Perspective in art is much easier to implement than perspective in life. In fact, there is nothing much to it as far as we are aware of how it works and what it does for a painting or drawing.
Perspective creates depth and dimension in any drawing and painting which deals with suitable subject.
Traditional linear perspective uses size, overlap of objects and their placement in composition, as well as convergence of lines.
If you love landscape, street scenes, rural scenes with farms and barns, simple roads, streams or rivers, so on and so forth, you will need to implement linear and atmospheric perspective and also use color values accordingly to perspective principles.
Well, if you are drawing and painting plein air, you most likely use some perspective.
Some people are confused: how many vanishing points to use: 1, 2, 3 or even more?
The answer is that will depend on the placement of your shapes and forms on different planes.
1 point perspective uses 1 vanishing point on the horizon line.
Most often we use 1 point perspective with roads, streams, tree and fence lines and buildings on both or one side of a path or road. That creates an easy perceivable composition which is pleasure to look at and easy to create.
2 point perspective respectively will use 2 vanishing points.
Plein air drawing
Pen and watercolor sketch, mostly done outdoors, since this building is next to my entrance
When drawing close-ups of buildings or placing many scattered buildings in composition we can use rather 2, 3 or 4 point perspective because that will allow achieving lots of depth and dimension.
When some objects are close, some distant or scattered all around, you could use 3 and 4 vanishing points. It does not mean that your drawing becomes extremely complex. It means that you will have freedom to place compositionally wherever you want it and make it the size you’d like.
I noticed that most drawing demos that involved 2 point perspective did not explain that the roof top line runs through 1 vanishing point. That was also the most confusing part for students since they had a problem placing the roof line where it belongs.
Please enjoy the recent paintings and sketches which involve perspective.
Thin and thick pen and watercolor for creation of perspective sketch
Simple watercolor plein air sketch
Perspective in man-made structures: large watercolor. To create it, I first did a pencil sketch on transparent transfer paper in the size of the painting.
This is a demo pen and watercolor painting for 1 point perspective
I am giving a set of 4 classes about perspective in sketches and drawings at the moment. Therefore, I haven’t made any perspective videos or demos yet. However, I am working on materials and most likely this winter I will be able to post something to learn from online.
Other than that, bad health and garden work kept me from finishing work at my website. It’s still half done.
If Bluehost with their Mojo Marketplace were not cheating and if I had the theme I initially wanted, my website would be completed and running beautifully by now. Unfortunately, I had to wait for refund and then I got very sick and then I had to prepare classes, so I could not work on finalizing neither the layout nor content of my website.
I did not post recently that much for the same reason: I thought I just wait for a while until it’s all done. That moment never came so far; therefore, I am posting my recent works that involve creating perspective. Most drawings, sketches and watercolor paintings are done outdoors or plein air. A few are demos. It’s needless to say that perspective is an important part of any painting, sketch or drawing. Learning how to create perspective is not difficult or overwhelming.
Please be patient and you will be able to check out my advice on creation of perspective in any drawing or painting. I will definitely have lots of images and sample drawings.