This post about painting blooming grasses and trees has been waiting to be published for more than a month. I love painting, taking it slowly, going over layers. I definitely love it when I see something emerging from the blocked in color spots and fairly abstract shapes. It’s interesting to see where the painting takes me. I have little motivation for posting my art and showing it off on the internet.
The painting process is beautiful, it’s so rewarding, calming and uplifting. It’s also therapeutic and soothing, very beneficial to our brain flexibility and memory. Why do I believe that painting attractive landscapes, floral and still life paintings can cure us from daily troubles and upset moods? I have seen that happening thousands of times. AI painting can get you many likes, but the only type of art which benefits our brain is the one we create from scratch.
This particular painting was started in March 2024. I took it to some stage of completeness, but it wasn’t finished for the most part. The previous year was a bad one, therefore, I hardly did anything apart from reading in bed. I picked it up this February from where I had left it. There is actually nothing wrong with letting a painting or drawing rest. The only risk is we might not ne interested in it after a year.
Since I believed it had potential, I kept working. A beautiful landscape emerged, and it was sparkling with light. I doubt I’ve gotten this all on photos. I can get the picture yellow, blue or green, but not what the actual painting is. It still looks great. The size of this painting is 24 x 18” or 61 x 46 cm. The composition works well for this size and trees shadow the juicy front grasses.
Enjoy the mood of this painting while it’s still grey outside!
Art prints in numerous sizes and with huge selection of frames and surfaces
Why do I paint what I paint? Why this landscape? I have done commissions when somebody else orders the painting subject and colors. However, when I choose the subject, I look for something which feels like me, and I go for it. I pay no regard to all classic or whatever painting rules. Instead, I usually guide myself with what feels right and suitable to me. That includes deciding when the painting is done.
This particular painting was started last year, around this same time. I did the first layers and left it since other things came up and I had to deal with them. As I have mentioned before, I have quite a lot of paintings which are in their initial stages. I don’t push myself – if I don’t feel like completing some painting, I leave it alone.
Recently, I decided to add some layers and see what I could do with this landscape. It looks good and has lots of appeal in the final version. Each painting undergoes numerous transitions, from the first blocked in layers to final details. I regret that colors are both, more yellow and bluer, and the red tones are sort of missing on photo.
I paint what’s around me and what I know well. That is would be – forests, parks, backyards, creeks, trees, plants, flowers and garden. These subjects are applied in different combinations from still life to landscape and everything in the middle. I am not close to large water, and I absolutely do not have any mountains here. However, nature provides me with endless inspiration, especially trees and plants.
Just like always, I love checking out how the black and white version of this landscape looks. I think it is quite impressive, with all values in correct places, and certainly, it’s possible to see the landscape, barn and daffodils clearly. One can tell it’s spring even without colors.
The situation with art materials and paints is very tough here. I have run out of most good quality paints; there’s no white paint left. I just use what I have, but I will definitely need to get some new art supplies from somewhere soon. I dislike internet shopping a lot, and I always preferred to see in person what exactly I was buying. No such option here right now.
Enjoy my new spring barn landscape with white daffodils and weathered fence. It looks sunny on the wall, indeed. Also, this view takes us to a beautiful day when blooms are out and leaves are opening. Let’s hope we get into the nice spring weather sooner!
All black and white version art prints, as well different size and format art prints are available from Fine Art America
We in Ontario are having all kinds of whether these days – from bitter cold and raging winds to melting snow and weak, but encouraging sunshine. White switches to dirty grey and to bright brilliant blue in the sky. While we are impatiently waiting for spring, more sunshine and green color covering the boring grey, it’s fantastic to engage in painting spring landscape. I do it every year now. I used to paint some snow scenes also, but not any longer. Many reasons for that.
The colors of awakening
As I mentioned in the previous post, green color symbolizes harmony and balance, just as it appears in nature, therefore, increasing inner calm. Spring landscape on the wall makes us feel better while it is still dark and cold outdoors. Everybody who uses colors has experienced the uplifting effect of sunny shades and satisfaction with life. Those, who are not sticklers for the result only, can enjoy the meditative process of using colors in many ways.
Memory and imagination instead of photos
This particular spring landscape was started about a year ago. So, it sat with other unfinished paintings and patiently waited for the final touches and paint layers. The good thing is, we can restart acrylic painting at any time, change things around, adjust colors or repaint the areas which don’t fit. I recently don’t use photos; I rather go for the scenes which are stored in my memory. Over the years, the memory grows and grows, and it is easy to recall anything what I would like to implement in a painting.
Painting trees from observation
I love painting trees and using them in my landscapes. In fact, my huge backyard has numerous trees and I watch them consciously and subconsciously any time when I am outside. I teach painting trees in my art classes also because there are so many bad paintings and wrong landscapes with trees. We have to remember that there are always spaces between tree branches and leaves don’t appear in cloud-like formations and lollipop shapes. The best thing to do is observe and then paint.
Paint quality or lack of it
Since the art store in our area closed down, it was the only art store, I am usually running out of paints and other supplies. I am happy that brushes last quite long time. This spring landscape required using white in different combinations. Unfortunately, Liquitex professional Titanium white paint is bad, it lacks in pigment saturation and, thus, causes problems when mixed with other colors. I find that paint quality has gone down big time since the beginning of this century. Apparently, also in this area, profit comes first.
Positive aspects of painting
I hope you enjoyed looking at my spring landscape. I have 4 more I am working on. Last year was not in count because I spent the biggest part of it recovering from injuries. I have big hopes that this year is going to be much better. Nevertheless, painting is always calming, improving mood, taking away from any problems one might have. Stick with manual painting even though, there will be people who will use the stealing AI to come up as if with their own art. Manual painting does good for you and your brain. What counts is the human mastery, not the AI application.
Go big and be certain
I hope I have inspired you to also paint something in nice colors. Such as spring flowers, spring landscape, creeks, lakesides and awakening of the nature. We have to always remember that the art we create becomes us. There’s no point in copying, tracing and trying to recreate somebody else’s artwork. With every brushstroke our artistic ability grows. With every new painting, our hand-brain cooperation becomes more effective. And, please, go big. The teeny-tiny paintings make no sense, and no way you can learn painting like that.
Many years ago, I had done some rough sketch with watercolor pencils on a 24 x 18” Arches paper. Probably in 2009 or 2010. We used to travel a lot back then. The sketch was of a creek with trees in fall colors. While the photo of step 1 is very white and light in value, the actual sketch was not. You might know that it’s not possible to erase watercolor pencil lines. I didn’t like everything in that sketch, but I love challenge. I decided let’s try to make out something of this creek in fall colors.
Techniques I used
I don’t use masking fluid, but rather prefer painting large and even huge shapes so that it’s possible to paint around whatever I need to. Good, firm and thick cold press watercolor paper allows for lifting and adjustment, as well as layering many times over the basic color. Rocks are great for application of salt. When applying salt, one has to be mindful of timing, there’s fairly narrow window when this technique works. If the rocks are really large and the entire painting is large, we can do numerous extra things.
Changing and correcting watercolor painting
The photos of painting steps of this creek in fall colors might not have the exact colors and contrast, however they give an idea of how one can change and improve watercolor painting even when initial shapes are not correct. I’m reading in Facebook groups how people describe watercolor as difficult and something one cannot correct. That’s wrong! If you paint large and on good paper, you can change and correct everything. The best colors to lift are all blue shades, even Payne’s grey can be lifted to almost white paper.
Use live art classes
I teach all painting techniques in my live art classes. I can see that online class doesn’t give one proper understanding of what and how to use, what timing should be applied, how to use paper towel, lifting and layering and what colors work and what don’t. It was a difficult picture to take photos of because of the distinct cool and very warm colors. Their use is absolutely intentional. That’s also important aspect – color temperature.
Imperfections are fine
Just like always, my photos could better, but I am going ahead and publishing the creek in fall colors. The reason I want to paint somewhat realistic watercolors, even imaginative ones is that abstracts are not challenging enough. I’m not worried also that absolutely everything isn’t perfect. When it comes to painting, I’m all for process and for challenge. If it’s easy, there are no thrills for me.
For beginners in watercolor painting
If you are a beginner and want to paint with watercolor, go big. You are not going to ever leant painting with tiny brushes on tiny paper. There’s simply no space for any effects. Also, using tutorials and watching somebody else paint isn’t going to help much. Brush and paints are important, but what matters most, is the hand that moves the brush. I would like to remind how important is value sketch in large size. Contrast and values are what make painting appear three-dimensional. To check your values, turn the painting in black and white. If it still shows the subject correctly, values are right, too.
What to paint in the summertime? If you are in the countryside, traveling or live in the suburbs, I believe it’s impossible to avoid painting at least a few landscapes. What do we include in the summer landscape? Everything which speaks to us or says loudly: it’s hot, it’s wonderful, and it’s summer. My summer landscape is based on my surroundings and what I see outdoors. My private park has numerous wildflowers, and it is actually rather wild with huge old trees, various greases and plants.
We can interpret any landscape in numerous ways. Choosing certain color for wildflowers, buildings, sunny or cool color for grasses, adding trees or water, roads or fences – it depends only on artist where you want your viewer to go. I would like my viewer and art collector to feel happy about what nature provides us with, enjoy the views which might not be around forever. In that regard, I am documenting the natural beauty before we kill the Earth completely. Thee is so much beauty in the simplest summer landscape.
In my opinion, taking pictures of art and then posting them as separate images without background, literary destroys the art. I do that still because many places require to do so. Original art breathes and emits plenty of great, uplifting energy. All devices and cameras take away a lot already, and the small image you can see on the phone isn’t really my painting. It’s gone through numerous adjustments and algorithms. Regardless of that, I hope the energy within my summer landscape paintings is still visible.
These particular paintings were created between 2010 and 2021. There are many more, but one post can include only few images. I believe I already added too many pictures, but – when else to allow color to sparkle and imagination to run freely? I intend to initiate Studio 65 sale to celebrate my birthday. That’s pretty much the only celebration I will have. Most of paintings are available as originals and also as prints. Originals are available from my art studio in Ajax, Ontario, Canada. Prints – anywhere.
Bright and happy, we could use more of that, couldn’t we?
Wish me well? Maybe buy a small art print or all kinds of things with my art, including puzzles, from my Fine Art America site:
