Creation as art therapy

Colors for art therapy

Harmony and balance – main goal of creation as art therapy

To regain harmony, balance and self-fulfillment, many people are trying to find simple ways to cure their stresses and change the rushed lifestyle in nowadays unforgiving world. The most healing, as well as most accessible path is using creation as art therapy. You don’t have to be an artist to find huge satisfaction, calmness and feeling whole again since creation of art, painting, drawing, sketch is already art therapy. If you never tried, maybe you should do that right now while it’s cold and not that great outdoors.

The healing potential of creation as art therapy

The healing aspect of creation is based on the idea that it involves mind, soul, emotions, feelings, activation of memory pathways, harmonizing movements of hand with brush or pencil, thus, stimulating self-expression, intuition and getting in contact with person’s inner self. All of that gives us a chance to free ourselves from never ending stresses, being in competition with everybody else, and getting rid of emotional blocks. The other aspects of creation of art are ability to focus, improvement of memory and decision making.

Relaxing creativity

Creation as art therapy involves fantastic relaxing potential. Especially, if you prefer using color as the main feature in art. The colors we feel as ours, disclose the subconscious state of our mind and lead to transforming experience. Creation of art involves all of our brain processes, and that manifests as a healing effect and feeling of inner balance. Participation in art classes is one way to facilitate the creativity and learn how to implement it in our life.

Power of colors

Each color possesses unique energy which affects us. Working with colors releases different energies. For painting, we usually go either with color of our subject and reference, or choose it intuitively which is what I do most often. Choice of color can be frequently subconscious – we feel attracted to some colors and avoid using others. The same goes for subjects which we feel are ours.

Blue and green – colors of life and harmony

Blue color calms and facilitates peacefulness decreasing stress and anxiety. Look at the blue sky, which represents endless calm. We surely can paint sky and water as blue as we want. Green color symbolizes the energy of nature, harmony and balance, healing and increasing the feeling of the inner calm. Green color means life and renewal, just like in spring everything comes back to life. Green is dominant in nature during spring and summer, it’s the most healing color, the best art therapy.

Orange and red for passion

Orange color is the color of enthusiasm, living energy and creative intentions, it gives us vitality, helping to open our mind to new ideas. Red color activates our energy, power and passion, especially passion to live and create. Red color also can be a manifestation of subdued emotions and inner restlessness. I have rarely used only red, orange or yellow, but these colors are very essential for fall landscapes where they are represented in abundance.

Yellow for joy, purple for magic

Yellow color is associated with joy, self-awareness, mental clarity, it facilitates positive attitude and perception. Yellow brightens our space and sparkles up feeling of pleasure in our mind. Having different shades of good quality yellow paint is absolutely crucial for any painting. Purple is color of spirituality, intuition and depth of soul. Color of mystery and magic. I have rarely used purple as a dominant color, but it’s useful for softening green. Purple has its place in art therapy.

White and black

White means clarity and purity, new beginnings. White is unavoidable in art. We need to brighten and lighten other colors, and pure white is very important for watercolor and acrylic painting. Black color represents completeness and strongly indicates value, shape and form in art. I don’t use black color in watercolor at all, but as a mixing component in acrylic. Strong indication of values is important in any painting.

Painting, creating and using colors

When we create a painting, we rarely use paint straight from the tube. It’s important our painting has light and dark values and warm and cold colors. Therefore, most often it is a mix of colors and different shades. Yet, the overall impression usually shows a tendency towards some particular color palette, like I love combining all kinds of green with blue, white and yellow. Fresh and uplifting, at the same time, emotionally loaded and peaceful. Fall paintings have numerous red, orange, yellow and mixed shades. Saturated colors, warm, bright and vibrant.

Different preferences

I have written before about my grey and subdued color periods, as well as blue, green and red. Over time, the perception of color becomes very refined. The color choice usually reflects the mood of that time. Grey looks fantastic in art. Sometimes less color makes painting much better. However, there are seasons when I feel I need the brightness, the strong, bold colors. Nobody says we have to stick to something one. In art, we experiment, explore and test. Time spent painting becomes meditation and art therapy.

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Returning with a flower painting

Watercolor painting of pink flowers

Reopening art studio and returning to painting

As you probably know, it isn’t easy to restart anything after a long absence. My health took a big blow, so I am just starting out again. This time, I decided to make my return with a flower painting on Arches cotton paper. As always, it’s quite large since I completely dislike painting tiny art. I have still some issues, therefore, I am limiting my painting activities to 2-3 hours a day. The flower painting took me about 6 days.

 

12 years in making

There’s no doubt, cotton paper is the easiest paper to paint on, yet, it has become extremely expensive. Many of my watercolor paintings are drawing-based. I don’t aim for copying the reality, but I want my subject to be recognizable and having some emotional impact. I had begun this particular painting with a drawing which I did some 12 years ago. The paper is good and why to waste it? While I had no other reference, but only the drawing, I still tried to figure out how to proceed progressing slowly and cautiously.

 

Painting in layers

I usually paint in layers, especially when it comes to complex subject with many parts. Since I don’t have a photo or the actual flowers, the first layers help me understand what and where to place and what colors to use. I make my drawing very light in order the graphite pencil wouldn’t shine through too much. Every subsequent layer will add more vibrance and increase the value intensity wherever necessary.

 

Color temperature and values

Not only flower painting in watercolor, but also any other complex subject we paint, benefits from coordination of color temperature and values. I certainly start out light, just because I don’t know exactly where what should be. In this case, I also leaved the background white for a while. The paper I am using isn’t the bright white, but somewhat off-white. Nevertheless, colors shine and make sense.

 

Choosing warm and cool colors

Beautiful soft colors for attractive flower painting. I used a few red tones and also quite a few yellow shades for the most important areas. The green colors are a combination of blue, Payne’s grey and different shades of yellow and green. I normally allow colors mixing on paper, but sometimes I need strong pure color to add the vibrancy. You probably won’t notice on photos much difference in warm and cold colors, and iPhone doesn’t like light colors making them practically white.

 

Flower painting that soothes

I intentionally kept everything rather calm and soft. I think the slight shades of background help. I am very satisfied with the finished painting and not that much with the photos of it. When viewing art online, you have to always remember that there are numerous devices and apps involved. Also, large painting online looks exactly like the small ones, but in reality, that makes all the difference. I hope this flower painting will make you feel good and calm just like it helped me to overcome pain and health issues.

It’s great to be back!

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Techniques for spontaneous watercolor painting

Abstract watercolor painting, private art classes

The versatile watercolor

Watercolor is a medium we can use in hundreds of different ways. What we create and how it looks depends largely on technique we apply. While many of my watercolors look carefully worked out, I often start painting with just randomly washing some paint onto watercolor paper. I posted my spring palette colors in the previous article. For spring paintings, I am using a limited palette:

Payne’s grey

French ultramarine

Brilliant yellow

Burnt sienna

Burnt umber

Gold ochre

Leaf green

It’s possible, however, to create numerous color tones using these paints. They work well together and with decent application of water, there’s no mud. I will work on floral spontaneous watercolors next, and I am adding magenta and carmine for these.

Allowing paint and water to work

While the paint application is extremely loose, I still have some idea. Washes look great when painting treescapes and paintings with abstract water. This is a technique which perfectionists might not like. We simply allow colors to mix and flow as they please. It’s a myth that watercolor painting cannot be adjusted or changed. One just needs to know how to do that.

Lifting paint

I think many watercolor artists use too less of paint lifting technique. For paint lifting, large brush with pointy tip is very useful. My main brush is Luke number 14, round. Along with simple lifting, I implement one more step: lifting with very liquid other color. It’s a fantastic, but unpredictable process. It’s also fun, and I love this technique because it allows me adding definition to subject. Lifting paint is an essential technique for spontaneous watercolor my-style.

Non-cotton paper has its uses

Lifting automatically takes care of the negative space. When to lift and where to add paint depends on our personal preference and feel. For this technique, cotton paper is not the best option. Non-cotton watercolor paper makes lifting paint an easy step. In fact, it’s way easier to lift paint from some thick non-cotton papers than to add an extra layer. I am using for these paintings Strathmore 400 series paper. It requires flattening afterwards. All non-cotton watercolor papers must be weight-pressed after application of water and paint since they become uneven.

Multi-step process

While people ask when I will have online art classes, I must say, I probably won’t. Things I am writing about most often cannot be shown online. One must see the actual process in order to understand how we create loose, spontaneous watercolor painting and add the touch of reality to it. The process involves drying paper and restarting wet-on-wet, then adding dry paint, then lifting more and so on. It takes about 6-8 hours to paint one artwork. I have spent about 3 days in average on each painting.

Testing paints

Spontaneous watercolor works great for people who just want to explore what their paper and paints can do. Check compatibility of colors before you start painting. Water takes care of lot of things with loose watercolor painting, but there are colors which will destroy the flow and cause unpleasant muddy shades. To avoid that, learn what your paints do. My paints are rich in pigments, all artist grade. I never use white or black colors, as well as, I don’t even have masking fluid. These paintings consist only of watercolor paint on paper.

Give it a try

Want to try this approach? No better time than now. This means absolute freedom, you don’t need any photos to follow, but having an idea is helpful. I love using the earth colors togethers with blue and green. Burnt sienna adds a bit of red tint. Simplicity is beautiful; however, I’ve never been a minimalist in any regard. That goes for any of my paintings. Well, we can stop working whenever it feels right.

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Watercolor, beating the blues with art

Sunny spring creek watercolor

Bright and sunny watercolor art

On TV, they were talking about winter blues. How this dull and wet January weather makes people feel down and upset. Our mind tells us that spring is far away, and to make everything worse, the sky cries with us. Bright and sunny watercolor art is my personal cure, my response to mood swings and upset mind. I paint the places where I want to be and flowers which will start in April or May.

Uplifting creativity

Not all people are artists, but many have paint sets at their disposal. Brushing bright, sunny colors on paper or canvas makes a big difference. It’s an immersive activity which allows to create our own imagined reality, very distinctive from the current settings. This year has been tough so far, so taking our mind off the painful and upsetting matters is vitally important.

New large-size watercolor art

All of these watercolor paintings are the same size – 24 x 18 inches or 61 x 46 cm. Well, to express ourselves, we need space. Tiny paper just won’t do that for you. It’s not cotton paper I used for these paintings. All of our art stores are closed now, and that leaves online shopping which I dislike. Paper is a very important part of watercolor painting, and each paper acts differently. This paper allows lifting paint easily, but it’s very problematic when adding paint layers.

Spring pansies, 24 x 18″ watercolor painting

Watercolor painting with pansies was started in the winter of 2021. So, it sat in a folder until I decided to add a few layers of paint and finish it up. Photos show way more white space, and I just cannot do anything about it. That’s how phone camera acts when there are white or light areas. Just imagine more purple and pink color on blooms because that’s how they look. Anyway, pansy blooms make a great subject in all regards. Use any color, any number and view of blooms.

Early spring flood, 24 x 18″ watercolor painting

The Early spring flood is based on views around our place. It’s a painting where you just throw on colors – Payne’s grey, Cobalt blue, Burnt sienna, Green gold, some yellow and Burnt umber. This all mixes itself on paper and then we swipe clean the areas which we would prefer to be white. We outline the trees, add leaves, wash on more color and sprinkle with a little of leaf green.

Watercolor wash and color

It is much easier to create watercolor paint washes on cotton paper, but if you don’t have it, any firm and thick watercolor paper will do. It needs to be thick and heavy since thin paper just rolls off and buckles. It was tricky to get any pictures of this painting since I don’t have good photographing light, and it’s been cloudy and very dark almost every single day. I love the dreamy quality of this painting, although I couldn’t get it on pictures. Colors are balanced – I used warm and cool shades to create the early spring mood.

Sunny spring creek, 24 x 18″ watercolor painting

I started the Spring creek painting (one more!) for a private art class last spring. It was half-done, just as many of art classes paintings are. It took me a while to get back to it, but I am very satisfied with the play of colors and placement of details. This painting is done with Cobalt and Brilliant blue, Burnt umber, burnt sienna, Lemon and Cadmium yellow, as well as Raw sienna and Sap green and little bit of Payne’s grey. This painting involves quite many layers.

Bright and happy art reality

I’d say these paintings show a very bright and happy place and that’s where I reside when I don’t have to deal with daily chores and other issues. It’s a perfect escape from daily routines, a perfect way to beat the winter blues. I think it’s time to write a new guidance for beginning artists. Trust me, tutorials cannot teach much about painting as such since it’s always something a particular person prefers and does. When we learn paint, we decide on everything – style, colors and subject, but tutorial requires to simply follow and copy.

I hope you’re dealing well with everything which comes your way. Spring will arrive eventually. Thanks for reading!

Art prints: Art collections by Inese Poga

Painting classes: Group art classes

Art studio highlights of 2022

Inese's Art Studio

My art studio experienced numerous changes in 2022. First of all: the move which started with packing already in February. By the middle of March, I started adapting and adjusting the available space for art studio needs. By any means, it wasn’t easy. It’s needless to say that neither painting, nor art classes couldn’t start until May, I believe. If you have ever packed up and then unpacked a large art studio with numerous artworks and countless tools, brushes, paint tubes and paint sets, papers of all kinds and so forth, you probably know that it is a very complex undertaking.

I paint spring during winter months, and 2022 was no exception. It is very inspiring and self-explanatory for me to go with the change of seasons, except, I am trying to be always ahead. The adjusted and new spring paintings were published in February. Trillium blooms are fantastic subject, and white color on its own makes painting alive.

Art studio, spring creek

The first painting I painted in the new studio was a fairly large early spring landscape (above) with lots of trees. I do love trees, I watch them, observe and to me they feel like live beings. I frequently use textures on canvas for more impact and strong statement. The horizontal Apple tree landscape was also finished soon.

I moved to garden and abstracted landscape paintings afterwards. That was done because of art classes and since every class needs a demo, I bring to finished stage some of them. That is how Colors of garden and Colors of summer came to life.

Summer flew by swiftly, working in the garden and giving numerous private classes in drawing. Teaching drawing isn’t easy also since regardless of what I explain and how much I show, it is the student who moves their hand with pencil. I haven’t taken photos of all drawings and sketches, but there were numerous, and we do large drawings in order to reveal all important aspects.

I took new photos of previous paintings, and some have never been published before. I find that only featured image on WordPress is sharp and correct while the images contained within the post look somewhat off. Anyway, numerous pictures were taken and lots of hours spent on making them look like the real painting.

Then came preparations for my 5-week long solo art show at Ajax Community Centre. Any show means work and feeling not good sort of interfered with that. Anyway, some art required touch-up and more layers of protective medium and some art was painted specifically for the fall show. Two times this year, my step-by-step demonstrations ran in the magazine which is devoted to art in the Greater Toronto Area. My art studio is doing fine, but not enough.

This year was complicated in many regards. It’s impossible to say whether good or bad. I still need to do better next year. While I have created many new paintings in acrylic watercolor, ink and graphite, I will try to incorporate myself more into the local community, gain more attention and be more present on the art scene. My art studio is set up now, and everything has found its place. Well, all it takes is more work, more motivation and simply – more luck and opportunity.

Wishing everybody a successful and pleasant New Year! I hope it won’t disappoint.