As you probably know, it isn’t easy to restart anything after a long absence. My health took a big blow, so I am just starting out again. This time, I decided to make my return with a flower painting on Arches cotton paper. As always, it’s quite large since I completely dislike painting tiny art. I have still some issues, therefore, I am limiting my painting activities to 2-3 hours a day. The flower painting took me about 6 days.
12 years in making
There’s no doubt, cotton paper is the easiest paper to paint on, yet, it has become extremely expensive. Many of my watercolor paintings are drawing-based. I don’t aim for copying the reality, but I want my subject to be recognizable and having some emotional impact. I had begun this particular painting with a drawing which I did some 12 years ago. The paper is good and why to waste it? While I had no other reference, but only the drawing, I still tried to figure out how to proceed progressing slowly and cautiously.
Painting in layers
I usually paint in layers, especially when it comes to complex subject with many parts. Since I don’t have a photo or the actual flowers, the first layers help me understand what and where to place and what colors to use. I make my drawing very light in order the graphite pencil wouldn’t shine through too much. Every subsequent layer will add more vibrance and increase the value intensity wherever necessary.
Color temperature and values
Not only flower painting in watercolor, but also any other complex subject we paint, benefits from coordination of color temperature and values. I certainly start out light, just because I don’t know exactly where what should be. In this case, I also leaved the background white for a while. The paper I am using isn’t the bright white, but somewhat off-white. Nevertheless, colors shine and make sense.
Choosing warm and cool colors
Beautiful soft colors for attractive flower painting. I used a few red tones and also quite a few yellow shades for the most important areas. The green colors are a combination of blue, Payne’s grey and different shades of yellow and green. I normally allow colors mixing on paper, but sometimes I need strong pure color to add the vibrancy. You probably won’t notice on photos much difference in warm and cold colors, and iPhone doesn’t like light colors making them practically white.
Flower painting that soothes
I intentionally kept everything rather calm and soft. I think the slight shades of background help. I am very satisfied with the finished painting and not that much with the photos of it. When viewing art online, you have to always remember that there are numerous devices and apps involved. Also, large painting online looks exactly like the small ones, but in reality, that makes all the difference. I hope this flower painting will make you feel good and calm just like it helped me to overcome pain and health issues.
Art and creative side of us relates to our ability to interpret our vision, our perception, our emotions about what we create to a great extent. I personally strongly disagree that everything is art, for the simple reason that it isn’t. Empty frame isn’t art, and a piece of wallpaper, just because it’s in frame isn’t art. Are a few paint blotches and a few unrelated brushstrokes art? Is our vision that poor or our ability that degraded that we are fine with not only animated and undeveloped shapes, but practically nothing?
The ability to draw and paint reflects our ability to interpret the world, our life, the planet, the universe as such. Our universe at that. While modern art tries to convince us that the shapes, forms and interpretation of a five-year-old is all there is what we call art, it isn’t true. When somebody starts learning manual writing, their lines and shapes are never perfect. They are all over the place. Some people never get beyond that. Why? They have no interest in perfecting it, they are simply unable to because their brain doesn’t process multifaceted things in more than one dimension.
What is a normal painting process? We have an idea, maybe view, maybe image and the next step is to figure out how we turn this vision into an image perceivable not only by yourself, but others, as well. That means planning underpainting, background, choosing our personal color palette. That is not what somebody tells you, but how you feel about it. Normal painting process involves composition, the most important part, feature or color which will be dominant, the abstract layers and the well-defined front ground. It also involves volume, contrast, values and all tools which create that: perspective, atmospheric and linear, shadows, direction of light and so forth.
Many art teaching sites say: no experience required. That would be fine, you start somewhere. However, if it is just a painting in one sitting, there’s just way too much information to be absorbed. Secondly, painting greatly relays on our physical ability and knowledge how to move brush, how much paint or water to use, what brush to use and the mostly neglected – brush cleaning step. Don’t clean the brush? All colors will be muted, muddy and not bright. It is an automatic step; we develop it over time.
Therefore, I always advice to start with a simple image which allows developing brushstroke, use of paint and color. One thing about people who just started to paint is – they never use enough paint. So, I repat numerous times, use more paint, use more paint. You cannot paint with empty air or water. The other problematic area is that we paint at first what is behind and underneath. We don’t use the final color, we build it up, layer by layer.
Nobody can learn turning their vision into decent art within a few hours. It’s just not possible. We allow our brain to process all information, and we also have to develop the automatic movements of hand. It takes time we get our hand to do what our brain and vision tell us. Therefore, at first, everybody paints like a small kid. No flowing lines, no great color transitions, it’s all rather very animated, simplified and sort of rough. Do you want to go further than that? It depends on whether you want to create something which says – you, your subject, your vision.
Deep down, we always paint ourselves. Even when we are painting a landscape, a still life, a floral, a building or portrait. It should be us not only by the choice of subject, color palette or type of brushstroke. Basically, it takes time to learn how you can turn your vision into artwork which is yours, start to finish. My experience says, it’s better to learn from your own errors and achievements than trying to copy somebody else’s work. The only way to be you also in your vision is simply to do things what are close to you and your personal perception of the world.
The attached images are of paintings created over longer time, not like yesterday. I have had hard times posting recently because of my health issues, but I still think these paintings deserve attention and maybe can inspire somebody else to keep trying until it all works. Every painting probably should be the featured image, unfortunately, with so many, I cannot choose just one.
My garden provides me will all painting subjects which I usually use for floral and still life paintings. I can also see quite a landscape from the second-floor balcony, so I’m all set up for any nature painting without needing to take any photos. First of all, with nowadays cameras, perspective is completely distorted, it would damage drawing or painting to huge extent. Colors are practically never true, and that is a reason good enough to rely rather on our own eyes. This time I’m presenting the new smiling yellow pansy faces surrounded by great shapes of leaves and abstracted background.
Never-ending supply of art ideas
We had big problems buying any seeds this past spring, therefore, I have mostly what grows from my own seeds and flowers and veggies which planted themselves. I got 2 sets of pansies. The one which I painted this time, was larger. It had interesting colors in the middle: not completely purple and not completely dark red in the lower part. Yellow is not that difficult color to paint as it is very annoying getting pictures of it. I can never go wrong with art ideas which grow all around the garden. It’s never-ending inspiration, always something new and more beautiful than before.
More art, less reality
When I draw or paint something, I usually change a lot from what it is in reality. I want on my painting more art, more me, more my style, and less reality. That doesn’t mean I will paint my subject in a completely abstract manner. The reason is there’s way too much abstract art already, and also – it is much easier to work on one’s style and maintain it when using recognizable and nature-like things. Pansies are a convenient subject for painting, especially when you have some around. For photo-taking reasons, I will make next painting pink or red because watercolors in such palette shades are much easier captured with any camera.
You see what you see
I regret that most of you will ever see only images of my art. I dare saying that you will never know what I and how I paint in reality. I surely can tell you that the camera made the light-yellow spaces white and caused the darker areas look like outline which they are not, I can tell that my colors are crafted and very balanced, but you see what you see. Plus, there’s no perception of size and its impact. It is again a 24 x 18 in or 61 x 46 cm painting, and that is quite large for watercolor. As it leans against the white support board, it lights up the entire studio. It’s cloudy and rainy today and this painting just shines as extra light source.
Pansy smiles, purple hearts, watercolor 24 x 18 in or 61 x 46 cm
New live art classes
After a long interruption of almost 2 years, I’m resuming live art classes in a very cozy outdoor space which is surrounded by blooming and green plants. This feature will add more safety to participants. It’s just so that I haven’t seen that many yet. To be honest, I’ve never met or had a student who learned mastering their style or medium online. I’ve written about that before: it’s one-sided, and that’s the problem. The human perception is very distinctive when it comes to any art concepts, therefore, everybody understands and applies the same thing in all kinds of ways, and rarely – correctly. In my mind, there’s nothing which can replace a real, live interaction, but that’s just my opinion. I suppose for drawing and painting animated outline drawing or extra simplified watercolor wash, anything is fine.
Like every year, we get from winter into summer heat in Ontario. I’ve noticed there’s nothing in the middle quite often. It was cold even until the first weeks of May, and then suddenly, we got high heat. That means plants and flowers bloom over in a few days, and everything at once. It is difficult not to take part in all breathtaking blooming and return to life of nature, therefore, I am feeling as if in summer in my art already. The old story: creation must be done in advance of any seasons, celebrations and festivities.
Not only for shows
It’s not so that I am creating only complex art for competing in shows and simple art for teaching art classes. One of the other categories would be plainly decorative art, and we are seeing lots of it recently. Just some splash of color, some shapes or basic subject on white or abstract background. Nothing extreme, nothing mysterious or hiding deep meanings, just art for covering wall space and keeping the creative hand sensitive. This is the routine art which doesn’t reach ceiling of mastery and doesn’t strongly affect our mind or soul. Art that is often described as “lovely, nice, cute”. These are, besides, the worst compliments when it comes to creativity and creation. They say practically nothing, they are empty words. They leave one unaffected like water drop rolling down a leaf leaving no trace as it evaporates.
Summer cottage
Technical side versus emotional aspect in painting
t’s understandable that with overload of images the internet viewer is attacked with in a split second, nothing gets more than a quick glance. Rarely, somebody will notice elegance of lines, flowing or strong brushstrokes, shifts of warm color into cool shades, perspective, mood, the way the subject reveals itself, I mean, all things which exceed just purely technical approach of painting. Technical approach dominates because lots of art on the internet is done by beginners and emotional level is left out when the main focus goes to the technical side of using art supplies and creating the subject.
Mastery in art
The most adorable category is art as discovery, art as secret, art as mystery and soul touching art. Not every artwork becomes a masterwork, far from that. Even well-known artists have uneven level of mastery in their works, and that is just a very human feature. Nobody can be at the top of their creative juices and riding the wave of inspiration 24/7. Any human has ups and downs, divine moments and dark alleys where they get lost. It is a good personal goal to have more of good art which has lasting effect on the viewer. Every artist tries to achieve that, and in the best artworks, mastery comes to expression.
Show continues
The virtual art show continues, and since the lead post was helping a little, but I need to add new art, I am including in this post variety of available images, the brand-new blooming meadows paintings and some other art. I know how nobody wants to see more sales and so on, but I simply need to turn visitors’ attention to the fact that these are show artworks and they are currently sold at their best prices. I will probably change the content after a while, but for now, please enjoy, and you might possibly like to purchase some art.
I have drawn and painted numerous flowers so far not only in pen lines and watercolor, transparent watercolor, but also in acrylic, and less known are my pastel paintings just because I don’t have any photos of them. Among them are roses, magnolias, orchids, daffodils, tulips, lilies, calla lilies, daisies, peonies, pansies, poppies, sunflowers, lilac, trillium, wildflowers, forest flowers and flower fields. I probably forgot to mention some. Flowers are convenient for painting since they are always around. Something is always available and that suits me and my personalized realism. Being in the middle of so much beauty, real and painted, feels extremely good.
My opportunity
As I explained in Part 1, my background is very different from Canada-born artists. I am purely expressing my personal vision about the subject because nothing stands between me and my idea which I am putting on canvas or paper, not even a photo, and no devices are involved. I could say it’s the purest form of creation, going from what you see to what you create. I love most turning white paper and blank canvas into something where you can walk in or are able to almost touch the drawn or painted subject.
Technique versus idea and emotional aspect
While it’s possible to get carried away by the technical side of painting or drawing, I’d love to remind that there’s also a concept, an idea and a hidden meaning within such art. The concept isn’t the subject itself, it’s what it can tell the viewer and how deep emotional impact it can make. That’s my opportunity to stand out. Drawing for me is pure pleasure because I don’t have to struggle with it, I usually do not need any eraser. Pencil dances on paper, the subject takes shape and it will definitely have more meaning than simply trying to be lifelike.
Complexity or simplicity of subject and display on the internet
I wrote in part 1 that the driving force for me is the subject, especially the challenging aspects of it, ability to create more complex and deeper paintings. I love complex paintings more. Also, it isn’t important whether my subject looks exactly like the real thing. I want the viewer to get my message, the idea behind the visible lines and colors. On the internet, you can only see a fairly small image of my art, often, the size does not reflect the actual size. On this blog, all vertical images look much larger than the horizontal ones, except the featured image must be horizontal. On Fine Art America print site, vertical paintings look much smaller than the horizontal ones and so on. Therefore, display doesn’t make a correct impression.
Drawing as base for watercolor painting
Realistic watercolor painting most often uses drawing before paint application. We can avoid that and create everything with brush only, and I have done that, too. However, when it comes to complex still life, floral or landscape painting, it’s best to plan values and know where to use what. I transfer such drawing onto watercolor paper using extra light and hardly visible lines. Watercolor paper doesn’t like eraser, and strong pencil lines disturb the image, at least I like only transparency of watercolor paint to be visible. This all refers to watercolor done traditionally: leaving white of paper for white and layering different value colors where they belong.
Solo shows and juried art shows
I started out very well in 2011 in Ontario with showing my large watercolors and fewer acrylic paintings in a gallery near Toronto Beaches. I couldn’t find this gallery on a map now, it has probably changed hands and has a different name. I also took part in art fairs, juried art shows, gave classes and workshops at my own gallery, everything was working really well. Recently, a few art students from back then shared their memories on Facebook and told how much they had learned in my art classes and how much they appreciated them. It was a different time. Being in a commercially zoned property definitely helped. Then health problems caused me to slow down between 2016 and 2019, plus, we had to move 2 times after 2018.
Moving an art studio
Moving just a house is difficult and stressful, but moving an entire large art studio with all kinds of art supplies, extra furniture, easels and numerous paintings of my own together with house, was a hassle. It’s inevitable that some art gets damaged, I had that happen even when moving art around to shows. It seems everything is packed up safely, but such move normally involves many people and not everyone of them knows how to handle a huge painting, for instance. That’s why I feel reluctant showing very large framed watercolors now. Glass sometimes breaks, it’s not only the high price for museum grade glass that worries me. Painting can get scratches, too, and the entire thing needs re-framing.
My painting method and technique
When I paint in color, I definitely need daylight. Regardless how good the artificial light is, it causes changes in color. Therefore, some parts of painting require extra work, that can be a lot of extra work. With watercolor especially, there might be parts which I cannot undo. Whenever possible, I paint only by daylight. The usable portion of my current place isn’t that big, maybe spacious enough, but I could utilize easily double this size for an art studio. When there’s a lot of heating in winter, it’s very difficult to paint with acrylic paints. They dry on touch. For watercolor, it doesn’t matter because I can always make the paper wet again. Colors or shapes are not affected when re-wetting watercolor paper.
Art is my full-time job
It is a huge risk to take on art as one’s entire lifestyle and full-time job. There are only a few fields where competition is as fierce as in art and teaching art. I had strong support when I engaged in art in Canada, but during the pandemic everything went downhill real fast. I don’t teach art as entertainment because my definition of learning is not the same as social drinking and using art as extra feature. I take painting seriously and I teach aspects I have discovered during many decades to those who want to master medium or observational drawing. That requires focus, interest in learning as a process, not only in a quick result. My students, who displayed the most willingness to learn, have become excellent artists.
I will share my acrylic painting creation process and my thoughts about teaching observations in Part 3.
