Giving up is not a solution, acrylic painting tips

Tips for acrylic painting

I’d love to share some acrylic painting tips. I hope these painting tips allow to achieve more and paint better.

Giving up before seeing potential

I feel sad when some students discontinue classes just after one month. I can see the potential in attempts, but people with little experience in drawing and art usually don’t.  All it takes is usually adding a few dark and light spots, adjustment of edges and straightening out a few shapes. In fact, any acrylic painting can be whatever the artist expects it to be if we keep working on it and don’t stop prematurely.

If you know how to, you can improve anything

I’ve said that before: nobody becomes master within a few hours. Nobody. I also do not want students comparing their first attempts in art: this makes absolutely no sense. There was a reason artists used to cover up their art with a cloth and show it to nobody until the artwork was considered ready and finished. There are easy adjustments which can change the painted image to a great extent. We add tiny bit of sparkling light, sharp edge of very deep dark area, and everything improves.

Patience and ability to take risks

Patience and ability to take risks are two very necessary features for anybody who’d like to enjoy creating visual art. I have told this before: time-lapse demos make people believe that this is exactly the way one paints: one, two, three and here we go. In reality, we sometimes need to go over and over one spot for many times. With acrylic paint, there are no limitations of adding layers. We need to apply many layers to achieve volume and visually attractive effect.

Painting tips for acrylic painting
Once you know what principles are applied to creating a painting, just follow the steps and use layers and painting comes to life.

Applying color versus building it up

Smearing on paint in one color is not the same as building it up. I have quite often seen transparent trees and flat buildings, not to mention flowers without any volume. That means, there was no dark color blocked in underneath and the light color was used only in 2 tones. That cannot make a structure or subject look like it is having dimensions.

Think layers

Many people have difficulties thinking in layers: the most distant, underneath it all layer, the middle value layer, the defining layer and the highlighting and detailing layer. It is in the human nature to try getting it right away. I’ve observed how students sometimes start with details which should be implemented at the end. This approach is fairly essential in acrylic painting because we have to work from dark to light and from distant to close: that’s how the image evolves.

Painting tips, Garden, demo painting
Demo painting for garden landscape, basic layers

Keep the color on 

The other problematic issue is holding color on the spot we need it to be. We are practicing painting on a spot techniques. Quite often artist gets carried away and keeps blending and moving paint around until it results in everything being the same color. It is very important to learn using brush for painting on a spot which is like running on a spot: brush it on, but don’t move all around the canvas.

Brush must be clean

Finally, as I’m washing brushes after classes, I can immediately tell which brushes were used by me and which by students. My brushes are almost clean or have the last color in it. Students’ brushes are usually full of many colors, quite often dark colors which we applied at the beginning of the class. That means, the brush wasn’t cleaned during painting. That results in muddy and dirty colors which don’t shine and lack brilliance. We must clean our brushes frequently!

Tips for acrylic painting
We go layer by layer until the painting takes shape

Painting is easy and extremely rewarding

We must have patience and allow for some time to get where we want to be. It depends also on what our goal is. Any painting is nice and great if we do not expect it to become a top art just after a few classes or painting attempts. We can notice fear and indecisiveness in brush strokes which lack confidence. Therefore, taking risks and experimenting is very important, especially,  in visual art. We have to be persistent and even stubborn. I hope my painting tips help you!

Inspiration:

Artistic freedom and risks taking to a higher level of ourselves

Artistic freedom

Making time

How to make time slow down and stop for a moment? I have the answer, but unfortunately, this doesn’t help me getting done everything. We can capture a moment in a painting, and we can capture the scene we are drawing or painting, thus, registering our feelings, emotions and impressions of time. I believe doing our best can be not enough sometimes, but that is the only result we are able to keep.

Well-organized workspace

My classroom just got a face-lift. There are so many flaws with easels which are sold at the art store that I had to finally get to the issue and design my own easels for classroom. They are extremely light and perfectly stable; nothing dances around, falls off or turns over. They allow painting when sitting and when standing. That took a while, and thanks to my husband and his skills, we have these easels working well now. I had to make also some smaller things like cardboard trays to organize the workspace better. Workspace has to be easily approachable and clean.

Limited art supplies

We shouldn’t try using the entire art store. I counted last night; we need 10 paint tubes at most. We can paint very well with just 8 or even 5 colors. That means we learn mixing up colors. We normally won’t be using 6 or more brushes during a few hours. Most often, we can perfectly paint acrylic with just one medium size flat brush. Watercolor requires 2 brushes, but not 10 either. I can understand why somebody tries to take everything to the class: it’s called just in case. The negative aspect of too many tools and supplies is that it causes confusion. Especially when somebody is starting out, they won’t even know what each brush does.

Practice, practice, practice 

We had a fantastic group painting today. I have 3 hour painting sessions on Saturdays. We start on blank canvas and at the end of these 3 hours we usually have something to show for. I loved that nobody was disappointed because sometimes people imagine they can go within 3 hours from never painted before to mastering painting That does not happen, so, I am very happy with people who have reasonable expectations.

No fear and relaxed state of mind

Creation of art has to be fun and relaxing activity. When I hear people saying I am afraid, I am really wondering how so? I can imagine how one is afraid from a surgery, even dentist, test or a job interview which can change the entire life. What is the worst that can happen when we paint something not as we think we should? With acrylic, nothing at all. We will need a bit more paint and possibly time to start that particular spot from new.  Most likely, that is why people who love taking risks have very good results. Once we get over the barrier we placed in front of ourselves, we are fine. I wouldn’t even call this courage. I’d rather call this: pleasure to experiment, take plunges into unknown and experience freedom.

Abstracted painting in acrylic, red flowers

Artistic freedom

Artistic freedom is like no other freedom and it is the most uplifting one. When somebody tells me there are very many rules in art, I’d like to disagree. There is no other person who can see and experience the reality in the same way we do. Why our imagination and creative potential should be then squeezed in some kind of frame of regulations? It shouldn’t. Any other freedom comes paired with duties and obligations. Artistic freedom of creative self-expression is a completely alone standing freedom. There are tips and tricks, and common sense how to get painting done faster, better, more efficiently. Art and creativity allow creating a new world every single time we take the brush or pencil in our hand.

Painting poppies, acrylic painting workshop

My popular art classes

I believe, many people like my approach, so my art groups have grown a lot. My space is limited to 12 participants, but I prefer not more than 10 artists for acrylic class. Everybody starting out in art should not take it too seriously, but enjoy and have fun. You’ll find out over time how nicely everything falls in place. The above does not refer to people who make their living with art. That is a hard work, one of the hardest I know.

Snow paintings for Christmas delight

Snow paintings, village and countryside

Bright snow paintings for Christmas

Shadows in my tea-cup, darkness behind the window and soft warmth from the small outdoor lights. That is the calming scene which surrounds me at the moment. The scent of a live fir-tree is absent, but I can certainly imagine that, too.  As the year is fast approaching its end, my hopes and expectations get smaller and smaller until they will fade away completely. I paint bright snow paintings to lift my mood.

Feeling better after cold

What a terrible thing that is to get sick straight before Christmas! I did exactly that, I worked very hard for about a month and then my body told: that’s it, I need to shut down for a while and get some rest. Well, I missed all the potential sales opportunities since I couldn’t even move my arm, not to mention do show preparations, final touches on art or crafts, and I did not post any ads. I even did not turn on the “Open” sign.  It’s the first day now when I am a bit better. I can see the computer screen at least. What a relief!

Large snow landscape painting in acrylic, 24 x 30 inches or 61 x 76 cm

Why not spend something on art?

When I hear the big numbers about what people are spending during Christmas and holidays, I get even sicker. Is that even possible? Most likely it is. I wish some of that would come my way, too. I think, this is the right time to buy art, and it doesn’t have to be even winter art since prices are set to sell. I know many people, who would really love receiving artistic gifts. I usually give something free with every purchase. as a sign of appreciation. It can be a box of watercolor paints or a framed sketch.

Winter creek, 24 x 18 inches or 61 x 46 cm, snow art at its best

Taking art photos, adding light

I took some pictures of the recent works with my phone. It’s so dark, that trying to take a picture with my camera is out of question. Oh, and like all people who are born under the Leo sign, I love warmth, sun and light. I have actually painted so much art which brings more light into any space. The current weather isn’t good news for me so far. My potential sales aren’t either because nobody even knows I worked a lot to make this pre-holiday sale happen, but broke down straight before the finishing line.

Winter creek sunset, 20 x 16 inches or 51 x 41 cm

Christmas traditions

I don’t put up a Christmas tree or decorations in November. I do not do the Christmas shopping until the last-minute also. Therefore, I am only catching up when others are way ahead of me. My Christmas means to put up the tree in the morning, decorate it around lunch time, and then cook a nice meal to have it at night. That’s how it always was since I can remember. My dad and I went even to the forest to get a tree early on the Christmas morning sometimes. If I have everything ready month before this day, I am losing all the Christmas spirit. Songs, flavors, candle lights and sparkles on the Christmas tree is all I need.

Fir cones under guarding snow, 20 x 20 in or 51 x 51 cm

Hopes, hopes, hopes

Since there is still a full week until Christmas, I hope that my bank account will miraculously turn from red into black. That might be also the only occasion when black is a nice color. I could supply myself completely with all the medications before the pharmacy’s shut-down period. I sincerely hope there might be a person who wishes to see some of my original paintings on their wall or believes my art is the right thing to be presented as a gift. Despite the poor odds, I won’t panic just yet. Everything goes on with or without fireworks.

Village sunset painting, acrylic 24 x 20 in or 61 51 cm

Art  class was painting this winter scene along with me. We are doing some winter painting every December. Snow paintings allow creating stunning paintings with using all shades of white. That might be not always easy in acrylic, but if you use artist grade paint, it will be less problematic. Good luck!

The Life school blog talks about memories which are beautiful, but can be painful, as well:  http://inesepogalifeschool.com/2015/12/18/christmas-memories-that-can-make-us-cry/

For art prints and other art products, please, go to:

Art collections by Inese Poga

Accept the fall gratefully

accept fall

The fall is here

Just like birds, I will take off tomorrow. I won’t go south; however, I will go east, to Latvia. Whether we like it or not, September is soon over, and October will come with its gold to soothe and comfort our aching souls because, oh well, we are heading towards the winter. Eventually, snow silver will cover the rusty golden sparkles, and our feet will be walking the icy and cold sidewalks of freezing town and city roads. I love the colors of autumn, just like we all do! It is such an injustice that this beauty disappears so fast. Nevertheless, it is a great time to capture and enjoy the fantastic colors. Regardless of personal preferences, nature’s cycles are inevitable.

Fall art projects

I kept working on some projects and I also tried to bring to finish the class project: the distant blue background and the lonely tree. Pumpkins are going to be uploaded to Fine Art America; maybe somebody will like them as greeting cards or other products: there are so many now that I cannot even list them all.

Looking forward to my time in Latvia

I will try to report about my adventures in Latvia since I have a new laptop. Laptop is fine, I would not say I’m very excited about Windows 10, it came with so much abusive stuff which I never intend to use that it takes me hours and hours to adjust my settings for my personal needs.

Alone, acrylic painting by Inese Poga

Alone: lonely tree; 20 x 24 in acrylic painting, it was sold to Brenda. Thanks, Brenda!

Pumpkin for Thanksgiving, 20 x 24, in acrylic painting, art by Inese Poga

Pumpkin for Thanksgiving, 20 x 24, in acrylic painting

High above,  acrylic painting, 20 x 24 in by Inese Poga, sold

High above, acrylic painting, 20 x 24 in by Inese Poga, sold

Under the autumn sky: 30 x 42 in acrylic painting by Inese Poga

House under big sky, it’s a very large acrylic painting, 30 x 40″

Painting tip for students

If you would like to paint some fall scenery, put the color you want to use exactly on a spot where you want it. Do not keep brushing the paint around for so long that everything becomes the same color. This is easy using a feather-like, light brushstroke. It is like running on a spot: you just use the flat and wide side of the brush with light motion, so that it mostly is parallel to canvas surface.

Enjoy the sunny fall days and survive patiently the dullness of rains and chills of winds!

Art collections by Inese Poga

Weekend painting tips to enjoy summer creativity

Early spring, acrylic painting by Inese Poga

Summer painting tips

Some painting tips, especially for beginners in acrylic painting can be always useful! Many people have time and opportunity to do something about their creative intentions during the summer vacation. I will also answer some frequently asked questions. I have attached the demo art from a few recent art classes and workshops.

The favorite brush

Always use the brush which feels comfortable for the part of painting you are working on. It is difficult to draw fine lines with a huge brush and vice versa: it takes too long to cover large are with a tiny brush. Over time, every artist develops some kind of attraction to a certain brush whether flat, fan brush or round. It is very possible to paint the entire medium size acrylic painting with one medium size flat brush from start to finish.

No pressure

We should never try to put pressure on ourselves or canvas if some painting step doesn’t happen. As with all water-based mediums, timing is an important part of acrylic painting. We should always use large loose brushstrokes for the first layers and keep the textured impasto approach for the most important areas and for the end. exception is when you are using the texture medium or modelling paste at first, then the sequence will be slightly different.

Cleaning brush

Whenever we move from one color to another, we have to rinse the brush and swipe it on a paper towel. It is important not to have too much water on a brush before you get the paint. You need just a small bit of water. Acrylic paint darkens as it dries, therefore, the values might appear not as they are while the paint is wet.

Keeping acrylic paint workable

Extenders and flow medium can extend the working time, however, working with sticky paint may be not suitable for all areas. It is better to work on segments and use mix of medium and tiny bit of water for re-wetting large areas. Too much water can damage acrylic paint. Brushes must always stay submerged in water while we paint. We can rinse them under running warm water and wash with soap afterwards.

Create monochromatic base image

If the object or scene is very complex, it is great to paint the main parts just in one color: create a monochromatic base image. Changing and adding color is very easy, the most difficult part is achieving the right values, color intensity, proportion between light and dark colors.

Expectations and real painting

It can happen that participants have very high expectations when they come to the 3-hour painting workshop. In general, one has to be a realist to some extent. If the participant has never painted before or has done a little bit of painting 20 or more years ago, the first painting will be an interesting exercise. That helps understanding what it means to paint with a brush and to try mixing colors. I would not advise to expect it to be a perfection and best art ever created. Who gets better when just starting to paint? People, who are able to take risks, to experiment and who dare stepping out of their comfort zone.

You will have to learn and paint it

Signing up for a painting class does not mean that painting will paint itself. The art instructor is not a magician, but somebody who can explain, show, demonstrate and correct if something goes completely wrong. Live classes are much better than any online classes because I can see right away what is causing a problem: too much paint, too less paint, too dry or wet brush and so on. We are painting not only with brushstroke, palette knives and sponges, but also with hand pressure, heavy or light movement of the hand, arm or wrist. Application of paint is a big deal and that is something which is best done in the presence of an instructor. I usually explain why the particular image or composition is good or isn’t, why the particular choice of color works or doesn’t.

Some tips for beginning artists:

Whenever you have time and chance, pre-paint your canvas in light cardboard color using burnt sienna, yellow ocher and white. Instead of white, we can use gesso, as well. Acrylic gesso is acrylic primer, it seals the pores on canvas or any other material, that includes wood panels, plastic and similar materials. It allows using less paint and it is easier to apply it on previously primed surface.

Think layers

Think in layers, separate in your imagination the part which is behind and underneath, in order to avoid working on small details right away. I’m often seeing how everybody tends to move to fine details way too fast and well before the entire scene is blocked in. We always start from the back and with the background. Unless there is a large very light part, we have to start with dark and medium dark colors. That seems to be the most difficult part for beginners. We do not use the final color at the beginning, but we build it up layer upon layer.

Applying color or building it up

There is a big difference between applying color and building it up. The further we are in the painting the closer we move to the front part. That is a bit different with separate objects like in still life or floral painting. However, we always start with more general things and just afterwards move to particular parts and details. In oil or acrylic, we always go from dark to light and finish up with small areas of highlights. If we have lost the dark parts, we have to paint them back in.

Start over

If you think that some painting is not good enough and it is not worth trying to make it right, you can cover the entire canvas (previous painting) with a mix of gesso and some colors and start a new painting. The small imprints from old painting lines will add more texture, they most often look interesting, and you can build up a thicker layer above the basic layers.

Correct everything

It takes a lot of effort to damage an acrylic painting completely since you can paint it over for as many times as you wish and have time for (or patience). Being afraid to do something wrong in acrylic painting has no reason – you can correct practically anything. It will take more work, time and paint, that’s all.

Happy summer painting! I hope you enjoy the summer painting tips!

For prints:

Art collections by Inese Poga