Creek in fall colors and rushing stream

Autumn creek, fall colors watercolor painting

Love challenge

Many years ago, I had done some rough sketch with watercolor pencils on a 24 x 18” Arches paper. Probably in 2009 or 2010. We used to travel a lot back then. The sketch was of a creek with trees in fall colors. While the photo of step 1 is very white and light in value, the actual sketch was not. You might know that it’s not possible to erase watercolor pencil lines. I didn’t like everything in that sketch, but I love challenge. I decided let’s try to make out something of this creek in fall colors.

Techniques I used

I don’t use masking fluid, but rather prefer painting large and even huge shapes so that it’s possible to paint around whatever I need to. Good, firm and thick cold press watercolor paper allows for lifting and adjustment, as well as layering many times over the basic color. Rocks are great for application of salt. When applying salt, one has to be mindful of timing, there’s fairly narrow window when this technique works. If the rocks are really large and the entire painting is large, we can do numerous extra things.

Changing and correcting watercolor painting

The photos of painting steps of this creek in fall colors might not have the exact colors and contrast, however they give an idea of how one can change and improve watercolor painting even when initial shapes are not correct. I’m reading in Facebook groups how people describe watercolor as difficult and something one cannot correct. That’s wrong! If you paint large and on good paper, you can change and correct everything. The best colors to lift are all blue shades, even Payne’s grey can be lifted to almost white paper.

Use live art classes

I teach all painting techniques in my live art classes. I can see that online class doesn’t give one proper understanding of what and how to use, what timing should be applied, how to use paper towel, lifting and layering and what colors work and what don’t. It was a difficult picture to take photos of because of the distinct cool and very warm colors. Their use is absolutely intentional. That’s also important aspect – color temperature.

Imperfections are fine

Just like always, my photos could better, but I am going ahead and publishing the creek in fall colors. The reason I want to paint somewhat realistic watercolors, even imaginative ones is that abstracts are not challenging enough. I’m not worried also that absolutely everything isn’t perfect. When it comes to painting, I’m all for process and for challenge. If it’s easy, there are no thrills for me.

For beginners in watercolor painting

If you are a beginner and want to paint with watercolor, go big. You are not going to ever leant painting with tiny brushes on tiny paper. There’s simply no space for any effects. Also, using tutorials and watching somebody else paint isn’t going to help much. Brush and paints are important, but what matters most, is the hand that moves the brush. I would like to remind how important is value sketch in large size. Contrast and values are what make painting appear three-dimensional. To check your values, turn the painting in black and white. If it still shows the subject correctly, values are right, too.

Enjoy the art!

Vibrant red color in my still life paintings

Red color in large still life paintings, watercolor

Just like other primary colors, red color can have numerous variations of cool and warm shades. Red color is eye catching and energizing. I won’t try to list all symbolic meanings, but among well-known attributes, red color has a protective aura.

Unfortunately, no camera with all automated settings, can ever much the sensitivity of experienced artist’s application of any color. Therefore, the red color in a painting might be more yellow, as it very often is, more orange, or bluer. The color distortion has a wide range, and it is also difficult to correct because any change affects the entire image.

Creating the still life with red jug from 2012 drawing

 It took a lot of guessing what goes where since I didn’t have the actual reference in front of me.

The new still life with red jug, has many red tones.  I tried to capture them on images, as well, and I must admit, not always successfully. I know, people say, it doesn’t really matter, but if you see the actual painting and image thereof, you would agree that it matters. I created the drawing on Arches cotton watercolor paper in 2012. When I started feeling better, I decided to finalize all paintings on good paper since it has become extra expensive. Painting on such paper, is a pleasure.

 The new painting is large: 24 x 18″ or 61 x 46 cm.

I noticed quite early that direction of light is very important for me. Whether you look at my drawings, pastel or acrylic paintings, or watercolor art, light always comes from the left. It’s just how I see everything. Once you have established your personal perception of light direction, you will notice how easy it is to apply shadows and use the composition effectively.

All still life paintings in this post have red color in them, some more, some less. Some have very warm red, some – rather cool. The same applies to different parts of one and the same image. When people start painting, they rarely think of these things – direction of light, cool and warm colors, volume and contrast and so forth. The subject is not that important, but the before mentioned things are since they are the main principles of painting.

I’ve always loved drawing and painting still life. It is easy to set up using whatever you already have at home. Certainly, some items suit still life settings better than the others. Yet, there is a way to implement anything. It could be your personal items, fruits, vegetables, flowers, books, souvenirs, attractive dishes, plants, bottles, jars and jug, I mean, the choice is endless. I love painting still life because I don’t need any photos for reference.

Any of my still life paintings always start with the pencil sketch or drawing. I draw sometimes straight on watercolor paper, sometimes – on whatever paper I have, and then transfer the drawing onto watercolor paper. Most of still life paintings are done on Arches cotton paper. I don’t use bright white paper, but rough and cold press for sure. I like the texture of paper even though it can make painting process more difficult.

I hope you enjoyed the attractive red color!

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Returning with a flower painting

Watercolor painting of pink flowers

Reopening art studio and returning to painting

As you probably know, it isn’t easy to restart anything after a long absence. My health took a big blow, so I am just starting out again. This time, I decided to make my return with a flower painting on Arches cotton paper. As always, it’s quite large since I completely dislike painting tiny art. I have still some issues, therefore, I am limiting my painting activities to 2-3 hours a day. The flower painting took me about 6 days.

 

12 years in making

There’s no doubt, cotton paper is the easiest paper to paint on, yet, it has become extremely expensive. Many of my watercolor paintings are drawing-based. I don’t aim for copying the reality, but I want my subject to be recognizable and having some emotional impact. I had begun this particular painting with a drawing which I did some 12 years ago. The paper is good and why to waste it? While I had no other reference, but only the drawing, I still tried to figure out how to proceed progressing slowly and cautiously.

 

Painting in layers

I usually paint in layers, especially when it comes to complex subject with many parts. Since I don’t have a photo or the actual flowers, the first layers help me understand what and where to place and what colors to use. I make my drawing very light in order the graphite pencil wouldn’t shine through too much. Every subsequent layer will add more vibrance and increase the value intensity wherever necessary.

 

Color temperature and values

Not only flower painting in watercolor, but also any other complex subject we paint, benefits from coordination of color temperature and values. I certainly start out light, just because I don’t know exactly where what should be. In this case, I also leaved the background white for a while. The paper I am using isn’t the bright white, but somewhat off-white. Nevertheless, colors shine and make sense.

 

Choosing warm and cool colors

Beautiful soft colors for attractive flower painting. I used a few red tones and also quite a few yellow shades for the most important areas. The green colors are a combination of blue, Payne’s grey and different shades of yellow and green. I normally allow colors mixing on paper, but sometimes I need strong pure color to add the vibrancy. You probably won’t notice on photos much difference in warm and cold colors, and iPhone doesn’t like light colors making them practically white.

 

Flower painting that soothes

I intentionally kept everything rather calm and soft. I think the slight shades of background help. I am very satisfied with the finished painting and not that much with the photos of it. When viewing art online, you have to always remember that there are numerous devices and apps involved. Also, large painting online looks exactly like the small ones, but in reality, that makes all the difference. I hope this flower painting will make you feel good and calm just like it helped me to overcome pain and health issues.

It’s great to be back!

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The golden flow of fall season watercolor

Fall reflection landscape painting in watercolor

Many of my watercolor paintings are created as demonstrations, spontaneously, without much planning. It’s difficult to know what each group or student wants, so I have to switch swiftly from one subject to another, from one color palette to the next. Fall season watercolor paintings shine through the light and numerous shades of red, burnt sienna, golden ocher, warm, deep or cool yellow shades, orange, grey, purple an so forth. Fall season watercolor paintings allow using many approaches and techniques.

I am sticking this time to fall season watercolor, but we have done also many new acrylic artworks. It is a good time to be indoors and immerse oneself in bright colors. I paint in layers which means I create a map of a painting with weaker tones at first and then gradually bring it to the necessary value and color temperature. None of that is visible on my photos which look mostly yellow. There’s a reason I dislike Apple and their iPhone. No chance to get true colors. I’ve tried everything, but it’s too automated to recognize all colors at once.

Nevertheless, the actual paintings are large (24 x 18” or 61 x 46 cm) and look quite impressive, just as required for display of the fall season watercolor versatility. I’d love to let images speak for themselves, even though photos are all wrong.

The attendance at classes is fairly good and I have to repeat some observations. If you intend to learn painting, you have to go big. Postcard size images don’t allow to implement many things. I haven’t seen any student yet who learned painting using video tutorials and online courses. Quite the opposite – nobody knows anything about brushes, paper, how to use whatever they have and so on. There’s no knowledge of direction of light or values. We usually start from scratch. First purely basic techniques and then more complex matters.

This time is a fantastic for observing nature. Many people try painting trees, structures and buildings, but the first step is to look at them as they are in nature or in reality and try to remember what exactly a tree looks like. There are numerous sorts of them, but none here has wider and fatter branches than the trunk. The branches thin out rewards the top. Natural things have randomness to them and it’s important to remember that nothing in nature grows equal distance apart. Basically, your subjects are everywhere and you just have to look at them.

It’s a great season to start painting. The most gains and successes come from practice and observation. We make errors to learn from them. We learn from doing, not exactly watching. Watching gives an idea, but doing is superior to watching. Or talking, or thinking about it. Doing makes one master of the trade, so, the next step – take your brush, paints and paper and on to painting the colors of fall season!

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Creating art collections

Backyard, watercolor art collections

Choosing artworks for collections

If you have been painting for a decade or longer as I am, it’s possible to see how all artworks fit into art collections. What are the criteria for creating art collections? There are many, and any large body of artworks can be sorted out by medium, style, certain color or particular subject. The best example is my Fine Art America art collections. I have put together art by medium, by subject, like floral art, still life, landscape and also by color. There will be black and white art collection available soon, as well. See link below or on Menu.

Painting from imagination

The spring as always is arriving slowly in Ontario. We see long periods of grey and earthy colors around us. The more grasses and trees wake up, the more patches of bright green are visible. Therefore, my grey and abstract watercolors were a good match for my surroundings. As I have mentioned many times, I prefer not to use any photos for my art. The spontaneous watercolors are simply watercolor washes at first, and I sort them out as I go and add definition. It is extremely easy to create art collections of abstracted art.

Wall art for sale, spring landscape

Getting composition right

Classic painting consists of background, middle ground and foreground. Plus, we need something to capture viewer’s attention with. It’s called a focal point in art. Everything including lines and colors of different values is organized in accordance with our composition. I believe that composition is difficult to implement when the artist doesn’t feel visual balance and natural flow of their image. I personally do not use any view finders or similar tools; I just adjust my composition as I feel it. Some of my art collections include highlights of compositional elements.

Simplicity versus complexity

Fragmented art can look better sometimes than very accomplished and compositionally perfect painting. Art collections can include simplicity or complexity of a particular subject, use of color and compositional elements. The blue period art collection displays exactly that – simplicity and strategically placed watercolor washes.

Art reflecting the season

Most of my art also goes by season, therefore, I have seasonal art collections, as well. Spring and summer landscapes, fall colors and snow paintings, they are all interesting on their own and placed in art collection. Floral art is a very big part of everything I have ever painted, I think it deserves a separate post. I know people who have painted a few artworks, some five or six paintings, and they try to immediately sell them and even teach painting. Well, it’s better to allow our skills to mature so that we are represented by what we do well, not by our first attempts at painting.

Buy original painting?

Original paintings have never been more affordable than they are now. I looked at my price charts from 2013, and my paintings sold for double the price I have listed now. That’s a horrible thing because everything has become at least 5 times more expensive. That includes watercolor paper, paints and I won’t even mention framing. There are inexpensive options, but I simply have too many paintings to frame each one. Therefore, I’m offering some framed art and some – unframed.

Available watercolor painting originals are posted on this page:

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All available art prints can be purchased here:

Art collections by Inese Poga

Want to learn watercolor painting? Check out this page:

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