With love and embellishments of frost

Winter birch painting by Inese Poga

Bright winter day

After the snowfall and storms, the day comes to greet you with a bright and sunny smile. Every worry is buried under the healing cover of white snow blanket, and you just walk by wondering how overwhelmingly beautiful a simple tree can be. We can love or hate winter, but sometimes, days happen when love shines through millions of ice crystals on tree branches embellished by frost. It is an understatement to call such landscape beautiful because it consumes one entirely and echoes in the heart and resonates with the soul.

All is white

The best feature of winter snow is to beautify all ugly and awkward-looking fall remains. The view is undisturbed and travels far away, and everything we see is endless path of light, topped with the purity of transparent sky. I delved into such winter landscape and transferred it onto canvas. It took me a while. The view is not complicated, but acrylic paint is quite stubborn. It requires five to eight layers to reflect the deep whiteness of snow and the strong shadows of trees. Every tiniest spot on a painting requires attention and work.

Extremely limited palette

This particular painting is created using extremely limited palette: black, white, brilliant blue and burnt sienna. The green color is a mix of burnt sienna, blue and white. Only four colors will create a great winter painting because we can adjust all proportions of the above-mentioned colors, thus, getting numerous shades of grey, blue, green and white.

Screen settings

Now, what you will see on the screen depends on your device and its settings. I looked myself at pictures on the iPhone, and they have extremely strong contrast. On the large monitor of my big computer, everything is more balanced and not that exaggerated. Regardless of your device, you will still have an idea of what the painting is like.

Long history

Just like many other of my 20 x 16 in or 40.5 x 50.5 cm paintings, I started this one last year at a full day workshop. Therefore, this painting has a very long history and processing time. I didn’t get it done and adjusted completely last winter, so it was left in a pile of paintings waiting to be either painted over and changed (subjects I have lost interest in), or finished (subjects which look promising).

Three versions

After I took 3 sets of about 30 pictures each, I finally got some with acceptable color balance. Accidentally, having taken a picture of only half painting, suggested me I could use this painting for 3 prints: vertical with the front trees only, square with the main portion of painting and the horizontal which is the entire painting. Each one looks interesting, indeed. I know other artists do that, but It’s the first time I will be offering 3 prints of the same image.

Winter birch acrylic painting by Inese Poga
Vertical version of White birch trees, bright day
Winter birch acrylic painting by Inese Poga
Square version of White birch trees, bright day
Winter birch painting by Inese Poga
Horizontal version of White birch trees, bright day

Shop some art, make my day

I have decided to ship only paintings which somebody requests to be shipped. The main reason is that my art looks much more attractive in reality when the actual size makes extra impact on the viewer. I am well aware that not everybody is ever be in Canada, Ontario. Yet, many people live here and have no problem stopping by at Inese’s Art Studio. They are my main customer and thanks to people , who live here, I can paint and purchase new art materials and paint more. It’s not a whole lot of money, but it is a support. If you feel you like some painting, don’t hesitate, let me know! We can always arrange something.

Link to my store on this website: Shop special offers

I hope to be in touch a few more times this year. With love, Inese

No-rush life mode and energetic value of art

Boat on golden shore, boat painting

Distractions

These days, there are many distractions which do not allow working peacefully and devotedly on whatever we’d like to accomplish. I never give up painting, unless it’s so that I cannot get physically to my easel or painting desk. That is rare. I am working on additional paintings which will be included in the fall/winter sale event. It was supposed to take place in reality, but it’s safer to do this event remotely in the current situation.

Things which depend on me

I get done efficiently everything which directly depends on me. I wish everything depended directly on my own abilities and decisions! Just as always, iPhone gives me hard times. Especially when painting is large, it seems impossible to just snap a realistically looking picture of it. iPhone tries to enhance everything and I just don’t need that: contrast in excess, all blue or all yellow image, too light or too dark parts. These pictures look good on the phone screen, and that’s about it. Once I upload them on computer, it feels like disaster. It feels like that’s not the same painting.

Energetic value of original art

I post only original art on my website. That means I have created every single drawing and painting from scratch. There is no other one exactly like the ones I have painted. Original art is unique, one-of-a-kind and it displays features which are not visible or not present on a print or digitally multiplied image. Original painting has energy, and this energy vibrates in the space and captures the viewer.

Original art feels alive

Original painting upon completion starts living on its own. It’s a new energetic entity, and it has become a part of the universal energetic exchange. Art prints are copies, and they carry only the energy of materials and machines applied in the printing process, there’s nothing alive about a print. Yet, it is a good solution for decorating some certain spaces.

Texture plus multilayer paint

Many of my paintings have texture under multiple layers of paint. Textured spots enhance the image and usually look very attractive. It is more difficult to paint on a textured surface than on a smooth one. However, when used correctly, texture adds to volume and interestingness of art. I always use many layers of paint allowing them to dry between painting sessions. That also adds color play to painting and works towards an impressive impact. Photo cannot react to every tiniest nuance on canvas, and therefore, it goes almost unnoticed online.

Display and photo features

To be honest, if you haven’t seen art in person and with your own eyes, you pretty much haven’t seen it. Online is ok, and it can be anything: much better or much worse in real settings. If this pandemic had happened 50 years ago, we couldn’t even dream about connecting online and being present where we cannot be physically. Just keep in mind that no image can be like the original from which picture was taken. Every device, every screen will change it.

No-rush life mode

I’m living in a no-rush mode and moving ahead at my own pace. That also means putting no extra pressure on myself. Days are getting shorter swiftly, and I can do only what’s possible. That doesn’t involve lowering my personal standards, however. Every single one of my paintings involves a lot of work, many hours, numerous tubes of paint, countless decisions and millions of brushstrokes. It shows in the finished product. I actually wouldn’t change a thing when it comes to my art. It deserves attention and it deserves love. Slowly, but surely: art sales will take place.

As always, for prints you go to FAA:

Sketching and drawing for ageless brain and memory

Pen and watercolor nature paintings by Inese Poga

Sketching and drawing from nature versus supplements

If you draw manually, you don’t need to purchase any brain flexibility and memory boosting supplements and medications. Manual drawing as an activity is far more superior to writing, reading, solving crosswords or simply memorizing words. Lots of research has been done in this area to date, and I suppose it’s important to point people in this direction, but I didn’t need any research to be sure about how much manual drawing increases memory, fact processing, focus, decision making and any type of activity where engagement of the brain is required.

Just get started

From the first days at school, I couldn’t help but notice how easy it was for me to recall and remember things without any effort. I had only excellent and the best grades in all school subjects from elementary school, to high school to University, especially in math, chemistry, history, biology, geography and foreign languages (Russian and German), although I spent very little time studying. I lived in a very different environment back then. We had no nursery schools, kindergartens or similar available in early 1960 in Soviet Latvia. Both parents worked, my grandmother was always busy, I was practically on my own. I started to draw very early. I was drawing anything which was around and since I didn’t have a special drawing paper I was using wrapping paper or any paper which had space for my potential drawing.

Practice is the mother of skill

During all school years, including high school, I drew every single day and read a book a day. We didn’t have internet, computers or even TV back then. Photos were taken on exceptional occasions, like wedding or big anniversary. My drawing was always based on my own visual perception and ability to recreate what I saw. Nobody ever taught me or explained how to draw, but I experienced almost daily discoveries in recreating volume, dimension, getting good shadows and so forth. I studied available books going systematically through art history from ancient Egyptians to French impressionists, to Russian and West European classic art and Latvian artists. I illustrated every single book I read. I drew death masks of Egyptian princesses, Nefertiti’s head, Roman citizens, renaissance buildings, book characters. Nobody paints in my family  and never did, so, it was a complete self-development.

I was right

After I started teaching, I noticed very quickly that my German language groups which also did drawing course with me, succeeded much faster than the others in languages also. Later in life, I paid special attention to how well somebody’s memory was depending on whether they loved drawing or not. When internet became available, I could see that my guess was 100% correct. Other people had also noticed the mental and memory advantages which were apparent in people who loved drawing just about anything.

Research backs me up

Research has proven the superiority of manual drawing over other similar activities. You can check out Canadian University of Waterloo research pages which show why manual drawing works so well in boosting memory. Nowadays, people do not have to write or draw a lot because devices can do all of that. It works best when you do not focus on the result, but on the drawing process. Research also finds that improvement of brain activity and brain cell longevity does not depend on quality of drawing. It’s the process and the way we handle the image mentally and recreate it using vision and manual drawing. Even when you’d describe the drawing as bad or poor, it still has done so much good for the brain. Result matters if you are entering an art competition, but it doesn’t if you are doing exercises for the brain and your memory.

No need for perfection

People also want everything to be perfect nowadays, and get that result practically immediately, therefore, they’d trace or project photos, print off outlines or the entire image and so forth. Well, that is the part of drawing which won’t give the necessary boost to the brain because, like I mentioned before, the key is the image processing and active recreation of it. You will still learn new things, and that is always advantageous, but to a lesser level.

Engage in manual drawing, develop a habit

I had to write this because I’m seeing how many ads ask you to purchase all kinds of supplements, medications and use treatments to improve memory and brain flexibility. Why not to enjoy a wonderful meditation-like state of mind and achieve a great memory naturally? Drawing also doesn’t require many art supplies, just decent paper and sharp pencil. Try using no eraser and that will allow you advancing much faster. Once somebody has gotten started with drawing, they’ll soon feel that it turns into habit, as you might know developing a habit takes approximately 90 days. You will get blocks of drawing paper, possibly a sketchbook and carry them around wherever you go because it is simply fantastic.

My new online art classes

Please, enjoy the beautiful watercolor wash and black pen line art. I decided to share the overview since pen and watercolor art will be the subject of my first online downloadable art instruction classes.

Drawing and sketching with pen and watercolor wash is an excellent way to familiarize with painting techniques, color mixing, composition and watercolor as such.

For my art prints, please check out FAA:

Have a wonderful weekend!

Summer poetry in colors and lines

Watercolor still life

The poetic medium – watercolor

Watercolor is a very poetic medium. That’s not only because of its flow and easy transition of colors, it is also because nothing else captures our mood, idea, concept or scene as impressive and as fast as watercolor does. Managing classic watercolor painting takes mastery. We can apply it very abstractly allowing water and pigment to create the initial shapes and values, or we can use watercolor in many layers making it opaque and creating strong dimension and volume.

World watercolor month

World watercolor month is getting close to its end. I usually do not devote or create specific paintings during July, but keep using it as I normally would since it is one of my preferred mediums. I like applying watercolor in many different ways: from very abstract to very detailed and from almost animated to very realistic. Our painting style is usually a summary of our personal objectives and intentions. Generally, I do not aim for a very lifelike look, but rather impression my artwork makes. I participate in shows and exhibitions and I want my art to be visible and standing out among hundreds of other paintings. It quite often does thanks to style, colors and large size.

Good energy

Please enjoy the gallery, and you might like to purchase some art or art print which comes in numerous options for frames, mats and printing surfaces. Print is not original, but in specific spaces it definitely serves the purpose: it gives a space complete look and never stops inspiring and being beautiful. There is never too much beauty in our surroundings. Good art is valuable because of energy it sends out. Energy presence is almost touchable in my art.

African violet, watercolor
African violet, watercolor, 20 x 14 in or 51 x 36 cm

I used to have numerous African violet plants.

A few survived, and these are the ones I have been painting.

Garden roses, floral watercolor

Garden roses on fence were painted in winter of 2019.

Probably the saddest time ever. since my mom passed away in February.

All paintings of this time are so uplifting, light and cheerful. For balance.

Pansies, watercolor
Purple pansies, 20 x 14 in or 51 x 36 cm

Pansies belong to my favorite painting models. Purple fits them well because of all variations.

Purple pansies are somewhat abstracted and painted using watercolor wash and a few strong edges.

The summer still life paintings have been in creation for a long time. I started them probably in 2016, but they got their finishing touches only now. They both have very vibrant colors, just as summer vegetables do, and everything which has great shape worth capturing, suits my still life well. Enjoy!

Summer still life, 20.5 x 16 in or 52 x 41 cm and Kitchen still life, 18 x 24 in or 46 x 61 cm, both watercolor

Please, visit my Fine Art America site for all kinds of artistic products:

Still life with personal touch

Blue, green and orange still life by Inese Poga

This post has many pictures, make sure to check them out. I decided to devote a special article to my still life paintings since it has been an important genre for me for many decades.. In languages which I speak fluently (native Latvian, German, English and Russian), still life is called as follows:

Still life: English

Stilleben: German

Hатюрморт: Russian

Klusā daba: Latvian

Nature morte: French

Naturaleza muerta: Spanish

Natura morta: Italian

Wikipedia gives a brief historic overview of still life as a genre, and I don’t think I need to repeat it.

Etymology and direct meaning

Translating literally, still life means dead nature in French, Italian and Spanish and Italian and Spanish have presumably borrowed it from French. The direct meaning of English still life is “life which is not moving and making no sound”; not moving and silent life – in German. Russian uses a loanword from French; hence French was spoken in all higher educated circles in Russia for quite a while until the Socialist revolution in 1918. Still life in Latvian means “silent nature” referring to rather making no sound than not moving. I find this very amazing. I do stick in my still life paintings with “nature that isn’t moving, but is visibly alive”.

My still life

As a native Latvian, I have formed my understanding of still life based on classic Latvian art. I especially adored Latvian art which was created between 18th and 19th century and around the beginning of 20th century. Latvians used to go to France and Italy to study art, therefore, the influence is undeniable. The part I never liked and to which I developed internal opposition was the use of mainly cold raw umber and rather muddy earth and dirty blue color in still life art between the WWII and 60-s of the previous century. However, they worked well in combination with grey color since grey has many thousands of shades. When I was younger, I couldn’t stand such color combinations.

The beginning of my personal style

I initially was somewhat really naturalistic. I could sit for hours in the garden or in my room and draw leaves, plants and flowers between age 10 and 16. I drew also people and faces of my sister and other relatives, but for still life, I didn’t have to ask anybody to sit and stay there for a few hours. Back in 60s and 70s of 20th century while Latvia was still in the Soviet Union, I could mostly use what I got from our garden. Vegetables and fruit lasted longer than flowers, so, I developed a special love to them. I used just pencil and watercolor on a bad quality paper. I didn’t have lots of art supplies, often not even eraser. That taught me drawing so that I wouldn’t need eraser. I didn’t have obviously camera and printer, and nobody knew anything about the internet yet.

The subject of still life

Still life with fruit and flowers, watercolor

I have most often certain requirements when setting up a still life. I use something man-made, such as bowl, cup, jar or mug, box, books or similar items. I implement some flower or leaves, or the entire plant whenever I have it, and that establishes the living part of my still life. I also love adding either fruit or vegetables since they are always available. I sometimes cleaned out the fridge, and my husband used to joke that we didn’t eat for the entire month while I painted my still life. Big is definitely more impactful, and I go with full sheet watercolor paper (22 x 30 inches or 56 x 76 cm) when I have a good quality paper. The same about acrylic painting of still life. The small size is about 16 x 20 inches or 41 x 51 cm with just a very few exceptions that are even smaller. Painting big size art is much easier for me and I always prefer that assuming I have enough time and appropriate art supplies.

A very attractive genre

Blue, green and orange still life by Inese Poga
Green, blue and orange still life, just finalized with extra touches

Over years, I have painted numerous still life paintings. Many have been sold as prints. I cannot include all still life paintings, but just a few in one post. These paintings are recently finalized, but started even 10 years ago. The “Spring tulips and cup” painting was done like that. Pictures I was taking years ago, do not look that good any longer, but I cannot get better ones from framed art which is under glass. For these paintings, I had only my sketch or drawing for reference.

My reference for my still life painting
I could finish this painting because I had created a value drawing in the same size what painting is: 20 x 24 inches or 51 x 61 cm, therefore, I had reference
Watercolor painting, still life
Still life with blue, 25.5 x 20 in or 64 x 51 cm

It is usually difficult to get true pictures of paintings and how the viewer sees my paintings, depends on their device. I certainly tried. I have 4 monitors at 2 computers, and every image looks very different on each one of them. These paintings are available as art prints also. Thanks for reading!

More about my still life art, click on image for article:

Watercolor still life

Please, shop for art prints of all kinds and other art products: