Giving up is not a solution, acrylic painting tips

Tips for acrylic painting

I’d love to share some acrylic painting tips. I hope these painting tips allow to achieve more and paint better.

Giving up before seeing potential

I feel sad when some students discontinue classes just after one month. I can see the potential in attempts, but people with little experience in drawing and art usually don’t.  All it takes is usually adding a few dark and light spots, adjustment of edges and straightening out a few shapes. In fact, any acrylic painting can be whatever the artist expects it to be if we keep working on it and don’t stop prematurely.

If you know how to, you can improve anything

I’ve said that before: nobody becomes master within a few hours. Nobody. I also do not want students comparing their first attempts in art: this makes absolutely no sense. There was a reason artists used to cover up their art with a cloth and show it to nobody until the artwork was considered ready and finished. There are easy adjustments which can change the painted image to a great extent. We add tiny bit of sparkling light, sharp edge of very deep dark area, and everything improves.

Patience and ability to take risks

Patience and ability to take risks are two very necessary features for anybody who’d like to enjoy creating visual art. I have told this before: time-lapse demos make people believe that this is exactly the way one paints: one, two, three and here we go. In reality, we sometimes need to go over and over one spot for many times. With acrylic paint, there are no limitations of adding layers. We need to apply many layers to achieve volume and visually attractive effect.

Painting tips for acrylic painting
Once you know what principles are applied to creating a painting, just follow the steps and use layers and painting comes to life.

Applying color versus building it up

Smearing on paint in one color is not the same as building it up. I have quite often seen transparent trees and flat buildings, not to mention flowers without any volume. That means, there was no dark color blocked in underneath and the light color was used only in 2 tones. That cannot make a structure or subject look like it is having dimensions.

Think layers

Many people have difficulties thinking in layers: the most distant, underneath it all layer, the middle value layer, the defining layer and the highlighting and detailing layer. It is in the human nature to try getting it right away. I’ve observed how students sometimes start with details which should be implemented at the end. This approach is fairly essential in acrylic painting because we have to work from dark to light and from distant to close: that’s how the image evolves.

Painting tips, Garden, demo painting
Demo painting for garden landscape, basic layers

Keep the color on 

The other problematic issue is holding color on the spot we need it to be. We are practicing painting on a spot techniques. Quite often artist gets carried away and keeps blending and moving paint around until it results in everything being the same color. It is very important to learn using brush for painting on a spot which is like running on a spot: brush it on, but don’t move all around the canvas.

Brush must be clean

Finally, as I’m washing brushes after classes, I can immediately tell which brushes were used by me and which by students. My brushes are almost clean or have the last color in it. Students’ brushes are usually full of many colors, quite often dark colors which we applied at the beginning of the class. That means, the brush wasn’t cleaned during painting. That results in muddy and dirty colors which don’t shine and lack brilliance. We must clean our brushes frequently!

Tips for acrylic painting
We go layer by layer until the painting takes shape

Painting is easy and extremely rewarding

We must have patience and allow for some time to get where we want to be. It depends also on what our goal is. Any painting is nice and great if we do not expect it to become a top art just after a few classes or painting attempts. We can notice fear and indecisiveness in brush strokes which lack confidence. Therefore, taking risks and experimenting is very important, especially,  in visual art. We have to be persistent and even stubborn. I hope my painting tips help you!

Inspiration:

Accept the fall gratefully

accept fall

The fall is here

Just like birds, I will take off tomorrow. I won’t go south; however, I will go east, to Latvia. Whether we like it or not, September is soon over, and October will come with its gold to soothe and comfort our aching souls because, oh well, we are heading towards the winter. Eventually, snow silver will cover the rusty golden sparkles, and our feet will be walking the icy and cold sidewalks of freezing town and city roads. I love the colors of autumn, just like we all do! It is such an injustice that this beauty disappears so fast. Nevertheless, it is a great time to capture and enjoy the fantastic colors. Regardless of personal preferences, nature’s cycles are inevitable.

Fall art projects

I kept working on some projects and I also tried to bring to finish the class project: the distant blue background and the lonely tree. Pumpkins are going to be uploaded to Fine Art America; maybe somebody will like them as greeting cards or other products: there are so many now that I cannot even list them all.

Looking forward to my time in Latvia

I will try to report about my adventures in Latvia since I have a new laptop. Laptop is fine, I would not say I’m very excited about Windows 10, it came with so much abusive stuff which I never intend to use that it takes me hours and hours to adjust my settings for my personal needs.

Alone, acrylic painting by Inese Poga

Alone: lonely tree; 20 x 24 in acrylic painting, it was sold to Brenda. Thanks, Brenda!

Pumpkin for Thanksgiving, 20 x 24, in acrylic painting, art by Inese Poga

Pumpkin for Thanksgiving, 20 x 24, in acrylic painting

High above,  acrylic painting, 20 x 24 in by Inese Poga, sold

High above, acrylic painting, 20 x 24 in by Inese Poga, sold

Under the autumn sky: 30 x 42 in acrylic painting by Inese Poga

House under big sky, it’s a very large acrylic painting, 30 x 40″

Painting tip for students

If you would like to paint some fall scenery, put the color you want to use exactly on a spot where you want it. Do not keep brushing the paint around for so long that everything becomes the same color. This is easy using a feather-like, light brushstroke. It is like running on a spot: you just use the flat and wide side of the brush with light motion, so that it mostly is parallel to canvas surface.

Enjoy the sunny fall days and survive patiently the dullness of rains and chills of winds!

Art collections by Inese Poga

Drawing for everybody: brain fitness at our fingertips

Drawing for brain fitness

Drawing ability is in our DNA

Everybody can draw. And everybody should draw; if not at artistic level, so, for pure pleasure and healthy brain. I hope you are not one of those parents who make remarks like this: stop playing around with pencils, do your math assignment! While we all need literacy skills and math, there is something unique about drawing. We can draw before we can even speak or write, or count.

Path to artistic freedom

We can actually do it successfully without any regard to any rules which people have imposed on creative expressions and art. We can very well express ourselves until somebody says: that doesn’t look like a cat! That’s when the kid who loved to draw starts to wonder: really? Am I doing something wrong? That’s where the artistic freedom ends and rules start. Art is categorized as not that important compared to coding, IT, math, chemistry, physics, history and essay writing.

Drawing and painting for brain fitness 

We have so much evidence nowadays that drawing and painting actually has the power to activate our brain to a huge extent and keep it flexible. Focus, memory, attention to detail, decision-making, imagination: these features are so important for anything we do in our life, and they are developed and perfected while we are just drawing and painting. In addition, this activity means a lot of pleasure, it is also rewarding.

Requirements for brain flexibility boosting tasks

In order a task or activity would boost brain flexibility and our memory, it should be:

challenging task;

new task every time;

task that involves decision-making, observation, focus and attention;

task that prompts to come up with solution;

pleasurable task and activity;

rewarding task and activity;

activity or task which enables socializing and exchange of opinions.

If you can write, you can draw

People, who think they cannot draw, have been simply using a wrong approach or have convinced themselves that drawing is something they’d never manage. They might believe drawing is something they don’t like or would never need. They might be addicted to devices and screens and they might see no point in using their brain and hand. However, fine motor movements are extremely important.  Everybody, who is able to manually write, can also draw.

Manual drawing is not that common

I am obviously checking out what other instructors and classes offer, and I must say there’s not that much. First of all, if instruction starts with: take a picture, that is not going to be a lesson how to learn drawing. That instruction will tell you how to reproduce photography and sometimes advice to just trace the image and take credits for a great drawing. Why do we always need to focus on the final product? The process of creation is very exciting, and this process is well worth experiencing.

Seeing is the key to drawing

Drawing is not about copying or measuring. Drawing is about seeing, activating the brain-hand communication and creating an image of an object, person or view on a flat surface, at the same time trying to show the emotional impact we are experiencing. Before we can draw, we have to learn seeing. Most people are convinced they see everything, in fact, they see just a non-specific image, and they don’t pay attention to any details.

Practical advice for these who start drawing

When I’m watching people drawing, I have noticed the following: they rarely look at the object they are drawing or painting, hardly ever. Some follow my drawing, some look at the paper all the time and erase everything and start from new quite a few times and erase again.

Practical drawing

In fact, we have to focus on the subject we are drawing and just rarely take a look at how lines and shapes are forming on our paper. We have to draw the subject 2, 3, 4 times bigger than in reality. Also, memorize the subject for 3-5 seconds; explore the shape and values, look at paper for 1 second. That happens on its own after a while.

Forget eraser

I would like to take away the eraser, too. Eraser just disturbs during the initial drawing stages. Therefore, try not to erase everything. Focus on outlines and shapes, as well as size, scale and proportions with the first attempt. Start with light approximate lines, define them as you go.

The starting point and reference area

We have to visually perceive the subject or scene, find the reference area or spot and start out with very light general lines. With every next line, we are building up the subject or anything within the drawing. We should also stick to what there is and what we can see not converting it into an animated, simplified shape of what we know this object might be like. We should not omit and take away all specific features our subject has in reality.

The purpose of these outline drawings is to serve as a base for watercolor painting because some plants, vegetables or flowers don’t last long enough

Leaving only good lines and going over with black pen

Good subject for starting out

All apples are not the same; all cups are not the same, not to mention trees and flowers or faces. Still life is a very good starting point, and I’d usually pile up more simple things in order we could observe their relationships. Therefore, learn seeing, develop visual perception and visual memory.

We add now watercolor to lines and get a nice painting!

The positive impacts of drawing occur especially when we are employing the entire brain which is as in observational drawing. It also makes us completely independent from computers, cameras, phones, printers and other devices because all we need to start out is paper and pencil or pen. Good luck!

Weekend painting tips to enjoy summer creativity

Early spring, acrylic painting by Inese Poga

Summer painting tips

Some painting tips, especially for beginners in acrylic painting can be always useful! Many people have time and opportunity to do something about their creative intentions during the summer vacation. I will also answer some frequently asked questions. I have attached the demo art from a few recent art classes and workshops.

The favorite brush

Always use the brush which feels comfortable for the part of painting you are working on. It is difficult to draw fine lines with a huge brush and vice versa: it takes too long to cover large are with a tiny brush. Over time, every artist develops some kind of attraction to a certain brush whether flat, fan brush or round. It is very possible to paint the entire medium size acrylic painting with one medium size flat brush from start to finish.

No pressure

We should never try to put pressure on ourselves or canvas if some painting step doesn’t happen. As with all water-based mediums, timing is an important part of acrylic painting. We should always use large loose brushstrokes for the first layers and keep the textured impasto approach for the most important areas and for the end. exception is when you are using the texture medium or modelling paste at first, then the sequence will be slightly different.

Cleaning brush

Whenever we move from one color to another, we have to rinse the brush and swipe it on a paper towel. It is important not to have too much water on a brush before you get the paint. You need just a small bit of water. Acrylic paint darkens as it dries, therefore, the values might appear not as they are while the paint is wet.

Keeping acrylic paint workable

Extenders and flow medium can extend the working time, however, working with sticky paint may be not suitable for all areas. It is better to work on segments and use mix of medium and tiny bit of water for re-wetting large areas. Too much water can damage acrylic paint. Brushes must always stay submerged in water while we paint. We can rinse them under running warm water and wash with soap afterwards.

Create monochromatic base image

If the object or scene is very complex, it is great to paint the main parts just in one color: create a monochromatic base image. Changing and adding color is very easy, the most difficult part is achieving the right values, color intensity, proportion between light and dark colors.

Expectations and real painting

It can happen that participants have very high expectations when they come to the 3-hour painting workshop. In general, one has to be a realist to some extent. If the participant has never painted before or has done a little bit of painting 20 or more years ago, the first painting will be an interesting exercise. That helps understanding what it means to paint with a brush and to try mixing colors. I would not advise to expect it to be a perfection and best art ever created. Who gets better when just starting to paint? People, who are able to take risks, to experiment and who dare stepping out of their comfort zone.

You will have to learn and paint it

Signing up for a painting class does not mean that painting will paint itself. The art instructor is not a magician, but somebody who can explain, show, demonstrate and correct if something goes completely wrong. Live classes are much better than any online classes because I can see right away what is causing a problem: too much paint, too less paint, too dry or wet brush and so on. We are painting not only with brushstroke, palette knives and sponges, but also with hand pressure, heavy or light movement of the hand, arm or wrist. Application of paint is a big deal and that is something which is best done in the presence of an instructor. I usually explain why the particular image or composition is good or isn’t, why the particular choice of color works or doesn’t.

Some tips for beginning artists:

Whenever you have time and chance, pre-paint your canvas in light cardboard color using burnt sienna, yellow ocher and white. Instead of white, we can use gesso, as well. Acrylic gesso is acrylic primer, it seals the pores on canvas or any other material, that includes wood panels, plastic and similar materials. It allows using less paint and it is easier to apply it on previously primed surface.

Think layers

Think in layers, separate in your imagination the part which is behind and underneath, in order to avoid working on small details right away. I’m often seeing how everybody tends to move to fine details way too fast and well before the entire scene is blocked in. We always start from the back and with the background. Unless there is a large very light part, we have to start with dark and medium dark colors. That seems to be the most difficult part for beginners. We do not use the final color at the beginning, but we build it up layer upon layer.

Applying color or building it up

There is a big difference between applying color and building it up. The further we are in the painting the closer we move to the front part. That is a bit different with separate objects like in still life or floral painting. However, we always start with more general things and just afterwards move to particular parts and details. In oil or acrylic, we always go from dark to light and finish up with small areas of highlights. If we have lost the dark parts, we have to paint them back in.

Start over

If you think that some painting is not good enough and it is not worth trying to make it right, you can cover the entire canvas (previous painting) with a mix of gesso and some colors and start a new painting. The small imprints from old painting lines will add more texture, they most often look interesting, and you can build up a thicker layer above the basic layers.

Correct everything

It takes a lot of effort to damage an acrylic painting completely since you can paint it over for as many times as you wish and have time for (or patience). Being afraid to do something wrong in acrylic painting has no reason – you can correct practically anything. It will take more work, time and paint, that’s all.

Happy summer painting! I hope you enjoy the summer painting tips!

For prints:

Art collections by Inese Poga

Ode to perseverance and how to overcome I cannot

Art project

In order to improve oneself, perseverance is important. Life is always full of something, and we are mostly busy, sometimes with the most beautiful things and events, sometimes with terrible issues. We simply deal with that, but not everybody has the courage to take a special time for themselves or to spend it as they wish. There are billions of excuses, and behind “I cannot” is quite often hiding: I don’t seriously want it. I am not willing to make a commitment. I am not sure if I want anything at all. It is so much easier to do nothing. It is less complicated to let everything flow by and to go with the stream. The power of doing nothing is huge.

Who doesn’t know moments of emptiness, moments of weakness, and moments of a complete exhaustion: mental and physical? That is life, and, unfortunately, nothing and nobody can prevent such moments from happening. I know this so well: it can be abnormally tough at times to resist the tiredness and pain. Well, we have two choices: feel sorry and cry or stand up and get going. Here I would like to mention perseverance again. We stick to decisions and goals no matter what.

I am for these, who make everything happen. I am with these, who fight their own moods, pain and helplessness. We have a fantastic tool to make our life better: it is self-improvement. Step by step, one move at a time.

Therefore, I feel extremely blessed that my art and painting classes have brought me together with such sincere, honest and creative people. It is very simple to take a brush and swipe it over canvas. Play is attractive. How about when we want something more? Not only spots and splashes, but something way exceeding basics?

Creativity and self-improvement are both: rewarding and demanding. Rewarding all the way through the discoveries and confusion, giving back things which we never even expected; and demanding because we cannot give up our efforts by facing the first difficulties. Self-improvement requires perseverance, a strong spinal cord and ability to go against the wind. I suppose, life is generous mostly to those, who dare. Dare to overcome at least their own resistance and remove the internal brakes.

I would not call the participants of the Wednesday group students anymore. Some of them have become established artists after attending my classes. I am really proud of that because I care how my students are doing and they try to do their best. I am sometimes telling them: you don’t even need any classes any longer. They answer: we love the group and the atmosphere, and we still appreciate the advice.

The Wednesday class takes a break now. We are meeting closer to the fall again. However, the question that surprises me most is: how do these really busy people always find the time not to skip any single class? Well, the secret is most likely  unsophisticated: we can always find time for things we love. I would like to thank all my long-term creative friends and participants of my painting classes. Keep your brushes wet!