Art instruction: how to choose what to paint

art classes: barn watercolor

Art instruction and art classes will definitely help because the subject is everything!!!

Why it is so difficult to choose what to paint? Why cannot we decide on it?

That sometimes takes, hours, days and weeks, even months. I know how some potential artists would procrastinate for long time just because they cannot stop at something in particular and make a decision.

How so?

Stopping at some subject is crucial to get started at all.

When we go through images or sort our memory and imagination we find the potential subjects too difficult, too complex or too simple. There is nothing to paint. Nice colors, but bad view, no foreground or no background, boring or too detailed: these and similar thoughts might rush through your head.

One of the worst ways to help you choosing what to draw or paint today is just to check out what others do or have done today.

That’s it. There goes your day and there go the best hours for painting.

Internet images will suck you in; you will end up watching lots of YouTube videos which you neither wanted to watch, nor needed. You will look at endless Google images. That is a big distraction which we call inspiration. I will just get some inspiration on this subject, you say and nothing gets done.

Whether that is a photo or a set-up of real items, just get started. Just do it: the first line, the first brush stroke. Who cares?

You can change colors.

You can add or remove the background.

You can disregard details or add them to your pleasing.

Anything which is related to your computer or phone is here to distract you.

No wonder we wake up 4 hours later and we have not done one single line of a sketch, drawing or under-painting.

I sometimes think people are way better off going to a class because that will remove all troubles.

There will be a prepared image, subject or concept and you just go with it.

That image will suit well your intentions.

Assuming, you are alone and you do not have intention attending classes at the moment.

Get a picture, good, perfect or not that great: it does not really matter. The only thing that matters is to get started.

Once we are over the starting point, that’s it.

Just take the pencil or pen and start drawing. Take the brush and start brushing.

The first step is what matters. After that point you will be fine because the inner “you” will not allow taking a break until you are done.

For inspiration, please, see the progress of recent barn and spring watercolor.

 

We start with sketch, then do very light line drawing, apply first washes, add more or less color, define more and that’s pretty much it. Total time: about 5 hours.

I did not like how the first version looked pale (not in photo, but in reality) the next morning, so added stronger background and more layers to buildings and front.

art classes: barn watercolor

That’s how it looks, watercolor on Saunders-Waterford paper, 22 x 16 inches, or 56 x 41 cm.

To get started easier, please, sign up for painting and drawing classes:

https://inesepogagallery.com/classes-workshops-schedule/

To see what art can do for your mental health and brain fitness, please read my article on my other blog: Keeping memories alive

Good luck!

 

Art instruction: online versus real, myths versus reality

Art instruction can be found in abundance everywhere: there are numerous online classes, numerous websites that will give an idea of that and also countless real life events. 100% of students who attend my art classes have been watching YouTube art instruction videos, demos and suggestions. One would think they have learned a lot. In fact, it isn’t the case. Most people after spending a lot of time with online art instruction videos haven’t learned anything. That sounds strange, but it is a fact. Most people who have been watching YouTube tutorials and demos do not know how to use the brush with acrylic, how to blend paint and how to make the correct color they want. Most people who were learning drawing and watercolor painting using online video tutorials are afraid of water; they do not know how to apply watercolor paint, how much water to use, how to time the painting process and how to avoid muddy colors. Most people, who were learning how to draw online, cannot draw anything on their own or using real things and their set-up compositions. They can only trace a photo or use an outline printout for their drawing. Why would that be? Why haven’t they become skilled after spending numerous hours at the screen? The reason might be the one-sidedness. If one has a lot of artistic experience and knowledge of paint application techniques and understanding of paint properties, they will benefit from such online art instruction videos. These, who have zero experience, most likely will not. I believe these art instruction videos are good for inspiration and issue solving if you have plenty of painting and drawing experience. If you do not have such experience, you will rather get confused and disappointed. In real and live class, I can see how somebody understood the demo or painting tip. You’d be surprised seeing what levels of moisture are applied when I am saying: make your paper wet. That ranges from flooded paper with puddles of water to slightly seeing shine on it. Graded wash is understood in very different ways: from thick layer of paint to no paint at all. Not to mention a wet paint application on wet paper and a dry paint application on wet or dry paper. Timing is a very important part of painting with either watercolor, or acrylic. By not observing timing and making good use of it, the potential artist will definitely get frustrated. There are things which are easy to do when the timing is right and impossible to do at all if the timing is wrong. When you are sitting on one side of screen, nobody can check or see how exactly you are applying advice or tip. In a real life class, I can see right away whether the paint is too wet, too dry, there is too little of it or there is way too much of it. I can see right away who understood the technique and who is struggling with it. I am able to notice the weaknesses and the strengths right away, as well. Brushing techniques are probably the most important part of acrylic painting. Most people have absolutely no idea about these techniques. It is understood that it does not matter how you put the acrylic paint on canvas. Well, that makes the painting experience either pleasant, or results in frustration when one cannot achieve what they want to. Most people do not know how wet and how dry watercolor paint should be, and I have seen how some would try applying it without any water at all. Sounds crazy? Yes, it is weird because we call it watercolor since it can be used only with water. Pigment in watercolor paint is activated using water, otherwise it won’t work. Without doing this properly, there is no watercolor painting, but we create a streaky smear. There is a principle which is always true when it comes to art supplies: the better quality art supplies are, the easier it is to apply them; and vice versa: the worse quality art supplies are, the more skills one will need to use them properly and to achieve good results. While many art instruction demos and videos are called “How to paint ….” they should be called, in fact, “How I paint ….” because there are lots of ways to interpret one and the same subject and one and the same theme. Many of demos also instead of “How to paint …” fall in the category “How not to paint …”. That’s just how wrong the demo or art instruction advice can be. With the wide-spread accessibility of internet and opportunity to share and post anything, we cannot be always sure if the advice we are given is correct or if it will ever work for us in particular. We have to approach everything selectively. That refers not only to art instruction, but also to any advice for any situation in life. We have seen by now how art instruction is given by people who do not have the slightest teaching or art experience, as well. Art instruction has become an area where everybody is an expert. Would anybody teach and give music lessons? Piano or guitar lessons, for instance? No, they would not. Would anybody without any knowledge and skill teach foreign language, math or chemistry? No, they would not because that means misleading the student and pretending that one has what they do not. When it comes to drawing and painting, it is assumed that having no experience is not an issue. Just teach it and everything will be fine, which is profoundly wrong. I would say if you want to see fast results and create a decent and interesting art, you definitely have to start with real and live art instruction. Let the art instructor see how and what you are doing because that is the only way to find out why some things absolutely do not work and what you should be doing to make this experience rewarding and uplifting. Realistically, the things one needs to learn are the main principles of drawing and painting, not the style and techniques of artist X, Y or Z. The truth is that once you have learned the basics and have established the foundation you will be able to create anything, draw and paint anything in your personal style and to develop a personal approach to any subject. That won’t limit you to just being able to paint one particular scene and subject. It will feel like: I can draw and paint any scene, any still life and floral composition. I can draw and paint anything. That’s why starting with techniques, values, color theory and composition is important. Practically, that means finding out what your brush, paint and pencil can do once you know how to use them. Therefore, I would suggest, we start with basics and go from simple subjects to very complex ones. Along with becoming skilled in art, drawing and painting are the absolutely best things to devote our free time and leisure hours to. This means also exploring ourselves, becoming smarter, better with decision making and invisibly growing new brain cells, as well, extending the lifetime of the existing brain cells. That means a better memory and an improved cognitive function.

Art instruction can be found in abundance everywhere: there are numerous online classes, numerous websites that will give an idea of that and also countless real life events.

100% of students who attend my art classes have been watching YouTube art instruction videos, demos and suggestions. One would think they have learned a lot. In fact, it isn’t the case.

Most people after spending a lot of time with online art instruction videos haven’t learned anything. That sounds strange, but it is a fact. Most people who have been watching YouTube tutorials and demos do not know how to use the brush with acrylic, how to blend paint and how to make the correct color they want. Most people who were learning drawing and watercolor painting using online video tutorials are afraid of water; they do not know how to apply watercolor paint, how much water to use, how to time the painting process and how to avoid muddy colors.  Most people, who were learning how to draw online, cannot draw anything on their own or using real things and their set-up compositions. They can only trace a photo or use an outline printout for their drawing.

Why would that be? Why haven’t they become skilled after spending numerous hours at the screen?

The reason might be the one-sidedness. If one has a lot of artistic experience and knowledge of paint application techniques and understanding of paint properties, they will benefit from such online art instruction videos. These, who have zero experience, most likely will not. I believe these art instruction videos are good for inspiration and issue solving if you have plenty of painting and drawing experience. If you do not have such experience, you will rather get confused and disappointed. In real and live class, I can see how somebody understood the demo or painting tip. You’d be surprised seeing what levels of moisture are applied when I am saying: make your paper wet. That ranges from flooded paper with puddles of water to slightly seeing shine on it. Graded wash is understood in very different ways: from thick layer of paint to no paint at all. Not to mention a wet paint application on wet paper and a dry paint application on wet or dry paper. Timing is a very important part of painting with either watercolor, or acrylic. By not observing timing and making good use of it, the potential artist will definitely get frustrated. There are things which are easy to do when the timing is right and impossible to do at all if the timing is wrong.

When you are sitting on one side of screen, nobody can check or see how exactly you are applying advice or tip. In a real life class, I can see right away whether the paint is too wet, too dry, there is too little of it or there is way too much of it. I can see right away who understood the technique and who is struggling with it. I am able to notice the weaknesses and the strengths right away, as well.

Brushing techniques are probably the most important part of acrylic painting. Most people have absolutely no idea about these techniques. It is understood that it does not matter how you put the acrylic paint on canvas. Well, that makes the painting experience either pleasant, or results in frustration when one cannot achieve what they want to.

Art instruction can be found in abundance everywhere: there are numerous online classes, numerous websites that will give an idea of that and also countless real life events. 100% of students who attend my art classes have been watching YouTube art instruction videos, demos and suggestions. One would think they have learned a lot. In fact, it isn’t the case. Most people after spending a lot of time with online art instruction videos haven’t learned anything. That sounds strange, but it is a fact. Most people who have been watching YouTube tutorials and demos do not know how to use the brush with acrylic, how to blend paint and how to make the correct color they want. Most people who were learning drawing and watercolor painting using online video tutorials are afraid of water; they do not know how to apply watercolor paint, how much water to use, how to time the painting process and how to avoid muddy colors. Most people, who were learning how to draw online, cannot draw anything on their own or using real things and their set-up compositions. They can only trace a photo or use an outline printout for their drawing. Why would that be? Why haven’t they become skilled after spending numerous hours at the screen? The reason might be the one-sidedness. If one has a lot of artistic experience and knowledge of paint application techniques and understanding of paint properties, they will benefit from such online art instruction videos. These, who have zero experience, most likely will not. I believe these art instruction videos are good for inspiration and issue solving if you have plenty of painting and drawing experience. If you do not have such experience, you will rather get confused and disappointed. In real and live class, I can see how somebody understood the demo or painting tip. You’d be surprised seeing what levels of moisture are applied when I am saying: make your paper wet. That ranges from flooded paper with puddles of water to slightly seeing shine on it. Graded wash is understood in very different ways: from thick layer of paint to no paint at all. Not to mention a wet paint application on wet paper and a dry paint application on wet or dry paper. Timing is a very important part of painting with either watercolor, or acrylic. By not observing timing and making good use of it, the potential artist will definitely get frustrated. There are things which are easy to do when the timing is right and impossible to do at all if the timing is wrong. When you are sitting on one side of screen, nobody can check or see how exactly you are applying advice or tip. In a real life class, I can see right away whether the paint is too wet, too dry, there is too little of it or there is way too much of it. I can see right away who understood the technique and who is struggling with it. I am able to notice the weaknesses and the strengths right away, as well. Brushing techniques are probably the most important part of acrylic painting. Most people have absolutely no idea about these techniques. It is understood that it does not matter how you put the acrylic paint on canvas. Well, that makes the painting experience either pleasant, or results in frustration when one cannot achieve what they want to. Most people do not know how wet and how dry watercolor paint should be, and I have seen how some would try applying it without any water at all. Sounds crazy? Yes, it is weird because we call it watercolor since it can be used only with water. Pigment in watercolor paint is activated using water, otherwise it won’t work. Without doing this properly, there is no watercolor painting, but we create a streaky smear. There is a principle which is always true when it comes to art supplies: the better quality art supplies are, the easier it is to apply them; and vice versa: the worse quality art supplies are, the more skills one will need to use them properly and to achieve good results. While many art instruction demos and videos are called “How to paint ….” they should be called, in fact, “How I paint ….” because there are lots of ways to interpret one and the same subject and one and the same theme. Many of demos also instead of “How to paint …” fall in the category “How not to paint …”. That’s just how wrong the demo or art instruction advice can be. With the wide-spread accessibility of internet and opportunity to share and post anything, we cannot be always sure if the advice we are given is correct or if it will ever work for us in particular. We have to approach everything selectively. That refers not only to art instruction, but also to any advice for any situation in life. We have seen by now how art instruction is given by people who do not have the slightest teaching or art experience, as well. Art instruction has become an area where everybody is an expert. Would anybody teach and give music lessons? Piano or guitar lessons, for instance? No, they would not. Would anybody without any knowledge and skill teach foreign language, math or chemistry? No, they would not because that means misleading the student and pretending that one has what they do not. When it comes to drawing and painting, it is assumed that having no experience is not an issue. Just teach it and everything will be fine, which is profoundly wrong. I would say if you want to see fast results and create a decent and interesting art, you definitely have to start with real and live art instruction. Let the art instructor see how and what you are doing because that is the only way to find out why some things absolutely do not work and what you should be doing to make this experience rewarding and uplifting. Realistically, the things one needs to learn are the main principles of drawing and painting, not the style and techniques of artist X, Y or Z. The truth is that once you have learned the basics and have established the foundation you will be able to create anything, draw and paint anything in your personal style and to develop a personal approach to any subject. That won’t limit you to just being able to paint one particular scene and subject. It will feel like: I can draw and paint any scene, any still life and floral composition. I can draw and paint anything. That’s why starting with techniques, values, color theory and composition is important. Practically, that means finding out what your brush, paint and pencil can do once you know how to use them. Therefore, I would suggest, we start with basics and go from simple subjects to very complex ones. Along with becoming skilled in art, drawing and painting are the absolutely best things to devote our free time and leisure hours to. This means also exploring ourselves, becoming smarter, better with decision making and invisibly growing new brain cells, as well, extending the lifetime of the existing brain cells. That means a better memory and an improved cognitive function.

Most people do not know how wet and how dry watercolor paint should be, and I have seen how some would try applying it without any water at all. Sounds crazy? Yes, it is weird because we call it watercolor since it can be used only with water. Pigment in watercolor paint is activated using water, otherwise it won’t work. Without doing this properly, there is no watercolor painting, but we create a streaky smear.

There is a principle which is always true when it comes to art supplies: the better quality art supplies are, the easier it is to apply them; and vice versa: the worse quality art supplies are, the more skills one will need to use them properly and to achieve good results.

While many art instruction demos and videos are called “How to paint ….” they should be called, in fact, “How I paint ….” because there are lots of ways to interpret one and the same subject and one and the same theme. Many of demos also instead of “How to paint …” fall in the category “How not to paint …”. That’s just how wrong the demo or art instruction advice can be. With the wide-spread accessibility of internet and opportunity to share and post anything, we cannot be always sure if the advice we are given is correct or if it will ever work for us in particular. We have to approach everything selectively. That refers not only to art instruction, but also to any advice for any situation in life.

We have seen by now how art instruction is given by people who do not have the slightest teaching or art experience, as well. Art instruction has become an area where everybody is an expert. Would anybody teach and give music lessons? Piano or guitar lessons, for instance? No, they would not. Would anybody without any knowledge and skill teach foreign language, math or chemistry? No, they would not because that means misleading the student and pretending that one has what they do not. When it comes to drawing and painting, it is assumed that having no experience is not an issue. Just teach it and everything will be fine, which is profoundly wrong.

I would say if you want to see fast results and create a decent and interesting art, you definitely have to start with real and live art instruction. Let the art instructor see how and what you are doing because that is the only way to find out why some things absolutely do not work and what you should be doing to make this experience rewarding and uplifting.

Realistically, the things one needs to learn are the main principles of drawing and painting, not the style and techniques of artist X, Y or Z. The truth is that once you have learned the basics and have established the foundation you will be able to create anything, draw and paint anything in your personal style and to develop a personal approach to any subject. That won’t limit you to just being able to paint one particular scene and subject. It will feel like: I can draw and paint any scene, any still life and floral composition. I can draw and paint anything. That’s why starting with techniques, values, color theory and composition is important. Practically, that means finding out what your brush, paint and pencil can do once you know how to use them.

Art instruction can be found in abundance everywhere: there are numerous online classes, numerous websites that will give an idea of that and also countless real life events. 100% of students who attend my art classes have been watching YouTube art instruction videos, demos and suggestions. One would think they have learned a lot. In fact, it isn’t the case. Most people after spending a lot of time with online art instruction videos haven’t learned anything. That sounds strange, but it is a fact. Most people who have been watching YouTube tutorials and demos do not know how to use the brush with acrylic, how to blend paint and how to make the correct color they want. Most people who were learning drawing and watercolor painting using online video tutorials are afraid of water; they do not know how to apply watercolor paint, how much water to use, how to time the painting process and how to avoid muddy colors. Most people, who were learning how to draw online, cannot draw anything on their own or using real things and their set-up compositions. They can only trace a photo or use an outline printout for their drawing. Why would that be? Why haven’t they become skilled after spending numerous hours at the screen? The reason might be the one-sidedness. If one has a lot of artistic experience and knowledge of paint application techniques and understanding of paint properties, they will benefit from such online art instruction videos. These, who have zero experience, most likely will not. I believe these art instruction videos are good for inspiration and issue solving if you have plenty of painting and drawing experience. If you do not have such experience, you will rather get confused and disappointed. In real and live class, I can see how somebody understood the demo or painting tip. You’d be surprised seeing what levels of moisture are applied when I am saying: make your paper wet. That ranges from flooded paper with puddles of water to slightly seeing shine on it. Graded wash is understood in very different ways: from thick layer of paint to no paint at all. Not to mention a wet paint application on wet paper and a dry paint application on wet or dry paper. Timing is a very important part of painting with either watercolor, or acrylic. By not observing timing and making good use of it, the potential artist will definitely get frustrated. There are things which are easy to do when the timing is right and impossible to do at all if the timing is wrong. When you are sitting on one side of screen, nobody can check or see how exactly you are applying advice or tip. In a real life class, I can see right away whether the paint is too wet, too dry, there is too little of it or there is way too much of it. I can see right away who understood the technique and who is struggling with it. I am able to notice the weaknesses and the strengths right away, as well. Brushing techniques are probably the most important part of acrylic painting. Most people have absolutely no idea about these techniques. It is understood that it does not matter how you put the acrylic paint on canvas. Well, that makes the painting experience either pleasant, or results in frustration when one cannot achieve what they want to. Most people do not know how wet and how dry watercolor paint should be, and I have seen how some would try applying it without any water at all. Sounds crazy? Yes, it is weird because we call it watercolor since it can be used only with water. Pigment in watercolor paint is activated using water, otherwise it won’t work. Without doing this properly, there is no watercolor painting, but we create a streaky smear. There is a principle which is always true when it comes to art supplies: the better quality art supplies are, the easier it is to apply them; and vice versa: the worse quality art supplies are, the more skills one will need to use them properly and to achieve good results. While many art instruction demos and videos are called “How to paint ….” they should be called, in fact, “How I paint ….” because there are lots of ways to interpret one and the same subject and one and the same theme. Many of demos also instead of “How to paint …” fall in the category “How not to paint …”. That’s just how wrong the demo or art instruction advice can be. With the wide-spread accessibility of internet and opportunity to share and post anything, we cannot be always sure if the advice we are given is correct or if it will ever work for us in particular. We have to approach everything selectively. That refers not only to art instruction, but also to any advice for any situation in life. We have seen by now how art instruction is given by people who do not have the slightest teaching or art experience, as well. Art instruction has become an area where everybody is an expert. Would anybody teach and give music lessons? Piano or guitar lessons, for instance? No, they would not. Would anybody without any knowledge and skill teach foreign language, math or chemistry? No, they would not because that means misleading the student and pretending that one has what they do not. When it comes to drawing and painting, it is assumed that having no experience is not an issue. Just teach it and everything will be fine, which is profoundly wrong. I would say if you want to see fast results and create a decent and interesting art, you definitely have to start with real and live art instruction. Let the art instructor see how and what you are doing because that is the only way to find out why some things absolutely do not work and what you should be doing to make this experience rewarding and uplifting. Realistically, the things one needs to learn are the main principles of drawing and painting, not the style and techniques of artist X, Y or Z. The truth is that once you have learned the basics and have established the foundation you will be able to create anything, draw and paint anything in your personal style and to develop a personal approach to any subject. That won’t limit you to just being able to paint one particular scene and subject. It will feel like: I can draw and paint any scene, any still life and floral composition. I can draw and paint anything. That’s why starting with techniques, values, color theory and composition is important. Practically, that means finding out what your brush, paint and pencil can do once you know how to use them. Therefore, I would suggest, we start with basics and go from simple subjects to very complex ones. Along with becoming skilled in art, drawing and painting are the absolutely best things to devote our free time and leisure hours to. This means also exploring ourselves, becoming smarter, better with decision making and invisibly growing new brain cells, as well, extending the lifetime of the existing brain cells. That means a better memory and an improved cognitive function.

Our December art project: beginners and students with experience, everybody got fantastic results. It was a very successful art instruction, and I finished a few versions of my demo paintings. This is one of them. 

Therefore, I would suggest, we start with basics and go from simple subjects to very complex ones. Along with becoming skilled in art, drawing and painting are the absolutely best things to devote our free time and leisure hours to. This means also exploring ourselves, becoming smarter, better with decision-making and invisibly growing new brain cells, as well, extending the lifetime of the existing brain cells. That means a better memory and an improved cognitive function.

Suggestions on how to choose art classes: https://inesepogagallery.com/2017/10/09/choose-art-classes/

Registration for art classes: https://inesepogagallery.com/classes-workshops-schedule/

And some of our previous experiences: https://inesepogagallery.com/2013/09/20/art-classes-a-worthwhile-activity/

How to choose art classes

Many people who feel attracted to art, sign up for art and painting classes in the fall. Certainly, days are getting shorter and the weather gradually changes from very pleasant to quite nasty, rainy and chilly. I will not list all advantages of joining an art class or painting group this time because I’ve been mentioning them multiple times, and there are so many: from building your confidence and self-esteem and finding a great thing to fill up the long nights to effects similar to meditation which allow one floating away from daily troubles and problems, to mental fitness and rejuvenation of brain cells. The created art becomes just another gain along the way.

When choosing an art class, you should first check out what the instructor does: what are his or her favorite subjects, style, colors, approach. If you generally do not like such art as instructor is doing, so most likely you will the class unsuitable. For instance, if instructor is in meticulous copy creation of photos, you most likely will not be learning how to paint abstracts; or if she or he never do portrait painting, it is unlikely the class will provide with portrait painting skills.

Secondly, make sure the size of group somewhat works with you. I hear people complaining that they signed up for an art class and never got any attention, therefore, never learned anything. Well, if a weekly art class is 2 hours long and there are 20 or even more students in the classroom, how would you get a lot of attention? You can count on some 5 minutes of individual instruction in the best case because no instructor can run around all class while they are showing how to paint something. It is obvious that you have to choose a small art class if you require much advice or want very individual approach.

Thirdly, find out what level this art class is for. If some class is intended for advanced painters, most often, if you are just starting out you will not be able to catch up with others.

Beginner is somebody who hasn’t done at least 200 small size paintings or 150 larger paintings.

Next thing is: be realistic in expectations. That is probably the most overlooked aspect of any art class or studies of creative things.

Learning how to use tools takes time. That means: any tools. Although, everybody has seen a painting brush and quite frequently people have tried using it painting something on their own, it does not mean that you know how to actually use it. Any brush (they come in very many sizes, shapes and are made from all kinds of materials) can be used for some very specific things and also for some very general approaches. It is obviously possible to use just one brush start to finish, but the key is to find one that suits you and the task you want to accomplish. That depends also on your personal preferences, medium and subject.

Materials are an extremely important thing also for an art class, so, the best results will definitely be achieved using good quality materials straight from the beginning.

I have heard this often: I’m just learning, so I will use the cheapest materials for now. Well, that might not work at all because using bad materials can easily become a torture and nuisance. Sometimes students struggle around bad watercolor paper and they think they are doing something wrong, but, in fact, it is the paper which prevents from getting acceptable results. The funny part is that when one has a lot of experience they can survive with bad materials because their mastery will cover up the flaws, but initially, when there is very little knowledge, good materials will help overcoming your insecurities.

Equally important is also having your own materials. It might seem: what’s the difference? The answer is: there is a huge difference between paints, brushes, canvas, papers, pencils and even erasers, not to mention that is one of the most important aspects of learning. Tools matter, surface matters, paints and brands matter. There is no other way to become familiar with some materials in particular as using them.

Many people think that art classes and artistic activities cost a lot of money. Comparatively, I have to admit that is not really true. Most classes are way cheaper than going to a movie, about 8-10 times cheaper than attending a concert, at least 2 times cheaper than getting a hairdo, minimum 2 times cheaper than dining out at a medium quality place, much cheaper than boozing at a pub and so on. If your priority is to eat, work and sleep, that might seem like a big expense, but if you are looking for an overall improvement of your mental state, brain flexibility, memory, life quality and health improvement, it is just something which will pay back over many upcoming years. Therefore, the first question should not be “How much”. While the cost makes up an important part of anything we are doing and affording, there are very many other factors to consider. All classes are different: some are just a few weeks, some are a few months, some are short in a very large group and some are long and almost private. The most important part is to sign up for something that you feel interested in. One should also be prepared to learn, practice and memorize things, be spontaneous, courageous, daring and fearless, as well as have enough personal time for not feeling rushed.

I recently got new pictures and got a chance to post some watercolors on DailyPaintworks site.

I always work harder on pictures than actual paintings.

Colors in context images are much more like in reality.

I loved them, I hope it becomes a source of pleasure for other people, too.

This is the updated painting

 

They sell at $150, plus $15 shipping in Canada and USA.

Clear white on DPW

Enjoy!

Art is created in a different dimension

Art is even more than meditation. It transfers us to a different place, it happens in a different dimension and it results in a completely different experience.

I need, just like most of us, to shut off the world here and there.

To recharge, regain energy and clean my internal, soul-bound me.

I know that somebody might say: well, there are important subject and totally unimportant, and trying to paint unimportant things is just waste of time.

It doesn’t really matter, not one small bit.

It is totally possible to forget to eat, to forget what the weather outdoors is; what day it is and whether there are some urgent chores to be done.

The funny thing is that everybody can get into it.

I certainly would advise to let everything disappear time to time.

 

These are my lovely veggies

Love veggies is available from studio, this website and DailyPaintworks site:

$150 plus shipping in Canada $20 and to USA shipping is $25 because this is a large painting Love veggies

At least on my computer, better color balance is visible: ash berries or rowan berries, watercolor, The fall branch is also on DailyPaintworks:

Branch of ash berries

Sunflower sketch

 

I also got finally better pictures of sunflower sketch and ash berries. Well, in order these pictures were normally visible, every picture should be featured at the beginning of post. I just  really do not care about many things, and frequency of posting is one of them. I am in the middle of a creative uplifting swing. I hope it takes me somewhere higher.

Culture Days: free sketching event

Culture Days is a big deal in Canada. I must admit people love these free events and it is also a fantastic motivation to get involved.

We should love culture and we should implement creativity in our schedule regardless of what day or month that is.

People who do arts and creative things get much less depressed and they are less affected by bad news that surrounds us.

They learn living mindfully and consciously, and care about balance: while creativity takes some money that we put in materials, tools and space, it gives back a lot, too. That is not always countable in dollars and measurable by profits, but the gain is rather in experience. That is an incomparable experience, and if you have never tried to create something or engage in creativity, you most likely do not know how uplifting, encouraging and healing this experience can be.

My personal goal is to convince more people to devote some part, even if it is a small part to art and artistic self-expression.

Creativity is life, light and future. Consumerism is a dead-end and self-destruction.

Art culture reveals the nation’s true potential and values.

Although, I have absolutely no sponsors as large art places do, I still wanted to offer everybody to try sketching. Just to see how much fun it can be and that one doesn’t need any previous art experience to get started. I will provide with all materials.

I always bring watercolor sets from my annual trips to Europe. Therefore I will give away 2 watercolor sets which can be used indoors and outdoors for sketching and watercolor painting. If you intended to sign up for either Tuesday daytime or Tuesday night watercolor painting class, so you have a chance to win these watercolor sets tomorrow.

Giveaway: 2 sets of watercolor paints for beginners in painting.

To give some inspiration to these who are interested in acrylic painting, I am attaching 2 images.

Art is light. A large, very textured, light filled acrylic painting “The path of fall”

Acrylic, 30 in x 24 in (76 cm x 61 cm), only for pickup in Ontario since it is quite heavy, $600

Color in waterfall: acrylic on canvas, 24 in x 20 in (61 cm x 51 cm); $420

Ships in Canada approx. $40 and to USA at approx. $50


Culture and art are two sides of one creative experience.

It is rainy and nasty today, but I hope the sun will be out tomorrow.

Therefore, I kindly invite everybody who can make it to come to my studio tomorrow between 1 and 4 pm. I will also show and explain pros and cons of art materials, as well as demonstrate them in action.

Culture days should bring art and creativity to every person in the local community. Just don’t be lazy and come out for a pleasant and great experience!

Different approach to art class: focus on relaxing and stress-free creativity

I am offering a new art class this fall: to paint and to relax letting all concerns and problems go. The key to creativity is being relaxed and not to expect miracles, but learn creating them.

I noticed that some students were taking art classes way too seriously, and being not in a relaxed mood does not allow achieving the same results what people, who always take things easy, do.

I want to make a welcoming environment for creation so that purely technical goals become secondary while painting.

American traditional art teaching pays too much attention to the technical execution of art while leaving the emotional and spiritual side totally neglected. Especially, when I just relocated to Canada, it was definitely overwhelming how sometimes artwork would scream: I am technically perfect, every smallest dot and line is where they should be and every color is exactly as the textbook requires. That is why some artists go for big lengths: they trace and copy photos, and redraw and repaint everything what in digitally adjusted photo is. Where is the creativity? That allows achieving a perfection which frequently lacks feelings and does not move emotions. I would like to emphasize: the creative process is the most valuable part of the artistic phenomenon.

Perfection in art is not the best guiding idea because it simply does not allow unfolding the creative potential.

I hear this quite frequently: I’m not touching this painting anymore because I do not want to damage it. Well, leaving work unfinished isn’t good either.

I also wanted to make an art class which is impossible to replicate online: just because the content of this class rests on the presence and the interaction between me, group and everybody as an individual.

I will gear everything towards a great, interesting, amazing and positive experience. That means learning about oneself and art, and learning to be creative without the annoying pressure which some teaching venues want to impose on somebody who is looking for a new skill and ability.

We will use blocks of paper, so that at the end of this  positive painting session  everybody will have an image diary and will be able to continue adding creations.

Inspiration and immersion in calm, creative environment is something we do not find often or elsewhere.

I believe, this type of art class where experience and activity flow together creating emotional satisfaction, thus, releasing stresses and providing with a new perspective on the bothering issues in one’s life, will be well attended and appreciated.

It’s very interesting that I was away and did not do any advertising so far, but people were applying, in fact, a lot of people, that included the new daytime watercolor painting class.

I am adding as illustration some brush stroke and wash only paintings which do not need any drawing. We use only watercolor and water, and we watch what happens and how our thoughts and ideas look on paper.

Watercolor paintings without drawing: fun, relaxing brushing and interesting flow of pigment:

Leaf patterns, washes and more washes, available at $85

Leaf patterns

Road towards the fall

Distant storm

Side by side with summer, available at $40 

Side by side with summer

Sponge trees

October sketch

Art classes are for everybody because we will be using only our personal preferences with choosing colors, subjects and the way they look.

And finally, the best new watercolor painting “Water edge”, available at $85 plus shipping Water edge

Participants will have a lot of choice: they can draw, they can use pen or they can also do very abstract or semi-abstract art for their image diary. That’s why it’s called: stress relief with color and line.

Art classes and fall start soon

Fall art classes start soon. That is a fact. Fall is here. This might be the most inspirational time for poets and artists, especially these ones who are taken away by color.

My fall art classes usually resume in October. I went to Latvia earlier this year, so, art classes can start sooner and be long enough to learn plenty. It’s going to be October.

I had to think a lot how to arrange art classes this year: I tried 1-day workshops, 2-day workshops, monthly classes and 2 classes on the same subject. I tried everything, I believe. I will have 8 classes in a row this season because it felt as if previous approach did not give enough time for everybody, and I definitely do not like rushing people.

These classes are supposed to give a lot of space and freedom for interpreting subject in a very personal way. We have created wonderful paintings before, and they never looked the same. Every student had used their own view on things, and that is pretty much how art should be: originating in the artist, not in a photo which gets copied onto a paper or canvas. I would love that every class is experience and process and less an attempt to stick to perfection because when we do not get everything perfect we are upset. I encourage everybody to play with shapes, contrasts, colors and try finding the ones that make sense for that particular student personally. We are all similar and very different at the same time: why would we try to create copies of each others work?

We will have new fall art class: a  daytime watercolor and sketching class which will focus on pleasure and excitement that only colors and good mood can provide us with. I was told quite frequently that not everybody can attend the late afternoon class, so, here you go: meditate, relax and enjoy doing these watercolor studies that are suitable for absolutely everybody as long as they are willing to try some brushstrokes. This class does not require a lot of materials, and we will do exactly that: we will get lost in artistic freedom to create whatever we feel like at that moment. I have a pretty good idea how well this will work out, so, it should be a fantastic class if you are looking for a great pastime and if you feel you need to decrease your stresses and forget about problems.

Fall art classes: late afternoon watercolor and acrylic painting class will continue the good tradition of this studio: enjoy the process and learn in a relaxing environment. I have thought about new subjects which will be very suitable for exploration and studies, and I will try to gear students’ attention towards the use of tips and tricks, many different techniques and ways of paint application, as well as watercolorists will get a boost with their drawing skill.

When I am traveling from place to place, there is rarely time to sit down and quietly paint or sketch. As you know, I want my subject to be in front of me, whether that is a still life apple or some flower, or a scene. I quite honestly cannot stand repainting photos, so, I am very happy every time when there is a chance to get something on paper. It’s not much. My subjects had wilted and gotten bad while I was away, but still: that is at least an exercise. I did not have a desk or decent table, and I had to balance everything on my lap or stretch a bit in order to reach to water or paint which is a fun of some sort.

Some sketch and 2 watercolor paintings, that’s all I got done so far while traveling

Rowan berries or ash berries, as well as some sunflower and apples, we will try some nature scenes with still life elements in our fall art classes, too.

Quick sketch: inspiration for fall art classes

 

This really says: fall

 

 

 

I have noticed: if I cannot paint or draw for a longer time, I feel like I am missing something a lot. I hope you have nice plans for your fall season, as well!

Taking pictures of art and displaying: it is a challenge

Taking pictures of art is my never-ending challenge. I have been dealing with some other issues, too.

What happened to all good themes on WordPress.org?

Oh well.

I’ve been sitting at computer way too long. As I told before, I don’t have a better theme on my website right now for a very silly reason: I just couldn’t find a good one. It seems almost impossible.

All of them look great as demos.

Once I started to adapt them to what I want, I ended up seeing that:

one page themes don’t work;

with all kinds of fancy stuff overloaded themes don’t work;

completely plain and totally flat themes don’t work, so on and so on. I tried 8 themes, lost money on one, and here I am: with the same 2017.

I decided to leave it as is because while I was doing my theme adjustments, I worked as a slave for two weeks, 14 hours a day and that was affecting my life and everything else I had to do.

I am going to Latvia, but prospects traveling without cash are not very attractive.

Joining the Daily paintworks

I finally signed up for Daily paintworks where one tries to sell original art, not prints.

It took me five years to decide, and it is rather a desperate measure. All online art sites are crowded and there is a confusing amount of artworks to choose from.

Participation is quite costly, too, so one is pretty much under pressure to sell something.

Well, extremely cheap and tiny art sells well there, but I don’t have anything smaller than 11 x 14 inches. Very few old pieces might be 8 x 10 inches. So, I signed up and one can place only one artwork per day, so I have two paintings there at the moment.

Summer fence is available at $120 plus shipping

 Summer fence watercolor

Purple variety painting

Once again, I will try to do something also locally which is very unlikely to be a successful thing because this neighborhood is quite dead.

And I will try to sell something also over the internet from this same site.

Taking pictures of art: it isn’t easy

My biggest problem has been inability to capture on image the art as it really is; and this problem is persistent for many years. I don’t think it’s only mine problem. Camera looks at painting differently, and the color balance really depends on colors in painting.

Blue shades, greys and blue green colors look better.

Red, orange and yellow is a huge problem. I have paintings which have a lot of red and I cannot show them online because the color comes out weird, and it is not at all as in my painting. It is usually impossible to bring back the color balance with editing either.

Taking pictures of art in context and with background

I have noticed that watercolor artists use to take pictures of their paintings using contextual background. I started to take such picture of my art intuitively: some 8 years ago or so.

I paid attention very soon to the fact that everything that did not display only the cropped painting image looked fine. I mean, painting regained all natural colors and its good look.

That also gives some idea about the size because it is quite annoying to see how on some sites my very large art is displayed smaller than my small art.

Just placing something next to painting or photographing paintings in a bunch, having some surroundings show behind or taking art picture when it is on the wall, or using for decoration whatever, results in a photo that has all colors well balanced.

Taking pictures of art and displaying online

This particular theme does not allow also displaying everything as I would love to. The featured image becomes too huge. I tried to add my own css when doing theme adjustments, so I made the blog posts page larger size, but decreasing the widget area resulted in losing the number of followers. I will have to live with this display for a while because too much editing the theme caused all content text disappearing completely.

I can display on my website my art as I prefer, but when I have to post it somewhere else, it needs to be cropped and possibly edited, but I have noticed if the colors aren’t right, no editing will make that painting look as it is.

Most art looks better in reality. It can be so annoying at times that after taking about 30 pictures of some painting not one is good enough to post somewhere.

My art deals

I will be offering nice deals on my art up to August 19, and I will ship my paintings anywhere, but shipping will be extra. I got in big trouble last year because I was using UPS; and the shipping was costing more (isn’t that insane?) than my paintings I was shipping. I was so upset that I decided not to use UPS again. I’ve been shipping quite large art to Europe just by Canada post and the cost was somewhat ok, it was at least better.

Anyway, have a look at my art and I will also post more exercises for those who love painting with watercolor and are learning and experimenting with sketching and watercolor.

Maybe I should make a specific Facebook page for that? We’ll see how it goes.

I believe pictures of paintings look better in a context and on a background.

It is worth experimenting with that, as well.

Draw the line: put things in perspective

Perspective in art is much easier to implement than perspective in life. In fact, there is nothing much to it as far as we are aware of  how it works and what it does for a painting or drawing.

Perspective creates depth and dimension in any drawing and painting which deals with suitable subject.

Traditional linear perspective uses size, overlap of objects and their placement in composition, as well as convergence of lines.

If you love landscape, street scenes, rural scenes with farms and barns, simple roads, streams or rivers, so on and so forth, you will need to implement linear and atmospheric perspective and also use color values accordingly to perspective principles.

Well, if you are drawing and painting plein air, you most likely use some perspective.

Some people are confused: how many vanishing points to use: 1, 2, 3 or even more?

The answer is that will depend on the placement of your shapes and forms on different planes.

1 point perspective uses 1 vanishing point on the horizon line.

Most often we use 1 point perspective with roads, streams, tree and fence lines and buildings on both or one side of a path or road. That creates an easy perceivable composition which is pleasure to look at and easy to create.

2 point perspective respectively will use 2 vanishing points.

Plein air drawing, 2-point perspective

Pen and watercolor sketch, mostly done outdoors, since this building is next to my entrance. We used the 2-point perspective sketch

When drawing close-ups of buildings or placing many scattered buildings in composition we can use rather 2, 3 or 4 point perspective because that will allow achieving lots of depth and dimension.

When some objects are close, some distant or scattered all around, you could use 3 and 4 vanishing points. It does not mean that your drawing becomes extremely complex. It means that you will have freedom to place compositionally wherever you want it and make it the size you’d like.

I noticed that most drawing demos that involved 2 point perspective did not explain that the roof top line runs through 1 vanishing point. That was also the most confusing part for students since they had a problem placing the roof line where it belongs.

Please enjoy the recent paintings and sketches which involve perspective.

Thin and thick pen and watercolor for creation of perspective sketch, 1-point perspective

Simple watercolor plein air sketch which has just slightly sketched in perspective

Perspective in man-made structures: large watercolor. To create it, I first did a pencil sketch on transparent transfer paper in the size of the painting.

This is a demo pen and watercolor painting for 1-point perspective

I am giving a set of 4 classes about perspective in sketches and drawings at the moment. Therefore, I haven’t made any perspective videos or demos yet. However, I am working on materials and most likely this winter I will be able to post something to learn from online.

Other than that, bad health and garden work kept me from finishing work at my website. It’s still half done.

If Bluehost with their Mojo Marketplace were not cheating and if I had the theme I initially wanted, my website would be completed and running beautifully by now. Unfortunately, I had to wait for refund and then I got very sick and then I had to prepare classes, so I could not work on finalizing neither the layout nor content of my website.

I did not post recently that much for the same reason: I thought I just wait for a while until it’s all done. That moment never came so far; therefore, I am posting my recent works that involve creating perspective. Most drawings, sketches and watercolor paintings are done outdoors or plein air. A few are demos. It’s needless to say that perspective is an important part of any painting, sketch or drawing. Learning how to create perspective is not difficult or overwhelming.

Please be patient and you will be able to check out my advice on creation of perspective in any drawing or painting. I will definitely have lots of images and sample drawings.

Where would we be without the beauty?

Beauty is the most universal, self-expressing phenomenon that does not require words or language knowledge. It is present in all walks of life, but it becomes something extremely perceivable due to art.

As we rush our daily schedules and spend most of the time running, we might not notice the moment when a bud opens. The magic moment when the fragile petals unfold and when the sun and rain pour life into it. It becomes a mediator of beauty. Every smallest vein and line, every nuance of color is so unique.

The biggest advantage of being able to create, draw and paint is the feeling of being a creator. We can do anything with the sheet of white paper in front of us. It’s our choice what goes on it. I choose the never-ending, personality enriching and mood uplifting divine features of the nature. It is a cheerful activity on its own. It is more than meditation, it is much more than immersing in oneself, it is the imperative life-continuing reveal of the underlying essence of life, and the essence of life is beauty.

Cherry blossoms, watercolor painting. Beauty unfolding

 

Apple blossoms, watercolor painting. Beauty in a very visual way.

Enjoy! Happy Mother’s Day! I know my mom will love these paintings.