Enjoyable watercolor painting ideas

Watercolor painting ideas for beginners

I decided to share watercolor reference paintings and, perhaps, suggest a few simple watercolor painting ideas since there’s no shortage of passionate self-educating artists. I took many pictures of these paintings in numerous combinations, invested lots of time, and I love how they came out. I’m doing all of this in hopes to get something more happening at my studio.

When I was about to publish the new schedule, I noticed I have no suitable images to illustrate the new art classes and their subjects. The truth is that any pictures taken even 3-5 years ago, are not that bright. They look dark or pale, but never really on spot. Refreshed look is always beneficial, and in this visually-engaging era even more so. I suppose you know me by now, and the fact that I do not prefer minimalism in any area of my life. Therefore, I need my images to look rich, inviting and colorful, attention grabbing.

Taking pictures for images that represent what I do is not that simple as it might seem. I have plenty of material, that’s for sure. However, I need to choose small size artworks and add something that ties it all together. The glue for tying together images this year, is the color swatches on good quality watercolor paper.

For this season’s watercolor painting ideas, I specifically painted a few new 12 x 16 and 11 x 15 in (a quarter of full sheet watercolor paper) paintings. They are created without drawing, just applying watercolor washes, and then adding a few defining elements which seemed to be fitting. In the past, I used to make new reference paintings for acrylic and watercolor classes every year or even twice a year. Well, classes were ongoing, but COVID caused a major two-year-long disruption, and I lost a lot of contacts.

After about 300 pictures for watercolor and acrylic, I selected a few which I thought were the best. Watercolor wash is a fantastic way to get started with watercolor paints. I’d say the most enjoyable watercolor painting ideas are very basic, using wash, blending colors, allowing water and pigment to work.

For interestingness, you might add a few details which can be painted on top of watercolor washes. The next enjoyable watercolor painting ideas involve keeping your subject uncomplicated and choosing to lift paint instead of masking fluid application. Such artwork won’t be realism, but such techniques make your abstracted art stand out more. When you look at abstracted paintings online, you probably notice how they look very similar. Your personal style and details create difference and recognizability.

One more watercolor painting idea is as follows: paint the subject which you love and in colors you personally prefer. Tutorials might make you believe there are strict rules about using one or another color. There aren’t. You can choose any colors which speak to you. However, when painting with watercolor, I don’t ever use black or Chinese white. They make the look of dark areas muddy and light areas pale and opaque. For strong dark color, use numerous other options starting with Burnt sienna plus any type of dark blue, Payne’s grey plus any other clean color or Sepia on its own. Options for creating personal dark colors are endless.

I hear students saying that watercolor is more difficult than other media which, in fact, it isn’t. You simply practice using your brush to its full capacity, learn how to lift paint and switch between sharp and washed-out edges, as well spend some time just testing water and pigment proportion for watercolor wash. Paint flows only to these areas which are wet. It never goes into dry paper areas unless there’s a puddle of water. Realistically, we maintain control at all times. The number 1 thing to learn when using any medium is how to use your brush or brushes.

If you reside around or not far from Ajax, Ontario, I hope seeing you in my art classes: Art classes, schedule and registration

If you work on your own, try my watercolor painting ideas and let me know what the result was Get inspired by my art and purchase. Artistic products and art prints

Thanks for reading and have a nice September!

Pure, transparent watercolor – rose geranium

Watercolor painting, pink geranium, floral watercolor

Geranium is a healing plant, my mom told me to have a geranium plant always at my workspace, window ledge or in living room. Its energy is simply uplifting, and it blocks out bad vibrations and cleans air. How can you not love the geranium blooms? I have two kinds of blooming geranium currently: the pink rose geranium and bright orange-red geranium; besides, the red is more present, altogether looking like one of my most favorite colors. Well, pink color is great for painting. It’s also easier to photograph than, for instance yellow or red.

I started this painting not only because I adore the fluffy, colorful blooms and well-shaped leaves of geranium plants, but also because I wanted to create support material for art classes. Most students who’d love to learn painting, cannot really draw. Therefore, they normally trace photos or print-outs. It must be tough, and, thanks to my early devotion to drawing, I can draw anything on the spot. I created outline drawing of a large bloom and added a few leaves. As it appears, the drawing paper (it was actually some kind of newsprint I think, large sheets) was a bit smaller than my watercolor paper.

My painting composition looked fine as outline sketch, but after a few first layers I could see that something is missing, so I got a reference leaf and drew it in the upper right part. I kept adding layers, and the flower which actually consists of numerous small blooms came more and more to life. Around layer 5 I think, I discovered that the bottom part needs something more, so I added half of a leaf and small corner of as if leaf.

While it is step 1, step 2 and so forth, each step took quite a few hours, and the entire painting – about 8 full days. I hadn’t counted on all parts requiring so many layers. The paper isn’t Arches again, it is Strathmore 400 series which comes in this size I like 24 x 18 inches (61 x 46 cm) and which I had available. You cannot create very attractive washes on this paper, therefore, I intentionally left the background white. Certainly, if you want washes in your painting, you have to use cotton paper. There is no comparison how wash looks on Strathmore paper which is still very thick and firm, and on Arches which is at least 140 lb.

I do most parts of painting with my number 14 brush. I’m so happy it has still the fine tip, but it has started to wear down. Well, I have 3 of the same brushes, and two are useable. Not only it is faster, it is a lot easier, too, to cover an area with paint and add some other color to it. I do not like a few things with watercolor – using masking fluid and using very dark colors. I never use black in watercolor. For that case, there’s Payne’s grey, we can use Sepia, purple, indigo and so on. That allows creating gradual transparent color which looks almost black, but shaded black.

I love the transparency of watercolor, and I do aim for flowing lines, as well as colors which do not hurt, but have a soothing quality. I didn’t have Opera pink color which is extra bright and can be used for such flower paintings, I simply couldn’t find it, therefore, I used what I had, many shades of dark red and Carmine, plus some purple and blue, although, it isn’t well visible on photos.

It’s beauty which always touches me, the elegant shape of leaves, the fragile softness of petals. If you paint, add some heart onto your painting. Don’t worry always about the technical aspects and perfection. Having heart in art is already enough and that feature makes it shine and stand out among others.

Pansies, click on image for article

Yellow pansies, watercolor

Garden rose, click on image for article

Painting rose in watercolor

Group art classes

Thanks for reading! I hope your September has started off on the right foot!

Watercolor nature, as seen in imagination

Watercolor painting, watercolor nature

Before the horrible heat became an issue, we were creating watercolor nature art outdoors. I do always go for the simplest solution whenever there is one, therefore we did not use any masking fluid or any other extra watercolor enhancing supplies. The simplest technique with watercolor is painting around the parts which you want to leave light. It was very tricky in some parts regardless of the large paper size. Let’s just say, I added an element every time when somebody asked how to paint one or another part.

Nowadays, classes are not like art classes we used to have even 10 years ago when I would start with color properties and selection, features of brushes, techniques of using that particular brush, techniques of adding washes, glazes and details. I mean, I would make sure that my student knows at least a little bit about the medium, its application and the important aspects of painting. The shift has been towards very quick paintings, – the quicker, the better. Although, I’m not trying to squeeze in impossible steps, everything still takes time.

Students jump now from knowing nothing to trying to paint something great. It is what I told a girl who was attending a few nature art classes: to learn using brush and paint properly and automatically takes years, not hours. Our brain is wired in such a way that it will not allow doing automatically things which haven’t been rehearsed for numerous times. You have to add to this the novelty of particular technique, and mental attitude towards learning fast. Altogether, learning art has become an activity when one learns and applies the new skill immediately. I mean, they didn’t know it existed before the class. Most often, it won’t result in something great taking into account what I said before.

Since we all have started with something, for beginner, any scene is probably good enough. It’s just so that the potential participant judges the worthiness of a class by an image which I have painted. That is an absurd way of accessing the task ahead because I know what I’m doing and I can paint anything no problem, especially when the sketch is drawn by me. I know how to make parts of painting work or how to improve them if they don’t. Students take every brush application as final which by any means it isn’t. We certainly worked a lot, and due to the outdoor settings, I don’t have all steps on photos. I have finally started creating the downloadable materials, and steps will be available.

Before we start painting, we must explore our tools: watercolor paper, set of paints, brushes, everything. We cannot create a good painting when we don’t know what colors we have and how they act on paper. The same about color combinations, like burnt sienna plus any dark blue, but French Ultramarine and Prussian blue in particular, like in these paintings. We need to know what our paper does when it’s wet. One paper I used for demo, absolutely didn’t accept paint. I later found out; it was Fabriano. I avoid using any Fabriano papers, since my experience has been horrible with them. It’s not Arches either, but Strathmore 400 series.

Rocky creek, 24 x 18 in or 61 x 46 cm watercolor

I hope we can have more confidence and trust ourselves to a higher extent. That is absolutely necessary with drawing and painting. Nobody really cares if you get it right or not for as long as you’re happy with the outcome.  It sure would look better and cleaner if I had masked out all tiny areas, but I am ok without having too much detail. If that were Arches paper, the washes on bigger parts certainly would have looked nicer. However, art class is not my own painting session. There are many interruptions and many times when I have to go over and over some part.

Trees on the hill, 24 x 18 in or 61 x 46 cm watercolor

As you might know, watercolor requires perfect timing. That can be an issue outdoors with higher temperatures when paper dries too swiftly. I’m not that meticulous that I wouldn’t paint just because something around isn’t right. I also use only 1 number 14 brush for practically entire painting. It has an extremely great tip, but due to frequent use it starts wearing down. Well, time to start looking for replacement brushes.

Second version on different paper, 24 x 18 in or 61 x 46 cm watercolor

I use St. Petersburg watercolor paints because they’ve been my favorite ever since I remember. When I was about 10 or so, that’s a bit more than half a century ago, I stopped by at my neighbor’s place. They rented a room to an artist. She was great with watercolors. I noticed the large paint box on the table and colors in it looked so fantastic, nothing like my small student grade paints which I had. So, I asked: what paints are these? Her painting was extremely vibrant, literally alive. She said: Leningrad watercolors. Those times, it was still Leningrad, it only later reversed to St. Petersburg. I got my first St Petersburg watercolor paints about 20 years ago and have used them since.

I hope you enjoyed the new large paintings which resulted from my demos.

The extremely calming pencil drawing

Drawing buildings

Pencil sketch and drawing

For me, many of paintings start with pencil sketch or drawing. It can be a marker or a simple black pen, too. I’ve never counted my drawings, but there are numerous of them, many hundreds. Every time when I give an art class, I create an outline sketch, value sketch or quite a detailed drawing. Compared to other medium choices we have, drawing is the simplest and the least dependent medium on anything. We need just something to draw with and on, but the rest can be imagination, real items, even a photo. In my opinion, pencil drawing is the beginning of any art which displays realism to some degree.

Easy drawing process

Pencil drawing doesn’t require timing your process. It allows to start, put off and continue any time afterwards. With water media, such as watercolor or acrylic, timing is an extremely important factor. The same goes for humidity, ambient temperature and similar aspects. Quality of water media art is strongly affected by the quality of art supplies. Pencil drawing can be done even when we do not have special pencils of different hardness, we can draw even without eraser and pretty much on any paper. I do regret that many of my drawings are done on transparent paper since I needed them to be transferable onto watercolor paper. They don’t look that good when photographed and cannot be presented as finished artwork, although, many are. In fact, any large and very large drawings are problematic to photograph.

Sketch and draw real things

I’ve noticed that people, who haven’t been using photos as reference for creation of their art initially, develop the ability to draw more effortlessly and it is easier for them to understand the mechanism of capturing something which has volume onto a flat surface. These, who have started out tracing, copying and using somebody else’s drawing, have more difficult times. It’s probably because they don’t trust their eyes, have less confidence and don’t want to take risks or experiment. However, all it takes is seeing your subject in an artistic way. Seeing is the part which many of us are lacking.

Drawing shadows
Quick marker drawing on shadows

All buildings and one-point perspective drawings are constructed and drawn from imagination, without using any reference.

Constructed one-point perspective drawing, full size 24 x 19 in or 61 x 48 cm

Distorted photo images

I come from a different background; therefore, I simply didn’t have photos and couldn’t take them either. That worked out as an advantage eventually. If you look online at photo images, you cannot help, but notice how distorted they are. That most likely comes from the frequent use of phone cameras and the way perspective, as well as colors are automatically adjusted. What we get, is a profoundly wrong reference which is no good for drawing or painting. If you pay attention to shadows or reflection, solid structures and their dimensions, or for that matter, comparative size of separate parts and their proportion, the absence of correct linear perspective is very notable. If the reflection or shadows stretch for miles, it simply looks wrong. It will be even less acceptable in a painting. The same applies to buildings and street views.

Drawing buildings
Drawing from pre-pandemic art class, also imagined, constructed drawing, no reference needed
Drawing buildings
Drawing from 2018, 1 point perspective, also just lines and linear perspective

Live art classes

Since private art classes resumed, we’ve done a few drawings, pencil sketches, as well as watercolors and acrylic landscapes. My younger students usually aim for filling up portfolio, therefore, they want to learn about perspective, shadows, direction of light and similar aspects of drawing. That is fantastic because regardless of medium, any more or less realistic art consists of the same parts: composition, linear and atmospheric perspective, values, contrast, light and shadows, as well as size and proportions between parts. It is interesting that younger students eagerly want to learn about perspective, correct proportions, types of shadows and ways to display play of light on their drawings and paintings. One-point perspective is a very good subject for beginners.

Painting process simplified

The fastest way to learn about all aspects of a successful painting is using pencil. Pencil drawing allows seeing the essence of your subject easier and in a more impressive manner. Students love the fact that they cannot do drawing wrong, hence, we can erase anything if want to. Pencil drawing is a fantastic pastime for people, who have time, or the best artistic practice and preparation step for artists, established and beginning. It is a calm and soothing activity. There’s no rush as with water-soluble paint which might dry too fast, get tacky and so forth. There are no worries about water flowing where you don’t want it or pigment acting weirdly. Pencil dances on the paper and this allows creating our phantasy or reality. Whichever we choose, we are the winners. Pencil drawing is extremely rewarding in any regard.

Mastering drawing

Taking or making time and being observant is difficult for folks nowadays, but drawing requires seeing things which people normally do not notice. This activity makes our world bigger with every single pencil line. Due to preparation work for art classes, as well as the huge time that was necessary for setting up the outdoor classroom, I have not been able to post practically anything on both my blogs. Well, here you have it. My pencil drawings are not done just within a few hours. My drawings are usually large, up to 29 x 22 in or 74 x 56 cm, and they take plenty of time. I would say, to post this article with images which come from different years, and to take and edit current photos, took me at least a month. Many hours go into every single drawing, most often, 20 or more hours for the large ones for sure. However, it is time well spent.

Line drawing, pencil outlines intended for watercolor painting

Online presentation and new art classes

You will obviously see the small online images. The paper was bright white, yet, it didn’t look that bright on my pictures. Well, it is what it is. Enjoy and join the art classes if you live around Ajax, Ontario:

Group art classes

Private art classes might be an option: Private art lessons

I have added the artistic prints page, it takes to another site, so, click on the back arrow to get back onto my site:

Artistic products and art prints

My other blog is about life and getting the best out of it. Many people who click on “like” from the Reader, do not know I have it, but I write also poetry and stories, about my observations and interesting facts which became notable after many decades. You might like to have a look:

Life school blog

Have a great time in August!

Pansy smiles, once again, and new art classes

Yellow pansies, floral watercolor

Pansies, they smile for sure

My garden provides me will all painting subjects which I usually use for floral and still life paintings. I can also see quite a landscape from the second-floor balcony, so I’m all set up for any nature painting without needing to take any photos. First of all, with nowadays cameras, perspective is completely distorted, it would damage drawing or painting to huge extent. Colors are practically never true, and that is a reason good enough to rely rather on our own eyes. This time I’m presenting the new smiling yellow pansy faces surrounded by great shapes of leaves and abstracted background.

Never-ending supply of art ideas

We had big problems buying any seeds this past spring, therefore, I have mostly what grows from my own seeds and flowers and veggies which planted themselves. I got 2 sets of pansies. The one which I painted this time, was larger. It had interesting colors in the middle: not completely purple and not completely dark red in the lower part. Yellow is not that difficult color to paint as it is very annoying getting pictures of it. I can never go wrong with art ideas which grow all around the garden. It’s never-ending inspiration, always something new and more beautiful than before.

More art, less reality

When I draw or paint something, I usually change a lot from what it is in reality. I want on my painting more art, more me, more my style, and less reality. That doesn’t mean I will paint my subject in a completely abstract manner. The reason is there’s way too much abstract art already, and also – it is much easier to work on one’s style and maintain it when using recognizable and nature-like things. Pansies are a convenient subject for painting, especially when you have some around. For photo-taking reasons, I will make next painting pink or red because watercolors in such palette shades are much easier captured with any camera.

You see what you see

I regret that most of you will ever see only images of my art. I dare saying that you will never know what I and how I paint in reality. I surely can tell you that the camera made the light-yellow spaces white and caused the darker areas look like outline which they are not, I can tell that my colors are crafted and very balanced, but you see what you see. Plus, there’s no perception of size and its impact. It is again a 24 x 18 in or 61 x 46 cm painting, and that is quite large for watercolor. As it leans against the white support board, it lights up the entire studio. It’s cloudy and rainy today and this painting just shines as extra light source.

Pansy smiles, purple hearts, watercolor 24 x 18 in or 61 x 46 cm

New live art classes

After a long interruption of almost 2 years, I’m resuming live art classes in a very cozy outdoor space which is surrounded by blooming and green plants. This feature will add more safety to participants. It’s just so that I haven’t seen that many yet. To be honest, I’ve never met or had a student who learned mastering their style or medium online. I’ve written about that before: it’s one-sided, and that’s the problem. The human perception is very distinctive when it comes to any art concepts, therefore, everybody understands and applies the same thing in all kinds of ways, and rarely – correctly. In my mind, there’s nothing which can replace a real, live interaction, but that’s just my opinion. I suppose for drawing and painting animated outline drawing or extra simplified watercolor wash, anything is fine.

Real classes versus online: Compare

Mastering medium: Learn more

If you dream to become a master of your medium, you need a real art class. Apply here; Art classes