This post about painting blooming grasses and trees has been waiting to be published for more than a month. I love painting, taking it slowly, going over layers. I definitely love it when I see something emerging from the blocked in color spots and fairly abstract shapes. It’s interesting to see where the painting takes me. I have little motivation for posting my art and showing it off on the internet.
The painting process is beautiful, it’s so rewarding, calming and uplifting. It’s also therapeutic and soothing, very beneficial to our brain flexibility and memory. Why do I believe that painting attractive landscapes, floral and still life paintings can cure us from daily troubles and upset moods? I have seen that happening thousands of times. AI painting can get you many likes, but the only type of art which benefits our brain is the one we create from scratch.
This particular painting was started in March 2024. I took it to some stage of completeness, but it wasn’t finished for the most part. The previous year was a bad one, therefore, I hardly did anything apart from reading in bed. I picked it up this February from where I had left it. There is actually nothing wrong with letting a painting or drawing rest. The only risk is we might not ne interested in it after a year.
Since I believed it had potential, I kept working. A beautiful landscape emerged, and it was sparkling with light. I doubt I’ve gotten this all on photos. I can get the picture yellow, blue or green, but not what the actual painting is. It still looks great. The size of this painting is 24 x 18” or 61 x 46 cm. The composition works well for this size and trees shadow the juicy front grasses.
Enjoy the mood of this painting while it’s still grey outside!
Art prints in numerous sizes and with huge selection of frames and surfaces
I am impatiently waiting for spring, and while it is still cold, windy and cold with snow covering most of the soil outdoors, I paint spring. I paint spring using my spring color palette which is pretty much always the same. My spring color palette includes different grey tones, as well, but camera cannot keep up with my soft color transitions and frequently sees grey as blue. I hope, the spring color palette can be perceived as you look at my paintings on your device. As we well know, any device has its own settings, thus, impacting heavily what one sees.
Color palette also changes
I have had many favorite color stretches over many decades while painting. I have had totally grey phases, and very blue, very green and bright multicolor painting periods also. As an artist, I never stay the same because everything changes and our hate-love relationship with colors changes, as well. I love balanced color palette and use it whenever possible. Phone camera wasn’t designed to get things look real, but rather enhance everything. It also destroys correct perspective regardless of how you adjust it.
Imagination at work
Spring color palette is vivid and rebirth-affirming. I’m very sure if you live in different climates, your color palette is quite distinctive from mine. I don’t paint mountains or oceans, just because I don’t see them here. I also don’t rely on photos, but rather on imagination and visual memory. That makes things easier for me. Simplicity which excites is a good term to describe these paintings.
Saturated colors
The old house was painted in 2018. Apparently, watercolor works much better on thick Arches watercolor paper. Layering colors is easier and the entire painting has more saturated values. Pictures which I took with iPhone back then, are rather dark and some look even blurry. I should get new pictures of all paintings which I still have, but that’s too much of work and too much of re-posting and editing. I did, however, take new pictures of the old rural house.
Old house watercolor painting in spring colors, 20 x 16 in or 51 x 41 cm
Still grey and Road into distance paintings
Still grey with birch tree and the Road into distance are new watercolor paintings. They are created using the same color palette, but I couldn’t get a good image of the large one, the Road into distance painting, It’s a fantastic, large size watercolor with beautiful color transitions. I would say, it has gentle and soft spring colors and all values are simply perfect. If you ever happen to be in Ajax, Ontario, you could stop by and see with your own eyes how no picture can ever match the original painting.
Road into distance, 24 x 18 in or 61 x 46 cm watercolor painting
If you just started painting with watercolor
If you just started using watercolor, always test your colors. Nowadays, the color name alone doesn’t mean much. I have 3 Payne’s grey paints from different manufacturers, and they range from rather blue to very black color. The same goes for Sap green and Green gold. Burnt sienna and Raw sienna are very different colors from different manufacturers. All blue colors can be anything. Yellow is usually quite weak color from the student grade sets.
Still gre, spring landscape painting with birch, watercolor
What you can do on your watercolor paper
You should also test watercolor paper. It’s not advisable using anything lighter than 140 lb for watercolor painting. Non-cotton paper generally buckles, warps and doesn’t absorb neither water, nor pigment. Therefore, you cannot expect watercolor wash to be perfect, adjust it with paper towel. If there’s too much water on such paper, it settles down at the lowest point due to gravity and you see the “blooms” which look good in abstract art, but wrong in improper area. It’s very easy to lift paint from non-cotton paper. It’s easier for beginners because you can correct many aspects of your painting.
Don’t expect the same outcome
Cotton paper, like Arches allows achieving fantastic washes. It absorbs paint and pigment, therefore, one needs to plan painting. You can stretch and soak it before painting or use water on it before you start painting. I didn’t use Arches this time, but Strathmore 400 series paper. Getting paint on it is more difficult than lifting it. The number of layers is limited. If you use Arches (at least 140 lb. paper), number of layers is quite unlimited. Arches 300 lb. paper doesn’t buckle at all. It’s like wood, thick, firm and allows using and creating great effects. It’s very expensive at the moment, though.
Thanks, talk to you later in spring again! This post is different, thanks for reading!
I think I’ve seen thousands of articles by now where somebody says how bad they feel about isolation and how they have lost the sparkle of creativity and inspiration. Well, maybe they didn’t have any creative ideas already before the pandemic because as I see it, creativity keeps flowing and life goes on no matter what. Especially during isolation, we are more creative with everything, aren’t we? There is also so much advice what to do. Sometimes, I feel like everybody wants to give me some advice. The truth is our situations are so different that what works for that particular person, is often meaningless for me. We are all smart now, and we should be aware what works best for us. I personally prefer reading more about experiences.
Switching tasks
Generally speaking, I’ll do what I have intended anyway, or I won’t engage in what I believe is a pointless action. I don’t really need encouragement or push: when the time is right, everything will happen. I’ve been painting here and there, just as I always do. The weather has turned very spring-like, therefore, I’ve been busy with garden works: digging soil, removing waste. I didn’t have the right mood to publish anything, – heavy physical work can be very tiring. My idea was to continue with the series I just started and share drawings, but I ended up working on a few watercolors which were started probably 4 or 5 years ago. I had reference drawings, but none of them seemed to be exactly of these paintings, therefore, I just worked from imagination.
Watercolor painting of apple blossoms, I am trying to show the size in my studio corner.
Painting progress with steps
I found this painting with light washes on the background and just one watercolor paint layer on apple blossoms and buds. Normally, the first step means to transfer the drawing onto watercolor painting, adjust it and make sure there are no strong pencil lines. After that, we start adding watercolor paint as we see fit. I usually add the first layer of paint on areas with the potentially strongest values.
Supply shortages
The first months of spring season always feel like a new beginning, a fresh breath. Except this year, we are again in a complete lockdown in Ontario, just like the year before. That doesn’t affect what I do too much, but there is a shortage of supplies. When I was at the art store last time, shelves were very empty. My favorite brands were pretty much absent, that included colors which are used more frequently for acrylic painting: artist grade Titanium white, Burnt Sienna, Burnt Umber, Golden Ochre, Carmine Red, different shades of yellow were not available. I use preferably Lamp black, that wasn’t available either. I ordered paints online once and the waiting was 6 weeks, therefore, I’m not doing that again.
This is the ready watercolor painting of apple blossoms. Its size is 15.5 x 20.5 in or 39 x 51 cm I hope your device shows correct colors and contrast because they differ from device to device.
Accepted into spring art show “Roots of art”
I just received an email notification that my paintings have been accepted into a virtual annual art show. Before pandemic, this was a live, real, very busy and well-attended art show. The show is local and that fits me well. Since I hope more traffic will come toward my website, I’ll need to spend more hours updating everything. It’s a time-consuming task and requires attention, therefore, that is my priority for a while. Including portfolio would be difficult because of all media options I use and various subjects. There is so much art in each category! I have currently 3 pages which display my available art. Acrylic paintings need the quickest update, however.
Places where I have spent most part of my life, do not stand out with spectacular landscapes. I don’t usually paint mountains, oceans, seaside or waves. I’ve seen them, but I have hard times recalling such views in detail which is necessary for creation of painting from memory. Many of these paintings were also started a long time ago just as a demo for my live art classes. That means, I’ve spent very limited time painting them during the class. My main focus was what students learned from each process and less an attempt to create a masterpiece.
Therefore, I had to change some parts, add finishing touches, increase strong values, add strong highlights, refine some details and mask out some other parts. These landscapes are views from my memory and imagination, they might or might not exist, but I usually want the subject to be recognizable without long explanations. I suppose, I’ve said it quite a few times that I’m not thrilled about small size, like 16 x 20 in or 41 x 51 cm paintings of complex views and detailed subject. For me personally, the most comfortable size for acrylic is approximately 30 x 24 in or 76 x 61 cm and for watercolor: full sheet which is most often 30 x 22 in or 76 x 56 cm. Such size allows implementing aspects which are very important in painting: decent values, decent size subject, powerful color switches and a few outstanding details.
Country barn with daffodils is an acrylic painting on 20 x 16 or 51 x 41 cm canvas
The current trend of displaying paintings in clusters is a great one. Even when painting is large, it takes a lot of design skill to make it rather become a part of space than dominate it or disappear in it. Clusters of paintings suit any taste and allow using paintings of small and medium size, too. They do change the mood in room, they can take you to any season or make feel happier in your space. I am not allowed to hang much on walls in my rented space. We tried strips and some of bigger paintings fell down. I didn’t even attempt hanging the huge and large watercolor paintings that way.
Spring at creek, acrylic painting on 20 x 16 in or 51 x 41 cm canvas
The history and story behind these paintings is the same, but some are pretty much painted from new. You can do that in acrylic, no problem. In fact, I think acrylic looks better with numerous layers, – the more, the better. Colors become intense and also change in different light settings, the most dramatic parts become textured and that looks really adorable. These paintings have taken weeks to accomplish letting dry between layers. I know how little of that is visible in an online image, but the presence is still there.
Along the spring creek is a multilayer acrylic painting on 20 x 16 in or 51 x 41 cm canvasI use fairly limited number of paints, black, white, burnt umber, warm and cold yellow and blue
Since I spent 46 years in Latvia and it’s not even twenty in Canada yet, the subject of my painted landscapes is associated most often with Latvian countryside, Latvian country roads, gardens and plants, as well as with nature in Latvia. The area around Ajax where I live now is similar, but I would never paint the local box-like boring buildings which really offend one’s esthetic principles. That’s why we have imagination and can travel back in memories to any season, any place and any emotion that provoked.
The image contains painting detail and some color reference for along the spring creek painting
Other than that, I’m finally working on compiling a book of acrylic painting techniques for landscapes, still life and floral art. It is a slow process, and it probably will take numerous hours for creating more pictures, describing tools and efficient process steps, as well as basic principles of painting in any medium since most of them are the same. Creating art should never be struggle, that’s why I will also keep teaching live art classes when we reopen. That might be in July, or August, or September.
Thanks for reading, enjoy!
My art store is not coming along swiftly as I hoped, so for prints, please, go to Fine Art America:
Just like always, time passes swiftly. Whether it is bad or great spring, we go through it. I just couldn’t get myself to the point this time to post something new. I have started working on projects in downloadable format, and that is tough. My previous main computer crashed, and lots of software which I cannot get back went with it. While I had backups for most picture folders, it is sort of impossible to recreate everything which has been carefully put together over the course of 12 years. Every device has its limits, but crashes come always at a wrong moment. Therefore: spring mix!
Poor choices for realistic editing of picture
While there are numerous, I’d even say countless apps and software for manipulating photos and using all kinds of effects on photos, there is practically nothing anymore for simple editing which makes image of a drawing or painting look like it is in reality. The last great editing software was Microsoft Digital Image Editor, but that’s gone now. I still have it on laptop, but my laptop display is so poor that I cannot do any sensitive adjustments on it. My much loved watermark is gone, too. I bought another one which is kind of ok, but doesn’t do the same at the same speed as the previous one. I don’t have many things on this computer yet, so, putting up my content on the internet is problematic at the moment.
Projects with watercolor pencils
I would like to introduce the use and application of watercolor pencils for beginners in watercolor. It is easy and it is better for people, who are very good at drawing and not that good at watercolor wash control. I read in a Facebook group how people complained that they got horrible results using watercolor pencils. I would completely disagree with that. If you use watercolor pencils sensitively and you have an idea how to do that, the result is fantastic. I have great watercolor pencils which I bought maybe 13 or more years ago. They last long time. I actually use them only in classes. For my personal use, they are too slow. However, one can really learn well everything about painting principles, values, contrast, shadows, shapes, highlights and composition using good quality watercolor pencils which contain decent amount of pigment.
Now is the right time to learn
When else are we going to learn new things if not now when we have to stay at home? Drawing and painting has very good ability to consume all our thoughts. While we are creating, there is absolutely no space for being afraid, scared or depressed. There is no space for being worried and frustrated about the future. It is extremely calming and rewarding process when we let it to be that way.
Stay tuned for home projects!
I wish I could work out the home projects faster and put up them for download, so, that everybody can be creative and busy in a nice way. I know that drawing is the most difficult part for most beginning and even advanced artists. Therefore, I intend to allow tracing template drawings.
Stay safe and create! Have a bit of patience and you will be able to paint with me beautiful spring flowers, landscapes and more!
