What is the direction of light in an artwork? Do you pay attention to it when you are drawing and painting? What are shadows in a drawing or painting? Do you know how they relate to the source of light? These are simple things, but pretending they do not exist or forgetting about them makes your drawing and painting flat and unconvincing.
Direction of light
For me personally, light must come from the left or from the left and from behind. That is when values and shadows in my paintings work well, and I intentionally and sometimes subconsciously would choose only such views and subjects. Why? When you know where the shadow falls and how to create it, you can use memory and imagination for that. If you struggle with shadows, most likely they are not cast from the correct side.
Creating art from photo
If you are creating your drawings or paintings from photos, you should know that there is no clear source of light or it comes from the right side very frequently. The direction of light can be also hard to detect on a photo. If your brain does not feel the same way about the source of light as it is on the photo, you will be struggling with every shadow and every detail you include in your composition.
Adjust the subject, not your perception
Generally, light and shadow is an important feature of any drawing and painting. Experienced artists use it automatically and they create set-ups or paint views where the light direction matches their visual perception. If you are just starting out, pay attention to the point where light comes from, its source. Outdoors, it is often the sunlight, but we do not normally paint the sun, we just indicate this area with color.
Sketch and quick watercolor for shadow testing
I usually create a rough drawing to use as a reference.
Watercolor and sketch are the easiest ways to test your perception of light and its representation in an artwork. It is much faster than doing the same in pastel, acrylic or oil, especially if you are a beginner and you have to learn everything: composition, values, contrast, perspective and color mixing, as well as brush stroke. Adding visible areas of different values helps. Most people, who draw and paint frequently, assume it an organically critical and absolutely necessary aspect of painting.
Spring walks in the village, is a large painting, 24 x 18 in or 61 x 46 cm, and so was its sketch, the other is Spring barn, also 24 x 18 in or 61 x 46 cm
Black ink pen for sketching out your subject.
Spring colors, cheerful and lovely, yet simple
In order to check your values, you can turn paing image into black and white.
All of these paintings make use of perspective: linear and atmospheric. Therefore, direction of light becomes very important.
Art instruction and art classes will definitely help because the painting subject is everything or almost everything. Why it is so difficult to choose what to paint? That sometimes takes, hours, days and weeks, even months. I know how some potential artists would procrastinate for long time just because they cannot stop at a particular painting subject, make a decision and start painting. Choosing your painting subject is crucial to get started at all. I am saying: use whatever you have around and take the first photo which makes sense.
Suitable features
When we go through images or sort our memory and imagination, we find the potential painting subject too difficult, too complex or too simple. There is nothing to paint. Nice colors, but bad view, no foreground or no background, boring or too detailed. These and similar thoughts might rush through your head. One of the worst ways to help you choosing what to draw or paint today is just to check out what others do or have done today.
Scrolling through online images
Scrolling through online or your own images can consume one completely. There goes your day and there go the best hours for painting. Internet images will suck you in; you will end up watching lots of YouTube videos which you neither wanted to watch, nor needed. You will look at endless Google images. That is a big distraction which we call inspiration. I will just get some inspiration on this painting subject, you say and nothing gets done.
Just do it
Whether that is a photo or real item, just get started. Just do it: the first line, the first brush stroke. Who cares? You can change colors. You can add or remove the background. You can disregard details or add them to your pleasing. Anything which is related to your computer or phone is here to distract you. Therefore, the only way to paint is to start painting.
Discipline
No wonder we wake up 4 hours later and we have not done one single line of a sketch, drawing or underpainting. I sometimes think people are way better off going to a class because that will remove all troubles. There will be a prepared image, subject or concept and you just go with it. That image will suit your intentions well.
If class is not an option
Assuming, you are alone and you do not have intention attending classes at the moment. Get a picture, good, perfect or not that great: it does not really matter. The only thing that matters is to get started. Once we are over the starting point, we will keep working. Just take the pencil or pen and start drawing. Take the brush and start brushing. The first step is what matters. After that point you will be fine because the inner “you” will not allow taking a break until you are done.
For inspiration, see the progress of recent barn and spring watercolor
Barns and buildings: great painting subject
We start with sketch, then do very light line drawing, apply first washes, add more or less color, define more and that’s pretty much it. Total time: about 5 hours. I did not like how the first version looked pale (not in photo, but in reality) the next morning, so i added stronger background and more layers to buildings and front.
That’s how it looks, watercolor on Saunders-Waterford paper, 22 x 16 inches, or 56 x 41 cm.
Many people who feel attracted to art, sign up for art and painting classes in the fall. Certainly, days are getting shorter and the weather gradually changes from very pleasant to quite nasty, rainy and chilly. I will not list all advantages of joining an art class or painting group this time because I’ve been mentioning them multiple times, and there are so many: from building your confidence and self-esteem and finding a great thing to fill up the long nights to effects similar to meditation which allow one floating away from daily troubles and problems, to mental fitness and rejuvenation of brain cells. The created art becomes just another gain along the way.
Choosing an art class that suits your preferences
When choosing an art class, you should first check out what art instructor does. What are his or her favorite subjects, style, colors, approach? If you generally do not like such art as instructor is doing, you most likely will not enjoy it. For instance, if instructor is insisting on copying photos, you most likely will not be learning how to paint abstracts; or if she or he never do portrait painting, it is unlikely the class will provide with portrait painting skills.
Size matters
Make sure the size of group somewhat works with you. I hear people complaining that they signed up for an art class and never got any attention, therefore, never learned anything. Well, if a weekly art class is 2 hours long and there are 20 or even more students in the classroom, how would you get a lot of attention? You can count on about 5 minutes of individual instruction in the best case because no instructor can run around the class while they are demonstrating technique. It is obvious that you have to choose a small art class if you require much advice or want very individual approach.
Level class is designed for
Find out what level this art class is for. If class is intended for advanced painters, , but you are just starting out, you will not be able to catch up with others. Beginner is somebody, who hasn’t done at least 200 small size paintings or 150 larger paintings.
Realistic expectations
Next thing is: be realistic in expectations. That is probably the most overlooked aspect of any art class or studies of creative things. Learning how to use tools takes time. Although, everybody has seen a painting brush and quite frequently people have tried using it, it does not mean that you know what correct brushstroke is. Any brush (they come in very many sizes, shapes and are made from all kinds of materials) can be used for very specific things and also for very general approaches. That depends also on your personal preferences, medium and subject.
Art supplies
Materials are an extremely important thing for an art class, so, the best results will definitely be achieved using good quality materials straight from the beginning. I have heard this often: I’m just learning, so I will use the cheapest materials for now. Well, that might not work at all because using bad materials can easily become a torture and nuisance. Sometimes students struggle with bad watercolor paper and they think they are doing something wrong, but, in fact, it is the paper which prevents from getting acceptable results.
Your own art supplies
Equally important is also having your own materials. It might seem: what’s the difference? The answer is: there is a huge difference between paints, brushes, canvas, papers, pencils and even erasers, not to mention that is one of the most important aspects of learning. Tools matter, surface matters, paints and brands matter. There is no other way to become familiar with some materials in particular as using them.
Be motivated
The most important part is to sign up for something that you feel interested in. One should also be prepared to learn, practice and memorize things, be spontaneous, courageous, daring and fearless, as well as have enough personal time for not feeling rushed.
Fall nature and still life
I always work harder on pictures than actual paintings.
Colors in context images are much more like in reality.
I loved them, I hope it becomes a source of pleasure for you, too.
What happened to all good themes on WordPress.org?
I’ve been sitting at computer for too long. As I told before, I don’t have a better theme on my website right now for a very silly reason: I just can’t find a suitable one, it seems almost impossible. All of them look great as demos. Once I start to adapt them to what I need, I end up seeing that one page themes don’t work; themes overloaded with all kinds of fancy stuff don’t work. Also, completely plain and flat themes don’t work, and so on. I tried 8 themes, lost money on one, and here I am: with the same Twenty seventeen.
No change is better than bad change
I decided to leave it as is because while I was doing my theme adjustments, I worked as a slave for two weeks, 14 hours a day. That was affecting my life and everything else I had to do. It’s summer after all, and one is not supposed to spend it at computer. I am going to Latvia soon, but prospects of traveling without cash are not very attractive. I will just have to make some.
Purple variety, delicious apples’ painting
Local sales
Once again, I will try to do something also locally which is very unlikely to be a successful thing because this neighborhood is quite dead in summer. I will try to sell something also over the internet from this same site.
Taking pictures of art
My biggest problem has been inability to capture the painting images. This problem has persisted for many years. I don’t think it’s only mine problem. Camera looks at painting differently, and the color balance depends on colors in painting. Blue, grey and blue green colors look better on pictures. Red, orange and yellow colors are problematic. I have paintings which have a lot of red, and I cannot show them online because there’s shine on it, It is usually impossible to bring back the color balance with editing.
Summer watercolor paintings
Taking pictures of art in context and with background
I have noticed that watercolor artists take pictures of their paintings using contextual background. I started to take such pictures of my art intuitively, some 8 years ago or so. I noticed very soon that everything with background looked fine. I mean, paintings regained their natural colors.
Size is not visible on internet display
That also gives some idea about the size because it is quite annoying to see how my very large art is displayed smaller than my small art on some sites. Just placing something next to painting or having surroundings show behind painting or when art is on the wall results in a photo which has well balanced colors.
Taking pictures of art and displaying online
This particular theme does not allow also displaying everything as I would love to. The featured image becomes too large. I tried to add my own css when doing theme adjustments. I made the blog posts page larger size, but decreasing the widget area resulted in losing the number of followers. I will have to live with this display for a while because too much editing the style caused all content text disappearing completely. I have real fun here!
Nothing compares to real painting
Most art looks better in reality. It can be so annoying at times that after taking about 30 pictures of a painting not even one is good enough to post.
Flowers and fruit: summer compositions
I appreciate your interest
Anyway, have a look at my art and I will also post more exercises for those, who love painting with watercolor and are learning and experimenting with sketching and watercolor. Maybe I should make a specific Facebook page for that? We’ll see how it goes. I believe pictures of paintings look better in context and with background. Some are above and below.
Illustration or sketch can be simplified in order to get it done outdoors or to complete indoors because sometimes the weather can be quite bothersome and not cooperating with our intentions. I would love to share some observations because they might inspire somebody to just get a pencil, a brush and paper and go ahead.
Do we need rules in art?
It might sound strange, but most people believe there are many strict rules when we draw or paint. Maybe the instruction on some sites makes one feel that if you do not follow these rules you cannot paint or draw. That is not true. While there are lots of tricks, shortcuts and favorite ways to get things done faster and better, one should not try to stick to something which we call strict rules. Not with creativity. Not in art.
Learn freedom from children
That would mean the small kid who does not have an idea of rules and instructions should not be able to draw. But the small kid is able to draw. Every kid is able to draw and paint. As people grow up they find out that life wants us to comply with requirements, regulations, rules and certain instructions. It’s no surprise they want to apply rules to everything what we do. I know artists who would call every step of drawing or painting a rule.
No rules, but observe principles
I would love to encourage these who want to try art, to just go with their intention. I hear quite frequently: I don’t know anything about painting or drawing. Well, you don’t have to. You just have to start trusting your eyes and trying to draw or paint whatever you intend to. We discover all main principles of art along the way. These principles are composition, color theory and mixing, values, contrast, direction of light, shadows and perspective.
What to use for watercolor sketching?
You can use for sketching everything you can afford or like. If you do not know whether you will continue or not, why would you buy watercolor brush at $75? We always use the largest watercolor brush that still allows achieving what we want. It’s pretty much common sense. You could live with just one number 10 synthetic, soft watercolor brush if it has a good fine tip. 20-brush sets from Dollarama won’t do anything, don’t go for these.
Decent watercolor paper
If you are applying wet paint on your sketch, traditional sketching paper won’t allow that. It is too thin. That’s pretty much common sense, as well. It could tolerate dry pencil or some pen, but not washes, especially repeated washes or paint lifting. I would advise to always use watercolor paper for drawing, sketch, illustration, practice, color or flow practice because it is thicker and can be made wet. If you are a beginner, you can use just beginner’s watercolor paint set.
You can do illustration or sketch any way you like
If you are afraid to draw right away with pen, do the initial drawing in pencil and go over with pen afterwards. Keep the best lines and erase everything else, and there you have a nice, clean, attractive drawing. Why to use pen? It is simply easier. Pen makes the outline clearly visible, the entire image looks finished and elaborated even when the drawing is far from perfect, but watercolor washes will bring your artistic attempt to life.
There is no wrong or right way to sketch, to draw or to paint
All artists develop their own style over time. Should you expect the first attempts to be perfect? No, don’t do that. Always tell yourself: let us see what happens. Treat all of your first year’s art as practice, as experiment. Some will be god, some will fly into the wastebasket, and that is absolutely fine.
Artistic mistakes can be interesting
People call everything which did not come out perfect: a mistake. That does not always apply to art either. Some artistic mistakes and flaws can become the foundation of your personal style. Some experiments can set the tone for anything you do in the future. Therefore: experiment, experiment and experiment!
Use any style
Illustration or sketch can be carried out in any style you prefer. Illustration can be done easily. I am advising to use pen just for simplicity and speed. It really helps. I also love the accomplished look of such sketches which can be definitely used as completely finished art on the wall or for any other purpose.
A few steps
Barn illustration, step 1, pen drawing
First we draw with pencil the main lines. We draw lightly without using pressure. After that we repeat the best lines in pen.
Step 2, adding background color
Choose whatever colors you love and would want in your sketch. Activate with water. Test on testing paper how transparent the watered down mix is. Apply small amount of water onto the main image area. You can use spray bottle if it creates mist. Check against light: if the shine is about to disappear, that’s the best time for first washes.
Illustration is ready after adding more washes with less diluted paint
Adjust and correct
If you allow first layers to dry and then make your paper wet again, nothing will happen to the first dry layers. It is safe to go over with water. Don’t rub or scratch with the brush; that will definitely take off some paint. Corrections are done with paper towel when the painting is wet: pressing paper towel onto watercolor paper will take off most of wet paint. When paper is completely dry, apply washes and use damp brush or paper towel to lift color or remove paint. Repeat until you like it.
Large 18 x 24 in or 46 x 61 cm sketch, done in a few minutes for demo
Pen and paper
The thicker the watercolor paper, the more things you can do with it. Cheap watercolor paper is for tests and practice only. It is simply too thin to do something more. You can choose any pen you can afford or like. Your pen can be different color, too. Black simply fits any other color and makes it stand out more.
All watercolor illustrations and sketches look great. If you want them to be better, practice more and don’t expect immediate perfection.
