Everything requires effort
Is it even possible to create great art with little effort? Yes, and no. The most important part is probably wasting less time and materials. We need a plan to achieve that. A good plan for creation of a painting means a sketching, drawing or a value sketch. In my personal experience, it is pencil, pen and watercolor sketch which is the best preparation stage for a painting.
Not only result matters
When somebody wants to apply for classes I am usually told this: “I’d really like to paint”. Something like that. Points to some landscape or floral, or still life. Basically, everybody is interested in the result and not that much in the path which led me to it. I spend a lot of time practicing and exploring the subject from different perspectives.
Exploring art supplies
If you are one of those artists-to-be who jumped straight to brushes and did not take your time to explore the elements of an artwork, I can understand you. People usually think watercolor and sketching is for watercolor artists, who mask out white spots or those who get ideal washes just by swinging around the brush with some paint on it. However, there is a missing link between the idea of our art and it’s draft.
Seeing subject artistically
The real life shows that any potential artist and anybody, who does art as hobby, would have gotten much better paintings sooner if they considered sketching as an important step. That refers to painting with any medium: watercolor, pastel, acrylic or oil. The truth is, they all originate in one place: in our brain, through our eyes and senses. Therefore, we should exercise our visual abilities and our visual perception. I’m talking more about importance to learn seeing in my previous posts:
Attraction of drawing and Overcoming painting issues
Lack of values, proportions and contrast
The problem with not well developing painting is not only the technique of applying paint. That usually works fairly well after a few attempts. The problem most often is in our eyes: we do not perceive values, shapes, proportions and potential composition; therefore, we cannot come up with a neat plan to make painting elements work.
Advantage of sketching
Sketch is done much faster than a painting. Sketching out objects or just values, putting them in a draft composition allows making a decision momentarily if that will or won’t work. Sketch isn’t the entire painting, but by doing it one learns much more about their subject. We find out that we need to look at it more carefully, more intensely, more accurately.
Skills are based on knowledge
I can compare creating art with writing. When people say “I don’t want to sketch and I don’t want to know anything about drawing”, it is like somebody who intends to write a novel would say “I don’t want to know anything about spelling and grammar. I just want to write a novel, so give me the idea and off we go”. The entertaining painting events also do a bad service: not only the entire idea does not allow anybody to really learn anything about creation of art, but the approach is just so wrong and materials are so bad that many people get a wrong idea.
Art is more than moving paint around canvas
When somebody is just moving paint around the canvas in hopes that it miraculously will take the right shape and become the right color, I must say, it won’t. Painting is a summary of things we put in it. It is also the energy we put in it. Therefore, the sooner one learns about values, relationship between light and dark areas, values, softness or roughness of edges, proportion and compositional layout, the faster their paintings take shape and have volume. The missing link between our idea and its incorporation into artwork is the value sketch. Creating value sketch and color sketch is not a waste of time and paint.
