fall nature Archives - INESE'S ART STUDIO

October 1, 2021October 21, 2024

Fall season and fall colors – let them in

Who doesn’t love painting during the fall season and applying the vivid and bright fall colors? I haven’t met any nature artist so far who is intentionally avoiding the warmth of golden tones and sparkling red, orange and yellow, as well as rich and saturated earthy colors. I have posted recently many watercolor paintings because I switch from one medium to another, and acrylic art will be posted soon.

Here are Bright autumn leaves, original watercolor 20.5 x 16.5 in

Bright autumn leaves, original watercolor 20.5 x 16.5 in

I have accumulated numerous half-done paintings during the years of giving art classes. While I had my own studio-gallery in downtown Whitby, I sometimes gave art classes and workshops almost every day, including weekends. Especially busy all art classes were during the fall season and that is understandable: subject is so attractive, traveling and garden work are in the past. Most people have free time on their hands and using it smartly is a big deal.

Fall still life watercolor painting for sale

Fall fruit still life, original watercolor painting 11 x 14 in

My problem has always been framing, that’s why I try creating more acrylic paintings because frame isn’t a must for acrylic art on canvas. Yet, I have the need to bring to conclusion any painting which looks promising, especially the ones I have started on very thick and heavy cotton paper which has become quite unaffordable now. I sure have throwaway pieces, too, which I use for color testing and just toss in the garbage.

Still life with onions, original watercolor 15 x 11 in

This time, I’d love to share one big watercolor painting which wasn’t added to my store yet and a few smaller ones which were in the beginning stages. I added a few more layers and brought them to completion. The common feature is subject relating to the fall season or painted during it. If you are blogging for many years, you most likely now how everything becomes invisible over time because attention is on the most recent or most viewed posts.

Vibrant red color of Bell peppers, watercolor painting

Bright red Bell peppers, still life painting, original watercolor 15 x 11 in

Fall season has lots to offer, including harvest vegetables and fruit, stunning colors, inviting views and late blooming flowers. The combinations of fall season painting subjects are endless. We can certainly use any style we prefer: from abstract wash to detailed focal points and so forth. Painting nature is an excellent practice for any potential or established artist because it really moves and activates our imagination.

Golden fall reflection, original abstract watercolor, 14 x 11 in

Teaching drawing and painting is an almost impossible undertaking. We can teach and explain many aspects of art creation, but the fact that one knows these principles and techniques doesn’t mean they are going to apply them. Also, there are aspects we can teach, and many other things we cannot. In my opinion, the most important part of creating art is gearing it towards your personal preference. My group art classes focus on personal palette, preferred color combinations and original style: Art classes, schedule and registration

The other area which is practically not teachable is the emotional aspect of creation. That can only happen when we have already good technical skills, efficient brushing and drawing techniques, as well as knowledge of basic painting principles. Blindly tracing a photo is not the key to a successful painting. Understanding all elements of painting and adding our personal touch to every one of them make all the difference. My private art classes focus on that; Classes specifically for your needs

The adorable fall season is here, and all we have to do is let it in! Canadian Thanksgiving is on October 11, here you can find inspiration, click on image:

Have a wonderful time viewing, watching and painting fall colors!

October 28, 2020October 17, 2024

No-rush life mode and energetic value of art

Distractions

These days, there are many distractions which do not allow working peacefully and devotedly on whatever we’d like to accomplish. I never give up painting, unless it’s so that I cannot get physically to my easel or painting desk. That is rare. I am working on additional paintings which will be included in the fall/winter sale event. It was supposed to take place in reality, but it’s safer to do this event remotely in the current situation.

Things which depend on me

I get done efficiently everything which directly depends on me. I wish everything depended directly on my own abilities and decisions! Just as always, iPhone gives me hard times. Especially when painting is large, it seems impossible to just snap a realistically looking picture of it. iPhone tries to enhance everything and I just don’t need that: contrast in excess, all blue or all yellow image, too light or too dark parts. These pictures look good on the phone screen, and that’s about it. Once I upload them on computer, it feels like disaster. It feels like that’s not the same painting.

Energetic value of original art

I post only original art on my website. That means I have created every single drawing and painting from scratch. There is no other one exactly like the ones I have painted. Original art is unique, one-of-a-kind and it displays features which are not visible or not present on a print or digitally multiplied image. Original painting has energy, and this energy vibrates in the space and captures the viewer.

Original art feels alive

Original painting upon completion starts living on its own. It’s a new energetic entity, and it has become a part of the universal energetic exchange. Art prints are copies, and they carry only the energy of materials and machines applied in the printing process, there’s nothing alive about a print. Yet, it is a good solution for decorating some certain spaces.

Texture plus multilayer paint

Many of my paintings have texture under multiple layers of paint. Textured spots enhance the image and usually look very attractive. It is more difficult to paint on a textured surface than on a smooth one. However, when used correctly, texture adds to volume and interestingness of art. I always use many layers of paint allowing them to dry between painting sessions. That also adds color play to painting and works towards an impressive impact. Photo cannot react to every tiniest nuance on canvas, and therefore, it goes almost unnoticed online.

Display and photo features

To be honest, if you haven’t seen art in person and with your own eyes, you pretty much haven’t seen it. Online is ok, and it can be anything: much better or much worse in real settings. If this pandemic had happened 50 years ago, we couldn’t even dream about connecting online and being present where we cannot be physically. Just keep in mind that no image can be like the original from which picture was taken. Every device, every screen will change it.

No-rush life mode

I’m living in a no-rush mode and moving ahead at my own pace. That also means putting no extra pressure on myself. Days are getting shorter swiftly, and I can do only what’s possible. That doesn’t involve lowering my personal standards, however. Every single one of my paintings involves a lot of work, many hours, numerous tubes of paint, countless decisions and millions of brushstrokes. It shows in the finished product. I actually wouldn’t change a thing when it comes to my art. It deserves attention and it deserves love. Slowly, but surely: art sales will take place.

As always, for art prints you go to FAA:

Art collections by Inese Poga

October 29, 2019August 2, 2024

Artworks, brushworks, paintworks

Golden sidewalk, fall painting in acrylic

Essential aspects of artworks

Painting isn’t just brushing around. Many different things go into a single painting. That’s why nobody can learn painting within a few hours.

Painting process includes idea, concept and composition, choosing and mixing colors or deciding on palette, paint application using different tools and brushes of all types, brushstroke, blending and creation of values, contrast and adding highlights. The painting process also includes understanding of abstracted parts and backgrounds, ability to see and understand what is more important and what should be left out of painting. Each one of these aspects involves continuous work and ongoing elaboration.

Loose isn’t sloppy

I sometimes get the impression that by liking loose painting style, it is understood that we can apply sloppy, coincidental and not targeted brushstroke (when there is a brushstroke). In fact, any part of putting paint on canvas must be targeted and have some intention behind it. Moving paint around is probably the worst habit one can have or develop. The first step is always to learn practical use of brushes and tools. That refers to painting in any medium.

Flat brush for acrylic painting

Flat brush is magic in that regard that it can carry out numerous functions. Flat brush has a few surfaces and edges. We can make it work fast and create smooth color and values transitions. We can use two different colors or shades of them on each side of the brush. We can draw thin lines using the edge of flat brush and holding it so that it is perpendicular to canvas. We can use it for easy blending with clean water and as a dump brush. We can use any edge or side of it to paint small parts. I assume a decent flat brush an essential tool for acrylic painting,

Fan brush, sponge and paper towel

Any of these tools can be used for textured prints and also for quick cover of large areas. It makes sense to learn using fan brush in a sensitive way. Most people won’t rotate fan brush and won’t use just a part or corner of it, We use in classroom fan brushes which I have specifically cut out with scissors to create more impressive prints. Such brush also controls amount of paint better. Paper towel is our best friend with any medium. It is very important to have many sheets of paper towel around the painting surface as soon as you start working.

Understanding values, contrast and direction of light

If somebody has done a lot of drawing and sketching to establish the composition, focal point and also value pattern in a painting, they will understand these aspects much easier. I find that a value sketch is probably the most useful. Once we have done a value sketch, we do not need even a photo reference. Value sketch will identify all areas which are of great importance. I know that most beginners assume ability to draw and creating value sketches in color a waste of time. Yet, I can honestly say that nothing else helps more than such sketch.

Fall sunset, acrylic painting — This painting which we did in art classes, uses contrasting colors with distinctive temperature, as well as extra simple composition.

The most important part of painting

The most important part of painting is decision making. When somebody has plenty of experience, they apply paint in an automated manner. It is predictable what each color combination, each type of paint application and each element of composition will do for our painting. Until we have gained sufficient experience, it is mostly guessing whether something will work well in your painting or not.

Acrylic painting, red country barn in fall — Red barn, maple gold, acrylic painting on canvas

Red barn, acrylic painting — Red barn, maple gold painting with small bit of background

Layer it on

Acrylic is a friendly medium. Acrylic paint can be applied (in fact, should be applied) in many layers. Each layer will bring out more or neutralize colors and values appearing underneath. If canvas fabric is visible in the final version of painting, it is clear that one has used too less paint and too few layers. That is a common beginners’ mistake: to believe that one layer of paint will do. One layer of paint is not sufficient, especially, because acrylic paint becomes flatter as it dries. We have to go over and over some part of painting for a few times until we have established the correct proportion of colors and values.