Fruity, simple and attractive is still life with apples. Between years 2013 and 2018, I used to spend either August or September in Latvia. They have numerous fruit trees. Apples were in all tones and colors: red, white, green, purple and scarlet. Their round perfect shape was always attractive to me, so, I rarely could resist sketching or painting some apples whether with leaves or other elements.
This particular painting comes from my bright color period. I think it was 2008 when I painted this still life. It is quite large, 15 x 22 inches or 38 x 56 cm. I used to enjoy extra bright colors and St. Petersburg watercolors definitely facilitate that.
This apple still life was painted in Latvia looking at a tree and balancing paper in my lap. The weather wasn’t really cooperating, but I managed to finalize this painting upon my return to Canada.
Similarly, this still life with apples and pears was painted at my daughter’s computer desk. The space was too small to lay out paints and paper in a manner that I could paint without worrying that something falls to the floor. However, I love how it came out. I got some leaves in the garden, and they had a few green pears. I love my color combination in this one.
These are clear white apples which grow in my sister’s garden. They are ripe in August or even sooner, but must be consumed swiftly. They are extremely juicy and sweet, but go bad fast. I haven’t actually seen this sort of apples in Canada. I think this still life came out quite nice, too. I had to add final touches upon my return to Canada.
I have many sketches of apples, some unfinished watercolors and also acrylic still life painting with fruit and apples. It is not possible to remember all paintings which feature apples.
My personal point is that anything makes a good painting. Simple things can be painted and drawn as great as very complex subjects. I do always advise starting with such subjects that are around you and are easily found and replaced. That is a wonderful exercise in composition and color. It is also pleasure for eyes. Such paintings look great on any wall.
Since the new fall semester is starting soon at my studio and people are signing up for fall semester art classes, I would like to point out a few creative blocks that prevent us from unfolding our creative potential to full extent. We are all very different and we come with our good and bad habits. We have great and not that great qualities, but there are some things we need to leave at home when starting an art class.
Self-criticism
Students sometimes describe their first drawing and painting attempts as bad, unsuccessful or failure. This can mean a few things. There are people who apply strict critical attitude to themselves. They might not love themselves or they might be afraid that if they do not say that first, somebody else will. In other cases self-criticism can mean just asking for a compliment, to be certain that whatever you do is fine. When somebody is just starting out to explore what drawing or painting is, they have to relax and stop programming themselves for inability to do anything.
Programming oneself for failure
Saying that you cannot do one thing or another creates strong internal resistance to experiencing new abilities and skills. If you have come to an art class, stop criticizing yourself and what you do: most likely, you wanted to learn. That’s what learning process is: going from not that great result to achieving everything you wanted. We must devote time and do some work in order to see how much and how far we can go. Please, leave the strict inner critic at home; don’t allow it to follow you into the classroom!
Flower painting class for adults
Expecting immediate results
Learning anything is a process, a journey and a discovery. Learning is a gradual process. We go from simple to complex, from general to specific, from mediocre to outstanding. Sky is the limit or rather, the only limitations are these which we put ourselves within.
Have you ever heard that somebody learned playing an instrument within a few hours? It is unlikely, isn’t it? Have you ever seen an Olympic champion who just picked up their sport a few days ago? Do you know about any writer who won global attention with the first line they ever wrote?
Time, practice and effort
Any new skill takes time, work, practice and effort. When it comes to drawing and painting, for some unknown reason, many people are convinced that they just go to an art class and become skilled within 2 hours. It might be because watching YouTube videos has made an impression that it is extra easy and fast. That applies especially to time-lapse and speed videos. You see quite many hours of work squeezed in a few minutes.
Lack of confidence and insecurity
We can distinct 3 main types when it comes to confidence and insecurity: some people are way too confident that they know everything, some keep a healthy balance, but some others doubt every breath they take.
The value of an art class is that it teaches confidence and how to become confident and forget all insecurities what one had. That is a valuable quality for any person, not only for the creative type. Lack of confidence is easy to detect in art. Most often we get rid of this disturbing feature by courageously going with our feelings about the particular subject. We have to also stop worrying about mistakes. They happen; they are a normal part of any learning process and creativity.
Fear
I have been writing about this issue numerous times. It is your paper, it is your canvas. You can put on it anything you feel like. If you do not take small artistic risks, progress will be slow. There is no point in trying to avoid mistakes or errors. Don’t be quick to describe your learning process as a failure.
Paper, canvas, brushes and pencil do not bite. There are no known health threats when using good quality, safe paints.
Mastery doesn’t happen immediately
Nobody has ever become a master within a few hours, nobody. Fear usually arises from comparing oneself to either the best images on the internet or to other students. Students sometimes say they have no experience only to try looking better in the context of the group. It is not a competition. It is a class. Class is a learning process.
Fear paralyzes our creative resources. Drawing and painting is seeing at first and then allowing the signal from our brain to travel to the hand with brush or pencil.
Extreme sensitivity
Being emotionally very sensitive can frequently involve anxiety and unjustified stresses. You must understand that nobody comes to an art class to judge what you paint or draw because all students want to learn or develop their beginner skills more. Art class is not a show or competition. If you do not want others to see what you have painted, say so. I do sometimes wonder why somebody would want to compare unfinished project, color swaps or draft sketches? You have all rights to keep your work private. If you do not want the teacher or art instructor to correct any of your lines, colors or show brushstrokes, just say so. It is sometimes better to simply show some technique, but if it makes some person feel not right, that’s ok.
Watercolor painting class
Emotional barrier
All of the above can create an emotional barrier which prevents you from either improving your skills or getting started with the new activity. You might feel uncomfortable with new things; however, it is so much excitement once you get out of the box where you have put yourself in! There are so many options to pursue and so many ways to develop any of your abilities. Taking the first step and diving into the unknown shouldn’t stop you from trying. It is way worth it.
Quitting before you even started
Art class is no different from any other class: there are fast learners, slow learners, the ones who grasp everything immediately and these ones who always doubt whether they should be even doing this class.
If you are not giving yourself a chance to experience what the new pursuit is about, you most likely will not be satisfied with it.
The truth is that every art, drawing and painting project takes time to elaborate. It also requires practicing some certain techniques and approaches. Acrylic, for instance, is such a medium that it does not look great at early stages. It can even look like a mess and that is great because you have a good base to build the subject on. Some steps might take longer and some are quick. Details and highlights add a special flare to any art, but that comes at later stages. Quitting after the first class will prevent you from seeing what you could have achieved, and especially, after a longer time.
Rose painting workshop
Unrealistic expectations
If you know what your level at the current activity is, and most likely, you do, expect normal progress, not pure miracles. Miracles happen, but only to these who dare.
Going from zero skills to good skills will definitely take time and practice. You will enjoy faster progress if you repeat at home everything you learned at class, but this time on your own. That will indicate which are the weak aspects and you might want to find out more about them during the next class.
Any teacher or instructor may seem like a magician during a demo, but they cannot make you move your hand, make decisions and apply recommendations. You will have to focus, be attentive and observant and also courageous enough to apply what you just learned. Should you expect a masterwork from just the first lines and brushstrokes? You shouldn’t, but during the learning semester that might happen.
Teen students, watercolor painting class
Lack of commitment
Some students are surprised that drawing and painting take work, efforts, a lot of thinking, decision making and even physical strength. For instance, covering quite large canvas takes also physical effort because it needs to be done quite fast to prevent drying and blend some areas seamlessly. We have to act sometimes very fast with large watercolor washes, too.
Creating something requires our input. The drawing or painting will be exactly as you create it. There is no point in saying: “I don’t like it!” Instead, try saying: “What do I like about this and what needs to be changed or improved as I proceed?”
Learning as an ongoing process
Attending any classes takes commitment. Skipping one class might be fine, but you will need to still catch up with others because it is an ongoing process. People, who are convinced that good work pays off, always achieve more and better results. Learning is a serious process. It will require your focus and attention. It is a fantastic, pleasurable and rewarding process, but if you think that it is just play and fun, you might be disappointed. Artists, who want to achieve great results, spend many years learning and never stop doing so.
Spring season is giving space to summer. We bathe ourselves in light. We walk through spring and summer days very aware of nature’s beauty. This is the most inspiring time of the year, at least for me. It is not only because the nature is so ready to bless us with so much visual abundance, but also because the energy is so vivid and at its highest point: the energy of growth and fulfillment. Every view is framed by grapevines and has flowers scattered over it.
The magic energy
We should capture some of this sparkling energy and preserve it for cool fall and winter nights. I do capture such energy in my art. I love including floral elements in my paintings, whether tiny or large. I believe we suffer from too materialistic life style and we are too obsessed with profits and material gains. That leads to imbalance. Mental side and soul should be loved at least as much as the physical body which gets all attention.
Feeding our soul
Art feeds our soul. You enter an art studio and you will be right away embraced by something uplifting and mysterious. Painting consists of paints, lines, shapes and light rays. How could they possibly take one to another world? They can since we implement ideas, thoughts, concepts and energy along with visible things in a painting. Art crosses the limits of visible and invisible and easily passes the restrictions of reality. I think that makes pursuing art such a worthy experience.
Is painting ever finished?
It is great to look at a finished artwork. I dare to say that the process of creation surpasses the savoring art by the viewer. To be able to create feels like an endless journey to satisfaction. Is a painting ever finished, though? The truth is that sometimes I continue mentally working on some painting even after it has been sold. These ideas will find reflection in my next paintings.
Moving to my new art studio
As I am packing up my studio again, I was just snapping a few pictures of the recent and not that recent paintings. I do sometimes forget how much art I have created and it is nice to refresh my memory here and there. Paintings are sold over time, but what remains is the reality of being able to create beauty.
Enjoy and visit
My new studio will have more space, indoors and outdoors on 2 levels. It will be a great place to create new art and to enjoy the previous paintings. Thankfully, it is a very close move, 7 minutes by foot and 5 minutes by car. Enjoy the images of paintings and visit my new studio! If you are somewhere not that far from Ajax, Ontario, stop by! It is summer, travelling is easy and fun.
Spring paintings feel like a good choice when nature awakes
When else if not now to engage in creation of spring paintings? One can tell how much I love spring by just having a look at what I have painted recently: spring flowers, spring scenery and spring landscapes. I think I feel seasonal changes on a mental level very strongly. I cannot imagine I would be painting snow right now. Still life in that regard is the most neutral subject, but I felt I needed something more impressive.
My personalized realism
Most people believe I paint reality, but I do not. I use quite frequently real things, like I used real daffodils for the front part this time; however, I always beautify the reality and make any subject my personal reality. That means I give the subject my colors which I love at that moment, enhance the layout, and add extra contrasts or values, just to make everything more of what I experience at that moment.
Nature does not always cooperate
The truth is the spring has been slow again in Ontario. We even had very winter-like weather a week ago. Therefore, to facilitate the feeling of blooming and warmth, I just paint it. I decided to mostly post one image at a time whenever possible. Most people never read posts, so, they only have a glance at the featured image and move on. That is why most paintings, advice and images which are in the article go unnoticed.
Taking pictures
Taking pictures with iphone is very difficult. The extreme contrast is fine for any regular pictures, but not art. My solution is taking pictures with backgrounds, extra items, paints, brushes and similar. That works for the most part, but the painting area one works on, can be very messy sometimes. I mean, there are paint tubes, dirty paper towels, plates with leftover paint, brushes, sponges, jars with dirty water and all kinds of other things. Therefore, some pictures look messy by accidentally displaying some item which completely doesn’t fit the view.
Just imagine how it looks on my wall
My pictures still display more contrast than they should. Everything is usually well-balanced in my actual painting. I work in layers and for many hours in order to achieve the color balance. As you know, acrylic paints, at least the ones which are available in Canada, become much darker as they dry. One has to calculate that in when applying paint. It can happen so that sometimes white or yellow paint is very weak, and fixing the value imbalance requires extra work.
Available for purchase
Any of paintings are available from my studio. Paintings which are displayed in this post are 16 x 20 inches or 41 cm x 51 cm. I have to mention that because pictures look all the same on the internet. Anyway, enjoy the Daffodil barn and spring paintings! Daffodil barn got lots of great comments on Facebook and Fine Art America site this time, in particular, in acrylic artists’ groups. Please, see links to other posts and FAA sales site.
Spring is already here. Art studio is a place which is always in bloom. Art studio has all seasons at once, and spring is presented to a high degree. Spring also means, one can take a canvas or sheet of paper and head out to be closer to the big awakening. Spring nature is an excellent subject! How much time do we really spend in nature and with it? Only with nature, without checking your phone or texting, or listening to music instead of bird songs? The research finds that it is a very insignificant amount of time compared to what we spend in a car and indoors. So, head out!
Outdoor drawing and painting
Outdoor drawing allows not only being close to the nature, but also experiencing a great presence of our subject. Many people use plants, flowers, leaves, blooms, trees, and other live natural subjects in their art. Being able to create a good reference drawing comes from observation. Outdoors is the best place to observe all growing and blossoming things and to understand how they change along with seasons.
Being close to the painting subject
Outdoor painting teaches us how to use fewer art supplies, but use them more effectively. Being in a close distance to our painting subject and having a chance to observe it is an extreme bonus. All tracing and photo editing software can never compare with direct observation. It is because of the presence. Any painting you do using real things and looking at the real painting subject will look more convincing. We can definitely feel the presence of painting subject or lack of it in the finalized art.
Direct observation and drawing
I feel that my duty is to teach other people enjoying things which are not costly, but rather a true source of happiness, pleasure and satisfaction. It would be tough going through life without art and beauty.
Daily drawing practice
We can keep our brain flexible and our cognitive function in great condition by simply drawing and sketching every single day. Just like you go to the gym, you need to engage your brain to its capacity with pleasurable things like art even when out of work and school. Observational drawing and painting is number one brain booster.
The best medication for mental issues
Drawing and painting are the best medication for any trouble, but especially mental issues, such as depression, grief, persistent, obtrusive thoughts and anxiety. We shouldn’t ignore the importance of new and challenging activities as brain fitness exercise. While one paints, they also completely forget about things they are addicted to: food, snacks, alcohol, drugs, smoking and devices, as well as phone. This gives us the much-deserved break from mind pollution.
The immediate result of painting is not the ultimate goal
It is often assumed that the only goal of drawing and painting should be the immediate result. We should not forget that here is so much to gain from the process. If you stop being concerned about the result, you will find out how rewarding the process is. Everybody achieves good results if they practice and keep painting, but certainly the process of creation is the one that deserves to be finally acknowledged and considered the main part of creativity. Along with feeling relaxed, trouble-free and happy, you will also create art that becomes better and better over time.
Picture taking
I tried to take pictures side by side, just to keep colors more relevant. My phone camera has too much contrast and my pictures come out extra bright. They have strong dark contrast which is not present in art. The real paintings are well-balanced. That is a good reason to make a trip to my art studio.
It’s not only color which is not true on photos, it’s also contrast, but especially the size. Size makes a big difference, but it is impossible to see that on the internet. Everything from very large to very small art will seem to be the same size.
Spring, barn Nostalgia series, 24 x 20 inches, or 61 x 51 cm, acrylic on canvas
Anyway, enjoy the new art, and you are welcome to attend my popular art classes.
My art products and prints of paintings on Fine Art America: