Personal choices of colors and style

Watercolor autumn landscape, fall colors and style

Bright and cheerful colors and style

Our personal preferences change all the time when it comes to colors which surround us. That goes even beyond mood or life situation. I usually prefer the following: the worse I feel, the more brightness, sunny colors and uplifting experiences I require. We all know that sometimes there’s not enough energy for anything, but a good outfit, sun and warmth outdoors and cheerful settings indoors can be very soothing. I’m always implementing this approach also in my art. To lift my own mood, to help others.

Not only colors and style

There’s one group of people who will only notice colors, but not the compositional excellence, quality of paint application and brushstroke. Well, when viewing something online, colors can be deceiving. Any image editing aps and cameras aim for unnatural look so that more attention is drawn to contrast, brightness and saturation of any image. The most difficult thing is to make something look as it is. I am really trying, but not often successfully.

Filling all walls with art

Different cultures prefer different things on their walls. In Latvia which is my native country, people usually do not display photos, unless it’s something extra artistic and rather art than photography. At least that was when I resided there. We keep family photos in albums, on our devices and so forth. Therefore, more paintings are displayed. My home is my studio also, and paintings are everywhere, on walls, leaning against the walls, on shelves and so forth. One might think that it feels overwhelming, but, in fact, it absolutely doesn’t.

Enjoy the autumn in art

I am allowing art of different seasons and subjects fill any room. It feels great thanks to the good energy flow from my original art. Every painting has its history, process of creation and associated emotions attached to it. I know from experience that my visitors can view a painting for quite a while. This post has attached a few original watercolors which I started painting for art classes as a demo. In this case, these were private art classes. They all have brightness, uplifting colors and style.

Specific features of attached watercolor paintings

All attached images are of large watercolor paintings – 24 x 18” or 61 x 46 cm. I use Strathmore 400 series watercolor paper in art classes. It is heavy, firm, cold press paper with some texture and allows for easy paint lifting. That’s important for me since I do not use any masking fluid. I don’t use masking fluid even on cotton paper, that’s just to see how well I can master paint application. I paint large which I advise anybody who wants to ever properly use not only watercolor, but any paint.

My own preferences and students’ choices

Would I have chosen the same subjects, colors and style if I had done these paintings on my own? Probably not. For art classes, I have to take into account the ease of paint application and mixing properties of paints. Also, I have to go with student’s choice, especially if it is a private class. Still, I think these paintings are worth to display and potentially sell because they are worked out quite nicely. Just one more thing: many people believe that one cannot correct watercolor painting. That’s wrong. You can, you just need to know how to do that.

I hope you enjoyed the post and paintings!

Original watercolor paintings for sale

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Returning with a flower painting

Watercolor painting of pink flowers

Reopening art studio and returning to painting

As you probably know, it isn’t easy to restart anything after a long absence. My health took a big blow, so I am just starting out again. This time, I decided to make my return with a flower painting on Arches cotton paper. As always, it’s quite large since I completely dislike painting tiny art. I have still some issues, therefore, I am limiting my painting activities to 2-3 hours a day. The flower painting took me about 6 days.

 

12 years in making

There’s no doubt, cotton paper is the easiest paper to paint on, yet, it has become extremely expensive. Many of my watercolor paintings are drawing-based. I don’t aim for copying the reality, but I want my subject to be recognizable and having some emotional impact. I had begun this particular painting with a drawing which I did some 12 years ago. The paper is good and why to waste it? While I had no other reference, but only the drawing, I still tried to figure out how to proceed progressing slowly and cautiously.

 

Painting in layers

I usually paint in layers, especially when it comes to complex subject with many parts. Since I don’t have a photo or the actual flowers, the first layers help me understand what and where to place and what colors to use. I make my drawing very light in order the graphite pencil wouldn’t shine through too much. Every subsequent layer will add more vibrance and increase the value intensity wherever necessary.

 

Color temperature and values

Not only flower painting in watercolor, but also any other complex subject we paint, benefits from coordination of color temperature and values. I certainly start out light, just because I don’t know exactly where what should be. In this case, I also leaved the background white for a while. The paper I am using isn’t the bright white, but somewhat off-white. Nevertheless, colors shine and make sense.

 

Choosing warm and cool colors

Beautiful soft colors for attractive flower painting. I used a few red tones and also quite a few yellow shades for the most important areas. The green colors are a combination of blue, Payne’s grey and different shades of yellow and green. I normally allow colors mixing on paper, but sometimes I need strong pure color to add the vibrancy. You probably won’t notice on photos much difference in warm and cold colors, and iPhone doesn’t like light colors making them practically white.

 

Flower painting that soothes

I intentionally kept everything rather calm and soft. I think the slight shades of background help. I am very satisfied with the finished painting and not that much with the photos of it. When viewing art online, you have to always remember that there are numerous devices and apps involved. Also, large painting online looks exactly like the small ones, but in reality, that makes all the difference. I hope this flower painting will make you feel good and calm just like it helped me to overcome pain and health issues.

It’s great to be back!

Original watercolor paintings for sale

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Interpreting your vision when painting

Bluebell forest, acrylic painting

Art and creative side of us relates to our ability to interpret our vision, our perception, our emotions about what we create to a great extent. I personally strongly disagree that everything is art, for the simple reason that it isn’t. Empty frame isn’t art, and a piece of wallpaper, just because it’s in frame isn’t art. Are a few paint blotches and a few unrelated brushstrokes art? Is our vision that poor or our ability that degraded that we are fine with not only animated and undeveloped shapes, but practically nothing?

The ability to draw and paint reflects our ability to interpret the world, our life, the planet, the universe as such. Our universe at that. While modern art tries to convince us that the shapes, forms and interpretation of a five-year-old is all there is what we call art, it isn’t true. When somebody starts learning manual writing, their lines and shapes are never perfect. They are all over the place. Some people never get beyond that. Why? They have no interest in perfecting it, they are simply unable to because their brain doesn’t process multifaceted things in more than one dimension.

What is a normal painting process? We have an idea, maybe view, maybe image and the next step is to figure out how we turn this vision into an image perceivable not only by yourself, but others, as well. That means planning underpainting, background, choosing our personal color palette. That is not what somebody tells you, but how you feel about it. Normal painting process involves composition, the most important part, feature or color which will be dominant, the abstract layers and the well-defined front ground. It also involves volume, contrast, values and all tools which create that: perspective, atmospheric and linear, shadows, direction of light and so forth.

Many art teaching sites say: no experience required. That would be fine, you start somewhere. However, if it is just a painting in one sitting, there’s just way too much information to be absorbed. Secondly, painting greatly relays on our physical ability and knowledge how to move brush, how much paint or water to use, what brush to use and the mostly neglected – brush cleaning step. Don’t clean the brush? All colors will be muted, muddy and not bright. It is an automatic step; we develop it over time.

Therefore, I always advice to start with a simple image which allows developing brushstroke, use of paint and color. One thing about people who just started to paint is – they never use enough paint. So, I repat numerous times, use more paint, use more paint. You cannot paint with empty air or water. The other problematic area is that we paint at first what is behind and underneath. We don’t use the final color, we build it up, layer by layer.

Nobody can learn turning their vision into decent art within a few hours. It’s just not possible. We allow our brain to process all information, and we also have to develop the automatic movements of hand. It takes time we get our hand to do what our brain and vision tell us. Therefore, at first, everybody paints like a small kid. No flowing lines, no great color transitions, it’s all rather very animated, simplified and sort of rough. Do you want to go further than that? It depends on whether you want to create something which says – you, your subject, your vision.

Deep down, we always paint ourselves. Even when we are painting a landscape, a still life, a floral, a building or portrait. It should be us not only by the choice of subject, color palette or type of brushstroke. Basically, it takes time to learn how you can turn your vision into artwork which is yours, start to finish. My experience says, it’s better to learn from your own errors and achievements than trying to copy somebody else’s work. The only way to be you also in your vision is simply to do things what are close to you and your personal perception of the world.

The attached images are of paintings created over longer time, not like yesterday. I have had hard times posting recently because of my health issues, but I still think these paintings deserve attention and maybe can inspire somebody else to keep trying until it all works. Every painting probably should be the featured image, unfortunately, with so many, I cannot choose just one.

Enjoy!

The golden flow of fall season watercolor

Fall reflection landscape painting in watercolor

Many of my watercolor paintings are created as demonstrations, spontaneously, without much planning. It’s difficult to know what each group or student wants, so I have to switch swiftly from one subject to another, from one color palette to the next. Fall season watercolor paintings shine through the light and numerous shades of red, burnt sienna, golden ocher, warm, deep or cool yellow shades, orange, grey, purple an so forth. Fall season watercolor paintings allow using many approaches and techniques.

I am sticking this time to fall season watercolor, but we have done also many new acrylic artworks. It is a good time to be indoors and immerse oneself in bright colors. I paint in layers which means I create a map of a painting with weaker tones at first and then gradually bring it to the necessary value and color temperature. None of that is visible on my photos which look mostly yellow. There’s a reason I dislike Apple and their iPhone. No chance to get true colors. I’ve tried everything, but it’s too automated to recognize all colors at once.

Nevertheless, the actual paintings are large (24 x 18” or 61 x 46 cm) and look quite impressive, just as required for display of the fall season watercolor versatility. I’d love to let images speak for themselves, even though photos are all wrong.

The attendance at classes is fairly good and I have to repeat some observations. If you intend to learn painting, you have to go big. Postcard size images don’t allow to implement many things. I haven’t seen any student yet who learned painting using video tutorials and online courses. Quite the opposite – nobody knows anything about brushes, paper, how to use whatever they have and so on. There’s no knowledge of direction of light or values. We usually start from scratch. First purely basic techniques and then more complex matters.

This time is a fantastic for observing nature. Many people try painting trees, structures and buildings, but the first step is to look at them as they are in nature or in reality and try to remember what exactly a tree looks like. There are numerous sorts of them, but none here has wider and fatter branches than the trunk. The branches thin out rewards the top. Natural things have randomness to them and it’s important to remember that nothing in nature grows equal distance apart. Basically, your subjects are everywhere and you just have to look at them.

It’s a great season to start painting. The most gains and successes come from practice and observation. We make errors to learn from them. We learn from doing, not exactly watching. Watching gives an idea, but doing is superior to watching. Or talking, or thinking about it. Doing makes one master of the trade, so, the next step – take your brush, paints and paper and on to painting the colors of fall season!

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Original watercolor paintings for sale

Art collections by Inese Poga

New painting season and art classes

Fall landscape paintings

New painting season to match changes in nature

As the seasons change and the fall makes us feel its presence, a new painting season starts. I switch from summer projects to abundance of sparkling colors and more autumnal subjects. For students who take the brush in their hands for the first time and for experienced artists, it is a great moment to submerge oneself into this fantastic experience of creation. The nostalgic feel of something going away, the thoughtfulness of nature preparing for sleep, the dance of leaves in the backyard and harvest on the table: this is an never ending inspiration for poets and artists alike.

Wide choice of medium and subject options

The new painting season is going to be rich in colors and painting subjects. All media capture fall colors well. Watercolor does it with bright washes and brilliance of pure color, like the transparent fall sky and the gold and red of leaves. Acrylic allows for numerous layers, thus polishing the painting to a perfect fall art. We can use pastel and pencil also, why not? I hope I and my current students will create something impressive. We already welcomed the new painting season with the first set of acrylic painting classes.

New season of painting classes

Painting classes have always been popular. I used to have participants who attended my painting classes every week, month after month, and so for quite a few years. That was before the online classes and tutorials started to take over the internet space. The advantage of art class as opposed to tutorial or paint night is very significant: art classes teach you to use tools, explore surfaces, many techniques, as well as painting and drawing subjects. The goal of art classes is to teach you to become independent and to be able to paint or draw anything afterwards.

The story told by trees

During this new painting season, we will allow trees to tell their story, allow the brush to dance on canvas. We will use sponge and fan brush because that’s a very fantastic way to capture fall nature. One just needs to know how to go about that and what colors and in what sequence to use. I love watercolor, I love acrylic painting, and there’s nothing wrong with color sketch or simple ink or pencil drawing. However, the new painting season will be devoted to new type of art which will shine not only through composition, color choices, but also new approaches and techniques.

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