Spring landscape for cold winter days

Spring landscape with creek trees and reflection

Sunny spring landscape – spring in our space

We in Ontario are having all kinds of whether these days – from bitter cold and raging winds to melting snow and weak, but encouraging sunshine. White switches to dirty grey and to bright brilliant blue in the sky. While we are impatiently waiting for spring, more sunshine and green color covering the boring grey, it’s fantastic to engage in painting spring landscape. I do it every year now. I used to paint some snow scenes also, but not any longer. Many reasons for that.

The colors of awakening

As I mentioned in the previous post, green color symbolizes harmony and balance, just as it appears in nature, therefore, increasing inner calm. Spring landscape on the wall makes us feel better while it is still dark and cold outdoors. Everybody who uses colors has experienced the uplifting effect of sunny shades and satisfaction with life. Those, who are not sticklers for the result only, can enjoy the meditative process of using colors in many ways.

Memory and imagination instead of photos

This particular spring landscape was started about a year ago. So, it sat with other unfinished paintings and patiently waited for the final touches and paint layers. The good thing is, we can restart acrylic painting at any time, change things around, adjust colors or repaint the areas which don’t fit. I recently don’t use photos; I rather go for the scenes which are stored in my memory. Over the years, the memory grows and grows, and it is easy to recall anything what I would like to implement in a painting.

Painting trees from observation

I love painting trees and using them in my landscapes. In fact, my huge backyard has numerous trees and I watch them consciously and subconsciously any time when I am outside. I teach painting trees in my art classes also because there are so many bad paintings and wrong landscapes with trees. We have to remember that there are always spaces between tree branches and leaves don’t appear in cloud-like formations and lollipop shapes. The best thing to do is observe and then paint.

Paint quality or lack of it

Since the art store in our area closed down, it was the only art store, I am usually running out of paints and other supplies. I am happy that brushes last quite long time. This spring landscape required using white in different combinations. Unfortunately, Liquitex professional Titanium white paint is bad, it lacks in pigment saturation and, thus, causes problems when mixed with other colors. I find that paint quality has gone down big time since the beginning of this century. Apparently, also in this area, profit comes first.

Positive aspects of painting

I hope you enjoyed looking at my spring landscape. I have 4 more I am working on. Last year was not in count because I spent the biggest part of it recovering from injuries. I have big hopes that this year is going to be much better. Nevertheless, painting is always calming, improving mood, taking away from any problems one might have. Stick with manual painting even though, there will be people who will use the stealing AI to come up as if with their own art. Manual painting does good for you and your brain. What counts is the human mastery, not the AI application.

Go big and be certain

I hope I have inspired you to also paint something in nice colors. Such as spring flowers, spring landscape, creeks, lakesides and awakening of the nature. We have to always remember that the art we create becomes us. There’s no point in copying, tracing and trying to recreate somebody else’s artwork. With every brushstroke our artistic ability grows. With every new painting, our hand-brain cooperation becomes more effective. And, please, go big. The teeny-tiny paintings make no sense, and no way you can learn painting like that.

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Vertical, smaller version and black and white version are available as art prints.

Spring color palette

Spring color palette private art classes

Spring color palette with grey

I am impatiently waiting for spring, and while it is still cold, windy and cold with snow covering most of the soil outdoors, I paint spring. I paint spring using my spring color palette which is pretty much always the same. My spring color palette includes different grey tones, as well, but camera cannot keep up with my soft color transitions and frequently sees grey as blue. I hope, the spring color palette can be perceived as you look at my paintings on your device. As we well know, any device has its own settings, thus, impacting heavily what one sees.

Color palette also changes

I have had many favorite color stretches over many decades while painting. I have had totally grey phases, and very blue, very green and bright multicolor painting periods also. As an artist, I never stay the same because everything changes and our hate-love relationship with colors changes, as well. I love balanced color palette and use it whenever possible. Phone camera wasn’t designed to get things look real, but rather enhance everything. It also destroys correct perspective regardless of how you adjust it.

Imagination at work

Spring color palette is vivid and rebirth-affirming. I’m very sure if you live in different climates, your color palette is quite distinctive from mine. I don’t paint mountains or oceans, just because I don’t see them here. I also don’t rely on photos, but rather on imagination and visual memory. That makes things easier for me. Simplicity which excites is a good term to describe these paintings.

Saturated colors

The old house was painted in 2018. Apparently, watercolor works much better on thick Arches watercolor paper. Layering colors is easier and the entire painting has more saturated values. Pictures which I took with iPhone back then, are rather dark and some look even blurry. I should get new pictures of all paintings which I still have, but that’s too much of work and too much of re-posting and editing. I did, however, take new pictures of the old rural house.

Old house watercolor painting in spring colors, 20 x 16 in or 51 x 41 cm

Still grey and Road into distance paintings

Still grey with birch tree and the Road into distance are new watercolor paintings. They are created using the same color palette, but I couldn’t get a good image of the large one, the Road into distance painting, It’s a fantastic, large size watercolor with beautiful color transitions. I would say, it has gentle and soft spring colors and all values are simply perfect. If you ever happen to be in Ajax, Ontario, you could stop by and see with your own eyes how no picture can ever match the original painting.

Road into distance, 24 x 18 in or 61 x 46 cm watercolor painting

If you just started painting with watercolor

If you just started using watercolor, always test your colors. Nowadays, the color name alone doesn’t mean much. I have 3 Payne’s grey paints from different manufacturers, and they range from rather blue to very black color. The same goes for Sap green and Green gold. Burnt sienna and Raw sienna are very different colors from different manufacturers. All blue colors can be anything. Yellow is usually quite weak color from the student grade sets.

Still gre, spring landscape painting with birch, watercolor

What you can do on your watercolor paper

You should also test watercolor paper. It’s not advisable using anything lighter than 140 lb for watercolor painting. Non-cotton paper generally buckles, warps and doesn’t absorb neither water, nor pigment. Therefore, you cannot expect watercolor wash to be perfect, adjust it with paper towel. If there’s too much water on such paper, it settles down at the lowest point due to gravity and you see the “blooms” which look good in abstract art, but wrong in improper area. It’s very easy to lift paint from non-cotton paper. It’s easier for beginners because you can correct many aspects of your painting.

Don’t expect the same outcome

Cotton paper, like Arches allows achieving fantastic washes. It absorbs paint and pigment, therefore, one needs to plan painting. You can stretch and soak it before painting or use water on it before you start painting. I didn’t use Arches this time, but Strathmore 400 series paper. Getting paint on it is more difficult than lifting it. The number of layers is limited. If you use Arches (at least 140 lb. paper), number of layers is quite unlimited. Arches 300 lb. paper doesn’t buckle at all. It’s like wood, thick, firm and allows using and creating great effects. It’s very expensive at the moment, though.

Thanks, talk to you later in spring again! This post is different, thanks for reading!

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Painting without restrictions, spring landscape

Painting in progress, Highland creek landscape

Being in spring landscape

What to do during the dull and dark February days? Probably, just keep painting. Acrylic painting is a bit more difficult with heating on, but it is also very rewarding. I pick myself up and place in the middle of spring. We used to go for walks along the Highland creek which offers attractive views and many varieties of trees, wild plants, chance to watch animals, jump over rocks and rushing water. Creek is wide in the middle part and water stays quite still in some spots. This is like mental transition in time and to another place. Thus, spring landscape is born.

Central part of Highland creek flood water painting

Imaginated reality

As you know, art has no restrictions. That includes the painting subject, colors we use, parts we paint and parts we don’t. I’m usually not that worried about how realistic something looks when painted. There must be some joy and fun put into every brushstroke. I usually paint as I see something in my head. When I look at empty canvas, I can easily visualize what is going to be there, in this spring landscape for instance. Similar to when we have a piece of fabric and we can imagine how the ready outfit will look. Imagination has no borders, too.

Top part of Highland creek flood water painting

Spring landscape as painting subject

This Highland creek flood water painting was done for the private art classes. I thought spring landscape was very fitting since we can paint much less of it or add much more to any part. We can leave the distant part completely abstract. Well, my student was impatient and here and there jumped over the gradual steps which processing an acrylic painting requires. My demo steps got jumpy, too, but, nevertheless, this painting was brought to completion just a few days ago. What you are seeing, however, is not the painting, but images of it. I straggled getting all parts of it onto pictures.

See painting steps above

Getting correct colors in acrylic painting

What’s most important for me personally, is whether the mood in an artwork can move us, inspire us, make us want to be there, in that place which doesn’t actually exist in the real world. I am trying to also teach my students patience and correct use of acrylic paints. While any wet acrylic painting might look perfectly right, it will definitely dry darker. The weaker the paint we use, the darker our painting might become. I regret noticing how Liquitex heavy body professional grade paints have lost some of their quality over years. That refers to Titanium white and yellow shades.

Close-up of front part

The usual acrylic painting principles

Regardless of our artistic intention, we always work from dark to light in acrylic, always from underneath upwards, always from back to front. With heating on, acrylic paint can dry immediately, therefore, we glaze separate parts and work in small segments. The lore layers acrylic painting has, the better it will look. That especially refers to the moment when somebody sees the actual painting in person. I sometimes go over even the final layers if the paint has become too dull in some spots.

Highland creek flood water, acrylic painting 24 x 18″ or 61 x 46 cm

Place yourself in this spring landscape

I hope you love this spring landscape and its mood. I believe you’d hear birds singing and water rushing over wet rocks and grasses if you are able to forget the surroundings for a moment and be immersed in this painting. It’s in great size, not too huge, not too tiny, 24 x 18″ or 61 x 46 cm. The steep vertical format adds a good quality to this spring landscape and pushes compositionally important elements close to the viewer.

Just like always, thanks if you read my post! I intend to catch up with likes and comments.

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Watercolor, beating the blues with art

Sunny spring creek watercolor

Bright and sunny watercolor art

On TV, they were talking about winter blues. How this dull and wet January weather makes people feel down and upset. Our mind tells us that spring is far away, and to make everything worse, the sky cries with us. Bright and sunny watercolor art is my personal cure, my response to mood swings and upset mind. I paint the places where I want to be and flowers which will start in April or May.

Uplifting creativity

Not all people are artists, but many have paint sets at their disposal. Brushing bright, sunny colors on paper or canvas makes a big difference. It’s an immersive activity which allows to create our own imagined reality, very distinctive from the current settings. This year has been tough so far, so taking our mind off the painful and upsetting matters is vitally important.

New large-size watercolor art

All of these watercolor paintings are the same size – 24 x 18 inches or 61 x 46 cm. Well, to express ourselves, we need space. Tiny paper just won’t do that for you. It’s not cotton paper I used for these paintings. All of our art stores are closed now, and that leaves online shopping which I dislike. Paper is a very important part of watercolor painting, and each paper acts differently. This paper allows lifting paint easily, but it’s very problematic when adding paint layers.

Spring pansies, 24 x 18″ watercolor painting

Watercolor painting with pansies was started in the winter of 2021. So, it sat in a folder until I decided to add a few layers of paint and finish it up. Photos show way more white space, and I just cannot do anything about it. That’s how phone camera acts when there are white or light areas. Just imagine more purple and pink color on blooms because that’s how they look. Anyway, pansy blooms make a great subject in all regards. Use any color, any number and view of blooms.

Early spring flood, 24 x 18″ watercolor painting

The Early spring flood is based on views around our place. It’s a painting where you just throw on colors – Payne’s grey, Cobalt blue, Burnt sienna, Green gold, some yellow and Burnt umber. This all mixes itself on paper and then we swipe clean the areas which we would prefer to be white. We outline the trees, add leaves, wash on more color and sprinkle with a little of leaf green.

Watercolor wash and color

It is much easier to create watercolor paint washes on cotton paper, but if you don’t have it, any firm and thick watercolor paper will do. It needs to be thick and heavy since thin paper just rolls off and buckles. It was tricky to get any pictures of this painting since I don’t have good photographing light, and it’s been cloudy and very dark almost every single day. I love the dreamy quality of this painting, although I couldn’t get it on pictures. Colors are balanced – I used warm and cool shades to create the early spring mood.

Sunny spring creek, 24 x 18″ watercolor painting

I started the Spring creek painting (one more!) for a private art class last spring. It was half-done, just as many of art classes paintings are. It took me a while to get back to it, but I am very satisfied with the play of colors and placement of details. This painting is done with Cobalt and Brilliant blue, Burnt umber, burnt sienna, Lemon and Cadmium yellow, as well as Raw sienna and Sap green and little bit of Payne’s grey. This painting involves quite many layers.

Bright and happy art reality

I’d say these paintings show a very bright and happy place and that’s where I reside when I don’t have to deal with daily chores and other issues. It’s a perfect escape from daily routines, a perfect way to beat the winter blues. I think it’s time to write a new guidance for beginning artists. Trust me, tutorials cannot teach much about painting as such since it’s always something a particular person prefers and does. When we learn paint, we decide on everything – style, colors and subject, but tutorial requires to simply follow and copy.

I hope you’re dealing well with everything which comes your way. Spring will arrive eventually. Thanks for reading!

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Playing with green color

Green spring landscape, painting in progress

Green is a color which we feel extremely attracted to in spring. I do feel that way, and maybe you do, as well, if you’ve had many months of grey and white view out of your window. I celebrate the return of green color since it uplifts my mood and promises nicer days ahead.

There are numerous concepts and assumptions about using green in art. Many artists avoid it almost completely not be accused mixing their colors properly. Just like with everything else, it’s better to have our own take on that and experiment.

For acrylic painting, there’ s practically no need to buy green paint. Why? Depending on your personal preference, it’s possible to mix up any green shade from other colors, including three primary colors. I don’t like aqua and phthalo too much, and although, they are strong and good for cooler areas, I prefer using the quieter tones.

After 5 layers are applied on the textured background

I love black plus yellow plus touch of blue, or blue plus burnt sienna and touch of yellow. Here and there simple blue plus yellow work well. The thing is we can have cold and warm yellow and very cold and warmer blue and that changes the green we are having. Every one of colors we get has some good potential for applying it. Where? It always depends on the project, intention and technique.

After 7 layers of paint or so

It is advisable to break up the green spaces with calming tones of purple, red or cool/warm brown. My most favorite set of basic colors for spring is blue, green, grey and some warm brown, burnt sienna or white. It is a calming combination and surely conveys the concept of an artwork well.

After adding light color to selected areas

I had a 24 x 20 in or 61 x 51 cm canvas from 2015. Everything is expensive right now, and that is an extremely high-quality canvas. I cannot recall what exactly my idea back then in 2015 was, but I decided to reuse it. This canvas had quite visible textures underneath of a few layers of grey/green/blue colors. I couldn’t change the tree shapes or location dramatically, the same goes for the water patch. Therefore, I adjusted the textured image and after a few layers it started to come to life.

It’s interesting how many starting-out artists believe they’ve got to finish their painting in one sitting. That is the damaging impact of paint nights which are not art classes, but entertainment, and tutorials which use rather tiny canvas or paper. If the size of painting is quite large, it is physically impossible. Every single spot need attention and work. Acrylic paint requires timing the paint application. That means, we cover some areas very quickly and for some – we wait until the previous layers are dry. That way we get our colors to shine and shapes to work well. That translates as painting in small segments and retuning to them layer after layer.

I called this painting “The moment before”. That includes everything that happens before the nature explodes in brilliance of blooms and abundance of green in leaves and grasses. The photos are taken with iPhone and the camera of 13 Pro Max is quite disappointing. The actual painting has no real yellow in it, and the green is well-coordinated in cool and warm areas. You might not see it that way, but anyway, that’s how it is.

The moment before, 24 x 20 in or 61 x 51 cm. Enjoy!

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