Category: art classes for adults

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Summer and watercolors are inseparable

Summer and watercolor, paint more

A simple way of using watercolor

Summer and watercolor: that is such an artistic combination! Watercolor sketch, pen and watercolor or purely watercolor are excellent ways to paint summer scenes, summer flowers, summer landscapes and simply enjoy the outdoors and beauty. The easiest way to practice painting with watercolor is using pen and watercolor wash.

That enables us creating great composition and not caring too much about pencil lines and perfect application of watercolor.

I said it once and I would love to repeat it: pen and watercolor wash is a great technique for beginning watercolorists. Some like it so much that they stick to this technique and turn it into their personal style.

watercolor painting
Many of watercolor paintings take origin in imagination and do not require a reference.

Save time, paint effortlessly

If you are afraid of drawing with pen, do the initial drawing with pencil. Afterwards, you can draw over with pen and delete everything else. Therefore, we have a beautiful and clean drawing in black ink, and the watercolor paper is not damaged.

The most exciting part is adding watercolor washes, as well as more detailed areas with more saturated paint. We can create a wonderful painting in less time this way because we do not need multi-step drawing transfer onto watercolor paper and it is much easier to know where to use paint because the black outline clearly identifies that.

Real subjects make good painting

Summer is definitely a very suitable time for practicing painting plants, flowers, vegetables, fruit and all kinds of landscapes and garden scenes. I find that implementing fence or corner of a building adds extra impact. White or grey fence looks great with flowers and leaves.

What to do with the background?

There are no strict rules about backgrounds and additional details. Very frequently, less is more. Whenever we can, we should simplify our scene and subject. Whether to include a detail or leave it out usually depends on our style, intention and skill level. Minimalist paintings look as great as detailed realistic paintings; there is no such a thing as mandatory inclusion of detail in a painting. Many beginning artists wonder: what should they do with the background: leave it as is, white, make it dark or add background shapes and colors? That, too, will depend on how you have captured the subject.

watercolor painting, flower painting, poppies
Summer poppies, 12 x 16 in or 30.5 x 40.5 cm

Less can be more

My personal point always is: let the painting or drawing tell you what else to do. It usually does when you look at it carefully and from some distance. Realistically, you should always look at your creation from some distance since being too close to it all the time makes us not notice flaws and strange areas which require improvement. Certainly, step back and have a look. If it is all flat and lacks any contrast, add some.

Don’t be afraid of dark colors in painting

I find that beginning artists are afraid of dark colors. Even when painting with acrylic where there is no threat of painting something too dark because you can always paint over, the first layers and make it noticeably lighter, new artists use no dark color. Having absolutely no dark colors and contrast reduces our ability to add volume and impact.

Patience and practice

We all want our art to be great and impressive. However, if you are new to some medium or absolutely new to drawing and painting, you have to bear in mind: nothing happens right away and with the first brush stroke. I have had absolute beginners who were somewhat disappointed that their first attempt wasn’t a masterpiece. Every skill takes time, efforts and work. However, not being satisfied with the first few drawings and sketches, is no reason to give up painting or drawing. You might be surprised how much better one becomes after a while.

Focus on potential

Focusing on perfection right away will cause you to be disappointed. Any artist will tell you that they have damaged, and thrown out lots and lots of initial sketches, painted over initial paintings, changed the layout and composition completely, switched to a different colors or tools. They have done many things before they have got their first good painting. Not every drawing or painting is or should be a masterwork. It should be a stepping stone on our way to better us, to better art which we have created.  We use our errors as a way of discovering how to achieve what we want and have intended.

Watercolor paintings by Inese Poga

If you love it, go for it

It doesn’t matter what somebody says about your drawing or painting. They might not be the best critics or they might also praise it too much.  Practice is practice, we have to spend time learning until we get where we want to be. Regardless of how somebody looks at your creation, regardless of how much they praise or criticize it, you have to be realistic and admit what is wrong and what is great to yourself. That will help keeping your assessment realistic. Do what you are good at. I hear frequently: I am very bad with whatever, I need to do that. Leave that for later when you have more experience. We should do everything we like and love, at least in art.

Application for art classes: Art classes

Copyright notice: Copyright of displayed paintings, drawings, images of work in progress and images of finished paintings belong to artist Inese Poga. The use of painting and drawing images is prohibited if I have not issued a written permission. That includes no pinning policy.

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Draw the line: put things in perspective

Watercolor, perspective, painting by Inese Poga

Purpose of linear perspective in painting

Perspective in art is much easier to implement than perspective in life. In fact, there is nothing much to it as far as we are aware of  how it works and what it does for a painting or drawing. Linear perspective creates depth and dimension in any drawing and painting which deals with suitable subject. Traditional linear perspective uses size, overlap of objects and their placement in composition, as well as convergence of lines.

Drawing old house, pencil drawing

Black pen drawing of simplified 2-point perspective building

Where to use it

If you love landscape, street scenes, rural scenes with farms and barns, simple roads, streams or rivers and so forth, you will need to implement linear and atmospheric perspective because they both contribute to dimension and volume of your painting. You will also use color values accordingly to perspective principles. If you are drawing and painting outdoors, you are most likely applying some perspective already.

Old house drawing and painting

Old countryside house in pen and watercolor, 18 x 12 in or 46 x 30.5 cm

Vanishing points and front view

Some people are confused: how many vanishing points to use: 1, 2 or even more? The answer is that will depend on the placement of your shapes and forms on different planes. 1-point perspective uses 1 vanishing point on the horizon or reference line. Horizon line can be called eye-level, but I like to call it reference line. You have to remember that vertical lines are parallel to the sides of your paper (if it’s straight) to make look building stand up correctly. Horizontal line creates 90 degree angle with the vertical line in front view. Horizontal lines of front view are parallel to the bottom and top of your paper. Therefore, in 1-point perspective, the straight lines at the bottom of your building and corresponding lines higher up will always create a 90 degree angle with the vertical line.

1-point perspective in landscape

Most often, we use 1-point perspective with roads, streams, tree and fence lines and buildings on both or one side of a road, that is, with views where something disappears in the distance. That creates an easy perceivable and visually attractive composition which is a breeze to create. In 1-point perspective, all lines which lead into distance, meet in the vanishing point. The front angles of the building on the respective plane are 90 degree angles. It sounds more complicated than it is when you draw it. Start with closest end of the building, drawing a rectangle. Connect the points on one vertical line (in my case the left side where I mark height of any element) to the vanishing point.

Barn, road, watercolor painting and pen drawing

Pen and watercolor wash of barn, 16 x 12 in or 41 x 30.5 cm

2-point perspective uses respectively 2 vanishing points.

Drawing, house, two point perspective drawing, pencil

My drawing of neighbor’s house

Plein-air drawing, 2-point perspective. Photo does not show all lines correctly since camera draws the front edge closer. To draw it correctly, vanishing points on reference line are placed outside the drawing. That we do always when the  subject is large. I usually draw intuitively since I know where approximately these lines meet and where the vanishing points are. Starting out? Mark up vanishing points on each side and connect with respective points on vertical lines. I teach this all in my private classes because it is simply not easy to describe.

Building,, 2-point perspective in watercolor and line

Pen and watercolor 2-point perspective sketch, it was mostly done outdoors, since this building is next to my studio entrance.

Many buildings in a landscape or street scene

When drawing close-ups of buildings or placing many scattered buildings in composition, we use rather 2-point (angular) perspective. We use drawing separate buildings most often 2 vanishing points. We adjust the eye level or reference line placement as needed. It can be higher or lower depending on your view. We can move it up or down, and we should use this feature in our favor. That will allow achieving plenty of depth and dimension.

3 vanishing points in one-point or two-point perspective

When some buildings are close, some distant or scattered all around, you could use 3 vanishing points. It does not mean that your drawing becomes extremely complex. It means that you will have freedom to place things in your composition wherever you want them.

Where to place rooftop?

Often, demo drawings that involve 2-point perspective do not explain that the rooftop line runs through one vanishing point. That was also the most confusing part for students since they had a problem placing the roofline where it belongs. Please enjoy the recent paintings and sketches which involve perspective. I will prepare online materials for understanding better how to create linear perspective in drawing or painting.

Watercolor sketch, line and watercolor landscape, one point perspective

Perpendicular and parallel lines

The most important aspect is to understand what lines are perpendicular, what parallel, what is obtuse angle, right angle and acute angle. Remembering basics of geometry is really helpful because perspective in drawing is simply achieved once you know how to create it. I am posting some of my recent works that involve creating perspective to illustrate the concept.

Watercolor, perspective, painting by Inese Poga

Uphill, watercolor painting of rural house, size of this painting is 21.5 x 16.5 in or 54.5 x 42 cm

Outdoor painting

Many drawings, sketches and watercolor paintings are done outdoors or plein-air. Perspective is an important part of any painting, sketch or drawing which displays buildings, street views, roads, fences, bridges and similar subjects. Learning how to create perspective is not difficult or overwhelming. You really need to master perspective if you ever do a realistic painting or drawing with buildings and man-made structures.

More about this: Power of line

and how to start sketching: How to start sketching

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Art collections by Inese Poga

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White and pink flowers – enjoy spring

White orchids, acrylic painting, orchid painting

The best part of being able to create art is depending on our intentions and goals. There are no limitations in subjects or ways to create something. It is almost an absolute freedom, and pretty much nothing but only our personal attitude or situation can set us back.

Freedom in creation means doing what one wants and prefers.  If it is technique that doesn’t work for you yet, you will just have to practice more. In this post: white and pink flowers in acrylic.

Acrylic painting, spring magnolia

I sometimes meet people who think creating a painting is extremely easy. Most likely, instructions that say: paint like a master in one hour or time-lapse demos where a few hours of work are squeezed in just 1 minute, make one believe that a decent size art takes only a few minutes. Well, try to paint just a wall or better start with smaller surfaces like a door. Even that takes time, not to mention creating art layer upon layer with targeted and fine-tuned brushstroke.

Creation takes time and efforts. When somebody looks at painting they sometimes doubt how that can possibly take 2 or 3 weeks working every day for about 6 hours. It depends on medium, definitely. Acrylic is much slower medium than watercolor. Whenever some part is dry, it is almost as if starting everything from new. Acrylic is much slower than oils also. That is why it takes a lot of layers and building up color and value.

Acrylic painting, white magnolia

When somebody tries painting on their own, they can feel how everything takes work. Some believe that the messy first layers are a sign of a hopeless art. That is simply wrong. I sometimes demonstrate how we layer, change and improve any painting by just adding dark colors and highlights, or modifying perspective and number of details or elements. In that regard, acrylic is very forgiving and very user-friendly. The only limitation is time we spend on painting and time we are willing to spend on it. Our personal attitude and preferences change over time, as well. It’s no surprise that we might not like subject we adored a while ago or we like colors we hated before.

That is normal. That is progress or another direction.

Studio view: these paintings look amazing! Artist Inese Poga

Having flower paintings all around makes one feel fantastic. Even when my health is giving glitches, it’s a pleasure to be in the gallery and enjoy the elegant lines and uplifting colors.

Acrylic painting, Spring tulips

If you never tried to create any art, it is a wonderful time to start. The sketching season will be on soon, and that is just a pure pleasure being outdoors and literally absorbing the surrounding life, nature and beauty.

White orchids, acrylic painting

I hope to get some followers back since I lost of all of them while migrating the blog. I don’t think I have set up even all buttons yet, so, everything will come, just give it some time.

Thanks for reading!

Purchase art prints here: Art collections by Inese Poga

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How painting boosts mental health

Boost mental health painting

Mental health and creativity

Mental health is as important as physical fitness, but having flexible, fast acting and flawlessly performing brain is more important than anything else. Drawing and painting are some of the best things we can do in order to increase the brain activity, improve our memory and become more confident, self-aware and efficient with making decisions. It is needless to say that drawing and painting are calming, relaxing and rewarding.

mental health and creativity

Boosting brain performance and creating more

Every line and brushstroke we put down on paper or canvas comes from the brain impulses and activity of neurons in certain parts of the brain. Your hand doesn’t move on its own, it’s guided by your perception and the ability to transform visually and sensually perceived information into individualized personal experience. This experience is reflected on paper or canvas as you draw or paint. It is a very complex process, and we tend to think there are mysterious powers involved. I sort of want to remove the magic aspect from creativity, just to keep things simple. Inspiration will add the magic, but we have to start from the basics.

Seeing and being able to recreate what you see

Most people do not see the surrounding world as an artist does. So, the first task is learning to recognize all the multiple aspects of transforming a simple visual image into art that exhibits the artistically applicable features of this image. How do we do that? What do we need to see and notice in order to paint and draw?

Echo of image in the brain

Anything we draw or paint must find some echo in the storage space of our imagination. Such space of stored images is present within any memory and it is based on associative knowledge and acquired knowledge. Anything we create always relates to our fundamental knowledge of this world. Yet, the drawing or painting we are doing has specific subject, specific theme and atmosphere. It is a scene like no other because it always presents individual features. No two apples are exactly the same, no flower copies the other one exactly line by line, not to mention faces, landscapes or complex views.

For our mental health, acrylic painting,

Personal experience and personal decisions

Since most people, who learn painting or drawing, believe that getting all information from the outside and simply following somebody without making their own decision will do the job, the first artworks usually do not come out that great. While we are sketching or blocking in the basic shapes or lines, we should already try to decide why everything is where it is, and why composition evolves as it does. The reason we place the objects on our paper or canvas as we do, should be based on a decision. We should also decide early and plan for effects which we create later.

Decision making is as important as application of art tools

Adding paint or other elements is always based on decision-making. We decide about values, shapes, edges, washes, and we need to apply color if it is a color painting. Our brain has to make these decisions fast. Most mediums require using relevant timing. If we hesitate too much with watercolor layering, it simply will be too late to achieve flow of watercolor that makes such painting outstanding. If we are too slow, the acrylic layer we worked on, will be already dry or tacky and we will have to return to it later.

Mental health and creativity

What is blocking our ability to paint?

There are two main things which are blocking our ability to proceed with painting or drawing when somebody attends or watches a class. We believe that instructor has made all decisions for us and our task is to blindly follow and to repeat what we see; and we are trying to do everything without any knowledge of why. There is no reasoning, no decisions which arise in our own brain.

Do you know what you do?

For instance, when I ask what a particular student is doing with some particular part of the painting, a very frequent answer is: “I don’t know”. How come? You have to know why you want one part dark and how to achieve that. You have to decide whether your subject is small or large, whether it has lost edges or sharp edges. Basically, we have to decide what exactly and why exactly we want to do.

No brushstroke without goal

The biggest issue is aimless brushing around, moving paint all over the canvas or paper until any distinction is lost and everything has become the same color. That is the result of not making a decision. When we decide that clouds are large and grey, we use paint to achieve this and so on. It’s obvious that only acting based on decision can contribute to implementation of our intentions.

Art instructor is not a magician

The art instructor or art teacher isn’t a magician; they cannot affect directly and immediately the way your brain works. They hope you pay attention to what they say and demonstrate and you will make your own decisions based on this advice. However, if you do not know the answer to why, what, when and how, the progress is noticeably delayed. Therefore, I also advice doing value sketches. This does not slow down, but helps tremendously with planning and deciding on what, where and how we paint.

Decision making for other areas of life

Eventually, the decision making we learn in the classroom allows us becoming more efficient with decisions in other areas of life. Everything we do should be based on decision, not impulse and lack of thinking. We should not have to admit: I don’t know why I am doing this. Unfortunately, nobody can provide you with a dose of understanding perspective, values, shapes, contrasts, layouts and other elements as a capsule or tablet to simply swallow and apply.

Acrylic painting, still life
Still life, acrylic painting for sale

Fall still life based on drawing: Fall still life

More about drawing: Magic attraction of drawing

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Red and gold for Christmas and holidays

Red and golden paintings

Red and gold

Red and gold is a fantastic color combination for the festive Christmas season! I thought it would be great to have a good show this year since the summer was slow. It feels the bad years are over, and I can start fresh. much better, at much higher level, much more efficient and more skillful. That is not hard to do when my health has returned.

Late with posting on blog

I have been very busy creating the show paintings, I promise to post articles and poems more often when I get over Christmas. The theme of this year is red and gold for Christmas as I mentioned. Red is such a warm and energizing color, we need it in winter. We need it especially when it’s cold and nasty outside. I was spending the day trying to get pictures for my show. The light was bad, but I tried, tried and tried until it worked.

Red and gold paintings for Christmas

Small bird paintings

Red cardinal and golden robin paintings make a very beautiful gift. I also invite everybody to join the art classes and paint some gifts on your own, red and golden birds or a festive holiday scene. That can be painted in a comparatively short time when using primed canvas. Primed canvas has a coat already on it, therefore, painting is easier.

Red and gold for Christmas

Red and gold colors increase the festive mood

Christmas Red poinsettia

Red and gold, and red is as in poinsettia, Poinsettia painting measures 20 x 16 in or 51 x 41 cm

Red and gold

Red and gold as in burning candles, this is Christmas still life, 20 x 16 in or 51 x 41 cm

Red and gold, and gold as in sparkling decorations

Red and gold Holiday season art

Red and golden colors make any space festive and elegant.

Red and gold

If you prefer to paint your own art, join the art classes.

Art classes at Inese Poga’s art studio

Keeping gifting in moderate range

I hope you are not overdoing with gifts, but choosing soul-warming, mood-lifting and energy-giving things, like a painting. Why not? If you would love to see what deals are on, please check out and follow my Facebook page which is about this art studio, my art, art sales and art classes:

Group art classes