Vibrant red color in my still life paintings

Red color in large still life paintings, watercolor

Just like other primary colors, red color can have numerous variations of cool and warm shades. Red color is eye catching and energizing. I won’t try to list all symbolic meanings, but among well-known attributes, red color has a protective aura.

Unfortunately, no camera with all automated settings, can ever much the sensitivity of experienced artist’s application of any color. Therefore, the red color in a painting might be more yellow, as it very often is, more orange, or bluer. The color distortion has a wide range, and it is also difficult to correct because any change affects the entire image.

Creating the still life with red jug from 2012 drawing

 It took a lot of guessing what goes where since I didn’t have the actual reference in front of me.

The new still life with red jug, has many red tones.  I tried to capture them on images, as well, and I must admit, not always successfully. I know, people say, it doesn’t really matter, but if you see the actual painting and image thereof, you would agree that it matters. I created the drawing on Arches cotton watercolor paper in 2012. When I started feeling better, I decided to finalize all paintings on good paper since it has become extra expensive. Painting on such paper, is a pleasure.

 The new painting is large: 24 x 18″ or 61 x 46 cm.

I noticed quite early that direction of light is very important for me. Whether you look at my drawings, pastel or acrylic paintings, or watercolor art, light always comes from the left. It’s just how I see everything. Once you have established your personal perception of light direction, you will notice how easy it is to apply shadows and use the composition effectively.

All still life paintings in this post have red color in them, some more, some less. Some have very warm red, some – rather cool. The same applies to different parts of one and the same image. When people start painting, they rarely think of these things – direction of light, cool and warm colors, volume and contrast and so forth. The subject is not that important, but the before mentioned things are since they are the main principles of painting.

I’ve always loved drawing and painting still life. It is easy to set up using whatever you already have at home. Certainly, some items suit still life settings better than the others. Yet, there is a way to implement anything. It could be your personal items, fruits, vegetables, flowers, books, souvenirs, attractive dishes, plants, bottles, jars and jug, I mean, the choice is endless. I love painting still life because I don’t need any photos for reference.

Any of my still life paintings always start with the pencil sketch or drawing. I draw sometimes straight on watercolor paper, sometimes – on whatever paper I have, and then transfer the drawing onto watercolor paper. Most of still life paintings are done on Arches cotton paper. I don’t use bright white paper, but rough and cold press for sure. I like the texture of paper even though it can make painting process more difficult.

I hope you enjoyed the attractive red color!

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Watercolor – fantastic medium for any painting style

Fall tree painting in watercolor, art classes

Watercolor: good choice for any style artist

Watercolor has been one of my most favorite painting medium options for more than 5 decades. I still have a few of my first paintings somewhere, deep in my numerous art folders. I was about 10 years old, I was drawing very well, just like I do now, but my watercolors were not sparkling. I come from a family which didn’t have any relationship with art. In the neighboring house, an artist was renting a room. Her watercolor paintings were way larger and way brighter. They had more volume and more contrast. I asked her to see her paints. She showed me the most fantastic box of watercolor paints. Back then, they were Leningrad watercolor paints which later transitioned to St. Petersburg, and then White night paints. The difference was astounding. Clarity and saturation of pigment charmed me on the spot.

Why to invest in good art supplies

Ever since I tried St. Petersburg watercolor paints, I always tried to find them and use. When I relocated to Canada 18 years ago, I had only a tiny paint box with me, but I quickly realized I will need more paints. So, I shopped the brands available in North America. Expensive they were, the artist grade paints, but they didn’t come even close to my favorite brand. Now with all the Russian issues, I’m in trouble again, but I hope to get some replacement paints. The most understated feature when learning to paint with watercolor is the quality. That refers to quality of paints and quality of watercolor paper. With bad paints and using them on a bad paper, all we can get is unsatisfactory color and contrast, plus bad paper simply cannot take layers and corrections and it buckles and warps. It is limiting.

Captures of fall using watercolor washes and fine detail

Importance of good watercolor paper

Good watercolor paper is very expensive in Canada. The 300 lb cotton cold pressed paper comes to almost $30 or more (with taxes) per 1 sheet. Sheet is approximately 29 to 30 inches x 22 to 23 inches depending on brand. The use of bad paper and weak paints might be the main reason many potential watercolor users give up. Well, I am using sometimes non-cotton papers, too, but no other paper compares to the real thing when you need to apply a wash, gradual wash and fine detail. I prefer using the large size and full-sheet paper since there’s no way to paint something meaningful on tiny size paper.

Autumn leaves and sunflower, both are 20 x 16 in or 51 x 41 cm

Fall colors for beginner artists

Fall season is a great time to consider painting in colors because it is very simple to apply warm and cold opposites and create something great. It is easy to use more abstracted style or add definite detail when necessary. Inspiration is everywhere assuming you get a chance to be in an area which has trees and other landscape elements. Even a few leaves can create a good composition and then you can just add fence, brick wall or washes for background. It is definitely more rewarding to use real things as models for painting. Not everybody knows how to use photo, and your style will emerge sooner when you are not affected by pre-set colors and composition. You have more freedom.

Relaxing experience with watercolor paints

I usually do not participate in challenges because days are filled with numerous tasks as it is. I cannot be sure I will have enough time to paint something of decent quality every day. For me, it makes sense working when the time is right and I don’t feel rushed. People who have similar conditions to mine, frequently experience depression. It comes and goes, and can be of different severity grades. I noticed, however, a few days ago when I finished up the Fall tree on lake shore, I felt simply excellent. For me personally, painting with watercolor is an extremely relaxing and calming experience. Creating the bright color transitions makes me feeling way better than usually. I could say, using bright colors cures and soothes upset mood.

Birch path is large, 30 x 22.5 in or 76 x 57 cm

Dark colors without actual black in watercolor

I never use black color in watercolor painting, and I do not like dark watercolor paintings also. The reason is simple: black color indicates areas absent of light. If you are in a totally dark and black space no light waves are coming through. Generally speaking, I don’t like dark spaces, dark clothes and dark living environment. From the practical painting perspective, black color can make other colors muddy in watercolor painting. For extra strong values, we can use raw umber (very dark tone of brown), Payne’s grey (almost black blue), sepia (practically black with brown undertone) and mixes of dark blue, dark violet with other colors of your palette. The safest combinations in my experience are with Payne’s grey.

Art classes for adults in Ajax, Ontario

While there are many art classes, it’s so that lots of them are the paint-night type where there is no actual learning. Good painting takes time and skill. You might want to paint more abstract art, but you still need to know how your paint pigments interact and what your brush, sponge, other tools and materials, as well as paints can do on that particular paper you’re using. Every type of paper acts differently. With globalization, art classes have become part of online domain. However, I’ve never met a student who was able to paint whatever they had intended after watching online instruction videos. In reality, you need to obtain some habits which facilitate painting. My art classes are different. And I provide students with skills which root in my many-decades-long experience.

Lake tree watercolor is 24 x 18 in or 61 x 45 cm

Adult artists in and around Ajax, Ontario! You might find your passion this fall season engaging in creation of colorful watercolor art. Calming, soothing and very uplifting! Especially when the days get shorter. Thanks and have a good fall season!

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Fall still life

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Sunny still life

Sunny still life by Inese Poga

Sunny still life on watercolor canvas

Sunny still life is a painting which I started on January 1, 2013. I got busy, and this canvas was collecting dust (literally, it was hard to get rid of it) until now. The other day, I was going through different pictures and thought: why not to finish up this still life? “Sunny still life” was intended to be painted in pastel. I had painted two smaller pastels on canvas from the same set-up in my studio, and everybody liked them and later bought. I used watercolor for the base layer. However, this isn’t a watercolor paper. It is watercolor canvas.

What is watercolor canvas?

Watercolor canvas is supposed to be a surface which accepts watercolor paint. In reality, it doesn’t. Paint comes off extremely easily, and it doesn’t stay on. I can lift paint, but to get more of it on, is not going to happen using regular technique. I bought this watercolor canvas exactly 8 years ago. My hope was I could use it for watercolor and then hang without a frame. Frames are always a problem, and they become an issue when one has very many paintings.

Getting realistic image on watercolor canvas

Watercolor canvas is very difficult with somewhat realistic image since we get only one attempt in covering an area. I think it would work when pouring on very thick watercolor paint, but there is nothing much of a thin layer. I still decided to complete this painting. The truth is, I feel obligated to finish all paintings I have started. I don’t know if they still sell watercolor canvas, but this was the only one I ever bought. Thick watercolor paper is so much better for realistic paintings, but it needs a frame, unfortunately.

Excellent quality paints

After lots of attempts cheating paint onto canvas, I got somewhat saturated colors.  This painting is 24 x 20 inches or  61 x 51 cm. I always paint around edges, just like with any painting on canvas. I could accomplish this because I use pigment-rich watercolor paints. I use St. Petersburg watercolor paints, and I’m absolutely happy with them. Over years, I have tried most brands, and I must admit, nothing on the market compares to St. Petersburg paints.

I think the mood is really sunny, and therefore, the title of this painting is also “Sunny still life”. This is how the painting process and experiments started: Experimenting with surface and medium

Other than that, I am preparing materials for online art classes and my watercolor painting book. It is a very lengthy and time-consuming process. At least for me. I am a bit slow because there is so much to do in the garden.

Art collections by Inese Poga

Stay healthy, purchase some art. Many people are doing really well during these COVID-19 times.

 

Fruity, simple, attractive

Still life with fruit, watercolor still life painting

Fruity, simple and attractive is still life with apples. Between years 2013 and 2018, I used to spend either August or September in Latvia. They have numerous fruit trees. Apples were in all tones and colors: red, white, green, purple and scarlet. Their round perfect shape was always attractive to me, so, I rarely could resist sketching or painting some apples whether with leaves or other elements.

This particular painting comes from my bright color period. I think it was 2008 when I painted this still life. It is quite large, 15 x 22 inches or 38 x 56 cm. I used to enjoy extra bright colors and St. Petersburg watercolors definitely facilitate that.

This apple still life was painted in Latvia looking at a tree and balancing paper in my lap. The weather wasn’t really cooperating, but I managed to finalize this painting upon my return to Canada.

Similarly, this still life with apples and pears was painted at my daughter’s computer desk. The space was too small to lay out paints and paper in a manner that I could paint without worrying that something falls to the floor. However, I love how it came out. I got some leaves in the garden, and they had a few green pears. I love my color combination in this one.

These are clear white apples which grow in my sister’s garden. They are ripe in August or even sooner, but must be consumed swiftly. They are extremely juicy and sweet, but go bad fast. I haven’t actually seen this sort of apples in Canada. I think this still life came out quite nice, too. I had to add final touches upon my return to Canada.

I have many sketches of apples, some unfinished watercolors and also acrylic still life painting with fruit and apples. It is not possible to remember all paintings which feature apples.

My personal point is that anything makes a good painting. Simple things can be painted and drawn as great as very complex subjects. I do always advise starting with such subjects that are around you and are easily found and replaced. That is a wonderful exercise in composition and color. It is also pleasure for eyes. Such paintings look great on any wall.

My art on Fine Art America:

Art collections by Inese Poga

Original watercolor paintings for sale

Still life: essence of art

Still life with fruit and flowers, watercolor

Subject I love: still life

I have painted numerous still life paintings over years. It was not my most favorite subject when I was young, but I fall in love with this subject as time passed by. This genre usually works well for me: set up some things which can be found in the garden or fridge, find some cups, bowls and add a few flowers or leaves in absence of flowers. As you know, whenever possible I do not use photos because camera always distorts the image to some extent and the image is never what human eye can see.

Still life tells a story

Still life always tells a story, and this story can be read quite easily if and when the viewer wants to. It is by far not only shapes and color; it is much more than contrast between live and organic shapes and handmade items. Still life reflects my current opinions and my current emotions. It can express everything we are willing to disclose.

I started this particular still life 5 years ago. I had everything I need to set up something quite attractive. I did a rough value sketch in the actual size which is 22 x 30 inches or full sheet of Arches watercolor paper. I transferred the drawing onto watercolor paper and moved to first washes, just like always working from the back to the front.

Still life: art that tells story
This is how far I got in 2015., drawing from a setup in my studio
Still life: setup
I only created a few washes and left the painting alone for practically 5 years

Restarting the process

I suppose, I got busy afterwards and the items of my still life simply went bad. I did not have time for about 5 years until recently.

After I moved into my new Ajax place, I had to sort out all numerous art folders. I found a few started paintings, all on large size Arches watercolor paper, and I decided to do something about at least a few of them. It took me about 3 days to bring the painting to its final stages.

Close-up of still life top part

Lack of reference should not stop us

The sad thing is that I could only reference the rough sketch. I obviously used my memory and imagination, otherwise it did not work. Working from life results in more vivid and lifelike painting. However, if there is huge interruption in the process, completing such painting can be challenging. It is not only because I do not have the same setup, but also because we change over time. Our perception changes, our color preferences change and, finally, the way we work changes. Therefore, it can be tricky to pick up the process where it was left so many years ago.

Still life with fruit and flowers, watercolor

I took the risk, and I think the result is great. It is a very large painting. It took the entire table length to somehow accommodate it. I also had quite hard time taking pictures with iPhone because of the size.

Still life with fruit and flowers

Masterclass: new way to learn art this fall

This fall I am starting master-classes which will take place once a month. These will be classes for people with experience and they will be designed to elaborate a particular subject and master-class will also include extensive demo and explanations.

I would like to give art classes that genuinely teach somebody, so, that they have artistic freedom creating their own art. I find that most art classes teach students nothing. It is mostly just some design which is executed with paints. Learning is a great way to stay young and keep our brain flexible.

Sign up for FALL SEMESTER art classes

See more of my still life and other paintings on FAA:

Art collections by Inese Poga