Celebrate in style includes my creations which I will post as frequently as I can taking into account that every painting takes between 6-8 hours a day. I also create decorations for display at store front. Plenty of very attractive three-dimensional paintings and gift paintings are available every holiday season from my art studio.
Winter trees under snow: great subject
Such art can be a great gift or a fantastic decoration. Winter trees are so adorable, and when the first snow is falling getting into the holiday and Christmas spirit is easy. Having this simple, yet beautiful tree on a wall is also a pleasure. I finished painting this tree image set and I could not stop enjoying and looking at it.
Idea and its implementation
The idea comes from the internet. I saw somebody had painted simple outlines and text on the wood, and I really liked the idea of creating such beautiful look. I just had to figure out how to achieve this without wood. I simply did not have any, especially suitable pieces. Well, I usually create what I do not have. The wood textures are painted on a regular canvas panel. This painting has touchable and visible texture, it even feels like wood.
December painting workshops
We will have workshop on December 9th. If you are not that far and reside in Durham region, Ontario, you certainly could take part and paint something similar for your own pleasure. Please apply here: Art classes
Rustic and cozy style
This time, I am featuring a rustic Christmas tree painting that goes well with rustic style. This painting is acrylic and texture medium on 20 x 16 in canvas (or 51 x 41 cm). The background imitates wood, and it is also painted around the edges, so it does not need any frame. Extra textured tree with beautiful snowflakes, I hope you love it!
Let us celebrate in style this year! It is nice to have something original on the wall. It is absolutely ok to create something when we cannot buy it. Enjoy and let me know if I can ship this wonderful rustic tree painting to you!
Many people who feel attracted to art, sign up for art and painting classes in the fall. Certainly, days are getting shorter and the weather gradually changes from very pleasant to quite nasty, rainy and chilly. I will not list all advantages of joining an art class or painting group this time because I’ve been mentioning them multiple times, and there are so many: from building your confidence and self-esteem and finding a great thing to fill up the long nights to effects similar to meditation which allow one floating away from daily troubles and problems, to mental fitness and rejuvenation of brain cells. The created art becomes just another gain along the way.
Choosing an art class that suits your preferences
When choosing an art class, you should first check out what art instructor does. What are his or her favorite subjects, style, colors, approach? If you generally do not like such art as instructor is doing, you most likely will not enjoy it. For instance, if instructor is insisting on copying photos, you most likely will not be learning how to paint abstracts; or if she or he never do portrait painting, it is unlikely the class will provide with portrait painting skills.
Size matters
Make sure the size of group somewhat works with you. I hear people complaining that they signed up for an art class and never got any attention, therefore, never learned anything. Well, if a weekly art class is 2 hours long and there are 20 or even more students in the classroom, how would you get a lot of attention? You can count on about 5 minutes of individual instruction in the best case because no instructor can run around the class while they are demonstrating technique. It is obvious that you have to choose a small art class if you require much advice or want very individual approach.
Level class is designed for
Find out what level this art class is for. If class is intended for advanced painters, , but you are just starting out, you will not be able to catch up with others. Beginner is somebody, who hasn’t done at least 200 small size paintings or 150 larger paintings.
Realistic expectations
Next thing is: be realistic in expectations. That is probably the most overlooked aspect of any art class or studies of creative things. Learning how to use tools takes time. Although, everybody has seen a painting brush and quite frequently people have tried using it, it does not mean that you know what correct brushstroke is. Any brush (they come in very many sizes, shapes and are made from all kinds of materials) can be used for very specific things and also for very general approaches. That depends also on your personal preferences, medium and subject.
Art supplies
Materials are an extremely important thing for an art class, so, the best results will definitely be achieved using good quality materials straight from the beginning. I have heard this often: I’m just learning, so I will use the cheapest materials for now. Well, that might not work at all because using bad materials can easily become a torture and nuisance. Sometimes students struggle with bad watercolor paper and they think they are doing something wrong, but, in fact, it is the paper which prevents from getting acceptable results.
Your own art supplies
Equally important is also having your own materials. It might seem: what’s the difference? The answer is: there is a huge difference between paints, brushes, canvas, papers, pencils and even erasers, not to mention that is one of the most important aspects of learning. Tools matter, surface matters, paints and brands matter. There is no other way to become familiar with some materials in particular as using them.
Be motivated
The most important part is to sign up for something that you feel interested in. One should also be prepared to learn, practice and memorize things, be spontaneous, courageous, daring and fearless, as well as have enough personal time for not feeling rushed.
Fall nature and still life
I always work harder on pictures than actual paintings.
Colors in context images are much more like in reality.
I loved them, I hope it becomes a source of pleasure for you, too.
The best part of being able to create art is depending on our intentions and goals. There are no limitations in subjects or ways to create something. It is almost an absolute freedom, and pretty much nothing but only our personal attitude or situation can set us back.
Freedom in creation means doing what one wants and prefers. If it is technique that doesn’t work for you yet, you will just have to practice more. In this post: white and pink flowers in acrylic.
I sometimes meet people who think creating a painting is extremely easy. Most likely, instructions that say: paint like a master in one hour or time-lapse demos where a few hours of work are squeezed in just 1 minute, make one believe that a decent size art takes only a few minutes. Well, try to paint just a wall or better start with smaller surfaces like a door. Even that takes time, not to mention creating art layer upon layer with targeted and fine-tuned brushstroke.
Creation takes time and efforts. When somebody looks at painting they sometimes doubt how that can possibly take 2 or 3 weeks working every day for about 6 hours. It depends on medium, definitely. Acrylic is much slower medium than watercolor. Whenever some part is dry, it is almost as if starting everything from new. Acrylic is much slower than oils also. That is why it takes a lot of layers and building up color and value.
When somebody tries painting on their own, they can feel how everything takes work. Some believe that the messy first layers are a sign of a hopeless art. That is simply wrong. I sometimes demonstrate how we layer, change and improve any painting by just adding dark colors and highlights, or modifying perspective and number of details or elements. In that regard, acrylic is very forgiving and very user-friendly. The only limitation is time we spend on painting and time we are willing to spend on it. Our personal attitude and preferences change over time, as well. It’s no surprise that we might not like subject we adored a while ago or we like colors we hated before.
That is normal. That is progress or another direction.
Having flower paintings all around makes one feel fantastic. Even when my health is giving glitches, it’s a pleasure to be in the gallery and enjoy the elegant lines and uplifting colors.
If you never tried to create any art, it is a wonderful time to start. The sketching season will be on soon, and that is just a pure pleasure being outdoors and literally absorbing the surrounding life, nature and beauty.
I hope to get some followers back since I lost of all of them while migrating the blog. I don’t think I have set up even all buttons yet, so, everything will come, just give it some time.
Rose is a wonderful subject for an acrylic painting. Especially, pink rose.
I always prefer and I always advice others to use real objects, real scenes and live models for their paintings. It’s not only because camera does not see things as a human eye does, but also because of immediate presence.
When somebody aims only for technically great achievements in arts, they certainly stick with photos because we quite cannot distinguish between tiny details when looking at something with just our eyes. I’m not painting or drawing anything I cannot see or which is too small to see. I prefer to go bolder and not to use any magnifying glass.
It can be tough painting flowers sometimes, especially in winter, and real flowers generally do not last as long as painting takes. Anyway, whenever possible using real things has its advantages. They have emotional impact, cause admiration, attraction. This is also something we are trying to implement in our paintings. Technical ability is great, but technically perfect and emotionally cold art isn’t speaking to me. I’m not saying that I always keep working until I have achieved absolutely everything. There is something great about unfinished paintings, too. For instance, a chance to add imaginative characteristics or continue with one’s thoughts. When painting is small, 16 x 20 inches (40.5 cm x 51 cm) inches or so, it doesn’t feel right to spend a year painting it. I sometimes return to a painting after 2-3 years.
Bright red rose, it was so beautiful that I sold it right after finishing this painting, 20 x 16 in
Therefore, it feels great becoming a rose. As we paint any petal, we build it and grow it to our liking. Although, it’s just a rose, it has it all: some hidden attraction, some mystery and some color combinations that do not always find reflection in a photo of the painting, but they do become visible when looking at the artwork in person.
Bright wild roses, sold This painting inspired to paint another one in lighter colors
There are lots and lots of objects which can be painted not even leaving our room. People sometimes say: I don’t want to paint still life, it’s boring. That’s totally wrong. That is the best exercise in painting there can be found. People who can paint or draw can paint anything and draw anything from apple to face. Still life is the shortest way to explore values, edges, color transitions and the ways we can create them. It’s the best tool to learn underpainting, sketching and blocking in the main shapes. It’s also the easiest way to learn about lines and their relationships, as well as all kinds of shadows. Therefore, we should never underestimate still life as subject, genre or way of expression.
Pink rose, acrylic painting 20 x 16 in. The background colors work very well
Mental health is as important as physical fitness, but having flexible, fast acting and flawlessly performing brain is more important than anything else. Drawing and painting are some of the best things we can do in order to increase the brain activity, improve our memory and become more confident, self-aware and efficient with making decisions. It is needless to say that drawing and painting are calming, relaxing and rewarding.
Boosting brain performance and creating more
Every line and brushstroke we put down on paper or canvas comes from the brain impulses and activity of neurons in certain parts of the brain. Your hand doesn’t move on its own, it’s guided by your perception and the ability to transform visually and sensually perceived information into individualized personal experience. This experience is reflected on paper or canvas as you draw or paint. It is a very complex process, and we tend to think there are mysterious powers involved. I sort of want to remove the magic aspect from creativity, just to keep things simple. Inspiration will add the magic, but we have to start from the basics.
Seeing and being able to recreate what you see
Most people do not see the surrounding world as an artist does. So, the first task is learning to recognize all the multiple aspects of transforming a simple visual image into art that exhibits the artistically applicable features of this image. How do we do that? What do we need to see and notice in order to paint and draw?
Echo of image in the brain
Anything we draw or paint must find some echo in the storage space of our imagination. Such space of stored images is present within any memory and it is based on associative knowledge and acquired knowledge. Anything we create always relates to our fundamental knowledge of this world. Yet, the drawing or painting we are doing has specific subject, specific theme and atmosphere. It is a scene like no other because it always presents individual features. No two apples are exactly the same, no flower copies the other one exactly line by line, not to mention faces, landscapes or complex views.
Personal experience and personal decisions
Since most people, who learn painting or drawing, believe that getting all information from the outside and simply following somebody without making their own decision will do the job, the first artworks usually do not come out that great. While we are sketching or blocking in the basic shapes or lines, we should already try to decide why everything is where it is, and why composition evolves as it does. The reason we place the objects on our paper or canvas as we do, should be based on a decision. We should also decide early and plan for effects which we create later.
Decision making is as important as application of art tools
Adding paint or other elements is always based on decision-making. We decide about values, shapes, edges, washes, and we need to apply color if it is a color painting. Our brain has to make these decisions fast. Most mediums require using relevant timing. If we hesitate too much with watercolor layering, it simply will be too late to achieve flow of watercolor that makes such painting outstanding. If we are too slow, the acrylic layer we worked on, will be already dry or tacky and we will have to return to it later.
What is blocking our ability to paint?
There are two main things which are blocking our ability to proceed with painting or drawing when somebody attends or watches a class. We believe that instructor has made all decisions for us and our task is to blindly follow and to repeat what we see; and we are trying to do everything without any knowledge of why. There is no reasoning, no decisions which arise in our own brain.
Do you know what you do?
For instance, when I ask what a particular student is doing with some particular part of the painting, a very frequent answer is: “I don’t know”. How come? You have to know why you want one part dark and how to achieve that. You have to decide whether your subject is small or large, whether it has lost edges or sharp edges. Basically, we have to decide what exactly and why exactly we want to do.
No brushstroke without goal
The biggest issue is aimless brushing around, moving paint all over the canvas or paper until any distinction is lost and everything has become the same color. That is the result of not making a decision. When we decide that clouds are large and grey, we use paint to achieve this and so on. It’s obvious that only acting based on decision can contribute to implementation of our intentions.
Art instructor is not a magician
The art instructor or art teacher isn’t a magician; they cannot affect directly and immediately the way your brain works. They hope you pay attention to what they say and demonstrate and you will make your own decisions based on this advice. However, if you do not know the answer to why, what, when and how, the progress is noticeably delayed. Therefore, I also advice doing value sketches. This does not slow down, but helps tremendously with planning and deciding on what, where and how we paint.
Decision making for other areas of life
Eventually, the decision making we learn in the classroom allows us becoming more efficient with decisions in other areas of life. Everything we do should be based on decision, not impulse and lack of thinking. We should not have to admit: I don’t know why I am doing this. Unfortunately, nobody can provide you with a dose of understanding perspective, values, shapes, contrasts, layouts and other elements as a capsule or tablet to simply swallow and apply.
