Seasons in art, seasons in life and nature

Acrylic painting, spring nature

Living by seasons

I live by seasons, and seasons make me do, want or pursue something specific just like people who lived thousand years ago. I live in expectations of spring during the winter months. I look at trees not that far away, just behind the window glass. Deep down the roots of a tree are alive, and the tree is just collecting and accumulating energy for the big blast of blossoms and buds when the time is right. It’s a very good time to keep refining my skills because we always must go forward. When we believe there is nothing more to learn, we stop moving ahead. The progress ends, and we become old. Who wants that? Nobody!

White forest anemones is a square acrylic painting. This subject has been always very attractive to me.

Lovely green when it’s grey outside

Many artists are genuinely afraid of using green color because it makes painting look abusively green, because nobody likes green on their wall, it is a bad taste and because there are so many colors in the rainbow. Classy art is supposed to have lots of grey, earthy colors, blue shades and different white tones. No green, or at least green with purple neutralizing undertones, red or burnt sienna injections and aqua colors. When I got my first acrylic paints in 2007, I was very fond of them. I come from watercolor and pastel drawing, and I loved the extremely beneficial opportunity to effortlessly create volume with acrylic paints.

My personalized realism

Ever since that first time I got to use acrylic paints, I’ve been extremely happy that I can create anything which looks exactly as I like. People sometimes want to squeeze me in all kinds of categories, and none of them actually fits. I don’t paint realism if we think realism as art genre. The reason for that is I rarely use photographic reference as the base for my painting.  I check out parts of my nature views, but I usually have a certain color palette in my mind and I can picture it on the blank canvas. That takes me somewhere, to an imagined landscape or still life components which I visualize. Tackling memorized and imagined views is more difficult than tracing and copying a photo. However, I frequently receive comments in art groups how people can place themselves in my paintings, how they can recall some particular site or place, or feel they are surrounded by my painting.

Spring, forest anemones. This picture was taken with my old Canon camera, and it displays great colors.

Adjusting process

My painting process is simply longer. I go over some areas many times, and I try to achieve exactly what I feel should be there. The difference is, when repainting a photo, you know where what is. I don’t know that because I improvise. I’m usually happy with the result. Then there is picture taking. You have painted a great acrylic or watercolor, you take pictures in different settings with all kinds of backgrounds. Then, you download these hundreds of pictures and it can happen so that not even one is exactly as painting. We can edit pictures, sure, but the changes are global. If the device has added more strong contrast in dark areas and lightened more the light areas, there are just more abnormalities after such editing. Somebody said on their blog (I don’t think they were artist; they just teach artists) that pictures always look better than paintings and that is just not true. I have the opposite experience: paintings look better.

Playing on emotions

So, here you have it: I don’t paint reality except for watercolor still life and some watercolor floral paintings. It isn’t abstract art also because I like my subject to be recognizable, yet, I introduce abstract areas in any painting a lot. I love color and art to impress, but it isn’t impressionism. I love precision of a few details and let go undefined other parts. I stop painting when there is nothing more to say because my art isn’t a demo of technicalities. I always want it to work on the emotional level. Therefore, I cannot say what color I have used on any part, but I can name a few colors which started the painting. I mix these few colors in all possible ways and that unites the painting in one organic bundle. Harmony and balance matter to me a lot, and I do everything in order the view had flowing lines and smooth color transitions.

Spring creek, acrylic painting

Artistic spring starts in January

Continuing my long-time tradition, I always paint spring and flowers in winter. These images were supposed to be presented in two posts, but I run out of time, and it’s one post now. I decided to show steps and reveal small painting secrets in PDFs for download. They will come, I’m just a bit too busy at the moment.

I always paint around edges of canvas, thus, extending the image. This allows using painting without a frame.

Healing art

Creativity and necessity to create something new never stop, never go away or cease. 3 things stronger than pain for my own conditions have been drawing and painting, taking care of garden, plants and room plants, as well as reading. It’s been a year we have been struggling with COVID-19, and we have the second complete lockdown here in Ontario. I don’t feel like painting masks on faces or injection needles. There’s already too much of that. The main healer for me is creating something at my own pace. Stay safe! Thanks for reading!

Art prints are available here: Many choices of my paintings

Good addition to my watercolor flower collection

Watercolor flower collection, flower paintings

My watercolor flower collection grew noticeably

Previous year, while it was not good in many health- and business-related aspects, was a very good year for creating art. I added to my watercolor flower collection quite many paintings. I cannot share all in just one post. I also painted quite a few watercolor roses and still life art. Some of these painting have been published in previous posts, and some I will publish when time is right. I have a habit of painting flowers and spring landscapes from January to approximately end of May. Then, I move to still life, and I get to fall paintings in July and August. Painting flowers and spring in winter is a good habit because it shortens cold and chilly winter days during the dark months.

Addition to my watercolor flower collection: white trillium blossoms on dark background

Missing giving art classes

I was missing the live art classes and interaction with my students. While everything is available online, I think live art classes are the most beneficial. Just ask school kids and teachers, -everybody will tell you that serious and decent learning happens only in person. Art is an easy subject to put online, but there are very many things which you need to touch, to see close-up, to check with your own eyes. I don’t want to make large investments in equipment at the moment, but that’s what I would need to teach online. Space is one more issue. It might be so that I like the live classes too much.

These are spring flower watercolor paintings, fantastic addition to my watercolor flower collection! Magnolia, trillium, wild anemone and daffodils

Daffodils are a fantastic subject for spring flower painting. This is the close-up version.

Not abstract, not photo-realism

Very many artists paint abstracts nowadays, really many. Therefore, I’m glad I’m doing something different. Sometimes I’ve told, I should make my art more realistic, but I don’t intend to. I’m mostly painting what I can see. What I can see is not what camera captures and one can enlarge until every ant on a grass stem is visible. It’s just my opinion, but I don’t want to go into tiny photographic detail and use computer. My art is done by simply using sketch or real flower, or real still life as reference most often. As you know, I can draw anything and do it fast. I would sometimes add a little bit of extras from imagination, like water drops on pansy. So, it’s my own realism with touch of imagination.

Magnolia, pansy Purple variety apples. and trillium and the fantastic purple pansy.

Personalized use of color

White is a good background for flowers, and dark background colors make white flowers pop. I personally do not like black with watercolor, that suits oils or acrylic more, I believe, and makes watercolor too heavy, but that’s just my personal preference. When I was very young and at school, my art teacher told I should never use black watercolor paint. I have followed her advice. I never use black watercolor paint. I took one more advice to never premix watercolor paint, but add color as I go and use it as I see fit. I actually do the same with acrylic: I use paint without previously mixing it, unless it’s for extra-large area or under-painting.

Decided to leave my website as is

I spent about 3 or even more previous weeks trying to figure out how I could change my website. I tried different things, considered new themes and tested them, asked advice from very well-established artists, who have excellent online presence and whom I know personally. They all told their websites were done by web designers or specifically created for their needs. Most of them have also social media and online representation specialists, video editors and filming teams, etc. Therefore, I decided to leave my website as is. I’m the only one for every single task and I’m doing anything that comes my way. However, I cannot spend all time just editing social media posts and website. I want to paint, draw and create also. Therefore, I prioritized creativity over online perfection. That’s just what works for me right now. I hope you like my flower collection and it inspires you to create flower paintings, too.

Stay safe, healthy and thanks for reading!

Original watercolor paintings for sale

With love and embellishments of frost

Winter birch painting by Inese Poga

Bright winter day

After the snowfall and storms, the day comes to greet you with a bright and sunny smile. Every worry is buried under the healing cover of white snow blanket, and you just walk by wondering how overwhelmingly beautiful a simple tree can be. We can love or hate winter, but sometimes, days happen when love shines through millions of ice crystals on tree branches embellished by frost. It is an understatement to call such landscape beautiful because it consumes one entirely and echoes in the heart and resonates with the soul.

All is white

The best feature of winter snow is to beautify all ugly and awkward-looking fall remains. The view is undisturbed and travels far away, and everything we see is endless path of light, topped with the purity of transparent sky. I delved into such winter landscape and transferred it onto canvas. It took me a while. The view is not complicated, but acrylic paint is quite stubborn. It requires five to eight layers to reflect the deep whiteness of snow and the strong shadows of trees. Every tiniest spot on a painting requires attention and work.

Extremely limited palette

This particular painting is created using extremely limited palette: black, white, brilliant blue and burnt sienna. The green color is a mix of burnt sienna, blue and white. Only four colors will create a great winter painting because we can adjust all proportions of the above-mentioned colors, thus, getting numerous shades of grey, blue, green and white.

Screen settings

Now, what you will see on the screen depends on your device and its settings. I looked myself at pictures on the iPhone, and they have extremely strong contrast. On the large monitor of my big computer, everything is more balanced and not that exaggerated. Regardless of your device, you will still have an idea of what the painting is like.

Long history

Just like many other of my 20 x 16 in or 40.5 x 50.5 cm paintings, I started this one last year at a full day workshop. Therefore, this painting has a very long history and processing time. I didn’t get it done and adjusted completely last winter, so it was left in a pile of paintings waiting to be either painted over and changed (subjects I have lost interest in), or finished (subjects which look promising).

Three versions

After I took 3 sets of about 30 pictures each, I finally got some with acceptable color balance. Accidentally, having taken a picture of only half painting, suggested me I could use this painting for 3 prints: vertical with the front trees only, square with the main portion of painting and the horizontal which is the entire painting. Each one looks interesting, indeed. I know other artists do that, but It’s the first time I will be offering 3 prints of the same image.

Winter birch acrylic painting by Inese Poga
Vertical version of White birch trees, bright day
Winter birch acrylic painting by Inese Poga
Square version of White birch trees, bright day

Shop some art, make my day

I have decided to ship only paintings which somebody requests to be shipped. The main reason is that my art looks much more attractive in reality when the actual size makes extra impact on the viewer. I am well aware that not everybody is ever be in Canada, Ontario. Yet, many people live here and have no problem stopping by at Inese’s Art Studio. They are my main customer and thanks to people , who live here, I can paint and purchase new art materials and paint more. It’s not a whole lot of money, but it is a support. If you feel you like some painting, don’t hesitate, let me know! We can always arrange something.

Link to my store on this website: Shop special offers

I hope to be in touch a few more times this year. With love, Inese

No-rush life mode and energetic value of art

Boat on golden shore, boat painting

Distractions

These days, there are many distractions which do not allow working peacefully and devotedly on whatever we’d like to accomplish. I never give up painting, unless it’s so that I cannot get physically to my easel or painting desk. That is rare. I am working on additional paintings which will be included in the fall/winter sale event. It was supposed to take place in reality, but it’s safer to do this event remotely in the current situation.

Things which depend on me

I get done efficiently everything which directly depends on me. I wish everything depended directly on my own abilities and decisions! Just as always, iPhone gives me hard times. Especially when painting is large, it seems impossible to just snap a realistically looking picture of it. iPhone tries to enhance everything and I just don’t need that: contrast in excess, all blue or all yellow image, too light or too dark parts. These pictures look good on the phone screen, and that’s about it. Once I upload them on computer, it feels like disaster. It feels like that’s not the same painting.

Energetic value of original art

I post only original art on my website. That means I have created every single drawing and painting from scratch. There is no other one exactly like the ones I have painted. Original art is unique, one-of-a-kind and it displays features which are not visible or not present on a print or digitally multiplied image. Original painting has energy, and this energy vibrates in the space and captures the viewer.

Original art feels alive

Original painting upon completion starts living on its own. It’s a new energetic entity, and it has become a part of the universal energetic exchange. Art prints are copies, and they carry only the energy of materials and machines applied in the printing process, there’s nothing alive about a print. Yet, it is a good solution for decorating some certain spaces.

Texture plus multilayer paint

Many of my paintings have texture under multiple layers of paint. Textured spots enhance the image and usually look very attractive. It is more difficult to paint on a textured surface than on a smooth one. However, when used correctly, texture adds to volume and interestingness of art. I always use many layers of paint allowing them to dry between painting sessions. That also adds color play to painting and works towards an impressive impact. Photo cannot react to every tiniest nuance on canvas, and therefore, it goes almost unnoticed online.

Display and photo features

To be honest, if you haven’t seen art in person and with your own eyes, you pretty much haven’t seen it. Online is ok, and it can be anything: much better or much worse in real settings. If this pandemic had happened 50 years ago, we couldn’t even dream about connecting online and being present where we cannot be physically. Just keep in mind that no image can be like the original from which picture was taken. Every device, every screen will change it.

No-rush life mode

I’m living in a no-rush mode and moving ahead at my own pace. That also means putting no extra pressure on myself. Days are getting shorter swiftly, and I can do only what’s possible. That doesn’t involve lowering my personal standards, however. Every single one of my paintings involves a lot of work, many hours, numerous tubes of paint, countless decisions and millions of brushstrokes. It shows in the finished product. I actually wouldn’t change a thing when it comes to my art. It deserves attention and it deserves love. Slowly, but surely: art sales will take place.

As always, for art prints you go to FAA:

Art collections by Inese Poga

Sketching and drawing for ageless brain and memory

Pen and watercolor nature paintings by Inese Poga

Sketching and drawing boosts brain flexibility

If you draw manually, you don’t need to purchase any brain flexibility and memory boosting supplements and medications. Manual drawing as an activity is far more superior to writing, reading, solving crosswords or simply memorizing words. Lots of research has been done in this area to date, and it’s important to point people in this direction, but I didn’t need any research to be sure about how much manual drawing increases memory, focus, decision making and any type of activity where engagement of the brain is required.

Just get started

From the first days at school, I couldn’t help but notice how easy it was for me to recall and remember things without any effort. I had only excellent and the best grades in all school subjects from elementary school, to high school to University, especially in math, chemistry, history, biology, geography and foreign languages (Russian and German), although I spent very little time studying. I lived in a very different environment back then. We had no nursery schools, kindergartens or similar available in early 1960 in Soviet Latvia. Both parents worked, my grandmother was always busy, I was practically on my own. I started to draw very early. I was drawing anything which was around and since I didn’t have a special drawing paper I was using wrapping paper or any paper which had space for my potential drawing.

Practice is the mother of skill

During all school years, including high school, I drew every single day and read a book a day. We didn’t have internet, computers or even TV back then. Photos were taken on exceptional occasions, like wedding or big anniversary. My drawing was always based on my own visual perception and ability to recreate what I saw. Nobody ever taught me or explained how to draw, but I experienced almost daily discoveries in recreating volume, dimension, getting good shadows and so forth. I studied available books going systematically through art history from ancient Egyptians to French impressionists, to Russian and West European classic art and Latvian artists. I illustrated every single book I read. I drew death masks of Egyptian princesses, Nefertiti’s head, Roman citizens, renaissance buildings, book characters. Nobody paints in my family  and never did, so, it was a complete self-development.

I was right

After I started teaching, I noticed very quickly that my German language groups which also did drawing course with me, succeeded much faster than the others in languages also. Later in life, I paid special attention to how well somebody’s memory was depending on whether they loved drawing or not. When internet became available, I could see that my guess was 100% correct. Other people had also noticed the mental and memory advantages which were apparent in people who loved drawing just about anything.

Research backs me up

Research has proven the superiority of manual drawing over other similar activities. You can check out Canadian University of Waterloo research pages which show why manual drawing works so well in boosting memory. Nowadays, people do not have to write or draw a lot because devices can do all of that. It works best when you do not focus on the result, but on the drawing process. Research also finds that improvement of brain activity and brain cell longevity does not depend on quality of drawing. It’s the process and the way we handle the image mentally and recreate it using vision and manual drawing. Even when you’d describe the drawing as bad or poor, it still has done so much good for the brain. Result matters if you are entering an art competition, but it doesn’t if you are doing exercises for the brain and your memory.

No need for perfection

People also want everything to be perfect nowadays, and to get that result immediately, therefore, they’d trace or project photos, print off outlines or the entire image and so forth. Well, that is the part of drawing which won’t give the necessary boost to the brain because, like I mentioned before, the key is the image processing and active recreation of it. You will still learn new things, and that is always advantageous, but to a lesser level.

Engage in manual drawing, develop a habit

I had to write this because I’m seeing how many ads ask you to purchase all kinds of supplements, medications and use treatments to improve memory and brain flexibility. Why not to enjoy a wonderful meditation-like state of mind and achieve a great memory naturally? Drawing also doesn’t require many art supplies, just decent paper and sharp pencil. Try using no eraser and that will allow you advancing much faster. Once somebody has gotten started with drawing, they’ll soon feel that it turns into habit, as you might know developing a habit takes approximately 90 days. You will get blocks of drawing paper, possibly a sketchbook and carry them around wherever you go because it is simply fantastic.

My new art classes

Please, enjoy the beautiful watercolor wash and black pen line art. I decided to share the overview since pen and watercolor art will be the subject of my first online downloadable art instruction classes.

Drawing and sketching with pen and watercolor wash is an excellent way to familiarize with painting techniques, color mixing, composition and watercolor as such.

For my art prints, please check out FAA:

Art collections by Inese Poga

Have a wonderful weekend!