Fruity, simple and attractive is still life with apples. Between years 2013 and 2018, I used to spend either August or September in Latvia. They have numerous fruit trees. Apples were in all tones and colors: red, white, green, purple and scarlet. Their round perfect shape was always attractive to me, so, I rarely could resist sketching or painting some apples whether with leaves or other elements.
This particular painting comes from my bright color period. I think it was 2008 when I painted this still life. It is quite large, 15 x 22 inches or 38 x 56 cm. I used to enjoy extra bright colors and St. Petersburg watercolors definitely facilitate that.
This apple still life was painted in Latvia looking at a tree and balancing paper in my lap. The weather wasn’t really cooperating, but I managed to finalize this painting upon my return to Canada.
Similarly, this still life with apples and pears was painted at my daughter’s computer desk. The space was too small to lay out paints and paper in a manner that I could paint without worrying that something falls to the floor. However, I love how it came out. I got some leaves in the garden, and they had a few green pears. I love my color combination in this one.
These are clear white apples which grow in my sister’s garden. They are ripe in August or even sooner, but must be consumed swiftly. They are extremely juicy and sweet, but go bad fast. I haven’t actually seen this sort of apples in Canada. I think this still life came out quite nice, too. I had to add final touches upon my return to Canada.
I have many sketches of apples, some unfinished watercolors and also acrylic still life painting with fruit and apples. It is not possible to remember all paintings which feature apples.
My personal point is that anything makes a good painting. Simple things can be painted and drawn as great as very complex subjects. I do always advise starting with such subjects that are around you and are easily found and replaced. That is a wonderful exercise in composition and color. It is also pleasure for eyes. Such paintings look great on any wall.
Since the new fall semester is starting soon at my studio and people are signing up for fall semester art classes, I would like to point out a few creative blocks that prevent us from unfolding our creative potential to full extent. We are all very different and we come with our good and bad habits. We have great and not that great qualities, but there are some things we need to leave at home when starting an art class.
Self-criticism
Students sometimes describe their first drawing and painting attempts as bad, unsuccessful or failure. This can mean a few things. There are people who apply strict critical attitude to themselves. They might not love themselves or they might be afraid that if they do not say that first, somebody else will. In other cases self-criticism can mean just asking for a compliment, to be certain that whatever you do is fine. When somebody is just starting out to explore what drawing or painting is, they have to relax and stop programming themselves for inability to do anything.
Programming oneself for failure
Saying that you cannot do one thing or another creates strong internal resistance to experiencing new abilities and skills. If you have come to an art class, stop criticizing yourself and what you do: most likely, you wanted to learn. That’s what learning process is: going from not that great result to achieving everything you wanted. We must devote time and do some work in order to see how much and how far we can go. Please, leave the strict inner critic at home; don’t allow it to follow you into the classroom!
Flower painting class for adults
Expecting immediate results
Learning anything is a process, a journey and a discovery. Learning is a gradual process. We go from simple to complex, from general to specific, from mediocre to outstanding. Sky is the limit or rather, the only limitations are these which we put ourselves within.
Have you ever heard that somebody learned playing an instrument within a few hours? It is unlikely, isn’t it? Have you ever seen an Olympic champion who just picked up their sport a few days ago? Do you know about any writer who won global attention with the first line they ever wrote?
Time, practice and effort
Any new skill takes time, work, practice and effort. When it comes to drawing and painting, for some unknown reason, many people are convinced that they just go to an art class and become skilled within 2 hours. It might be because watching YouTube videos has made an impression that it is extra easy and fast. That applies especially to time-lapse and speed videos. You see quite many hours of work squeezed in a few minutes.
Lack of confidence and insecurity
We can distinct 3 main types when it comes to confidence and insecurity: some people are way too confident that they know everything, some keep a healthy balance, but some others doubt every breath they take.
The value of an art class is that it teaches confidence and how to become confident and forget all insecurities what one had. That is a valuable quality for any person, not only for the creative type. Lack of confidence is easy to detect in art. Most often we get rid of this disturbing feature by courageously going with our feelings about the particular subject. We have to also stop worrying about mistakes. They happen; they are a normal part of any learning process and creativity.
Fear
I have been writing about this issue numerous times. It is your paper, it is your canvas. You can put on it anything you feel like. If you do not take small artistic risks, progress will be slow. There is no point in trying to avoid mistakes or errors. Don’t be quick to describe your learning process as a failure.
Paper, canvas, brushes and pencil do not bite. There are no known health threats when using good quality, safe paints.
Mastery doesn’t happen immediately
Nobody has ever become a master within a few hours, nobody. Fear usually arises from comparing oneself to either the best images on the internet or to other students. Students sometimes say they have no experience only to try looking better in the context of the group. It is not a competition. It is a class. Class is a learning process.
Fear paralyzes our creative resources. Drawing and painting is seeing at first and then allowing the signal from our brain to travel to the hand with brush or pencil.
Extreme sensitivity
Being emotionally very sensitive can frequently involve anxiety and unjustified stresses. You must understand that nobody comes to an art class to judge what you paint or draw because all students want to learn or develop their beginner skills more. Art class is not a show or competition. If you do not want others to see what you have painted, say so. I do sometimes wonder why somebody would want to compare unfinished project, color swaps or draft sketches? You have all rights to keep your work private. If you do not want the teacher or art instructor to correct any of your lines, colors or show brushstrokes, just say so. It is sometimes better to simply show some technique, but if it makes some person feel not right, that’s ok.
Watercolor painting class
Emotional barrier
All of the above can create an emotional barrier which prevents you from either improving your skills or getting started with the new activity. You might feel uncomfortable with new things; however, it is so much excitement once you get out of the box where you have put yourself in! There are so many options to pursue and so many ways to develop any of your abilities. Taking the first step and diving into the unknown shouldn’t stop you from trying. It is way worth it.
Quitting before you even started
Art class is no different from any other class: there are fast learners, slow learners, the ones who grasp everything immediately and these ones who always doubt whether they should be even doing this class.
If you are not giving yourself a chance to experience what the new pursuit is about, you most likely will not be satisfied with it.
The truth is that every art, drawing and painting project takes time to elaborate. It also requires practicing some certain techniques and approaches. Acrylic, for instance, is such a medium that it does not look great at early stages. It can even look like a mess and that is great because you have a good base to build the subject on. Some steps might take longer and some are quick. Details and highlights add a special flare to any art, but that comes at later stages. Quitting after the first class will prevent you from seeing what you could have achieved, and especially, after a longer time.
Rose painting workshop
Unrealistic expectations
If you know what your level at the current activity is, and most likely, you do, expect normal progress, not pure miracles. Miracles happen, but only to these who dare.
Going from zero skills to good skills will definitely take time and practice. You will enjoy faster progress if you repeat at home everything you learned at class, but this time on your own. That will indicate which are the weak aspects and you might want to find out more about them during the next class.
Any teacher or instructor may seem like a magician during a demo, but they cannot make you move your hand, make decisions and apply recommendations. You will have to focus, be attentive and observant and also courageous enough to apply what you just learned. Should you expect a masterwork from just the first lines and brushstrokes? You shouldn’t, but during the learning semester that might happen.
Teen students, watercolor painting class
Lack of commitment
Some students are surprised that drawing and painting take work, efforts, a lot of thinking, decision making and even physical strength. For instance, covering quite large canvas takes also physical effort because it needs to be done quite fast to prevent drying and blend some areas seamlessly. We have to act sometimes very fast with large watercolor washes, too.
Creating something requires our input. The drawing or painting will be exactly as you create it. There is no point in saying: “I don’t like it!” Instead, try saying: “What do I like about this and what needs to be changed or improved as I proceed?”
Learning as an ongoing process
Attending any classes takes commitment. Skipping one class might be fine, but you will need to still catch up with others because it is an ongoing process. People, who are convinced that good work pays off, always achieve more and better results. Learning is a serious process. It will require your focus and attention. It is a fantastic, pleasurable and rewarding process, but if you think that it is just play and fun, you might be disappointed. Artists, who want to achieve great results, spend many years learning and never stop doing so.
I have painted numerous still life paintings over years. It was not my most favorite subject when I was young, but I fall in love with this subject as time passed by. This genre usually works well for me: set up some things which can be found in the garden or fridge, find some cups, bowls and add a few flowers or leaves in absence of flowers. As you know, whenever possible I do not use photos because camera always distorts the image to some extent and the image is never what human eye can see.
Still life tells a story
Still life always tells a story, and this story can be read quite easily if and when the viewer wants to. It is by far not only shapes and color; it is much more than contrast between live and organic shapes and handmade items. Still life reflects my current opinions and my current emotions. It can express everything we are willing to disclose.
I started this particular still life 5 years ago. I had everything I need to set up something quite attractive. I did a rough value sketch in the actual size which is 22 x 30 inches or full sheet of Arches watercolor paper. I transferred the drawing onto watercolor paper and moved to first washes, just like always working from the back to the front.
This is how far I got in 2015., drawing from a setup in my studioI only created a few washes and left the painting alone for practically 5 years
Restarting the process
I suppose, I got busy afterwards and the items of my still life simply went bad. I did not have time for about 5 years until recently.
After I moved into my new Ajax place, I had to sort out all numerous art folders. I found a few started paintings, all on large size Arches watercolor paper, and I decided to do something about at least a few of them. It took me about 3 days to bring the painting to its final stages.
Lack of reference should not stop us
The sad thing is that I could only reference the rough sketch. I obviously used my memory and imagination, otherwise it did not work. Working from life results in more vivid and lifelike painting. However, if there is huge interruption in the process, completing such painting can be challenging. It is not only because I do not have the same setup, but also because we change over time. Our perception changes, our color preferences change and, finally, the way we work changes. Therefore, it can be tricky to pick up the process where it was left so many years ago.
I took the risk, and I think the result is great. It is a very large painting. It took the entire table length to somehow accommodate it. I also had quite hard time taking pictures with iPhone because of the size.
Masterclass: new way to learn art this fall
This fall I am starting master-classes which will take place once a month. These will be classes for people with experience and they will be designed to elaborate a particular subject and master-class will also include extensive demo and explanations.
I would like to give art classes that genuinely teach somebody, so, that they have artistic freedom creating their own art. I find that most art classes teach students nothing. It is mostly just some design which is executed with paints. Learning is a great way to stay young and keep our brain flexible.
This is the time I live for: spring is in the air and so much beauty will wake up just a few weeks from now. The awakening of nature feels like a renewed energy raining from the sky, shining through the window and reflecting from the mirror-like puddles. Birds cannot stop their chirping and I, too, go with all this hectic spring rush.
My art is happy art
I have been painting all seasons, however, the biggest portion of my paintings shows greens, bright and soft colors of spring flowers and the blue tones of transparent spring sky. Clouds come and go, and one can be very sure that the sun won’t be hiding for long. The sun will open buds, grow grasses and bring many flowers to blooms. My pencil, brush and pastel stick are unable to stay in paint boxes, they beg to be put to use. Whatever I have decided to create, I know it will turn out to be something happy and inviting for eyes, soul and heart.
Simple subjects: messengers of spring
I do intend to start some more serious painting, but quite frequently I am interrupted by very simple and routine things around me. I love watching birds and the moment when a bloom opens. I can observe the sky colors and moods for hours. The same goes for mystic ways how trees grow their twigs and branches. When the heart is so full with spring emotions, I have to become part of this awakening mystery in the nature.
Peaceful, large watercolor, 20 x 16 in or 51 x 41 cm. The original is simply stunning.
This is an Easter nest, pen and watercolor on paper. Robins and their nest
Spring watercolor painting of chickadees and apple blossoms
Easter lilies, large watercolor painting, 24 x 18 in or 61 x 46 cm
Large watercolor painting of yellow spring daffodils, 24 x 18 in or 61 x 46 cm
So much art, get some
I will publish more uplifting and happy watercolor and acrylic paintings soon: I am very pleased to share some of many paintings which are forgotten while preserved in boxes and folders. They have been created over the course of quite many years. Art takes time, but I don’t think any other experience comes even close when one feels the painting is done and what was a white sheet of paper, is now a live story and delight for eyes.
Apple blossoms, the messengers of spring and hope
It’s spring and new beginnings. Enjoy spring paintings and get ready for Easter which is not far either. I usually sell some art around this time, hopefully, this year won’t be different. However, since I’m not back in Ontario yet and I am posting this from Europe, it will take a moment. Most medium size size watercolor paintings. Just contact me and I will let you know:
Watercolor paints: easy to take with you, easy to use
I love watercolor paints because they are compact, light and easy to apply whether painting outdoors or indoors, while traveling or working at a comfortable desk. When traveling, I do not use paint in tubes, but rather in tiny containers or pans. Therefore, I can make use of my watercolor paint set which I am taking with me everywhere, just in case some attractive subject happens to be around. The same goes for a few small (approximately 11 x 14 in) sheets of firm, quite heavy Arches or Saunders-Waterford watercolor paper. It is archival quality cotton paper.
Spring in nature and in art
Spring is a moody season in Latvia where I spent this month. Snow mixes with rain drops, but hopefully, the white cover will melt soon. The forecast says: by the weekend. I had not planned to travel this early, but that was what I had to do. From what I saw on the current news, spring does not want to arrive in Southern Canada either: temperatures might be not that low, but we will have to wait for some time until grass turns green and buds on trees are ready to pop.
Paint spring before it arrives
This is the time when we can have what we are longing for by simply painting it. Imagined spring or spring around you: there is always something great to draw or paint. One more great feature of watercolor is its ability to cover paper fast. I use lots of water to create soft color transitions. Small landscape can be done in half an hour. Still life or floral painting will take longer, but not the entire day.
Early spring flowers: your best subjects
Around March, I would be happy if there were already the first snowdrops, crocuses and similar early bloomers showing above the tiny grass stems and sprouts. I’ve seen that happening, but not too often.
My art is based on drawings. I am too good with drawing and always have been, therefore, I don’t think I will ever switch to completely abstract painting. Watercolor requires some planning, therefore, value sketch in the actual size is the absolutely best reference.
Drawing for watercolor painting
If you are new to watercolor, you should know that drawing can and most often should be done on some other paper. I use for that purpose the transparent transfer paper which is attached to a thick white sheet of firm paper. To transfer drawing onto watercolor paper, I use simply daylight. That way, I have hardly visible, accurate pencil lines, but initial drawing serves me as a value drawing. That helps deciding where to apply whatever color.
Spring tulips in many colors, watercolor painting which I completed while in Latvia
Painting in layers
I paint in layers starting of with mapping my painting and leaving marks wherever I decide it is helpful. I know people who paint one segment start to finish and then move to the next one. I prefer going all over the painting with first, second, third and more layers if necessary. That is the way I like it.
Ready to create painting of spring flowers?
Are you in mood for some creativity and relaxing moment with paints? Do it in watercolor and don’t be afraid of water! If it won’t work out perfect, no problem. Start over and don’t put any limitations and pressure on yourself. Spring flowers and landscapes will make you feel happy. The well flowing watercolor paints can capture softness of flowers beautifully.
