challenge Archives - INESE'S ART STUDIO

Making time

How to make time slow down and stop for a moment? I have the answer, but unfortunately, this doesn’t help me getting done everything. We can capture a moment in a painting, and we can capture the scene we are drawing or painting, thus, registering our feelings, emotions and impressions of time. I believe doing our best can be not enough sometimes, but that is the only result we are able to keep.

Well-organized workspace

My classroom just got a face-lift. There are so many flaws with easels which are sold at the art store that I had to finally get to the issue and design my own easels for classroom. They are extremely light and perfectly stable; nothing dances around, falls off or turns over. They allow painting when sitting and when standing. That took a while, and thanks to my husband and his skills, we have these easels working well now. I had to make also some smaller things like cardboard trays to organize the workspace better. Workspace has to be easily approachable and clean.

Limited art supplies

We shouldn’t try using the entire art store. I counted last night; we need 10 paint tubes at most. We can paint very well with just 8 or even 5 colors. That means we learn mixing up colors. We normally won’t be using 6 or more brushes during a few hours. Most often, we can perfectly paint acrylic with just one medium size flat brush. Watercolor requires 2 brushes, but not 10 either. I can understand why somebody tries to take everything to the class: it’s called just in case. The negative aspect of too many tools and supplies is that it causes confusion. Especially when somebody is starting out, they won’t even know what each brush does.

Practice, practice, practice

We had a fantastic group painting today. I have 3 hour painting sessions on Saturdays. We start on blank canvas and at the end of these 3 hours we usually have something to show for. I loved that nobody was disappointed because sometimes people imagine they can go within 3 hours from never painted before to mastering painting That does not happen, so, I am very happy with people who have reasonable expectations.

No fear and relaxed state of mind

Creation of art has to be fun and relaxing activity. When I hear people saying I am afraid, I am really wondering how so? I can imagine how one is afraid from a surgery, even dentist, test or a job interview which can change the entire life. What is the worst that can happen when we paint something not as we think we should? With acrylic, nothing at all. We will need a bit more paint and possibly time to start that particular spot from new. Most likely, that is why people who love taking risks have very good results. Once we get over the barrier we placed in front of ourselves, we are fine. I wouldn’t even call this courage. I’d rather call this: pleasure to experiment, take plunges into unknown and experience freedom.

Abstracted painting in acrylic, red flowers

Artistic freedom

Artistic freedom is like no other freedom and it is the most uplifting one. When somebody tells me there are very many rules in art, I’d like to disagree. There is no other person who can see and experience the reality in the same way we do. Why our imagination and creative potential should be then squeezed in some kind of frame of regulations? It shouldn’t. Any other freedom comes paired with duties and obligations. Artistic freedom of creative self-expression is a completely alone standing freedom. There are tips and tricks, and common sense how to get painting done faster, better, more efficiently. Art and creativity allow creating a new world every single time we take the brush or pencil in our hand.

Painting poppies, acrylic painting workshop

My popular art classes

I believe, many people like my approach, so my art groups have grown a lot. My space is limited to 12 participants, but I prefer not more than 10 artists for acrylic class. Everybody starting out in art should not take it too seriously, but enjoy and have fun. You’ll find out over time how nicely everything falls in place. The above does not refer to people who make their living with art. That is a hard work, one of the hardest I know.

The reason I decided not to do any demos on a separate canvas for every class is simple: there have accumulated large numbers of somewhat finished; half-finished, not at all finished medium size paintings. For that purpose, I invented my changeable demo board which can tolerate everything: all kinds of colors and themes. It takes a lot of work to bring these unfinished paintings to some completed condition. On the other hand, I do not always feel like I would be interested any more in either that subject, scene, or the work itself. You know this state: some time later, next week, next month, in the fall, etc. Procrastination is a tough thing to conquer.

We all evolve, it is not surprising that our priorities or preferred methods do not remain attractive forever. I suppose anybody who has done painting or writing over long period of time, has experienced the state when one has to really wonder what was that I liked so much in this picture, scene, poem, article, story or sketch. We have learned along the way, and the former passions pale out when compared to the most recent discoveries or achievements. To some point, that is also true when I think about some people who I was so passionate about 30-40 years ago. Were they worth the tears cried out? Oh my, I have to laugh now remembering the stuff which seemed like a tragedy back then.

The same laws of affection and love regulate my overall attitude to themes and objects which I would like exploring closer and drawing or painting. The colors I loved 30 years ago are not matching the color scheme I feel comfortable with at the moment. I would not say my drawing style or general approach has dramatically changed, but there certainly has been movement and development. I am one of those people who just took the pencil and started to draw, it was very simple and easy, and everything just fall in place as I moved the pencil around. I don’t actually use eraser when drawing, unless I would like to place something significantly higher, lower, more left or right. My mom had preserved portraits and illustrations I did when I was 10 (that’s 46 years ago), and I don’t find anything wrong with them. I suppose, I dared a lot because I had not studied anything art related. It was all fresh, all from scratch, and thus, totally unaffected by any other opinions.

These were my reminiscences from far away.

Today, I am facing a lot of work. Some of previous paintings are so highly textured that it is impossible to paint over the initial image or replace it with something else. I have been thinking also about adding some mixed media parts to such works, well, assuming I’d ever have time for that. I am not sorry to through out something which is completely out of line, but there is sort of appeal in previously used canvas. Some kind of challenge, too: is it possible at all to make something nice out of this mess?

That way, I have been adding some brush strokes here and there, and some paintings are actually getting done. Interesting enough, they seem to be unusually grey scale for me. Grays have abnormally huge scale of possible shades. It is interesting to observe what some particular stuff might result in.

The attached images might inspire somebody to also finish up their started works.

It is always fairly difficult to get on the photo the exact colors or look. I’m trying, however, no online image can ever replace the actual painting.