birch painting Archives - INESE'S ART STUDIO

October 12, 2021October 21, 2024

Lifting morning fog, birches, classic landscape

The lifting morning fog is the most recent addition to my art collection. Birch trees have always been a favorite for autumn paintings, especially, when I have a few students who want to learn painting fall colors. The classic involves an artwork which we started in 2018, and it got not finished until now. Half-done paintings sort of nag and urge me to not be lazy and just add a few layers of paint.

Every day is only worth what its accomplishments are. I believe every day is good when I can show something for it. Therefore, time I devote to each artwork feels as a well-spent day. While everything else is rather slow and inconclusive in our life at the moment, one aspect of it is always unchanging: the creative aspect and pleasure of creation.

Acrylic paints dry darker, that’s why we need to learn what color combination is suitable for background, middle and foreground. I’ve talked a lot before that applying color is not the same as building it up. Building up color creates volume and color shifts, as well as allows implementing color temperature.

Textured birch trees on bright forest ground takes its origin probably in 2015 if I am recalling this correctly. I apply textures on canvas which is painted in the base color, grey or brown usually. I cannot judge yet whether it will become a good painting or not, therefore, many layers of paint are required to make it work.

Textured paintings are more problematic to photograph because the textures are raised and reflect more light. Color play is important part of textured paintings, but it comes to full expression seeing the art in person.

Here is the Rusty gold of autumn birch: it’s the same painting, compare with the image below; but pictures show completely different background colors. Unfortunately, neither one is absolutely true. The actual painting isn’t yellow, and the background isn’t bright blue, but the options are either to publish or not, and I would most often choose to publish. Rusty gold of autumn birch painting is 24 x 20 in or 61 x 51 cm.

I started to paint the lifting morning fog at the beginning of August. I had a very diligent student who attended private classes, and she was interested in fine detail of acrylic painting, layering colors and achieving a certain grade of realism. Nobody without experience can just jump in such art right away with the first brushstrokes. We managed, but such art takes much longer than a few hours. In my case, it’s rather a few weeks.

The lifting morning fog painting is created on my favorite size canvas: 24 x 18 in or 61 x 46 cm. I love this size for both, watercolor and acrylic.

Pictures were taken with iPhone, and that sometimes adds way too much contrast and changes the color temperature. Colors usually on pictures are either stronger or weaker, but not my actual colors. My experience is that grey becomes strong blue and that disturbs color balance of my artwork. I’m using a grey-bluish shade which is carefully crafted, unfortunately, it looks very blue on the images.

I hope you like the new additions to my art collection, and some will also be put up for sale soon. Currently, there are quite a lot of acrylic paintings, and I update the sale pages quite frequently. Stay in touch and all the best enjoying the October colors!

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Art collections by Inese Poga

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December 12, 2020October 17, 2024

With love and embellishments of frost

Bright winter day

After the snowfall and storms, the day comes to greet you with a bright and sunny smile. Every worry is buried under the healing cover of white snow blanket, and you just walk by wondering how overwhelmingly beautiful a simple tree can be. We can love or hate winter, but sometimes, days happen when love shines through millions of ice crystals on tree branches embellished by frost. It is an understatement to call such landscape beautiful because it consumes one entirely and echoes in the heart and resonates with the soul.

All is white

The best feature of winter snow is to beautify all ugly and awkward-looking fall remains. The view is undisturbed and travels far away, and everything we see is endless path of light, topped with the purity of transparent sky. I delved into such winter landscape and transferred it onto canvas. It took me a while. The view is not complicated, but acrylic paint is quite stubborn. It requires five to eight layers to reflect the deep whiteness of snow and the strong shadows of trees. Every tiniest spot on a painting requires attention and work.

Extremely limited palette

This particular painting is created using extremely limited palette: black, white, brilliant blue and burnt sienna. The green color is a mix of burnt sienna, blue and white. Only four colors will create a great winter painting because we can adjust all proportions of the above-mentioned colors, thus, getting numerous shades of grey, blue, green and white.

Screen settings

Now, what you will see on the screen depends on your device and its settings. I looked myself at pictures on the iPhone, and they have extremely strong contrast. On the large monitor of my big computer, everything is more balanced and not that exaggerated. Regardless of your device, you will still have an idea of what the painting is like.

Long history

Just like many other of my 20 x 16 in or 40.5 x 50.5 cm paintings, I started this one last year at a full day workshop. Therefore, this painting has a very long history and processing time. I didn’t get it done and adjusted completely last winter, so it was left in a pile of paintings waiting to be either painted over and changed (subjects I have lost interest in), or finished (subjects which look promising).

Three versions

After I took 3 sets of about 30 pictures each, I finally got some with acceptable color balance. Accidentally, having taken a picture of only half painting, suggested me I could use this painting for 3 prints: vertical with the front trees only, square with the main portion of painting and the horizontal which is the entire painting. Each one looks interesting, indeed. I know other artists do that, but It’s the first time I will be offering 3 prints of the same image.

Winter birch acrylic painting by Inese Poga — Vertical version of White birch trees, bright day

Shop some art, make my day

I have decided to ship only paintings which somebody requests to be shipped. The main reason is that my art looks much more attractive in reality when the actual size makes extra impact on the viewer. I am well aware that not everybody is ever be in Canada, Ontario. Yet, many people live here and have no problem stopping by at Inese’s Art Studio. They are my main customer and thanks to people , who live here, I can paint and purchase new art materials and paint more. It’s not a whole lot of money, but it is a support. If you feel you like some painting, don’t hesitate, let me know! We can always arrange something.

Link to my store on this website: Shop special offers

I hope to be in touch a few more times this year. With love, Inese

January 31, 2020October 17, 2024

Upcoming art show and stolen images

Never-ending stealing of painting images

This issue comes up almost every time as I type in Google search terms which I describe my paintings and drawings with. Almost every time, I find stolen images of my paintings which I obviously did not know of. I look at the website link: if it is not my website, my Fine Art America site or similar sites, I can be sure somebody has copied image of my painting and placed on their website. The purpose of stealing painting images is not always clear. Some websites look like they are selling prints, some seem to have the image for anybody to paint or draw. I am feeling sad and mad about this.

How about I use your art for my artwork?

Somebody contacted me recently (at least they contacted and asked for permission, which I appreciate) about 2 of my best floral paintings. It said: may I use your images for creation of my artwork? That left me wondering: how is that? If that was a photo of something else, but not my art, I could have allowed using it. But the idea was to take the image of my painting and use for whatever adjusted art they create. So, I work hard for some 3-4 weeks and paint it and try to do my best. I work on taking good pictures. They come along and admit that I did well, and that’s why they would use these images. To me, they are finished paintings, and I do not want anybody to add embellishments to them or remove something digitally. Creation of art takes time, efforts and actually talent, too. No, I’m not fine that you just copy it over and sell as painting by numbers.

Please, be respectful

I wonder: how do people come on these ideas? I think it’s time we start to respect efforts and time somebody has put in their art. I have seen all kinds of claims about art instruction, writing, including poems, stories, essays, interviews, how to instruction and lots and lots of paintings which are simply stolen from the owner’s website. I have watermarks on my paintings. I usually post paintings with my signature on them except when it’s work in progress. I have copyright notice in place, and I made it longer just now and I am also putting it under each article as of today.

Are these protective measures enough?

Do I believe these measures are going to stop some websites from stealing and displaying my art? Probably not. However, I will alarm about 2 most recent websites where I found my paintings. If you are a good artist, your drawings and paintings might be there also. Internet enables all kinds of unauthorized actions. It’s just so that it is annoying and time-consuming to follow up on all of this. It took me an hour approximately dealing with these websites. I am not even sure; there may have been more images. There is never guarantee that I will achieve much with searching, checking and sending my notifications in case a theft is detected.

It is a big deal

Does this stealing happen because people think that it is not a big deal to just simply copy somebody’s work and go ahead and place or use it any way they prefer? Well, it is a big deal for me, and I suppose for any artist whose life is a full time art creation and writing. No, I do not feel flattered by my painting images (sometimes works in progress) being scattered around who knows where. The display is usually also not the most appealing, and they are taken out of context and sometimes used for other than intended purpose. If you’d like to see what websites have your painting images, enter art descriptions which fit your art in Google search, click on images and see what comes up.

New show paintings

My initial intention was to post two images of my new paintings which will be included in show opening on February 14. And I am still working on more new paintings, as well as adjusting and varnishing some earlier works. But here I am: dealing with stolen painting images again. That happens much too often to ignore it. Maybe it’s time to report these websites and maybe they’d be closed down. Maybe it’s time to deal with thieves in a stricter manner? It’s been countless times I find my paintings on strange websites when I google for images with descriptions I have frequently used.

Happy with results

Anyway, art is where I find my happiest moments in life. The largest painting is Birch road. It is 30 x 24 inches or 76 x 61 cm. I cannot ship it at the moment, but it is available from my studio. It took about 3 weeks painting for about 6 hours a day. The photo cannot show all golden shade transitions which are implemented in leaves, but the real painting has perfect color play.

Birch road, acrylic on canvas, 30 x 24 in or 76 x 61 cm

Some art simply got adjusted and new pictures were taken. I hope you enjoy my paintings and feel the same good vibes as I did when painting them!

The sunset boat, acrylic painting by Inese Poga

Except for Birch tri, all other paintings are 24 x 20 in or 61 x 51 cm.

Fall colors, bright as in nature!

As always, check out FFA site: Art collections by Inese Poga

September 16, 2012October 17, 2024

Fall Art Festival at Camp Samac: Friday

I always plan ahead, but I often find myself balancing on knife-edge to meet all deadlines and to make all things happen. Generally speaking, I cannot avoid some rush with whatever I’m trying to do. Getting ready for art shows always involves some frantic adding of last brush strokes to earlier created paintings, a sudden new painting idea just the night before the show; and, yes, that’s me typing the art sales sheets and printing labels just half an hour before I leave to set up the show. This time, Fall Art Festival at Camp Samac.

Setting up show space

This is such a happy moment when the provided space is set up. It seems like nothing to it, and I really have to wonder, how could it take so incredibly much time and efforts? I decided to paint mostly trees this year, and when I stopped by, I found out that 3 paintings were already sold. Great news.

Sold tree paintings

Why trees? I find them extremely human, having so much of character which people are often lacking. I don’t think there can be ever painted too many trees or flowers, these silent guards of our living space.

Lovely white birch and maples

Birches are stubbornly maintaining their white coats regardless of seasons. It’s not surprising they have found reflection in so many poems, paintings and stories. How to stay white is the lesson they teach. We can respect maples for knowing how to lose their beauty in such a gracious and marvelous way, there are no regrets, just sadness for rapidly disappearing magnificence.

Maple road, sold

This maple road painting was done in my rich acrylic texture technique. Paintings of this type change colors as the surrounding light does, and depending on the viewing angle, foliage feels almost touchable at some moments. This painting was also sold straight after I put it out. These paintings exist only as single originals since no prints or similar reproductions can be made, and that’s what I like about them.