My magic watercolor brush

Fall leaves, watercolor

Every paint brush becomes magic once we learn how to use it properly.

It’s how you use the brush

It matters how much pressure we put on the brush and what part of it we use. It matters that you use specifically watercolor brush for watercolor. Watercolor brushes are soft and able to hold plenty of water and paint. While the shape of brush matters, too, the most important part is still how one handles the brush. If you just try to aimlessly move some paint around the magic brush loses its ability to create something great. I usually use only a few brushes for every medium, most often just one or two.

My preferences for watercolor brushes

For watercolor, I use number 14 round, soft watercolor brush with a very fine tip mostly. Therefore, it performs quite a few functions. When we hold it perpendicular at a 90° angle, we can draw very thin lines. Since this brush holds a lot of water and pigment which is important for watercolor, we can use the side of brush parallel to paper and cover large areas fast with either water or paint.

Time it right

Timing is also important for watercolor. We can use just part of a large brush and move paint around. We can use full body of a big-size round brush and cover large areas of paper fast. We have to time everything accurately; if you want fine details, you will do them on dry paper. If you want smooth washes and color transitions, you most likely will wet paper first. Wet paper is also safer for those who are slow with paint application. That will allow avoiding streaks and patchy paint spots.

Fall colors

We have beautiful fall weather at the moment in Southern Canada. Leaves are turning golden, red, orange and purple. It is a good time to practice color mixing and color application since inspiration is everywhere. Bright, sunny and golden colors shine on grey and blue backgrounds. Use that in your favor when creating fall paintings. I started the painting of fall leaves a few years ago for watercolor painting class and finished just yesterday.

The most recent watercolor painting class image

This a quick watercolor painting without drawing and applying rather washes. Mine was done on not that great watercolor paper, but it still makes a lot of sense. Not to mention, that real painting always have more balanced colors and look way smoother than extra sharp iPhone pictures.

I hope you enjoy these paintings.

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Art collections by Inese Poga

Getting ready for a cozy fall and Thanksgiving

Fall still life with pumpkin and fruit, realistic still life painting

Giving thanks: Canadian Thanksgiving

I have Thanksgiving on my mind this year. It’s not that we always celebrate it, but I believe there are many things to be thankful for this year, especially, overcoming all the difficulties and sadness in February and March. Canadian Thanksgiving is much earlier than the American, therefore, I hope my gift sales page will be set up and published soon. I can currently invite everybody to check out my Fine Art America products: there are so many: from garments and outfits to notebooks, mugs and totes, not to mention many kinds of prints, both framed and unframed on different surfaces and in many sizes. Link is at the bottom of page.

Inese’s Art Studio creates

Inese’s Art Studio is booming with ideas, plans for projects and hands-on activities. I am working on a few new artworks, as well as finalizing some that were started 3 to 5 years ago. Having one-person run art school, creating my own art and crafts, sometimes sewing things, gardening and performing all daily chores takes a lot of time and work. I simply want to have lots and lots of gifts and smaller size art, as well as cards and Thank-you sheets to offer this year. The good thing is: art never goes bad, so, it can be used and re-used after a while again.

Fall still life with pumpkin and fruit, 20 x 24 in

What’s not to love about fall?

As much as I enjoy spring and summer, I also love the color parade and all shades of gold showing up in nature and tree foliage when the fall arrives. It is a feast for eyes, and it is a great inspiration for anybody who picks up a brush. I finished the fall still life which we started in my art classes 5 years ago. I think it came out great with warm colors and very attractive fall fruit. I struggled with photos, just as always. Some had glare on them, some came out too dark, some were to light and some had wrong colors. I chose the best, yet, I must say, the actual painting is still better. Its size is 24 x 18 inches or 61 x 46 cm.

Sunset boat, acrylic painting on canvas, 20 x 24 in

Moonlit path, acrylic, 20 x 20 in

Under fall sky, 20 x 16 in

Red poppies, bright red, acrylic 24 x 20 in acrylic on canvas

Painting fall is always rewarding and pleasure

We have done it numerous times and every year during art lessons. Even absolute beginners can get nice art done if using sponge and fan brush because it loosens one up and allows going easy about blending and color matching. Any warm colors will do, and if you pair them with cool grey or soft grey-blue, the result speaks for itself. I am sharing a few paintings which I haven’t sold yet, although, fall landscapes usually sell fast. I suppose it is because they make any wall and room cozy and warm. Fall is the time we want our comfort foods, candle lights and warm blankets on the sofa.

Enjoy and let me know if you’d be interested in purchasing some art.

Link to art lessons and workshops: Group art classes

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Art collections by Inese Poga

Fruity, simple, attractive

Still life with fruit, watercolor still life painting

Fruity, simple and attractive is still life with apples. Between years 2013 and 2018, I used to spend either August or September in Latvia. They have numerous fruit trees. Apples were in all tones and colors: red, white, green, purple and scarlet. Their round perfect shape was always attractive to me, so, I rarely could resist sketching or painting some apples whether with leaves or other elements.

This particular painting comes from my bright color period. I think it was 2008 when I painted this still life. It is quite large, 15 x 22 inches or 38 x 56 cm. I used to enjoy extra bright colors and St. Petersburg watercolors definitely facilitate that.

This apple still life was painted in Latvia looking at a tree and balancing paper in my lap. The weather wasn’t really cooperating, but I managed to finalize this painting upon my return to Canada.

Similarly, this still life with apples and pears was painted at my daughter’s computer desk. The space was too small to lay out paints and paper in a manner that I could paint without worrying that something falls to the floor. However, I love how it came out. I got some leaves in the garden, and they had a few green pears. I love my color combination in this one.

These are clear white apples which grow in my sister’s garden. They are ripe in August or even sooner, but must be consumed swiftly. They are extremely juicy and sweet, but go bad fast. I haven’t actually seen this sort of apples in Canada. I think this still life came out quite nice, too. I had to add final touches upon my return to Canada.

I have many sketches of apples, some unfinished watercolors and also acrylic still life painting with fruit and apples. It is not possible to remember all paintings which feature apples.

My personal point is that anything makes a good painting. Simple things can be painted and drawn as great as very complex subjects. I do always advise starting with such subjects that are around you and are easily found and replaced. That is a wonderful exercise in composition and color. It is also pleasure for eyes. Such paintings look great on any wall.

My art on Fine Art America:

Art collections by Inese Poga

Original watercolor paintings for sale

Still life: essence of art

Still life with fruit and flowers, watercolor

Subject I love: still life

I have painted numerous still life paintings over years. It was not my most favorite subject when I was young, but I fall in love with this subject as time passed by. This genre usually works well for me: set up some things which can be found in the garden or fridge, find some cups, bowls and add a few flowers or leaves in absence of flowers. As you know, whenever possible I do not use photos because camera always distorts the image to some extent and the image is never what human eye can see.

Still life tells a story

Still life always tells a story, and this story can be read quite easily if and when the viewer wants to. It is by far not only shapes and color; it is much more than contrast between live and organic shapes and handmade items. Still life reflects my current opinions and my current emotions. It can express everything we are willing to disclose.

I started this particular still life 5 years ago. I had everything I need to set up something quite attractive. I did a rough value sketch in the actual size which is 22 x 30 inches or full sheet of Arches watercolor paper. I transferred the drawing onto watercolor paper and moved to first washes, just like always working from the back to the front.

Still life: art that tells story
This is how far I got in 2015., drawing from a setup in my studio
Still life: setup
I only created a few washes and left the painting alone for practically 5 years

Restarting the process

I suppose, I got busy afterwards and the items of my still life simply went bad. I did not have time for about 5 years until recently.

After I moved into my new Ajax place, I had to sort out all numerous art folders. I found a few started paintings, all on large size Arches watercolor paper, and I decided to do something about at least a few of them. It took me about 3 days to bring the painting to its final stages.

Close-up of still life top part

Lack of reference should not stop us

The sad thing is that I could only reference the rough sketch. I obviously used my memory and imagination, otherwise it did not work. Working from life results in more vivid and lifelike painting. However, if there is huge interruption in the process, completing such painting can be challenging. It is not only because I do not have the same setup, but also because we change over time. Our perception changes, our color preferences change and, finally, the way we work changes. Therefore, it can be tricky to pick up the process where it was left so many years ago.

Still life with fruit and flowers, watercolor

I took the risk, and I think the result is great. It is a very large painting. It took the entire table length to somehow accommodate it. I also had quite hard time taking pictures with iPhone because of the size.

Still life with fruit and flowers

Masterclass: new way to learn art this fall

This fall I am starting master-classes which will take place once a month. These will be classes for people with experience and they will be designed to elaborate a particular subject and master-class will also include extensive demo and explanations.

I would like to give art classes that genuinely teach somebody, so, that they have artistic freedom creating their own art. I find that most art classes teach students nothing. It is mostly just some design which is executed with paints. Learning is a great way to stay young and keep our brain flexible.

Sign up for FALL SEMESTER art classes

See more of my still life and other paintings on FAA:

Art collections by Inese Poga

Summer sketchbook: easy flowers

Red poppies, pen and watercolor sketch

Fill your summer sketchbook

This year, I am filling my summer sketchbook with floral art. Watercolor sketch, pen and watercolor or purely watercolor are excellent ways to paint summer scenes, summer flowers, summer landscapes and simply enjoy the outdoors and beauty. The easiest way to practice painting with watercolors is using pen and watercolor wash, that will fill your sketchbook in no time. That enables us creating great composition and not caring too much about pencil lines and perfect application of watercolor.

Summer poppies, 12 x 16 in or 30.5 x 40.5 cm

Excellent technique for beginners

Pen and watercolor wash is a great technique for beginning watercolor artists. The most exciting part is adding watercolor washes, as well as more detailed areas with more concentrated paint. We can create a wonderful painting in less time this way because we do not need multi-step drawing transfer onto watercolor paper. It is also much easier to know where to use paint because the black outline clearly identifies that.

The spring rose, 15 x 11 in or 38 x 28 cm

Greatness takes time

If you are new to a particular medium or absolutely new to drawing and painting, you have to remember: nothing happens right away. Every skill takes time, efforts and work to develop.  It is no reason to give up painting or drawing if you are not happy with the first few drawings and sketches. You might be surprised how much better one becomes after a while.

Sunflowers, pen and watercolor, 12 x 16 in or 30.5 x 40.5 cm

Not every painting is masterwork

Focusing on perfection right away will cause you to be disappointed. Any artist will tell you that they have damaged, and thrown out lots and lots of initial sketches, painted over initial scenes, changed the layout and composition completely, switched to a different color or tools. They have done many things before they have created the first amazing painting. Not every drawing or painting is or should be a masterwork. It should be a stepping stone on our way to better art. We use our errors as a way of discovering how to achieve what we want and have intended.

Red poppies, pen and watercolor, 11 x 14 in or 28 x 36 cm

For your inspiration

Get inspired by my simple pen and watercolor sketches. This time, they are floral sketches and paintings. Go outdoors; see what you have in your backyard. Sketching is always better if you do not use any photos, but the real thing in front of you. Pen and watercolor technique allows achieving fast results, therefore, your subject will not change while you draw and sketch it.

Clematis, pen and watercolor, 12 x 16 in or 30.5 x 40.5 cm

Art supplies for drawing and sketching to fill your summer sketchbook

CANSON XL cold press, 140 lb watercolor paper, size 12 x 16 or 12 x 18 in

Arches, cold press, 140 lb watercolor paper, size 12 x 16 or 12 x 18 in

Saunders Waterford, cold press, watercolor paper in whatever weight is available and affordable, size 12 x 16 or 12 x 18 in

For pen, you can use any black pen which does not bleed with application of water. I recommend MICRON brand which contains archival ink, size from 1 to 05, test it. You can test it at the store for thickness of line before buying to see which one you like.

Graphite pencil, HB or even harder

Soft, kneaded, artist’s grade eraser, it is sold in art stores.

Paper towel, a few sheets

Set of watercolors in basic colors

All my art prints, art cards and other products on FAA:

Art collections by Inese Poga

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