Many of my watercolor paintings are created as demonstrations, spontaneously, without much planning. It’s difficult to know what each group or student wants, so I have to switch swiftly from one subject to another, from one color palette to the next. Fall season watercolor paintings shine through the light and numerous shades of red, burnt sienna, golden ocher, warm, deep or cool yellow shades, orange, grey, purple an so forth. Fall season watercolor paintings allow using many approaches and techniques.
I am sticking this time to fall season watercolor, but we have done also many new acrylic artworks. It is a good time to be indoors and immerse oneself in bright colors. I paint in layers which means I create a map of a painting with weaker tones at first and then gradually bring it to the necessary value and color temperature. None of that is visible on my photos which look mostly yellow. There’s a reason I dislike Apple and their iPhone. No chance to get true colors. I’ve tried everything, but it’s too automated to recognize all colors at once.
Nevertheless, the actual paintings are large (24 x 18” or 61 x 46 cm) and look quite impressive, just as required for display of the fall season watercolor versatility. I’d love to let images speak for themselves, even though photos are all wrong.
The attendance at classes is fairly good and I have to repeat some observations. If you intend to learn painting, you have to go big. Postcard size images don’t allow to implement many things. I haven’t seen any student yet who learned painting using video tutorials and online courses. Quite the opposite – nobody knows anything about brushes, paper, how to use whatever they have and so on. There’s no knowledge of direction of light or values. We usually start from scratch. First purely basic techniques and then more complex matters.
This time is a fantastic for observing nature. Many people try painting trees, structures and buildings, but the first step is to look at them as they are in nature or in reality and try to remember what exactly a tree looks like. There are numerous sorts of them, but none here has wider and fatter branches than the trunk. The branches thin out rewards the top. Natural things have randomness to them and it’s important to remember that nothing in nature grows equal distance apart. Basically, your subjects are everywhere and you just have to look at them.
It’s a great season to start painting. The most gains and successes come from practice and observation. We make errors to learn from them. We learn from doing, not exactly watching. Watching gives an idea, but doing is superior to watching. Or talking, or thinking about it. Doing makes one master of the trade, so, the next step – take your brush, paints and paper and on to painting the colors of fall season!
I decided to share watercolor reference paintings and, perhaps, suggest a few simple watercolor painting ideas since there’s no shortage of passionate self-educating artists. I took many pictures of these paintings in numerous combinations, invested lots of time, and I love how they came out. I’m doing all of this in hopes to get something more happening at my studio.
When I was about to publish the new schedule, I noticed I have no suitable images to illustrate the new art classes and their subjects. The truth is that any pictures taken even 3-5 years ago, are not that bright. They look dark or pale, but never really on spot. Refreshed look is always beneficial, and in this visually-engaging era even more so. I suppose you know me by now, and the fact that I do not prefer minimalism in any area of my life. Therefore, I need my images to look rich, inviting and colorful, attention grabbing.
Taking pictures for images that represent what I do is not that simple as it might seem. I have plenty of material, that’s for sure. However, I need to choose small size artworks and add something that ties it all together. The glue for tying together images this year, is the color swatches on good quality watercolor paper.
For this season’s watercolor painting ideas, I specifically painted a few new 12 x 16 and 11 x 15 in (a quarter of full sheet watercolor paper) paintings. They are created without drawing, just applying watercolor washes, and then adding a few defining elements which seemed to be fitting. In the past, I used to make new reference paintings for acrylic and watercolor classes every year or even twice a year. Well, classes were ongoing, but COVID caused a major two-year-long disruption, and I lost a lot of contacts.
After about 300 pictures for watercolor and acrylic, I selected a few which I thought were the best. Watercolor wash is a fantastic way to get started with watercolor paints. I’d say the most enjoyable watercolor painting ideas are very basic, using wash, blending colors, allowing water and pigment to work.
For interestingness, you might add a few details which can be painted on top of watercolor washes. The next enjoyable watercolor painting ideas involve keeping your subject uncomplicated and choosing to lift paint instead of masking fluid application. Such artwork won’t be realism, but such techniques make your abstracted art stand out more. When you look at abstracted paintings online, you probably notice how they look very similar. Your personal style and details create difference and recognizability.
One more watercolor painting idea is as follows: paint the subject which you love and in colors you personally prefer. Tutorials might make you believe there are strict rules about using one or another color. There aren’t. You can choose any colors which speak to you. However, when painting with watercolor, I don’t ever use black or Chinese white. They make the look of dark areas muddy and light areas pale and opaque. For strong dark color, use numerous other options starting with Burnt sienna plus any type of dark blue, Payne’s grey plus any other clean color or Sepia on its own. Options for creating personal dark colors are endless.
I hear students saying that watercolor is more difficult than other media which, in fact, it isn’t. You simply practice using your brush to its full capacity, learn how to lift paint and switch between sharp and washed-out edges, as well spend some time just testing water and pigment proportion for watercolor wash. Paint flows only to these areas which are wet. It never goes into dry paper areas unless there’s a puddle of water. Realistically, we maintain control at all times. The number 1 thing to learn when using any medium is how to use your brush or brushes.
If you work on your own, try my watercolor painting ideas and let me know what the result was Get inspired by my art and purchase. Artistic products and art prints
Geranium is a healing plant, my mom told me to have a geranium plant always at my workspace, window ledge or in living room. Its energy is simply uplifting, and it blocks out bad vibrations and cleans air. How can you not love the geranium blooms? I have two kinds of blooming geranium currently: the pink rose geranium and bright orange-red geranium; besides, the red is more present, altogether looking like one of my most favorite colors. Well, pink color is great for painting. It’s also easier to photograph than, for instance yellow or red.
I started this painting not only because I adore the fluffy, colorful blooms and well-shaped leaves of geranium plants, but also because I wanted to create support material for art classes. Most students who’d love to learn painting, cannot really draw. Therefore, they normally trace photos or print-outs. It must be tough, and, thanks to my early devotion to drawing, I can draw anything on the spot. I created outline drawing of a large bloom and added a few leaves. As it appears, the drawing paper (it was actually some kind of newsprint I think, large sheets) was a bit smaller than my watercolor paper.
Here you can see the progress of geranium painting
My painting composition looked fine as outline sketch, but after a few first layers I could see that something is missing, so I got a reference leaf and drew it in the upper right part. I kept adding layers, and the flower which actually consists of numerous small blooms came more and more to life. Around layer 5 I think, I discovered that the bottom part needs something more, so I added half of a leaf and small corner of as if leaf.
Detail of the pink geranium watercolor painting
While it is step 1, step 2 and so forth, each step took quite a few hours, and the entire painting – about 8 full days. I hadn’t counted on all parts requiring so many layers. The paper isn’t Arches again, it is Strathmore 400 series which comes in this size I like 24 x 18 inches (61 x 46 cm) and which I had available. You cannot create very attractive washes on this paper, therefore, I intentionally left the background white. Certainly, if you want washes in your painting, you have to use cotton paper. There is no comparison how wash looks on Strathmore paper which is still very thick and firm, and on Arches which is at least 140 lb.
I do most parts of painting with my number 14 brush. I’m so happy it has still the fine tip, but it has started to wear down. Well, I have 3 of the same brushes, and two are useable. Not only it is faster, it is a lot easier, too, to cover an area with paint and add some other color to it. I do not like a few things with watercolor – using masking fluid and using very dark colors. I never use black in watercolor. For that case, there’s Payne’s grey, we can use Sepia, purple, indigo and so on. That allows creating gradual transparent color which looks almost black, but shaded black.
I love the transparency of watercolor, and I do aim for flowing lines, as well as colors which do not hurt, but have a soothing quality. I didn’t have Opera pink color which is extra bright and can be used for such flower paintings, I simply couldn’t find it, therefore, I used what I had, many shades of dark red and Carmine, plus some purple and blue, although, it isn’t well visible on photos.
It’s beauty which always touches me, the elegant shape of leaves, the fragile softness of petals. If you paint, add some heart onto your painting. Don’t worry always about the technical aspects and perfection. Having heart in art is already enough and that feature makes it shine and stand out among others.
We have to keep art supply list short! When somebody wants to start drawing or painting, they sometimes buy too many painting and art supplies, tools and materials, and quite a few of them won’t ever be used. While we need paper, canvas or other surface to draw and paint on, it is important to have that surface which fits your art intentions.
It is also important to find out what the painting style or technique you want to use involves.
My favorite watercolor painting supplies
Buying watercolor paper
Watercolor paper is a very sensitive part of watercolor painting and by choosing the right paper you will enable yourself learning faster and paint better.
There are so many paper manufacturers! Most of thin watercolor paper will not do anything. In order to create beautiful washes, you need paper which takes in water and pigment: thick, heavy, cotton paper. My favorite watercolor papers are Arches brand and Saunders-Waterford. I use the heavier papers of these brands, always cold pressed because I love the grain on paper.
You can do test painting on lighter and thinner paper, it is just so, that you probably won’t get the best results and painting on thin watercolor paper will require more skill and more effort.
Art supply sets
We can see quite frequently sets at the art store: sets of brushes, sets of pencils, sets of paints and sets of canvas and even combined sets of paper blocks, canvas with drawing, brushes and other things. Sets are meant for testing brands and also for as if your comfort: just get a set and no worries.
Universal things never work for specific purposes. You are not going to do a universal painting, but most likely pick your favorite painting subject and technique; therefore, you need specific and tailored things, not anything that says paint or brush on the label.
Art supply setswhich won’t work
Some sets don’t make sense, for example, acrylic paint sets. You will use white color at least twice as much as any other color. Yellow color can be very problematic, and it goes fast, too. Depending on a personal preference, you might never like or find attractive some set colors. We generally do not need any premixed green colors because we can always mix up numerous tones. You will need a few primary colors, black and white. The problem is that all primary colors come in very many shades and tones. It is the best you choose from separate tubes and test many similar colors until you find yours.
These art supplies I use for drawing, they include pens
Quality matters
Craft acrylic paints will not have the same features what paints for fine art. They are generally very liquid. Liquid paints are useful if you want to pour them, but they won’t do well for painting.
Students grade acrylic paints are cheaper and contain less pigment, but more binding and filling substances. Some brands have fairly good paints, but most cheap paints feel like colored pasta, not paint. That depends on color, too. Red and some dark blue colors will be quite fine, but the lightest and darkest colors will fail when mixing.
My favorite art supplies for acrylic painting
Medium quality acrylic paints
Medium quality acrylic paints are fine for basic layers, but they usually have very weak white and yellow colors. That affects the painting to a great degree. We have to remember: as acrylic painting dries, it will become much darker and flatter without that initial contrast which is present on the wet painting. Therefore, we normally use third, fourth and more layers depending on subject. It is a good thing to leave acrylic painting alone between painting sessions to dry completely. Every next layer is easier to apply. Most artists use only good quality acrylic paints for top layers.
Brush sets
Sets of all-purpose brushes are simply useless. We use watercolor brushes (very soft, capable of absorbing and holding pigment and water) for watercolor painting, specific acrylic brushes, they can be as soft as watercolor brushes, but with shorter bristles. You certainly could use synthetic watercolor brush for acrylic painting. Acrylic is versatile medium and you could use fan brush, sponge, rough bristle brush for effects and sponge.
You will need a few brushes depending on painting size, painting subject and detail, but not 10 brushes for a small painting. The brush we use depends on our medium of choice and technique. If you are a beginner, get 3 (small, medium and large) brushes for your medium, that will do and you can buy everything else as you go.
Some of art supplies we used in recent art classes
It’s not the brush, it’s the painter
I use only 2 brushes for watercolor painting: number 12-14 round with fine tip and number 6 round for small parts. I usually paint large size art. For acrylic, I can paint the entire painting with 1 flat brush, or 1 Filbert and then use adjusted fan brush. The main thing is usually to know how to use the brush to its full potential. It is frequently not the brush, but person who paints with it.
The specific supplies you need will always depend on size, technique and painting subject. It feels good getting supplies on sale, but one has to be careful when deciding whether you will ever use these particular materials, tools and supplies. Keep the art supply list short!
Organize art supplies and painting tools
Students love leaving everything in a big suitcase type of bag and then they cannot find anything when they need it. We need not only to organize the folder, bag or case of art supplies, but also our work space before we start painting. All tools, brushes, pencils, all paint tubes, palette, palette knife, sheets of paper towel, mixing pad, paper or plate, water containers, eraser, sharpener – everything must be within reach. You should keep on your direct work space only tools, brushes and paints which you are going to use. Overcrowded work space will disturb you and slow down.
My advice is: have less art supplies, thus, keeping the art supply list short. Try also buying better quality art supplies and keep them neatly organized when stored and when in use!
I’d love to share some acrylic painting tips. I hope these painting tips allow to achieve more and paint better.
Giving up before seeing potential
I feel sad when some students discontinue classes just after one month. I can see the potential in attempts, but people with little experience in drawing and art usually don’t. All it takes is usually adding a few dark and light spots, adjustment of edges and straightening out a few shapes. In fact, any acrylic painting can be whatever the artist expects it to be if we keep working on it and don’t stop prematurely.
If you know how to, you can improve anything
I’ve said that before: nobody becomes master within a few hours. Nobody. I also do not want students comparing their first attempts in art: this makes absolutely no sense. There was a reason artists used to cover up their art with a cloth and show it to nobody until the artwork was considered ready and finished. There are easy adjustments which can change the painted image to a great extent. We add tiny bit of sparkling light, sharp edge of very deep dark area, and everything improves.
Patience and ability to take risks
Patience and ability to take risks are two very necessary features for anybody who’d like to enjoy creating visual art. I have told this before: time-lapse demos make people believe that this is exactly the way one paints: one, two, three and here we go. In reality, we sometimes need to go over and over one spot for many times. With acrylic paint, there are no limitations of adding layers. We need to apply many layers to achieve volume and visually attractive effect.
Once you know what principles are applied to creating a painting, just follow the steps and use layers and painting comes to life.
Applying color versus building it up
Smearing on paint in one color is not the same as building it up. I have quite often seen transparent trees and flat buildings, not to mention flowers without any volume. That means, there was no dark color blocked in underneath and the light color was used only in 2 tones. That cannot make a structure or subject look like it is having dimensions.
Think layers
Many people have difficulties thinking in layers: the most distant, underneath it all layer, the middle value layer, the defining layer and the highlighting and detailing layer. It is in the human nature to try getting it right away. I’ve observed how students sometimes start with details which should be implemented at the end. This approach is fairly essential in acrylic painting because we have to work from dark to light and from distant to close: that’s how the image evolves.
Demo painting for garden landscape, basic layers
Keep the color on
The other problematic issue is holding color on the spot we need it to be. We are practicing painting on a spot techniques. Quite often artist gets carried away and keeps blending and moving paint around until it results in everything being the same color. It is very important to learn using brush for painting on a spot which is like running on a spot: brush it on, but don’t move all around the canvas.
Brush must be clean
Finally, as I’m washing brushes after classes, I can immediately tell which brushes were used by me and which by students. My brushes are almost clean or have the last color in it. Students’ brushes are usually full of many colors, quite often dark colors which we applied at the beginning of the class. That means, the brush wasn’t cleaned during painting. That results in muddy and dirty colors which don’t shine and lack brilliance. We must clean our brushes frequently!
We go layer by layer until the painting takes shape
Painting is easy and extremely rewarding
We must have patience and allow for some time to get where we want to be. It depends also on what our goal is. Any painting is nice and great if we do not expect it to become a top art just after a few classes or painting attempts. We can notice fear and indecisiveness in brush strokes which lack confidence. Therefore, taking risks and experimenting is very important, especially, in visual art. We have to be persistent and even stubborn. I hope my painting tips help you!
