It’s probably a good reason for many to participate in World Watercolor Month and share the joy of creating art and using watercolor. Isn’t that great that it has become a tradition already? I read that it started only in 2016, and I believe many people are extra excited about that. I cannot post every day, but I am certainly happy to contribute at least some images and posts.
Manual abilities still matter
While we are swiftly becoming a digital and virtual society which uses devices and apps for everything, there are some things we should not delegate to devices. It’s in our favor to maintain ability to write and draw manually. Manual drawing and painting are extremely rewarding activities which not only make one happy and less stressed , but result in enjoyable art.
My current subjects: summer and nature
Nothing is better than nature, outdoors, gardens, flowers, growing vegetables in the summer. Nature is always genuine and honest. There is no pretense or flirting; that is the most real beauty we can have. I can draw and paint anything, but I have to admit that nature is the richest resource for any goal, any intention, anything in art. Therefore, while teaching and creating art I am teaching people to also love, appreciate and take care of this wonderful resource. Everything is connected. We can only harvest what we have planted.
The dreamy purple of summer pansies
Please, have a look and get inspired by my most recent watercolor project: The dreamy purple of summer pansies. I have posted 3 steps, but the first step is actually to transfer the drawing or draw with very light lines on watercolor paper. I used Saunders-Waterford watercolor paper, but medium to heavy Arches would serve better. The size is quite serious in order to capture flow of lines and shifts of color better.
The dreamy purple of pansies, step 1, painting in first layers on flowers and leaves, identifying the subject and composition
The dreamy purple of pansies, step 2, painting around the flowers and adding more layers on blossoms
The dreamy purple of pansies, step 3, adding more layers on flowers and defining more the background
The dreamy purple of pansies, step 3, adding more layers on flowers and defining more the background
Join us, create with watercolor
I know how excellent it is when one can use watercolor or pen and watercolor: it can easily become an obsession. If you were always attracted to watercolor, but are not completely sure what and how to paint, you are very welcome to join our watercolor summer painting sessions. Summer is the time to go out and paint nature. Enjoy the summer, get brushes and paint sets, and let us paint!
The best way to start painting with watercolor is using pen and watercolor wash. We all want our art to be great and impressive. However, if you are new to some medium or absolutely new to drawing and painting, you have to bear in mind: nothing happens right away and with the first brushstroke. I have had absolute beginners who were somewhat disappointed that their first piece of art wasn’t exhibition quality. Well, that is normal.
Patience
Every skill takes time, efforts and work. Creation of drawing or painting involves lots and lots of information. Some people are courageous by nature and love to experiment, and that is very beneficial. Some people are perfectionists and they believe everything they do must be either perfect or they are ready to give it up: don’t use this approach.
Focus on potential
My personal attitude towards something new in painting: different subject, medium, tools or technique never focuses on perfection. I focus on potential. Something might work out and something might not. There will be easy parts and probably difficult parts. That way. I call this attitude: let us see what happens. Progress is usually gradual. That is why we start with simple things and move to more complicated things.
Pen and watercolor
Pen and watercolor wash is a great technique for beginning watercolor artists. Some like it so much that they stick to this technique and turn it into their personal style. If you are insecure about drawing lines with pen, sketch them using pencil. You can draw over with pen and delete everything else. We have now clean drawing in black ink, and the white paper is not damaged.
Any subject will do
Anything can serve as a subject: from your morning coffee cup to flowers in a vase or at the fence, from a bird at your window to sprouting vegetables in a garden. Any scene with some object is good, but flowers look extremely nice when done in pen and watercolor.
Everybody can draw
When somebody says they cannot draw, I don’t believe that. Most often that means they tried 1 or 2 drawings and these drawings were not splendid. So, they conclude that they cannot draw. Talk to me after 100 drawings. That is a decent start. It is also much easier to point out what else one should do in order to create better art when they have engaged in more than just a few attempts.
Pen and watercolor flowers and spring scenes
Pen and watercolor, Spring daffodils painting 12 x 12 in or 30.5 x 30.5 cmStylish and simple spring rose, all done with black pen lines and watercolor washApple blooms in pen and watercolor: great starting subjectPen and watercolor apple blossoms, the finished paintingSmiley purple pansy faces, pen and watercolor washSpring mood with apple blossoms, butterflies and beautiful colors
Pen and watercolor wash is easy
Why to start with pen and watercolor? It is forgiving, it is easy and fast, and it allows learning watercolor application more effortlessly. The pen lines provide additional support. It is a flattering technique since practically any painting or drawing looks good regardless of how sufficient one is with watercolor. I have done numerous pen and watercolor paintings over years, just because it is fun, it is easy and looks fantastic.
Copyright notice: Copyright of displayed paintings, drawings, images of work in progress and images of finished paintings belong to artist Inese Poga. The use of painting and drawing images is prohibited if I have not given a written permission. That includes no pinning on Pinterest.
Sticking to a plan is a key also in painting. Whatever we are doing, we need some kind of a draft in our head or some plan which we keep in mind. However, it is easier said than done. That especially refers to beginners in art. I have noticed that most people want to draw or paint without any plan and without any thinking.
Elements of a painting
Perhaps, when starting out, it is hard to know what parts or matters we should pay most attention to. There are lots of simple things which make the subject look multi-dimensional. By far, those are not only darker and stronger values. Strongly emphasized edges or absence thereof, strong dark areas behind the lighter ones also contribute significantly to the spatial perception, not to mention color if it is used.
Things to do and not to do
I was told that the darkest dark should meet the lightest light when I started painting about 50 years ago. It can be tough to implement, especially without real reference, when we have only a photography or a sketch. I am personally not excited about patterns which repeat in a regular rhythm such as petals or trees along the path, blooms on a branch and similar things which we unintentionally place on our canvas when there is no firm plan or sketch.
Pink spring magnolia blossoms is an acrylic painting on 20 x 16 in or 51 x 41 cm canvas, Spring mood, light colors and feeling.
Reference is a guide
Why am I saying: pay attention to reference? Because most people don’t do that. When we are just beginning the painting, they would have a look at the reference image or set-up. After a while, I notice nobody looks any more at the reference. You have to! The only exception is when it is a completely abstract work which has been drafted in one’s imagination or when we paint from memory.
Painting or drawing from memory
Painting from memory takes practice, and beginning artists cannot handle that too well. Reference or value drawing (if you have created such) has all the answers: where to use dark color, where to make strong edge, where to wash out edges to lose them, where to place highlights and what exactly the shape of something is.
Preferred brushes
Knowing what values go where is extremely important, much more important than what brush to use. However, talking about brushes: always use the ones which you feel comfortable with and which suit the size of the area you are working on. Very simple. We can use no brush at all, but sponge or palette knife, that is a matter of preference and choice.
Try no rules, but use principles
I know how some art instructors want to make rules about everything. There are no rules in the use of tools. It is very obvious that using a very wide brush for tiny spot is simply difficult and vice versa. I know a lot of artists who create the entire painting with just one brush. I do that sometimes, too.
Pink rose, acrylic painting on canvas, 20 x 16 in or 51 x 41 cm, this painting is also a demonstration artwork for art class.
Real versus photo
So, the conclusion is: do not change things around dramatically or completely when the work is halfway through and always keep an eye on the reference. If something does not work at all, it is better to start over again. That’s why it is so rewarding to paint from real subjects, live is live and photo is just a photo. Live comes with smell, touch, very visible shape and very noticeable values.
Lovely purple pansy faces, acrylic painting on 20 x 16 in canvas. Bold color, large flowers
No pressure
Do not put pressure on yourself and painting: there are moments when we need to stop and make a decision about the next step. Paintings and drawings really hate when they are not treated with due respect. It is much better to allow everything to develop in a natural way. For illustration, I have attached the recent flower paintings. There are many more, but they just need finalizing touches. You know: painting is never done, right?
You always wanted to draw or paint, it’s time to start painting
Sometimes, this idea might seem too complex to pursue, but, in fact, all it takes is starting to draw or paint. Simply get your art and – start painting. Learn as you go. You will need patience, courage, willingness to experiment and accept your mistakes. You should be ready also to put efforts, work and time into your learning process. Nothing happens on its own and without actually doing it. Any drawing and painting starts with being able to see and use our senses. It does not start with knowledge of techniques and all kinds of tools and mediums. We acquire this knowledge gradually as we gain experience.
Experience and lack thereof
I have given countless classes and workshops over many years. It actually feels like I have been teaching arts all my life. It is obvious that all people, who would love to start painting or drawing, do not get past the first problems. They give up this fantastic activity before they familiarize themselves with easy fixes. We can fix anything in painting or drawing along the way when it comes to creation. It sometimes only takes a few brushstrokes with dark or light color.
First we learn seeing
The important aspect of engaging in visual arts is the ability to see and to understand what one is looking for. Most people are sure that they have good enough eyesight and that they can see everything. That is not true at all. While we are seeing things around us, we are not seeing them in an artistic way because for drawing or painting we need to sometimes abstract the view or define the detail. I suppose the inability to perceive values, shapes, colors, lines and their relationship, as well as correct scale, depends on whether one is aware that these things exist.
Don’t trace, don’t copy
It’s not rare that artists simply copy an image or photo and then transfer this copy onto paper or canvas. Many artists do a lot of image editing with special software so that the image is ready to copy and to apply paint on it. That supposedly saves time and efforts and makes painting process easier. If you want to ever draw and paint without fear and with confidence and know why you are using a particular technique or step, go with freehand drawing and observation straight from the beginning. It will pay off in longer time, usually not in the first hour.
Drawing takes time, but it’s worth it
A complex drawing might take me between 30 minutes and 2-3 hours. When the drawing, value or tonal sketch is done, I have everything what I need to proceed to painting: values, contrast, highlights, composition and correct correct scale. I’m usually doing drawings in size of actual paintings as opposed to thumbnail sketches. I can do whatever I want with my sketch afterwards: use it for watercolor, pastel or acrylic and more. I can even flip it or use just some part for my next painting. I don’t need editing, adjusting, copying or enlarging. Therefore, if you want to be ever free from computers, screens, measuring devices, grids, start learning to see.
Pay attention to reference
I have noticed this many times: students do not see the reference photo or picture in an artistic way. They see a flower, a tree or fence, but that’s not the most important aspect. I am using frequently real objects: fruit, vegetables, flowers, flower pots, leaves, cups, bowls, glasses and similar things for still life, and that can be a problem also. Until you start paying attention to shadows, values, correct size and scale, potential composition, contrast and layout, drawing doesn’t happen. Everybody can draw and paint anything as soon as they understand what they have to see in the subject.
Draw any subject
There are countless tutorials. They usually show how to paint one single subject. If you first learn to draw, meaning draw anything, you can choose any subject without limitations. You just need to know what is important about the subject and look for it. That means paying attention to things which other people don’t even know about. Start with placing your subject in front of you and look at it. Look carefully at dark and light spots, visible lines and shadows, direction and size and notice how light makes a difference. Starting with very light and general outlines try to get the exact form. We go from very general shapes and lines and move towards details. Repeat until the drawing becomes three dimensional, not flat.
My approach to creating acrylic flower paintings
I have elaborated a new approach to acrylic flower painting since many students want to learn painting with acrylic, but their results are quite often disappointing and don’t make them happy. We use the large-scale drawing, transfer it onto canvas and then follow with paint. This new approach uses the specific features of acrylic paints: short drying time, ability to work over dry layers; and turns them into the biggest advantage. Results are quite stunning. However: results are great as long as one follows all steps and uses multiple layers of paint.
Everything matters
So far, I have given only live art classes because they make a lot of sense. Explanation and even watching somebody else painting do not always lead to good results. It matters how much water or how much paint, or what medium on what surface one uses. It matters how fast the previous steps are done and it matters how you move the brush and mix the paint. Everything matters, and we can correct mistakes right there as they happen. It is great that somebody can explain why some things work and why some others don’t by doing it in the classroom.
