Acrylic painting Archives - Page 5 of 16

May 1, 2021March 31, 2025

The virtual arts market takes off

Artfest virtual arts market is open!

It is a local Greater Toronto Area event, and, therefore, a fantastic opportunity for local artists, artisans and writers to show off their creations. In normal years, we would head out to the Esplanade park in Pickering and see in person what artists have created, what musicians and writers would like us to hear, but this year the event is virtual again.

The virtual arts market website gives a brief introduction about each participant, and one can follow the link if they are interested. I hope they are! My personal website is extensive, however, the theme I am using does not support good Home pages, therefore, my Blog page and this new article will have to do that.

Watercolor painting, purple pansy watercolor

My art can be attributed to a few main categories.

By medium and technique:

drawings,

pen and watercolor art on watercolor paper,

pure watercolor paintings on paper,

acrylic paintings on canvas and

highly textured acrylic paintings on canvas.

By subject of painting:

floral and floral still life,

still life,

seasons,

buildings, barns and perspective,

landscapes and trees,

small birds.

Please, see collections by painting subject here:

Art collections

All pages from which I sell art include all subjects, but I have rather specified the medium I have applied. I have created a separate page for

Watercolor paintings: Shop watercolor paintings

Acrylic paintings (page will be updated with more paintings): Shop acrylic paintings

and a page which offers art related to current season or which suits the current trends: Shop special offers

Watercolor painting, spring, nature, arts market

While all nature subjects appeal to me, I have always paid special attention to seasons, therefore, I can certainly say that I have plenty of spring, summer, fall and winter paintings.

Finally, my website has excellent search option viewing it on a large monitor. If you type a name which best describes the subject in the Search box, all posts which include this entry will come up.

Available acrylic paintings

All available paintings are originals. I think it’s best to allow companies which specialize in making prints to allow doing that. The smallest acrylic paintings are 12 x 12 in or 30.5 x 30.5 cm. Many are 20 x 16 in or 51 x 41 cm, 18 x 24 in or 46 x 51 cm, as well as 20 x 24 in or 51 x 61 cm. I haven’t published the largest acrylic paintings.

I always paint around the edge; therefore, painting can be displayed without a frame. Painting continues around the sides of canvas and looks great.

Rocks of gold, acrylic painting by Inese Poga

Available watercolors

Available watercolors are also only originals painted on watercolor paper, frequently, heavy Arches, Saunders-Waterford paper or bright white archival quality paper in case of pen and watercolor art. Displayed watercolor paintings on sale pages are sold without a frame or mat. The framed watercolors are available in person only, many of them have glass and I cannot take any new photos. They have beautiful oak wood frames, therefore, I wouldn’t be able to ship them. The smaller size framed watercolors are in 11 x 14 in or 28 x 36 cm in standard frames with mats and one can also purchase them in person from studio.

How to purchase available art

If you like a painting, just let me know via Contact page. You can pick up the painting you like practically any day between 11 am and 7 pm. I’m located in Ajax, along Highway 2 or Kingston Road West. See Inese’s Art Studio on Google maps..

To ask any questions and to find out more, please, use this page:

Contact artist Inese Poga

I will be happy to assist. My website does not process any payments; therefore, you are submitting your email only to me.

Thank you kindly for reading and I hope you like some painting so much, you’d love to own it! Most of them are available, just ask how to ship them to you!

March 4, 2021October 17, 2024

Landscapes which live in my memory

Places where I have spent most part of my life, do not stand out with spectacular landscapes. I don’t usually paint mountains, oceans, seaside or waves. I’ve seen them, but I have hard times recalling such views in detail which is necessary for creation of painting from memory. Many of these paintings were also started a long time ago just as a demo for my live art classes. That means, I’ve spent very limited time painting them during the class. My main focus was what students learned from each process and less an attempt to create a masterpiece.

Therefore, I had to change some parts, add finishing touches, increase strong values, add strong highlights, refine some details and mask out some other parts. These landscapes are views from my memory and imagination, they might or might not exist, but I usually want the subject to be recognizable without long explanations. I suppose, I’ve said it quite a few times that I’m not thrilled about small size, like 16 x 20 in or 41 x 51 cm paintings of complex views and detailed subject. For me personally, the most comfortable size for acrylic is approximately 30 x 24 in or 76 x 61 cm and for watercolor: full sheet which is most often 30 x 22 in or 76 x 56 cm. Such size allows implementing aspects which are very important in painting: decent values, decent size subject, powerful color switches and a few outstanding details.

Acrylic painting, country barn with daffodils — Country barn with daffodils is an acrylic painting on 20 x 16 or 51 x 41 cm canvas

The current trend of displaying paintings in clusters is a great one. Even when painting is large, it takes a lot of design skill to make it rather become a part of space than dominate it or disappear in it. Clusters of paintings suit any taste and allow using paintings of small and medium size, too. They do change the mood in room, they can take you to any season or make feel happier in your space. I am not allowed to hang much on walls in my rented space. We tried strips and some of bigger paintings fell down. I didn’t even attempt hanging the huge and large watercolor paintings that way.

Spring creek, acrylic painting — Spring at creek, acrylic painting on 20 x 16 in or 51 x 41 cm canvas

The history and story behind these paintings is the same, but some are pretty much painted from new. You can do that in acrylic, no problem. In fact, I think acrylic looks better with numerous layers, – the more, the better. Colors become intense and also change in different light settings, the most dramatic parts become textured and that looks really adorable. These paintings have taken weeks to accomplish letting dry between layers. I know how little of that is visible in an online image, but the presence is still there.

Acrylic painting, spring creek — Along the spring creek is a multilayer acrylic painting on 20 x 16 in or 51 x 41 cm canvas

Painting spring in acrylic — I use fairly limited number of paints, black, white, burnt umber, warm and cold yellow and blue

Since I spent 46 years in Latvia and it’s not even twenty in Canada yet, the subject of my painted landscapes is associated most often with Latvian countryside, Latvian country roads, gardens and plants, as well as with nature in Latvia. The area around Ajax where I live now is similar, but I would never paint the local box-like boring buildings which really offend one’s esthetic principles. That’s why we have imagination and can travel back in memories to any season, any place and any emotion that provoked.

Acrylic painting techniques, creating a book — The image contains painting detail and some color reference for along the spring creek painting

Other than that, I’m finally working on compiling a book of acrylic painting techniques for landscapes, still life and floral art. It is a slow process, and it probably will take numerous hours for creating more pictures, describing tools and efficient process steps, as well as basic principles of painting in any medium since most of them are the same. Creating art should never be struggle, that’s why I will also keep teaching live art classes when we reopen. That might be in July, or August, or September.

Thanks for reading, enjoy!

My art store is not coming along swiftly as I hoped, so for prints, please, go to Fine Art America:

Art collections by Inese Poga

February 8, 2021October 17, 2024

I’d love to take you for a walk in spring forest

Virtual walk in a spring forest

I’d really love to take you outdoors for a walk in a sunny spring forest. Imagine birds chirping, warm air, wild flowers opening buds and trees have gotten their new leaves. Spring forest has green color, and green color is the one which brings hope and calm. Walk in a spring forest would be so great taking into account the double-digit minus degrees in Ontario right now. Painting something which isn’t possible is the best part of creation.

Romantic subjects

A few years ago, we were painting numerous nature scenes in art classes. Students didn’t want to paint abstracts, and I didn’t either. Therefore, we painted numerous birches, flower fields, forest paths and rivers. One might think, it’s kind of too naturalistic way of painting, but it does exactly what I mentioned before: it takes you to places where you cannot be or sometimes – where you’ll never be. Such places might exist only in our imagination, too, but that’s ok.

Mellow-yellow or blue

You will notice how huge the difference is assuming you’re using a color-sensitive device for viewing content of this blog. One picture is blurry to a small extent, but it has practically true colors, cold and warm. It’s taken by the old camera. The other picture is done with iPhone 11 Max Pro and it has wrong warm colors all over it, especially, this mellow-yellow main tone. This phone has so many automated features that one shouldn’t ever hope to get a realistic look.

Spring forest with bluebells,, acrylic painting

Spring forest with blue flowers

Let’s return to the updated spring forest now because that’s where the joy is. I can certainly tell you about colors and you can believe me or not, but the one true thing is these spring paintings look great when looking at them in reality. I have surrounded myself with spring paintings currently to survive winter easier until we get outdoors again. I think I simply need green color. I’m a gardener also, and nothing makes me happier than seeing the first green spouts in the backyard. Spring forest with blue flowers is quite large, too, 20 x 24 in or 51 x 61 cm.

Color discrepancy

The discrepancy of true colors becomes huge issue when publishing pictures of paintings. There is editing, but editing affects the image globally, so the improvement is none or just somewhat acceptable. Realistic, semi-realistic or imagined realism uses both types of color: warm colors and cold colors to make the image work. Now, my iPhone 11 Max Pro doesn’t understand that. I do adjust exposure and switch between lenses, I change the backgrounds and settings, but the outcome is the same. None of my pictures show my paintings as they are.

Visual content

My blog is mainly visual as it should be. After all, I’m a visual artist creating paintings and dealing with images. Painting is ok, but ever since I delegated picture taking to iPhone and the big camera became outdated, I was in trouble. Apart from absurd perspectives, automatic zoom, too strong contrast and deviations from reality, the worst is color deviation. All my painting images have mostly yellow-purple gloom on them, or they look very blue. I later understood that the automated settings can capture only warm colors or only cold colors which is not what art has.

Lost likes and outdated pictures

I am trying to take new pictures and update images on old posts. Pictures from 9 years ago look blurry. I started this website on May 29, 2011. At that time, it was a blog, WordPress dotcom. Moving my extensive blog to a website in 2017 was quite an event. I lost half of images, everything was more or less misplaced. If you go through posts, you will notice how posts before 2017 have many comments, but no likes. Well, you cannot transfer likes. Many followers disappear also. I had to literary rework every single post, and I also deleted many. I’d love to maybe install a new theme, but when I think about images not lining up again and some things looking awkward, I put it off. Too much work.

So, definitely, take a virtual walk and enjoy!

Art prints:

Art collections by Inese Poga

January 25, 2021April 14, 2025

Seasons in art, seasons in life and nature

Living by seasons

I live by seasons, and seasons make me do, want or pursue something specific just like people who lived thousand years ago. I live in expectations of spring during the winter months. I look at trees not that far away, just behind the window glass. Deep down the roots of a tree are alive, and the tree is just collecting and accumulating energy for the big blast of blossoms and buds when the time is right. It’s a very good time to keep refining my skills because we always must go forward. When we believe there is nothing more to learn, we stop moving ahead. The progress ends, and we become old. Who wants that? Nobody!

White forest anemones is a square acrylic painting. This subject has been always very attractive to me.

Lovely green when it’s grey outside

Many artists are genuinely afraid of using green color because it makes painting look abusively green, because nobody likes green on their wall, it is a bad taste and because there are so many colors in the rainbow. Classy art is supposed to have lots of grey, earthy colors, blue shades and different white tones. No green, or at least green with purple neutralizing undertones, red or burnt sienna injections and aqua colors. When I got my first acrylic paints in 2007, I was very fond of them. I come from watercolor and pastel drawing, and I loved the extremely beneficial opportunity to effortlessly create volume with acrylic paints.

My personalized realism

Ever since that first time I got to use acrylic paints, I’ve been extremely happy that I can create anything which looks exactly as I like. People sometimes want to squeeze me in all kinds of categories, and none of them actually fits. I don’t paint realism if we think realism as art genre. The reason for that is I rarely use photographic reference as the base for my painting. I check out parts of my nature views, but I usually have a certain color palette in my mind and I can picture it on the blank canvas. That takes me somewhere, to an imagined landscape or still life components which I visualize. Tackling memorized and imagined views is more difficult than tracing and copying a photo. However, I frequently receive comments in art groups how people can place themselves in my paintings, how they can recall some particular site or place, or feel they are surrounded by my painting.

Spring, forest anemones. This picture was taken with my old Canon camera, and it displays great colors.

Adjusting process

My painting process is simply longer. I go over some areas many times, and I try to achieve exactly what I feel should be there. The difference is, when repainting a photo, you know where what is. I don’t know that because I improvise. I’m usually happy with the result. Then there is picture taking. You have painted a great acrylic or watercolor, you take pictures in different settings with all kinds of backgrounds. Then, you download these hundreds of pictures and it can happen so that not even one is exactly as painting. We can edit pictures, sure, but the changes are global. If the device has added more strong contrast in dark areas and lightened more the light areas, there are just more abnormalities after such editing. Somebody said on their blog (I don’t think they were artist; they just teach artists) that pictures always look better than paintings and that is just not true. I have the opposite experience: paintings look better.

Playing on emotions

So, here you have it: I don’t paint reality except for watercolor still life and some watercolor floral paintings. It isn’t abstract art also because I like my subject to be recognizable, yet, I introduce abstract areas in any painting a lot. I love color and art to impress, but it isn’t impressionism. I love precision of a few details and let go undefined other parts. I stop painting when there is nothing more to say because my art isn’t a demo of technicalities. I always want it to work on the emotional level. Therefore, I cannot say what color I have used on any part, but I can name a few colors which started the painting. I mix these few colors in all possible ways and that unites the painting in one organic bundle. Harmony and balance matter to me a lot, and I do everything in order the view had flowing lines and smooth color transitions.

Artistic spring starts in January

Continuing my long-time tradition, I always paint spring and flowers in winter. These images were supposed to be presented in two posts, but I run out of time, and it’s one post now. I decided to show steps and reveal small painting secrets in PDFs for download. They will come, I’m just a bit too busy at the moment.

I always paint around edges of canvas, thus, extending the image. This allows using painting without a frame.

Healing art

Creativity and necessity to create something new never stop, never go away or cease. 3 things stronger than pain for my own conditions have been drawing and painting, taking care of garden, plants and room plants, as well as reading. It’s been a year we have been struggling with COVID-19, and we have the second complete lockdown here in Ontario. I don’t feel like painting masks on faces or injection needles. There’s already too much of that. The main healer for me is creating something at my own pace. Stay safe! Thanks for reading!

Art prints are available here: Many choices of my paintings

November 18, 2020October 17, 2024

The joy of color

Color is a big part of any artist’s work if they paint in color. We love some particular colors and we feel uncomfortable with or even dislike and hate other ones. I am very much convinced, though, color is secondary to value, otherwise black and white drawings and paintings wouldn’t make sense. Color gives my paintings mood and, sometimes, it’s the main element of the artwork. Usually, change in color will change the entire painting. I work very hard to achieve color balance and fine-tuned transitions in my art.

There’s more to art

However, people often notice only color, especially when art is viewed online. The online display has gone through many devices and you can see art also using whatever device you have. The most affecting factor is the size. 10 x 10 in art looks the same size as 10 feet by 10 feet painting online. The impact on viewer is totally incomparable because we have taken away all presence of this art. There is so much more to art than color. Lines, brushstrokes, edges, smoothness or extreme textures, story the painting tells and subject of it.

Unchanged nature: subject of my art

For realistic and semi-realistic art, color is interpreted depending on our subject. I’m looking for warmth in my art, as well as energy which makes us happy, maybe thoughtful, but not upset or more depressed. Therefore, I choose to paint nature. I love unchanged nature: flowers, wild flower fields, creeks, country roads, old country barns, small birds which I can watch in my backyard. This subject is very inspiring for me, and I’d say for everyone who looks at it. About 3 decades ago, I was very much in painting posters with faces and figures, I have done a lot of fashion images, too, but at some point, it became boring and moved on turning to nature.

Original, exquisite and recognizable

Early on, I made it my point not to get influenced by anybody else. It was easy before the internet came around since one cannot be present everywhere. After I moved to Canada, I realized that artists were literary copying photos sometimes. It had been the hugest no-no back in Europe. I still feel like it’s not a good art when one has to copy, trace and pretend this comes from the artist, and not from computer, printer and projection device. Therefore, I’m always trying to distinguish myself from the crowd. Many of my paintings are imaginative views of non-realistic settings, but I like the subject to be recognizable. I also want people to notice immediately that I have painted one or another artwork.

My painting techniques

I use techniques which I have developed during many years of creating art. Nowadays, you can find out quickly how somebody does whatever they do, but I prefer to go for my own discovery. My textures are most likely created with different tools and mediums. My color mixing definitely doesn’t fall into the regular color wheel dependence. I believe every artist has to find their own color palette because that will work always. I do not follow the trends, but frequently, some part of my art hits the trendy side anyway.

I currently sell originals only

The displayed images are of original paintings. Original means this painting is exactly as I have created it. My brushstrokes and my original color transitions are visible and touchable. That also means you can feel the energy and my touch. Original art is alive with everything that’s gone into it. I am very meticulous about what I want in the painting, even when it is a small painting with simple subject. I work tirelessly until I have achieved exactly what I wanted my painting to be. The images have a bit too much blue and green than my art. I use grey, brown-grey, but camera gets colors differently. What you see depends on settings on your device also.

Birds and other enjoyable themes this season

It is great one can rotate paintings on their walls. It is also fantastic one can create displays of large collections. Prints are fine for some areas and specific rooms, but when it comes to classiness and elegance, originals beat prints 100%. Classiness is already built in the original art, so you don’t need to add extra work to make this art look impressive. I have to display some paintings more than just one time for a few reasons: lots of people never read or look at something closely, attention is the hugest deficit nowadays, and holiday season is short. This type of paintings is sold only during holiday season.

Art prints

I can offer to select printed art products from Fine Art America site which has a huge choice of products which can be viewed in 3 dimensions.

Art collections by Inese Poga

My winter collection:

Winter paintings by Inese Poga

Enjoy! I hope somebody loves my art so much that they are willing to go a step farther and purchase it. The special offers are here:

Original paintings for winter holidays

Category: Acrylic painting

The virtual arts market takes off

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Landscapes which live in my memory

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I’d love to take you for a walk in spring forest

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Seasons in art, seasons in life and nature

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The joy of color

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