Acrylic paintings of roses with hyacinths, the large one is 20 x 16 in or 51 x 41 cm and the pink rose is 12 x 12 in or 30.5 x 30.5 cm. It is the same subject, but different look

Lovely colors, lovely paintings: bright white calla lilies and the pink rose

Drawing for the 3-hour rose workshop is visible behind the painting. I painted this pink rose as a demo for flower painting workshop. Colors of painting and live daffodils look gorgeous together.

New priorities in art instruction

I also rescheduled and regrouped my priorities in art instruction. When it comes to art instruction and teaching, I enjoy students, who have genuine interest in learning something new and in developing their skills as opposed to those who just hope that painting paints itself. Everything requires work and efforts. The result of flower painting is very pleasing.

Small groups: big attention

My space can accept quite a lot of students, but I decided to have rather individual and private classes or small size groups. That gives me the opportunity to review all important aspects of getting somebody started in drawing, watercolor and acrylic painting. Large groups suit more the art entertainment, like painting in bars and restaurants. They don’t care about quality or skills one develops, but I certainly do.

Experience helps

Also, individual or private art classes require very high level of art instructor’s skills, and not everybody has them. Well, I do. I have huge experience and I have definitely explored practically everything when it comes to creation of a drawing or painting. I am extremely good at drawing, as well as I have worked out my personal watercolor and acrylic painting style. It sure takes many years, not hours.

Preparation of an art class

I  know how people use to think that art class does not require much preparation time. It is straight the opposite. I frequently adjust not only the painting subject, but also level of difficulty, and pay attention to availability of materials and  reference materials. That can take sometimes 4-6 hours. The follow up classes on the same painting subject take less preparation time, but it is never less than a few hours. I have to review what every student has achieved so far, what and why they need to work more at. I switch from one painting subject to another if student or group cannot handle it.

Advantages of private or individual art classes

I believe, private or individual art class is the best solution for people who want to seriously engage in art or feel uncomfortable with other people around them. It will definitely lead to faster achievements and results. More ideas about painting flowers with acrylic: Create beauty

Please, review schedule and let me know if you are  interested in any art classesSign up for classes

I am always happy selling a painting to people, who love art. You are welcome to contact me via Contact page and visit the studio at any time which suits my and your schedule.

Fine art prints: Art collections by Inese Poga

Meditate with color and line and treat yourself with an extremely wonderful experience!

Copyright notice: Copyright of displayed paintings, drawings, images of work in progress and images of finished paintings belong to artist Inese Poga. The use of painting and drawing images is prohibited without a written permission. That includes no pinning on Pinterest.

Why to engage in value drawing and value sketching

Black and white art, value drawing

How value drawing can help

Why should you spend time on value drawing? If you do such drawings large or full painting size, it will take quite a lot of time, from a few hours to a few days. However, these value drawings will be all reference materials you need. I have added many photos of my very large still life drawings, so that you see what I’m talking about.

Drawing for watercolor

I started to do such large size value drawings because my goal was to eventually create a watercolor painting. As you may know, watercolor paper is very fragile and painting does not look good if there are lots of visible pencil marks or even worse. Erasing damages watercolor paper. I do such drawings on tracing paper. That is because I use a specific drawing transfer technique which allows seeing my final drawing very well without applying graphite pencil too much. It saves me work afterwards and prevents my paper from damage.

Large is great

I make these drawings large, to be more exact, the actual painting size. I usually paint full-sheet 22 x 29 inch ( 56 x 74 cm) watercolors, and sometimes a bit smaller acrylics. The drawings shown in my photos are 22 x 29 inches ( 56 x 74 cm) and 20 x 24 inches (46 x 61 cm) .

I usually do these and similar drawings in class, 20 x 24 inches (46 x 61 cm)

Value drawing is a guide and a map

All answers to questions which arise during the painting process are in the value drawing. I love painting from real things as opposed to photos, and if the subject is sensitive, such as flowers, food, fruits, vegetables or moody nature scene, I have to use something which quickly captures the subject. I obviously cannot get done a large painting within a few hours. Therefore, instead of taking photos, I do value drawings and sometimes value sketches.

Camera doesn’t replace visual perception

Partially, I don’t rely on photos since I got my first camera not that long ago and I was very much used to draw everything what other people were taking pictures of. The other aspect to that is the way any camera distorts the subject or view. My eyes perceive it much better than any camera would, and I create a composition on a fly.

Photographic visual memory

I don’t know whether I was born with it or whether I just developed it, but I only found out quite late in my life that I have literary photographic visual memory. I simply did not pay attention to that when I was young.

Advantages of having great visual memory

School was easy for me. I memorized everything extra easy, and I added an analytic approach to memorizing things. I am still able to remember lots of text just by looking at it. That helped me enormously when studying at university. I personally think that my visual memory comes from drawing. I was drawing everything whatever I saw since age I cannot even recall. Parents told me about that. It was a surprise because there were and are no other artists in my family which is actually quite extensive.

Memory can be improved at any age

I do believe and have seen that visual memory can be improved to a great extent. What happens in real life is that people most often don’t use their memory and brain. The more support from devices we have, the less we use our own memory. That is disastrous and leads to early memory loss.

How drawing helps keeping excellent memory

It is obvious that one can have all kinds of reminders and lists on their phone and computer. However, there are people like me who never ever compile a list or use a reminder. I’ve never forgotten any appointment or meeting in my entire life. I never make any lists, neither shopping, nor to-do lists, not even invoicing or student lists. It is all comfortably filed in my head.

My most recent drawing, 20 x 24 inches (46 x 61 cm), it can be used for any painting without any photo reference

The reason I love drawing

I don’t draw to only exercise my memory. I draw and paint also not because of likes or social media comments, followers or any other feedback from fans. I draw and paint because that is my way of life. I live in a visual world where everything is a painting and any view is art. That is the way I see the world and life.

Multiple and various uses of value sketch and value drawing

Having a value sketch or value drawing is of big advantage, not only because you have a perfect reference and guide, but also because you can use this value drawing with any painting media afterwards. You can go ahead and complete it as drawing, pastel painting, transfer to watercolor paper and paint with watercolor, transfer to canvas and paint with acrylics or oils. You can reuse it and flip it, as well. Finally, you can use any part or fragment of value drawing, as well as create a composition which consists of value drawing elements

Any of these drawings might become paintings, this one is  22 x 29 inches ( 56 x 74 cm)

It is a preview

It also serves as a sneak peek. It is clearly visible what works well in your composition and what not that much. Therefore, it is possible to correct everything while you transfer the drawing, so, that you do not have to deal with issues during the painting process.

Test your values

Test your values turning the image of painting into black and white. If it still looks good, your values are correct, and so is the contrast.

Uniqueness of our drawing style

Drawing is like handwriting, and our personal style is like our handwriting. It carries the specific features of our character, nature and mental abilities. It is possible to describe one’s nature by simply looking at their drawing. It is and it should be unique. Don’t trace photos, it is so much more rewarding to simply look around and see.

Still life is beautiful and teaches all drawing aspects

You don’t draw because you haven’t tried to do it right

When somebody says: I cannot draw, that actually means they are not interested in seeing the surroundings or the subject. How much one has noticed becomes only visible when we ask that person to draw it. While everybody is under impression that we can see everything, that is not true. You will only start seeing what is around you if you will try to draw it: all shapes and shadows, and relationships between lines.

Whatever we can see, we can draw

It does not necessarily have to be a real thing. You can see and imagine with your internal vision, and that should work as if drawing from reality. You build up the directions for your hand in your brain. If you are not trying to challenge yourself, your hand will create inaccurate  and sloppy lines. In order the hand would draw what we are seeing, we pretty much have to become that particular subject in your imagination: the tree, the apple, the blossom and even the bowl, and even more so if you are drawing a figure or face. That is why most artists are quite recognizable from portraits they paint: all of them carry some features of the artist. Confidence is a big deal, too, and we can become confident only by doing.

These are only lines on paper, but what fantastic illusion of an attractive, appealing and impressive reality they create!

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