Somebody commented on my Facebook page that I live among flowers, grow flowers and paint them also. It’s a very floral life, indeed. While I do paint many other subjects also, flowers were always big part of live art classes and some solo exhibitions, as well. This post has very many pictures, enjoy!
Variety and choice
There is extreme variety of any kind of flowers, and they are available as a model all year round. They come in all possible colors and shades and shapes. They are of different sizes and allow for creating any type of art: from completely abstract, modern, to traditional, classic, botanical and photorealistic. The choice is endless. I’m always enjoying this subject and have drawn and painted many hundreds of flowers. I would not know the exact number, there are so many of such paintings.
Trying to be relaxed
I’m using this time period of COVID-19 pandemic as a vacation from many duties which I otherwise would have. It can feel sometimes lonely or not right, and I won’t have my annual trip to Europe to meet my closest family this year. However, I take things the easy and relaxed way: there is no point in rushing out and catching some virus-related problems or going mad about things which we didn’t ask for.
Upcoming changes
I am working on online materials, and I will definitely update the sale pages. For me personally, the toughest issue is to choose some plugin or sale app which suits me best. I have spent a few weeks already doing just that. I definitely don’t want to turn my website in a store, and I don’t want people to feel that the only way to enjoy art is by purchasing it. On the other hand, it’s been months since the last art sale and the last live art class which ensured a tiny, but nice income.
5 floral paintings
This post includes many flowers: I finished the sunflower, poppy and tulip paintings. The rose and magnolia were done a while ago, in March, I believe. iPhone 11 Max Pro is the best so far which I have had from smartphones. Still, the contrast is very strong, and it tends to turn any image bluer. For every post, like this one, I take about 100 to 300 pictures. Then I resize, straighten and crop them, add watermark the most suitable ones, and that takes me about 3 days in average. I would like to post more often, but I also don’t want the pictures and articles to be sloppy and esthetically unacceptable. I’m old school in that regard. I hate half-done unconvincing things and that goes for art also.
Conceptual no-skill art
By nowadays standards, everybody can be and is an artist. In fact, the newest contemporary art means, the best of it is created without any skill, without knowing anything about technique, drawing, painting or medium. One can use anything. Your kid or even your dog could create it, and it would possibly sell at more than $1,000 if you know how to market it. It can be 2 spots of some paint or even 2 pen lines, or a few words that are scribbled on some surface, anything goes as long as you can attach a concept for which it is best to be familiar with writing to invent the concept. Don’t believe me? Check out Artsy.
Enjoy the art
3 of these flower paintings are semi-realistic: poppies, sunflower and rose, and traditionally realistic: magnolia and tulips. I grouped them together because of their size and canvas shape which is square for 4 paintings. Only sunflower painting is vertical, but one dimension is the same: 12 inches or 30.5 cm. For North American population, that means the size is a square foot. I always paint around edge because that way the sides become continuation of painting, and it looks great without a frame.
I’d be happy to sell some of floral paintings, you’ll find them soon on art sale pages. It will take more work, however, and I haven’t uploaded them even onto print sale sites yet. They are coming soon.
Painting isn’t just brushing around. Many different things go into a single painting. That’s why nobody can learn painting within a few hours.
Painting process includes idea, concept and composition, choosing and mixing colors or deciding on palette, paint application using different tools and brushes of all types, brushstroke, blending and creation of values, contrast and adding highlights. The painting process also includes understanding of abstracted parts and backgrounds, ability to see and understand what is more important and what should be left out of painting. Each one of these aspects involves continuous work and ongoing elaboration.
Loose isn’t sloppy
I sometimes get the impression that by liking loose painting style, it is understood that we can apply sloppy, coincidental and not targeted brushstroke (when there is a brushstroke). In fact, any part of putting paint on canvas must be targeted and have some intention behind it. Moving paint around is probably the worst habit one can have or develop. The first step is always to learn practical use of brushes and tools. That refers to painting in any medium.
Flat brush for acrylic painting
Flat brush is magic in that regard that it can carry out numerous functions. Flat brush has a few surfaces and edges. We can make it work fast and create smooth color and values transitions. We can use two different colors or shades of them on each side of the brush. We can draw thin lines using the edge of flat brush and holding it so that it is perpendicular to canvas. We can use it for easy blending with clean water and as a dump brush. We can use any edge or side of it to paint small parts. I assume a decent flat brush an essential tool for acrylic painting,
Fan brush, sponge and paper towel
Any of these tools can be used for textured prints and also for quick cover of large areas. It makes sense to learn using fan brush in a sensitive way. Most people won’t rotate fan brush and won’t use just a part or corner of it, We use in classroom fan brushes which I have specifically cut out with scissors to create more impressive prints. Such brush also controls amount of paint better. Paper towel is our best friend with any medium. It is very important to have many sheets of paper towel around the painting surface as soon as you start working.
Understanding values, contrast and direction of light
If somebody has done a lot of drawing and sketching to establish the composition, focal point and also value pattern in a painting, they will understand these aspects much easier. I find that a value sketch is probably the most useful. Once we have done a value sketch, we do not need even a photo reference. Value sketch will identify all areas which are of great importance. I know that most beginners assume ability to draw and creating value sketches in color a waste of time. Yet, I can honestly say that nothing else helps more than such sketch.
This painting which we did in art classes, uses contrasting colors with distinctive temperature, as well as extra simple composition.
The most important part of painting
The most important part of painting is decision making. When somebody has plenty of experience, they apply paint in an automated manner. It is predictable what each color combination, each type of paint application and each element of composition will do for our painting. Until we have gained sufficient experience, it is mostly guessing whether something will work well in your painting or not.
Red barn, maple gold, acrylic painting on canvasRed barn, maple gold painting with small bit of background
Layer it on
Acrylic is a friendly medium. Acrylic paint can be applied (in fact, should be applied) in many layers. Each layer will bring out more or neutralize colors and values appearing underneath. If canvas fabric is visible in the final version of painting, it is clear that one has used too less paint and too few layers. That is a common beginners’ mistake: to believe that one layer of paint will do. One layer of paint is not sufficient, especially, because acrylic paint becomes flatter as it dries. We have to go over and over some part of painting for a few times until we have established the correct proportion of colors and values.
Golden sidewalk, acrylic on canvas. We were painting Golden sidewalk during adult acrylic painting classes. This is my demo painting, I always add more layers after class.Golden sidewalk painting got lots of attention on Facebook. I must admit it looks very good also in reality.
Since the new fall semester is starting soon at my studio and people are signing up for fall semester art classes, I would like to point out a few creative blocks that prevent us from unfolding our creative potential to full extent. We are all very different and we come with our good and bad habits. We have great and not that great qualities, but there are some things we need to leave at home when starting an art class.
Self-criticism
Students sometimes describe their first drawing and painting attempts as bad, unsuccessful or failure. This can mean a few things. There are people who apply strict critical attitude to themselves. They might not love themselves or they might be afraid that if they do not say that first, somebody else will. In other cases self-criticism can mean just asking for a compliment, to be certain that whatever you do is fine. When somebody is just starting out to explore what drawing or painting is, they have to relax and stop programming themselves for inability to do anything.
Programming oneself for failure
Saying that you cannot do one thing or another creates strong internal resistance to experiencing new abilities and skills. If you have come to an art class, stop criticizing yourself and what you do: most likely, you wanted to learn. That’s what learning process is: going from not that great result to achieving everything you wanted. We must devote time and do some work in order to see how much and how far we can go. Please, leave the strict inner critic at home; don’t allow it to follow you into the classroom!
Flower painting class for adults
Expecting immediate results
Learning anything is a process, a journey and a discovery. Learning is a gradual process. We go from simple to complex, from general to specific, from mediocre to outstanding. Sky is the limit or rather, the only limitations are these which we put ourselves within.
Have you ever heard that somebody learned playing an instrument within a few hours? It is unlikely, isn’t it? Have you ever seen an Olympic champion who just picked up their sport a few days ago? Do you know about any writer who won global attention with the first line they ever wrote?
Time, practice and effort
Any new skill takes time, work, practice and effort. When it comes to drawing and painting, for some unknown reason, many people are convinced that they just go to an art class and become skilled within 2 hours. It might be because watching YouTube videos has made an impression that it is extra easy and fast. That applies especially to time-lapse and speed videos. You see quite many hours of work squeezed in a few minutes.
Lack of confidence and insecurity
We can distinct 3 main types when it comes to confidence and insecurity: some people are way too confident that they know everything, some keep a healthy balance, but some others doubt every breath they take.
The value of an art class is that it teaches confidence and how to become confident and forget all insecurities what one had. That is a valuable quality for any person, not only for the creative type. Lack of confidence is easy to detect in art. Most often we get rid of this disturbing feature by courageously going with our feelings about the particular subject. We have to also stop worrying about mistakes. They happen; they are a normal part of any learning process and creativity.
Fear
I have been writing about this issue numerous times. It is your paper, it is your canvas. You can put on it anything you feel like. If you do not take small artistic risks, progress will be slow. There is no point in trying to avoid mistakes or errors. Don’t be quick to describe your learning process as a failure.
Paper, canvas, brushes and pencil do not bite. There are no known health threats when using good quality, safe paints.
Mastery doesn’t happen immediately
Nobody has ever become a master within a few hours, nobody. Fear usually arises from comparing oneself to either the best images on the internet or to other students. Students sometimes say they have no experience only to try looking better in the context of the group. It is not a competition. It is a class. Class is a learning process.
Fear paralyzes our creative resources. Drawing and painting is seeing at first and then allowing the signal from our brain to travel to the hand with brush or pencil.
Extreme sensitivity
Being emotionally very sensitive can frequently involve anxiety and unjustified stresses. You must understand that nobody comes to an art class to judge what you paint or draw because all students want to learn or develop their beginner skills more. Art class is not a show or competition. If you do not want others to see what you have painted, say so. I do sometimes wonder why somebody would want to compare unfinished project, color swaps or draft sketches? You have all rights to keep your work private. If you do not want the teacher or art instructor to correct any of your lines, colors or show brushstrokes, just say so. It is sometimes better to simply show some technique, but if it makes some person feel not right, that’s ok.
Watercolor painting class
Emotional barrier
All of the above can create an emotional barrier which prevents you from either improving your skills or getting started with the new activity. You might feel uncomfortable with new things; however, it is so much excitement once you get out of the box where you have put yourself in! There are so many options to pursue and so many ways to develop any of your abilities. Taking the first step and diving into the unknown shouldn’t stop you from trying. It is way worth it.
Quitting before you even started
Art class is no different from any other class: there are fast learners, slow learners, the ones who grasp everything immediately and these ones who always doubt whether they should be even doing this class.
If you are not giving yourself a chance to experience what the new pursuit is about, you most likely will not be satisfied with it.
The truth is that every art, drawing and painting project takes time to elaborate. It also requires practicing some certain techniques and approaches. Acrylic, for instance, is such a medium that it does not look great at early stages. It can even look like a mess and that is great because you have a good base to build the subject on. Some steps might take longer and some are quick. Details and highlights add a special flare to any art, but that comes at later stages. Quitting after the first class will prevent you from seeing what you could have achieved, and especially, after a longer time.
Rose painting workshop
Unrealistic expectations
If you know what your level at the current activity is, and most likely, you do, expect normal progress, not pure miracles. Miracles happen, but only to these who dare.
Going from zero skills to good skills will definitely take time and practice. You will enjoy faster progress if you repeat at home everything you learned at class, but this time on your own. That will indicate which are the weak aspects and you might want to find out more about them during the next class.
Any teacher or instructor may seem like a magician during a demo, but they cannot make you move your hand, make decisions and apply recommendations. You will have to focus, be attentive and observant and also courageous enough to apply what you just learned. Should you expect a masterwork from just the first lines and brushstrokes? You shouldn’t, but during the learning semester that might happen.
Teen students, watercolor painting class
Lack of commitment
Some students are surprised that drawing and painting take work, efforts, a lot of thinking, decision making and even physical strength. For instance, covering quite large canvas takes also physical effort because it needs to be done quite fast to prevent drying and blend some areas seamlessly. We have to act sometimes very fast with large watercolor washes, too.
Creating something requires our input. The drawing or painting will be exactly as you create it. There is no point in saying: “I don’t like it!” Instead, try saying: “What do I like about this and what needs to be changed or improved as I proceed?”
Learning as an ongoing process
Attending any classes takes commitment. Skipping one class might be fine, but you will need to still catch up with others because it is an ongoing process. People, who are convinced that good work pays off, always achieve more and better results. Learning is a serious process. It will require your focus and attention. It is a fantastic, pleasurable and rewarding process, but if you think that it is just play and fun, you might be disappointed. Artists, who want to achieve great results, spend many years learning and never stop doing so.
Should you paint your current subject using vertical or horizontal format? Anybody who paints and draws, will most likely say: it depends. It really depends, and especially on the subject of a painting. If it is a commission, it will depend on client’s choice and placement of art.
Attractive vertical compositions
I think, when it comes to not that large paintings, I mean, sizes 16 x 20 in up to 20 x 24 in, I really love using the vertical format. I have sometimes adjusted whatever I see or imagine for the use of vertically shaped canvas. Long vertical images are compositionally attractive. It is possible to implement tall trees or abstract background, or separate parts of an abstracted image on a long vertical canvas. I’d love that. I haven’t been to art store recently, but I will purchase a few very long canvases just for images I have on my mind.
Summer meadow, acrylic on canvas
Bluebell forest, acrylic painting, original sold
Distant shores at dusk, acrylic on canvas, original sold
Trillium forest, acrylic painting on canvas
Barn reflection, acrylic on canvas
Trying to arrange the new studio space
Studio move is complete. It took me more than a month, and I obviously could not paint anything new during this time. For the most part, art supplies and painting tools have been sorted out. I am able to find most things what I am looking for. Watercolor paintings and drawings are still packed in huge folders, I mean, large size folders and folders containing numerous paintings and drawings. I have no access to these at the moment. Acrylic paintings are mostly packed up still, too, but it is easier to sort through them.
Arranging art supplies
We haven’t managed to hang any paintings on walls yet, but I have also to arrange and organize 5 rooms of our personal living space, as well as 3 classrooms for my studio, my large office and a beautiful outdoor space. I planted, replanted and took care of numerous plants before and after moving, not everything is done yet, but it certainly takes time and lots and lots of work.
New intensive summer art classes
I am preparing materials for the new intensive summer classes, and I hope they will be very successful. I intend to present easy and very attractive subjects to students: they are all new subjects. That is why I need to work out painting steps and techniques for easy steps for every project. We have good light here, large spaces, both, indoors and outdoors.
Flowers and paintings are a natural fit. Don’t you think? I started to take some pictures, and there were flowers which I had used for watercolor class as a reference material nearby. Colors came out more balanced, and the ambient impact was flawless.
I decided to sell both: flowers and plants as we move ahead. I think it is a great idea because I have numerous plants and numerous paintings. In fact, I have many hundreds of paintings.
Enjoy the recent paintings
This time, you can enjoy my recent flower paintings surrounded by more beauty of live plants and blossoms.
The beautiful contrast between daffodils from the garden and spring magnolia painting, or maybe it is a compliment?
Acrylic paintings of roses with hyacinths, the large one is 20 x 16 in or 51 x 41 cm and the pink rose is 12 x 12 in or 30.5 x 30.5 cm. It is the same subject, but different look
Lovely colors, lovely paintings: bright white calla lilies and the pink rose
Drawing for the 3-hour rose workshop is visible behind the painting. I painted this pink rose as a demo for flower painting workshop. Colors of painting and live daffodils look gorgeous together.
New priorities in art instruction
I also rescheduled and regrouped my priorities in art instruction. When it comes to art instruction and teaching, I enjoy students, who have genuine interest in learning something new and in developing their skills as opposed to those who just hope that painting paints itself. Everything requires work and efforts. The result of flower painting is very pleasing.
Small groups: big attention
My space can accept quite a lot of students, but I decided to have rather individual and private classes or small size groups. That gives me the opportunity to review all important aspects of getting somebody started in drawing, watercolor and acrylic painting. Large groups suit more the art entertainment, like painting in bars and restaurants. They don’t care about quality or skills one develops, but I certainly do.
Experience helps
Also, individual or private art classes require very high level of art instructor’s skills, and not everybody has them. Well, I do. I have huge experience and I have definitely explored practically everything when it comes to creation of a drawing or painting. I am extremely good at drawing, as well as I have worked out my personal watercolor and acrylic painting style. It sure takes many years, not hours.
Preparation of an art class
I know how people use to think that art class does not require much preparation time. It is straight the opposite. I frequently adjust not only the painting subject, but also level of difficulty, and pay attention to availability of materials and reference materials. That can take sometimes 4-6 hours. The follow up classes on the same painting subject take less preparation time, but it is never less than a few hours. I have to review what every student has achieved so far, what and why they need to work more at. I switch from one painting subject to another if student or group cannot handle it.
Advantages of private or individual art classes
I believe, private or individual art class is the best solution for people who want to seriously engage in art or feel uncomfortable with other people around them. It will definitely lead to faster achievements and results. More ideas about painting flowers with acrylic: Create beauty
Please, review schedule and let me know if you are interested in any art classes: Sign up for classes
I am always happy selling a painting to people, who love art. You are welcome to contact me via Contact page and visit the studio at any time which suits my and your schedule.
Meditate with color and line and treat yourself with an extremely wonderful experience!
Copyright notice: Copyright of displayed paintings, drawings, images of work in progress and images of finished paintings belong to artist Inese Poga. The use of painting and drawing images is prohibited without a written permission. That includes no pinning on Pinterest.
