Sketchbook as collection of inkand pencil drawings
My sketchbook is large 24 x 18 inches or 61 x 46 cm. It actually feels big and heavy. The tiny pocket-size sketchbooks don’t work for me. Why? If I get a good sketch and it has potential to be turned into watercolor or acrylic painting, I just trace the outline onto the respective surface. The initial sketch serves as a fantastic reference with all shadows, perspective lines and mood, as well. Much better reference than photo. As you might know, color is secondary, and values are primary when it comes to painting. Therefore, my huge sketchbook becomes a great collection of potential large size art. Some of this art is practically a finished artwork.
Advantage of ink and pencil drawing
Drawing is relaxing and it doesn’t require proper timing which is absolutely necessary for watercolor or acrylic painting because correct timing directly affects the result. For example, you squeezed out a lot of paint in order to paint for a few hours. Something happens, and the painting session is cut short. Paint dries and cannot be rescued and you will need to paint over a few areas, but sometimes – the entire surface. With ink or pencil drawing in our sketchbook, nothing dries out, nothing needs doing over, so you just pick up where you left it before. I consider this a big advantage.
Best subjects for drawing
I’ve always loved drawing buildings. And still life. Flowers are fine, as well. My huge sketchbook has numerous drawings of these subjects. For me, it’s important that I don’t need a photo. I rather construct the subject and add whatever needs adding as I go. I call that artistic freedom. I have a complete control over what I want to be on my paper. That is why my subjects often involve only things which I see around and have in the garden or house. Simple, easy and very manageable. Buildings, still life items, landscapes, flowers: they all can be made multidimensional on a flat paper.
We can do well without devices
Since technological advance has been immense, people do manual drawing rarely. They don’t have to manually write either, so the ability to re-create our idea, vision, imagination and reality is declining. The correlation between devices and use of camera is very clear when it comes to manual drawing. The more devices somebody uses to create their art, the less of observational drawing ability they have. I suppose, our brain dismisses everything we don’t engage. Why to stress out if you don’t have to?
Maybe try it
I can make these conclusions because I’ve watched how people go about manual drawing for many decades. What are their strengths and failures, how they tackle dimension, values and shapes. Devices have advanced a lot, but humans? Humans not that much. We delegate anything we cannot do well to devices since there’s a wide choice of them. However, manual observational drawing is an extremely rewarding experience. Large drawings in a big sketchbook can become the best artistic experience.
Large size makes all the difference
It’s the most fantastic feeling. We have the blank sheet of paper. I prefer large one for many reasons. We just play around and implement whatever we feel like. Using soft lines, then moving to stronger values and lines. All of a sudden, the image emerges. Just some shades of black and grey and the white of paper. That’s all it takes. Sometimes it becomes a fantastic drawing where one can literary participate in the scene. If you want to learn drawing, trust me – go big. Use the 24 x 18-inch sketchbook. Want to advance faster, draw large images. I also used Micron archival ink pen.
We are born with the ability to draw, but we lose it as we grow up and get older. Many schools disregard manual drawing as unnecessary in the age of coding, digital art and devices that can do everything.
Sometimes, we lose our ability to draw when one compares their drawing with the best possible drawings on the internet and decides that they will never be able to do such a drawing. Therefore, it is easy to give up what did not even get a chance to unfold.
We forget that it is not what some internet sites will tell you: draw like a master in one day. For some unknown reason, it is believed that art does not take numerous hours of practicing and numerous attempts to improve our own results. Nobody becomes a master in one day.
Who can learn drawing?
Most people who have managed to learn manual writing shouldn’t have any problem with drawing also. In order to be able to just look at something and draw it, you must practice. It will not happen right away, and it will not happen on its own.
In fact, to acquire ability to draw, you must exercise your ability to see at first. If you want to see things artistically, you also need to know what to look for and what to pay attention to. We lose our ability to notice things, as well as our ability to maintain focus when we are always distracted by presence and interference of devises.
Don’t be perfectionist
Cravings for perfection can be irresistible; therefore, many people take credits for a drawing which they have simply traced from a photo or printout, reproduced on a larger scale using grid, display on a wall, or photo editing software. I would still suggest: learn manual drawing and don’t depend on devices. Be driven by just the desire to capture your subject.
Drawing is a base for any more or less realistic painting. Painting is drawing with a brush.
What is important when you start drawing?
Draw big: that is the most important part when starting drawing.
Choose big size paper. For beginners, 12 x 16 in (30.5 x 41 cm) is a good size, later go up to 20 x 24 in (51 x 61 cm) or create value drawings as big as your painting is. Even with smaller size paper, draw your subject large. Small things do not allow implementing much of what is important: values, shadows, direction of light and contrast.
In order to show something special that your subject has, you have to stay away from tiny things. Large drawing has also more impact. It is simply much more effective and noticeable.
Best subjects
The absolutely best way to learn about values, shadows, direction of light, contrast, size and shape relationships is starting with still life. Still life can consist of anything: your favorite things, toys, souvenirs, beauty products, food, fruit, vegetables, flowers, dishes, books, clothes, hats, gloves, glasses, interior items and so on. Use your imagination and set up something you like and find interesting.
Fragments of landscape are great. If you are a beginner, choose just a small part of a view.
Buildings and structures are one more extraordinary great thing to draw. They are everywhere, no need to stress out looking for something which is out of your reach. Add fences, fence posts, doors, steps, windows and so on. Perspective is a very important part of such drawings. It is nothing very difficult, but there are things you simply need to know.
Flowers are always easy to find and get, therefore they suit well as subject.
Portrait and figure drawing require a model. Model can be not always available. Reproducing photos does not really make one an artist who can draw human faces and figures, but as a learning exercise it is still fine.
How to start drawing?
We start with exploring our subject visually. We try to look at our subject at least 3 times longer every time than at our paper. Gradually, your hand will do what you want it to do.
At first, we mark up the space with approximate sizes and place approximate shapes.
Try not using eraser until you have established the main shapes and are about to define details.
We always go from abstract to definite and from distant to close, as well as from back to the front if it is a large piece or shows perspective.
Work simultaneously at all parts of drawing until every single part has obtained some definition. Step back and decide what’s to stay, what needs more work and what has to be erased. Clean up unnecessary lines, correct the wrong ones.
How to bring your drawing to a completion stage you want or need
Drawing serves many different purposes.
Drawing as a reminding sketch
Drawing as a reminding sketch is the simplest way to recall view, landscape or interesting detail. For such drawing, only the main lines, shapes and values will do.
Two point perspective drawing
Value drawing for transfer
I have many hundreds of large size value drawingsand sketches. My models can sometimes go bad, such as fruit, vegetables or flowers. For watercolor, we do not want to damage the watercolor paper, and therefore, we improvise and test everything on another (preferably, half transparent) paper. When the subject is complex, or when the potential painting consists of many parts, or these parts must be aligned in a certain accurate way, for instance, in perspective drawing of buildings, street views or complex structures, value drawing is much better reference than any photography.
Such value drawings and sketches can be left unfinished because some parts do not need much work and you can do it directly in painting. We only define more these parts which might be difficult to remember due to unusual shadow play or shape and line relationship.
Drawing practice pieces
To create a quick manual drawing, does not take much time or effort. Focus on something interesting, rather fragment than the entire view or subject. We sometimes want to see whether some part of drawing or painting will work or not. Therefore, we do sketches and drawings of some parts only. That is simply a good practice also. Such drawing can be finished and worked out, or we can leave it at a sketch level.
My drawing of spring lilies for watercolor painting
My drawing of spring lilies for watercolor painting
Standalone drawing as art
Drawing as art which will be potentially framed and hang onto wall or placed in portfolio will require the most time. It will include all aspects of painting, plus line work, nice shadows, strong and zero values, and everything in the middle. It will have good contrast, interesting relationships between parts and more. We will use soft eraser and sometimes stump to spread out graphite dust and create smooth, even coverage of dark areas. We will also use different pencils with different softness grades.
My drawing for watercolor painting, many daffodils, see painting in other posts
My drawings
I usually don’t create just drawings because I probably love color too much. I have many value drawings and sketches, and some are really worked out quite well. I keep them in large 1 meter x 60 cm folders. I can always re-use whatever I like or consider suitable. My drawings are usually large and very large, attached images are up to 51 x 61 cm or 20 x 24 in and larger.
I don’t mind spending time on a manual drawing because that works like a plan for painting. While you draw, you can figure out all accents and contrasts, as well as see how and if your concept even works. I will eventually turn some drawings into paintings.
Any of these drawings might become paintings, this still life drawing is 22 x 29 inches ( 56 x 74 cm)
Everybody can draw
We can draw before we can speak. We can draw even if we cannot speak or express ourselves in writing. We can still draw and recreate memories when everything else is gone from our mind.
Research confirmed that people, who had lost big part of their cognitive function and memory, could clearly remember what they had been drawing many years ago: places, events, occasions and people. They test this at University of Waterloo,, Canada. Researchers also advise people to draw and paint their adventures and life experiences because they will never forget what they created artistically.
Don’t wait: start manual drawing today! I simply would love that everybody experiences the huge pleasure we gain from simply drawing and sketching. Register for my art classes: Registration for art classes
How to use sketching and drawing to improve our brain fitness
Manually created sketches and drawings can really help. I will try to explain how and why we should use this approach to improve the brain fitness and cognitive abilities.
Manual sketching, drawing or painting when done from real scenes and subjects use our brain efficiently, create new neurons and signal pathways since these activities are challenging, interesting, new every time, rewarding and pleasurable. When done in a group, it also gives one chance to communicate, learn new skills and achieve real meditative state of mind which in turn relaxes and calms.
I am somebody who always reminds: use your brain, keep it flexible, well-functioning and young. Therefore, I am always inviting people to join our drawing, sketching and pen and watercolor classes. There is nothing to lose, plenty to gain.
Artificial intelligence and human brain capacity
The artificial intelligence progresses very fast. It feels there is some new gadget, device or app every day. Artificial intelligence is supposed to make our life easier and more comfortable. We are required to memorize less, to decide less, to search our personal brain storage less because everything is on the internet. We do not have any need to remember or write down things that are important, and we are actually losing the specific ability and muscle groups to use our hand for manual writing or drawing. Fine and extremely accurate movements still matter, so does our ability to perform them. However, the performance of our brain is the factor that matters most.
What happens to our own intelligence?
As somebody who works with people and teaches, I can see that the human intelligence suffers actually a lot. Just in the last 5 years while everybody has been actively using mobile devices, I have noticed significant decrease in attention span, focusing ability, memory and ability to make decisions. All these features are significant brain and cognitive function markers. It feels that AI has a huge boost, but the human intelligence cannot keep up with it. People are getting forgetful, losing focus and their decision-making skills.
Manual drawing and sketching as prevention of memory loss
One of things we still can do, do easily and everywhere is drawing and painting manually by using our own visual perception. We should try no to depend on any devices while engaging in this activity. That is recognized as one of the best ways of keeping our brain sharp and flexible and cognitive function well performing.
Potential benefits
One to two times a week drawing outdoors is beneficial in all possible ways. Who knows that better than me? Time flies and I have created something to show for while being outside and enjoying nature. Small backyard birds are also an excellent subject: lovely, friendly and always around. It might be not that easy to always catch the right view of a bird, but still, – nobody is going to judge. If it comes out great, share it, if it requires more practicing, keep it as a learning experience. And enjoy your memory boost!
It is not that everybody is going to get involved in serious and time-consuming research or high difficulty grade studies which certainly are memory boost, brain flexibility and power. Language learning is a fantastic way of making brain younger again, but it is a very lengthy process before one can really see good results. I know that, too, because I speak at a native level 4 languages. Each one requires a lot of additional work and studies. That is a life-long process.
Overcoming fear of getting involved with a new activity
Much faster and simpler, as well as much easier memory boost is drawing and sketching. Some people start keeping an art journal if they prefer small forms, and that is such an adventure on its own. That, too, will be your memory boost.
Some people worry that they need to do a lot of preparation work before they engage in either drawing or sketching. That is not true. One has to start somewhere, and that is an excellent starting point – from zero. It means actually that there is a whole lot to explore, find out and enjoy. The only thing one should be not hoping for is to become a master within a few hours or days. Years might sound just about right, but who says one has to be a master or professional in order to draw, sketch and paint? I know fellow bloggers who do it for their own pleasure or to have good time.
Some of my pen and watercolor paintings that deal with perspective lines and involve man-made structures
Buildings make a superb subject!
We start with drawing, and I intend to publish guiding materials for drawing and sketching.
Here: making the drawing more visible with washes
This pen and watercolor painting is ready!
The pencil helplines are erased, but using them makes creation of black pen drawing easy.
More watercolor washes, here and there, and the painting is ready
My advice is: just do it! Along with creating art, it will serve as memory boost. After a while, you might have a new attitude towards many things, as well as see how well this is working for you. Good luck!
The power of line is huge. Simple sketches in pencil or pen look impressive and artistically interesting. We are born with the ability to draw, but we just lose it as we grow up and get older. In order to simply look at something and draw it, one must practice. It will not happen right away, it will not happen on its own. One also needs to know what they have to look for and what they need to notice.
Perfection or discovery
Cravings for perfection can be irresistible, therefore, many people take credits for a drawing which they have created by tracing a photo or reproducing it on a larger scale using grid, display on a wall. Some artists edit the photo to obtain parts of printer paper size, so that it is possible to put them together in a line drawing. The question is: is that really a drawing or a copy of photography? To me, the latter is true. I do assume anything a drawing when we look at our subject and then manually draw it on paper.
Our eyes get it right
Is drawing difficult? In fact, it isn’t, but it takes time and practice, and anything which is somewhat time-consuming isn’t loved much these days. The general opinion is usually that camera gets our subject right and we might not get the right proportions when drawing. That is true to some extent only. If the distance between camera and subject is small, or the distance within the view is huge, camera will produce wrong proportions.
How camera distorts image
Camera draws closer the front part of the view or subject. It widens the middle portion and creates much more distant background part. This is very easy to notice in case of water reflections or shadows. When artist follows a photo closely, not the actual view in nature, the reflections will be stretched out for miles which would never be the case with reflection in nature.
Don’t take a picture
Many instructions start with: take a picture. I would like to say: don’t do that if you ever want to learn drawing. We have to trust our eyes and ability to recreate the same proportion, edge and line relationship and color transitions without additional tools. However, to get to the level when one can do the so-called “blind drawing” (you do not persistently look at paper or canvas but rather at your subject), you have to practice. That means making decisions and allowing the eye-brain signals to be transmitted to our hand with pencil or brush.
We can do it
That also means trusting ourselves more than a camera or grid. It also takes practicing daily or weekly and, at the end, this activity improves the brain functionality, memory and flexibility to an incredibly high level. When we sometimes look at a drawing, it seems it didn’t take time or efforts. It is due to the fact, that good art shouldn’t exhibit artistic struggles and technical difficulties, but mood and atmosphere of the painted subject. When we get past these struggles, the real creation takes place.
The principles and methods of drawing
There is an interesting thing: people, who cannot draw anything yet, believe they have to practice drawing a particular subject: portrait, landscape, still life or flower. That is definitely not true because once you can draw, you can draw absolutely anything. The principles and methods are actually the same regardless of what we draw. You cannot skip understanding values, shadows, highlights, proportions, relationships, contrast, perspective and negative parts. That is what makes drawing a drawing and eventually painting a painting.
Functions of drawing
Drawing has very different functions in the creative process. If it is an independent work of art, it will go through many stages until it contains all the above mentioned elements. If it is a sketch for use later, we will include only the most important lines. If it is a value sketch for painting, we will pay special attention to values, contrast and shadows. If it is an outline drawing for watercolor, we will have only slightly visible lines.
The rural house watercolor is a large and attractive painting in spring colors
Not what you draw, but how you do it
Therefore, it is not that important what you draw, but how you do it. Trust the power of line. It is rewarding. Sketches must help you in the painting process later, there is no need to overwork them and prepare for framing. Technique matters, but doesn’t mean it is the most important part of drawing.
Get rid of eraser
How to get rid of eraser? If your intention is to draw, do it. Erasing everything and starting over for numerous times isn’t helpful. You simply have to forget the eraser at home, so that you do not have it with you. When something does not come out correct, start from scratch, not from adjusted lines. Use focusing ability instead of eraser.
Early spring, rural hills watercolor, size of this painting is 24 x 18 in or 61 x 45 cm.
Go reasonably large
Draw reasonably large subjects. Tiny things cannot show any shadows, values or important details. Drawing large isn’t more difficult, it is just a strange assumption and belief that handling a bigger subject is more complex. If the drawing is for creation of painting, large is much better. Unless you want to use magnifying glass, avoid details which are hardly visible because they don’t get noticed anyway. Keep details under control.
Manual drawing for artistic freedom
Drawing is a wonderful thing. It allows one not to use any additional devices. You won’t even need a camera if you have learned capturing the most important features of the subject. It also gives one a complete artistic freedom: skip whatever part does not improve your scene or subject or add whatever it seems to be missing. There are no restrictions. It is visible right away whether one was drawing from reality or they are modestly describing their perfected copy of a photo as a sketch from nature.
Sketch in actual size
I create pencil sketches in the actual size of painting: this time it was 20 x 24 inches or 61 x 51 cm. This drawing serves as a reference. Colors are all in my head and everything else what I need is in the sketch. I transfer it onto watercolor paper and then apply washes which get defined with every layer.
I take numerous pictures: with iPhone and with camera using different settings. However, I do not ever get the colors which are in the actual painting. Therefore, I’m trying to also take some pictures with background by placing something around the painting.
To learn sketching and drawing, please apply for April classes: Art classes
