Category: Landscape painting

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My solo art show February 14 – March 19

Red country barn, acrylic painting

If it was only painting

My show is finally up. Putting up a show, small or extensive, takes time, many hours of work, dealing with selection, adjustments and paperwork. It felt as if the small tasks were never-ending: glazing, covering with protective layer, attaching wires, designing and printing price tags. I have taken numerous pictures. Light was not that good some days; well, it’s February. Therefore, contrast ranged from extreme to none, brightness went from burnt  out images to a total lack of light.

Lots of work and many decisions

Even putting up paintings at location was time-consuming. Any place has its pluses and minuses. Light is as it is, and I had to figure out the best layout immediately and without hesitation. There was staff, who went up the ladder and put up each painting, and while they were doing their best, everything took some adjustment. I think I managed to do very well with placement of my art.

It is a great advantage to see art in person

While less people attend shows or art events nowadays since everything is on the internet, I would like to still emphasize that nothing compares to seeing art with your own eyes and experience the feeling of direct presence. There are so many devices between the real painting and its image on the internet! Any of these devices change the look of painting to a great extent, so some things get lost along the way, which especially refers to balanced and carefully crafted colors and contrast.

Paintings which were included in this show

My paintings frequently display paths and roads. Road, as well as path is an important symbolic element of my art. We are always on the way, always going to something new which is still to be discovered and explored. I am posting this time a few completely new and a few overworked paintings. That especially refers to “Nostalgia” series.

Subjects of my art

I loved to find untouched landscapes in close vicinity of a town: old country barns, quiet streams, birch groves and meandering forest paths. I genuinely love wildflowers, they appear quite frequently in my art. The same goes for always painting spring in winter.  That is a natural mood lift and fantastic way of spending dark and gloomy days when storms, snow, cold and ice make the outdoor landscape very hostile.

Less text, more art

This post is intended to show paintings, therefore, less text, more art.

Early spring with red barn, acrylic painting on canvas by Inese Poga

Red country barn, early spring, acrylic painting 76 x 61 cm, acrylic on canvas

Early spring with red country barn, painting by Inese Poga

Red country barn, early spring won the easel, Nostalgia series

Nature paintings, spring paintings

Path in blue bell woods, Nostalgia series, acrylic painting, 24 x 20 in or 61 x 51 cm

Original art by Inese Poga
Acrylic landscape, summer reflection

Reflection of clouds, summer stream, acrylic painting on 24 x 20 in or 61 x 51 cm canvas

Art show by Inese Poga
Nostalgia, acrylic painting by Inese Poga

Nostalgia, the painting which initiated the series of landscapes disappearing from our neighborhoods, acrylic on canvas, 24 x 20 in 61 x 51

With background, acrylic landscape

Interested to purchase? Shop originals

If you happen to live in Greater Toronto Area and especially around Ajax, please stop by. My show is on at Ajax Town Hall Council Chambers Lobby until March 19. 25 works of art are exhibited. I take from the first responses, that people like it. Enjoy!

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My magic watercolor brush

Fall leaves, watercolor

Every paint brush becomes magic once we learn how to use it properly.

It’s how you use the brush

It matters how much pressure we put on the brush and what part of it we use. It matters that you use specifically watercolor brush for watercolor. Watercolor brushes are soft and able to hold plenty of water and paint. While the shape of brush matters, too, the most important part is still how one handles the brush. If you just try to aimlessly move some paint around the magic brush loses its ability to create something great. I usually use only a few brushes for every medium, most often just one or two.

My preferences for watercolor brushes

For watercolor, I use number 14 round, soft watercolor brush with a very fine tip mostly. Therefore, it performs quite a few functions. When we hold it perpendicular at a 90° angle, we can draw very thin lines. Since this brush holds a lot of water and pigment which is important for watercolor, we can use the side of brush parallel to paper and cover large areas fast with either water or paint.

Time it right

Timing is also important for watercolor. We can use just part of a large brush and move paint around. We can use full body of a big-size round brush and cover large areas of paper fast. We have to time everything accurately; if you want fine details, you will do them on dry paper. If you want smooth washes and color transitions, you most likely will wet paper first. Wet paper is also safer for those who are slow with paint application. That will allow avoiding streaks and patchy paint spots.

Fall colors

We have beautiful fall weather at the moment in Southern Canada. Leaves are turning golden, red, orange and purple. It is a good time to practice color mixing and color application since inspiration is everywhere. Bright, sunny and golden colors shine on grey and blue backgrounds. Use that in your favor when creating fall paintings. I started the painting of fall leaves a few years ago for watercolor painting class and finished just yesterday.

Fall leaves, watercolor
Fall leaves, watercolor
Fall leaves, watercolor
Fall leaves, watercolor

The most recent watercolor painting class image

This a quick watercolor painting without drawing and applying rather washes. Mine was done on not that great watercolor paper, but it still makes a lot of sense. Not to mention, that real painting always have more balanced colors and look way smoother than extra sharp iPhone pictures.

Watercolor brush

I hope you enjoy these paintings.

Fall, watercolor painting, large size

To sign up for art classes, please go to page:

Art classes, schedule and registration

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Five stages to becoming an artist and summer art

watercolor painting, landscape painting

I have found five stages which allow becoming an artist. For illustration, this post includes beautiful images of summer art in watercolor.

Learning is a gradual process

Learning how to draw or paint is a gradual process. I have noticed five stages of learning process which result in being an artist. It is the same as with manual writing: the more you write, the less you have to think about the technical side of writing a letter. Once you are past the first attempts and know all letters, you can put your efforts towards expressing a thought. The less you think about how to do that, the better your story.

Developing manual drawing and painting ability

To some extent, drawing and painting are similar activities to manual writing. You have a concept and you use graphic characters and signs to turn your concept into visually perceivable and readable text.  At first, you learn writing letters. You put letters together and you have a word. You line up words in a sentence. You study grammar and style, and your sentences become better over time. After long hours of practice and after many attempts, you are able to write a story or a poem.  This poem is what people can read and understand. The same goes for drawing and painting. Becoming an artist takes time.

Practicing techniques

The more you draw and use your brush, the less you have to think about how to use your brush or pencil sufficiently. You feel that you can show the story behind your painting and focus on expressing your emotions, not struggles with getting the main shapes and values right or achieving contrast and good composition.. Drawing and painting become processes which progress by hour if you keep practicing.

The first stage

You draw something, paint something. You try, but either brush or pencil does not want to do what you tell them to. Many lines have to be erased and brush stroke does not work yet. This is the encouraging stage: I could draw or paint, but this will require work and learning. Long way yet to being an artist.

The second stage

You decide to draw or paint a particular subject. Artwork is satisfactory, but the successful parts are good because you got them right accidentally, not intentionally. You mention frequently: I’m not going to touch it again, otherwise I will destroy what I have. The stage of accidental success. This stage will motivate you to move on.

The third stage

You have a plan, and everything goes accordingly to it, but some areas of painting do not work. You work over parts of drawing or painting for many times. Subject could have less or more detail, colors could be much better. There is little distinctions in values. Your artwork shows mainly the same values all over. You notice still lots of flaws. The almost-certain stage. You know you can do it, but practice is necessary, however, you feel like an artist!

The fourth stage

You have decided to draw a rose. You go outside, find a flower and draw a rose that looks like a soft, gentle rose. You decide to add color to it. You mix and test colors. No rush. It works out well: no part is too strong or too weak. Brushstrokes lay on smoothly. You are very satisfied with what you have achieved. A month passes. You look at the same painting, and you definitely see that,  it could have been better actually. The potential excellence stage. You are very aware that there is still space for improvement.

The fifth stage

You are not flying on clouds. You know that any painting subject takes work and some planning. You allow yourself making unexpected and unplanned steps, too. It is meant just to keep the hand sensitive, to keep your eye observant. You have no absurd expectations. You have become master of the process, the artist. You can paint anything which comes to mind.

To know what works

You do a value or color sketch. You transfer the drawing onto paper or canvas. You do the color test. You create dark and light color palette for the particular painting. You have your favorite subjects, but you step out of comfort zone. You know exactly what effect each color combination will provide you with. You know exactly where to place details in order to make your composition work.

Painting according to your plan

You start painting in a relaxed manner. You know it takes time, but when this drawing or painting is done, it will be exactly what you want. You raise your bar with every painting. You look at your first drawings and paintings and you say: what was I thinking! That is when you have arrived at the mastery stage. You can do it. You can achieve any results you want. You have no limitations in what you draw or paint. Finally, you are in charge. Rushing won’t take you to where you want to be faster.

Watercolors of summer nature to inspire

Artist, watercolor painting, summer

Summer barn, just finished watercolor 15 x 20 in or 38 x 50.5 cm

Watercolor artist


Summer barn watercolor painting, 15 x 20 in or 38 x 50.5 cm

Artist, Pen and watercolor sketch

Spring creek sketch which I used as reference for the large watercolor painting

Watercolor artist

This sketch became a large watercolor painting afterwards

watercolor artist, landscape painting

The final spring creek painting is much larger than sketch.

Watercolor, spring landscape, watercolor artist

Spring creek with white anemones, 24.5  x 20.5 in or 62 cm x 51.5 cm watercolor

Self-care and no summer vacation stress syndrome

There is a huge advantage with manual drawing and painting: it is a perfect type of self-care and the best cure for summer stress syndrome when people feel lost and do not know how to spend their vacation. Many feel they have no idea what to fill all free time with, especially, if they cannot book a trip, travel or have a party. I’m inviting everybody to paint!

Apply for art classes: Art classes

Learn in private: Find out more about private art classes

Please, visit my art studio

If you are in the GTA, Ontario and have time in the afternoon. please, stop by at my studio.

My art prints and paintings on Fine Art America: 

Art collections by Inese Poga

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Creative freedom and old barn project

Step 3 of barn painting, artistic freedom

Creative freedom and self-care

Creating art is a way of finding out if one is able to make creativity, drawing, sketching and painting part of their life and self-care. I recently received many positive comments about my art classes. Parents admitted that the art instruction which is available in our region (Ontario, Durham region) does not actually include learning how to draw or paint. They told that most art classes were rather craft classes which use glue, markers, inks, papers, mixed media and similar. There is a need for projects which involve real drawing, sketching and painting. I am adding to this creative freedom when we make our own choices.

Replacing device with brush and pencil

I have noticed the dramatically decreasing attention span and lack of focus due to the overuse of devices in the recent years. The inability to prioritize important things in our life is one more issue because there is too much of everything happening at once. While some people, who have no art creation experience, would assume that art entertainment events with cocktails and food are art classes,  I am very sure they are not since such events don’t teach anybody anything. There are also misleading art instruction models. Most of them are designed to please the participants and to make them believe that they are gaining a lot.

Ready product versus process

Most people are interested only in the final products, and they have no interest or patience to learn about the process of getting to this final product. Indeed, we are seeing this frequently. Many venues offer art classes which are half-done product. They supply with paper or canvas with drawing on it, so that the student has to only apply paint on certain spots Most events are a few hours a single night or one day only because everybody is in a rush. Is it possible to master everything within such a small time frame? No, it isn’t. Brushing techniques alone take time to practice, not to mention that colors, values and composition matter. We always observe certain aspects of painting and we must be aware what these aspects are.

Meaningful art instruction

If we want to make art instruction meaningful again and if we want people to really fall in love with creativity and hand-made art, we have to go the long and more difficult way. We have to allow teens and adults, who want to learn, doing so. Having the final product or masterwork done in just a few hours is an illusion. Nevertheless, there are lots of people who believe in that. Final product or masterwork cannot be the only goal. What matters in this case is the journey, the multiple techniques and approaches, the enjoyable path to self-discovery, satisfaction and feeling of fulfillment. The key is understanding the main drawing and painting principles.

Progress of my recent project

The recent project was painting a simple barn while using expressive watercolor washes. Students learned how to blend red and green colors. For that, we require wet-in-wet approach since that eliminates muddy color.  We used simple perspective drawing of buildings and fence.

Step 1 of old barn painting, artistic freedom

A few layers are already applied, I start with abstract watercolor washes and define them as I go.

Step 2 of old barn painting, artistic freedom

I keep adding layers and I have also worked more on fence posts.

Step 3 of barn painting, artistic freedom

The old country barn painting is almost done, just problems with picture-taking.

Mutual experience

I also wanted to make an art class which is hard to learn online: just because the content of this class rests on the presence and the interaction between me, group and everybody as an individual. Perspective is such subject for which understanding the principles is of extreme importance, or there is no perspective. While my photos were not perfect, the painting is correct.

Old country barn landscape

The finished painting, Old country barn, 24 x 20 in or 61 x 51 cm watercolor painting on Saunders-Waterford cotton paper

Reason to be satisfied

Therefore, I am proud that my drawing, sketching and painting classes provide teens and adults with a meaningful art instruction. I make sure that students have tools to enjoy a creative freedom, and they are able to draw, sketch and paint anything they want and the way they would like to. I believe that is different and that works in favor of any student.

Please see also: https://inesepogagallery.com/2017/10/02/art-created-different-dimension/

And if you live in Ontario, you can apply for my art classes directly here:  Art classes

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Draw the line: put things in perspective

Watercolor, perspective, painting by Inese Poga

Purpose of linear perspective in painting

Perspective in art is much easier to implement than perspective in life. In fact, there is nothing much to it as far as we are aware of  how it works and what it does for a painting or drawing. Linear perspective creates depth and dimension in any drawing and painting which deals with suitable subject. Traditional linear perspective uses size, overlap of objects and their placement in composition, as well as convergence of lines.

Drawing old house, pencil drawing

Black pen drawing of simplified 2-point perspective building

Where to use it

If you love landscape, street scenes, rural scenes with farms and barns, simple roads, streams or rivers and so forth, you will need to implement linear and atmospheric perspective because they both contribute to dimension and volume of your painting. You will also use color values accordingly to perspective principles. If you are drawing and painting outdoors, you are most likely applying some perspective already.

Old house drawing and painting

Old countryside house in pen and watercolor, 18 x 12 in or 46 x 30.5 cm

Vanishing points and front view

Some people are confused: how many vanishing points to use: 1, 2 or even more? The answer is that will depend on the placement of your shapes and forms on different planes. 1-point perspective uses 1 vanishing point on the horizon or reference line. Horizon line can be called eye-level, but I like to call it reference line. You have to remember that vertical lines are parallel to the sides of your paper (if it’s straight) to make look building stand up correctly. Horizontal line creates 90 degree angle with the vertical line in front view. Horizontal lines of front view are parallel to the bottom and top of your paper. Therefore, in 1-point perspective, the straight lines at the bottom of your building and corresponding lines higher up will always create a 90 degree angle with the vertical line.

1-point perspective in landscape

Most often, we use 1-point perspective with roads, streams, tree and fence lines and buildings on both or one side of a road, that is, with views where something disappears in the distance. That creates an easy perceivable and visually attractive composition which is a breeze to create. In 1-point perspective, all lines which lead into distance, meet in the vanishing point. The front angles of the building on the respective plane are 90 degree angles. It sounds more complicated than it is when you draw it. Start with closest end of the building, drawing a rectangle. Connect the points on one vertical line (in my case the left side where I mark height of any element) to the vanishing point.

Barn, road, watercolor painting and pen drawing

Pen and watercolor wash of barn, 16 x 12 in or 41 x 30.5 cm

2-point perspective uses respectively 2 vanishing points.

Drawing, house, two point perspective drawing, pencil drawing

My drawing of neighbor’s house

Plein-air drawing, 2-point perspective. Photo does not show all lines correctly since camera draws the front edge closer. To draw it correctly, vanishing points on reference line are placed outside the drawing. That we do always when the  subject is large. I usually draw intuitively since I know where approximately these lines meet and where the vanishing points are. Starting out? Mark up vanishing points on each side and connect with respective points on vertical lines. I teach this all in my private classes because it is simply not easy to describe.

Building,, 2-point perspective in watercolor and line

Pen and watercolor 2-point perspective sketch, it was mostly done outdoors, since this building is next to my studio entrance.

Many buildings in a landscape or street scene

When drawing close-ups of buildings or placing many scattered buildings in composition, we use rather 2-point (angular) perspective. We use drawing separate buildings most often 2 vanishing points. We adjust the eye level or reference line placement as needed. It can be higher or lower depending on your view. We can move it up or down, and we should use this feature in our favor. That will allow achieving plenty of depth and dimension.

3 vanishing points in one-point or two-point perspective

When some buildings are close, some distant or scattered all around, you could use 3 vanishing points. It does not mean that your drawing becomes extremely complex. It means that you will have freedom to place things in your composition wherever you want them.

Where to place rooftop?

Often, demo drawings that involve 2-point perspective do not explain that the rooftop line runs through one vanishing point. That was also the most confusing part for students since they had a problem placing the roofline where it belongs. Please enjoy the recent paintings and sketches which involve perspective. I will prepare online materials for understanding better how to create linear perspective in drawing or painting.

Watercolor sketch, line and watercolor landscape, one point perspective

Perpendicular and parallel lines

The most important aspect is to understand what lines are perpendicular, what parallel, what is obtuse angle, right angle and acute angle. Remembering basics of geometry is really helpful because perspective in drawing is simply achieved once you know how to create it. I am posting some of my recent works that involve creating perspective to illustrate the concept.

Watercolor, perspective, painting by Inese Poga

Uphill, watercolor painting of rural house, size of this painting is 21.5 x 16.5 in or 54.5 x 42 cm

Outdoor painting

Many drawings, sketches and watercolor paintings are done outdoors or plein-air. Perspective is an important part of any painting, sketch or drawing which displays buildings, street views, roads, fences, bridges and similar subjects. Learning how to create perspective is not difficult or overwhelming. You really need to master perspective if you ever do a realistic painting or drawing with buildings and man-made structures.

More about this: Power of line

and how to start sketching: How to start sketching

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