art classes Durham region Archives

Sunflowers, the sunny flowers

Sun plus flowers equals sunflowers. It is also an excellent painting subject when it gets darker in October and November. We switched from bright fall colors to rainy and snowy start of November. Warmth of sunflower color fills up the entire studio. Gentle, soft flow of light yellow and burnt sienna tones among the strong earthy greens and burnt umber is a very attractive color combination. I am a good example of how artist’s taste and feel for the subject changes over time during a few decades. I was painting a similar image years ago, and my color choices were completely different then.

My painting style

Specifics of my painting style include spontaneous and intuitive use of color and improvisation on the spot. I don’t use masking fluid much, especially, for paintings which are done as a demo for an art class. There’s simply no time for that. Ability to improvise helps with demonstration. Many unexpected and interesting things can happen painting intuitively! Since I have been painting and teaching for many years, I can act and react very promptly, including change of subject if necessary. I love freedom in my own art. I do teach others to treat their painting like that, too. This particular sunflower painting is 20 x 16 in or 51 x 41 cm.

Red barn in fall

Subject of the following painting is a red country barn which I also painted in acrylic. My watercolor painting is larger than the acrylic one. Its size is 18 x 14 in (46 x 36 cm). Size means a lot in live presentation, but unfortunately not online. This painting relies on combination of saturated fall colors, tree shape and barn. Barn is placed strategically to increase the perspective and feeling of depth. I am trying to take pictures of my art with background in order size of paintings would be more visible. However, it’s not always possible. I love bold colors as much as simple grey and saturated brown tones. This particular image shines because of colors and diagonal use of composition elements.

Barn on green

This is a barn which was painted a while ago. I love painting buildings, because of organized and completed lines and perspective. My mom had saved some drawings which were done when I was 12 and 13. That’s like half a century ago. These were my drawings of buildings and plants which I had done looking at the actual subject. We didn’t have internet or cameras then. I always loved drawing what’s around me. This painting is also quite big, it shows a country barn and side building as I see it. Green is also super amazing color and it really makes one feeling alive. The same goes for painting: vivid greens and lovely buildings.

Watercolor painting, Country barn and summer green

I hope you love my sunflowers and other paintings! It was great pleasure to paint the recent sunflowers, and this painting is the newest addition to my watercolor collection also.

Enjoy, be inspired and paint! I do appreciate visitors to my sale pages, here is Original watercolors page, it gets updated quite frequently:

Original watercolor paintings for sale

I was also chosen to be a Spotlight Artist in Fine Art America’s traditional still life group with the pumpkin still life which I published before. That is nice!

All FAA images:

Copyright notice: Copyright of displayed paintings, drawings, images of work in progress and images of finished paintings belong to artist Inese Poga. Please, respect my copyright. The use of my images is prohibited if I have not issued a written permission. That includes no pinning on Pinterest.

Every paint brush becomes magic once we learn how to use it properly.

It’s how you use the brush

It matters how much pressure we put on the brush and what part of it we use. It matters that you use specifically watercolor brush for watercolor. Watercolor brushes are soft and able to hold plenty of water and paint. While the shape of brush matters, too, the most important part is still how one handles the brush. If you just try to aimlessly move some paint around the magic brush loses its ability to create something great. I usually use only a few brushes for every medium, most often just one or two.

My preferences for watercolor brushes

For watercolor, I use number 14 round, soft watercolor brush with a very fine tip mostly. Therefore, it performs quite a few functions. When we hold it perpendicular at a 90° angle, we can draw very thin lines. Since this brush holds a lot of water and pigment which is important for watercolor, we can use the side of brush parallel to paper and cover large areas fast with either water or paint.

Time it right

Timing is also important for watercolor. We can use just part of a large brush and move paint around. We can use full body of a big-size round brush and cover large areas of paper fast. We have to time everything accurately; if you want fine details, you will do them on dry paper. If you want smooth washes and color transitions, you most likely will wet paper first. Wet paper is also safer for those who are slow with paint application. That will allow avoiding streaks and patchy paint spots.

Fall colors

We have beautiful fall weather at the moment in Southern Canada. Leaves are turning golden, red, orange and purple. It is a good time to practice color mixing and color application since inspiration is everywhere. Bright, sunny and golden colors shine on grey and blue backgrounds. Use that in your favor when creating fall paintings. I started the painting of fall leaves a few years ago for watercolor painting class and finished just yesterday.

The most recent watercolor painting class image

This a quick watercolor painting without drawing and applying rather washes. Mine was done on not that great watercolor paper, but it still makes a lot of sense. Not to mention, that real painting always have more balanced colors and look way smoother than extra sharp iPhone pictures.