spring Archives - Page 2 of 4 - INESE'S ART STUDIO

February 21, 2022January 13, 2025

Spring edition, moving art studio

My art studio is moving again, indeed, it has happened so many times during the recent years. I’ve moved three times since 2018 and now I have to do that again. While it sounds quite simple, it actually isn’t. The toughest part is finding a place and qualify for it. That requires mountains of paperwork, numerous hours of printing, scanning, signing, sending documents and so forth. That is the reason I hardly looked at the internet, any social media or blog sites. There wasn’t enough time in a day to cope with all that, and nothing was left for painting, unfortunately.

The Amsterdam paint tubes are added for color balance in photos, I use Liquitex for painting.

I did try to catch up with the artistic side, I sure did. However, that mostly resulted in wasted paint and a bit of frustration. As soon as I squeezed out acrylic paint and got in the mood for painting, the phone rang or I received a message, we have to go: to see a place, to meet somebody, to do whatever, and there was no other way around it. As you know, acrylic paint dries very fast, and even when preserving some in a tight container, it doesn’t work quite well as the fresh one.

Trillium forest, original acrylic painting

I’m really hooked on the moment when nature awakes. The most fantastic view for me can be a tiny sprout breaking through the soil and greeting the sunshine. The first wild flowers are such a welcome sight! Strength to overcome the freeze and courage to break through impossible obstacles: that is what grasses and wild flowers have. I cannot resist, I return to wildflowers in spring settings every year.

Art studio, spring painting by artist Inese Poga

One of my most favorite color combinations involves earthy tones, many shades of green as in sprouts, young leaves and grasses, blue patches of sky, as well as bright white, blue and pink of the wildflowers. According to such palette, I paint some knew dreamscape which I most often have seen only in imagination or which is stored in my memory chambers.

White anemones,art studio paintings by Inese Poga

My art studio in this big house had to be adjusted and the actual painting space was sparse. As you might know from my previous posts, I usually paint only by daylight. There have been times when I have to add evenings, but I try to avoid painting at night when artificial light is required. It could be my eyesight which dictates that, but I am very sure that for true color match we need the daylight.

So, the art studio is on the move again, and I have started to pack up a few things. Very large and small paintings will be moved first, as well as part of my countless brushes and art supplies. I would love to sell a few more paintings, but I don’t have much time for advertising at the moment. We will be moving 9 large rooms into 5 rooms, only one of which is large. My art studio is going to be arranged there, in the largest room. Daylight will be much better in the new place, however. It’s an older building with large windows, lots of character and huge backyard. That is such a luxury nowadays!

My best guess is everything will be ready around April 15, and that’s when I can start with my own paintings and art classes. Until then, – I go through moving troubles, packing and unpackaging, sorting, cleaning and being busy with all kinds of things which are not necessarily art related. There will be moment when we won’t have internet yet, and when I am all set up, I will come up with my newest discoveries in painting. You can still scroll through my blog which documents all art studio moves, gives lots of advice for new and established artists and offers excellent quality art at great prices. Stay well! I’d love to hear from you!

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Original watercolor paintings for sale

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Art collections by Inese Poga

March 4, 2021October 17, 2024

Landscapes which live in my memory

Places where I have spent most part of my life, do not stand out with spectacular landscapes. I don’t usually paint mountains, oceans, seaside or waves. I’ve seen them, but I have hard times recalling such views in detail which is necessary for creation of painting from memory. Many of these paintings were also started a long time ago just as a demo for my live art classes. That means, I’ve spent very limited time painting them during the class. My main focus was what students learned from each process and less an attempt to create a masterpiece.

Therefore, I had to change some parts, add finishing touches, increase strong values, add strong highlights, refine some details and mask out some other parts. These landscapes are views from my memory and imagination, they might or might not exist, but I usually want the subject to be recognizable without long explanations. I suppose, I’ve said it quite a few times that I’m not thrilled about small size, like 16 x 20 in or 41 x 51 cm paintings of complex views and detailed subject. For me personally, the most comfortable size for acrylic is approximately 30 x 24 in or 76 x 61 cm and for watercolor: full sheet which is most often 30 x 22 in or 76 x 56 cm. Such size allows implementing aspects which are very important in painting: decent values, decent size subject, powerful color switches and a few outstanding details.

Acrylic painting, country barn with daffodils — Country barn with daffodils is an acrylic painting on 20 x 16 or 51 x 41 cm canvas

The current trend of displaying paintings in clusters is a great one. Even when painting is large, it takes a lot of design skill to make it rather become a part of space than dominate it or disappear in it. Clusters of paintings suit any taste and allow using paintings of small and medium size, too. They do change the mood in room, they can take you to any season or make feel happier in your space. I am not allowed to hang much on walls in my rented space. We tried strips and some of bigger paintings fell down. I didn’t even attempt hanging the huge and large watercolor paintings that way.

Spring creek, acrylic painting — Spring at creek, acrylic painting on 20 x 16 in or 51 x 41 cm canvas

The history and story behind these paintings is the same, but some are pretty much painted from new. You can do that in acrylic, no problem. In fact, I think acrylic looks better with numerous layers, – the more, the better. Colors become intense and also change in different light settings, the most dramatic parts become textured and that looks really adorable. These paintings have taken weeks to accomplish letting dry between layers. I know how little of that is visible in an online image, but the presence is still there.

Acrylic painting, spring creek — Along the spring creek is a multilayer acrylic painting on 20 x 16 in or 51 x 41 cm canvas

Painting spring in acrylic — I use fairly limited number of paints, black, white, burnt umber, warm and cold yellow and blue

Since I spent 46 years in Latvia and it’s not even twenty in Canada yet, the subject of my painted landscapes is associated most often with Latvian countryside, Latvian country roads, gardens and plants, as well as with nature in Latvia. The area around Ajax where I live now is similar, but I would never paint the local box-like boring buildings which really offend one’s esthetic principles. That’s why we have imagination and can travel back in memories to any season, any place and any emotion that provoked.

Acrylic painting techniques, creating a book — The image contains painting detail and some color reference for along the spring creek painting

Other than that, I’m finally working on compiling a book of acrylic painting techniques for landscapes, still life and floral art. It is a slow process, and it probably will take numerous hours for creating more pictures, describing tools and efficient process steps, as well as basic principles of painting in any medium since most of them are the same. Creating art should never be struggle, that’s why I will also keep teaching live art classes when we reopen. That might be in July, or August, or September.

Thanks for reading, enjoy!

My art store is not coming along swiftly as I hoped, so for prints, please, go to Fine Art America:

Art collections by Inese Poga

February 8, 2021October 17, 2024

I’d love to take you for a walk in spring forest

Virtual walk in a spring forest

I’d really love to take you outdoors for a walk in a sunny spring forest. Imagine birds chirping, warm air, wild flowers opening buds and trees have gotten their new leaves. Spring forest has green color, and green color is the one which brings hope and calm. Walk in a spring forest would be so great taking into account the double-digit minus degrees in Ontario right now. Painting something which isn’t possible is the best part of creation.

Romantic subjects

A few years ago, we were painting numerous nature scenes in art classes. Students didn’t want to paint abstracts, and I didn’t either. Therefore, we painted numerous birches, flower fields, forest paths and rivers. One might think, it’s kind of too naturalistic way of painting, but it does exactly what I mentioned before: it takes you to places where you cannot be or sometimes – where you’ll never be. Such places might exist only in our imagination, too, but that’s ok.

Mellow-yellow or blue

You will notice how huge the difference is assuming you’re using a color-sensitive device for viewing content of this blog. One picture is blurry to a small extent, but it has practically true colors, cold and warm. It’s taken by the old camera. The other picture is done with iPhone 11 Max Pro and it has wrong warm colors all over it, especially, this mellow-yellow main tone. This phone has so many automated features that one shouldn’t ever hope to get a realistic look.

Spring forest with bluebells,, acrylic painting

Spring forest with blue flowers

Let’s return to the updated spring forest now because that’s where the joy is. I can certainly tell you about colors and you can believe me or not, but the one true thing is these spring paintings look great when looking at them in reality. I have surrounded myself with spring paintings currently to survive winter easier until we get outdoors again. I think I simply need green color. I’m a gardener also, and nothing makes me happier than seeing the first green spouts in the backyard. Spring forest with blue flowers is quite large, too, 20 x 24 in or 51 x 61 cm.

Color discrepancy

The discrepancy of true colors becomes huge issue when publishing pictures of paintings. There is editing, but editing affects the image globally, so the improvement is none or just somewhat acceptable. Realistic, semi-realistic or imagined realism uses both types of color: warm colors and cold colors to make the image work. Now, my iPhone 11 Max Pro doesn’t understand that. I do adjust exposure and switch between lenses, I change the backgrounds and settings, but the outcome is the same. None of my pictures show my paintings as they are.

Visual content

My blog is mainly visual as it should be. After all, I’m a visual artist creating paintings and dealing with images. Painting is ok, but ever since I delegated picture taking to iPhone and the big camera became outdated, I was in trouble. Apart from absurd perspectives, automatic zoom, too strong contrast and deviations from reality, the worst is color deviation. All my painting images have mostly yellow-purple gloom on them, or they look very blue. I later understood that the automated settings can capture only warm colors or only cold colors which is not what art has.

Lost likes and outdated pictures

I am trying to take new pictures and update images on old posts. Pictures from 9 years ago look blurry. I started this website on May 29, 2011. At that time, it was a blog, WordPress dotcom. Moving my extensive blog to a website in 2017 was quite an event. I lost half of images, everything was more or less misplaced. If you go through posts, you will notice how posts before 2017 have many comments, but no likes. Well, you cannot transfer likes. Many followers disappear also. I had to literary rework every single post, and I also deleted many. I’d love to maybe install a new theme, but when I think about images not lining up again and some things looking awkward, I put it off. Too much work.

So, definitely, take a virtual walk and enjoy!

Art prints:

Art collections by Inese Poga

January 25, 2021October 17, 2024

Seasons in art, seasons in life and nature

Living by seasons

I live by seasons, and seasons make me do, want or pursue something specific just like people who lived thousand years ago. I live in expectations of spring during the winter months. I look at trees not that far away, just behind the window glass. Deep down the roots of a tree are alive, and the tree is just collecting and accumulating energy for the big blast of blossoms and buds when the time is right. It’s a very good time to keep refining my skills because we always must go forward. When we believe there is nothing more to learn, we stop moving ahead. The progress ends, and we become old. Who wants that? Nobody!

White forest anemones is a square acrylic painting. This subject has been always very attractive to me.

Lovely green when it’s grey outside

Many artists are genuinely afraid of using green color because it makes painting look abusively green, because nobody likes green on their wall, it is a bad taste and because there are so many colors in the rainbow. Classy art is supposed to have lots of grey, earthy colors, blue shades and different white tones. No green, or at least green with purple neutralizing undertones, red or burnt sienna injections and aqua colors. When I got my first acrylic paints in 2007, I was very fond of them. I come from watercolor and pastel drawing, and I loved the extremely beneficial opportunity to effortlessly create volume with acrylic paints.

My personalized realism

Ever since that first time I got to use acrylic paints, I’ve been extremely happy that I can create anything which looks exactly as I like. People sometimes want to squeeze me in all kinds of categories, and none of them actually fits. I don’t paint realism if we think realism as art genre. The reason for that is I rarely use photographic reference as the base for my painting. I check out parts of my nature views, but I usually have a certain color palette in my mind and I can picture it on the blank canvas. That takes me somewhere, to an imagined landscape or still life components which I visualize. Tackling memorized and imagined views is more difficult than tracing and copying a photo. However, I frequently receive comments in art groups how people can place themselves in my paintings, how they can recall some particular site or place, or feel they are surrounded by my painting.

Spring, forest anemones. This picture was taken with my old Canon camera, and it displays great colors.

Adjusting process

My painting process is simply longer. I go over some areas many times, and I try to achieve exactly what I feel should be there. The difference is, when repainting a photo, you know where what is. I don’t know that because I improvise. I’m usually happy with the result. Then there is picture taking. You have painted a great acrylic or watercolor, you take pictures in different settings with all kinds of backgrounds. Then, you download these hundreds of pictures and it can happen so that not even one is exactly as painting. We can edit pictures, sure, but the changes are global. If the device has added more strong contrast in dark areas and lightened more the light areas, there are just more abnormalities after such editing. Somebody said on their blog (I don’t think they were artist; they just teach artists) that pictures always look better than paintings and that is just not true. I have the opposite experience: paintings look better.

Playing on emotions

So, here you have it: I don’t paint reality except for watercolor still life and some watercolor floral paintings. It isn’t abstract art also because I like my subject to be recognizable, yet, I introduce abstract areas in any painting a lot. I love color and art to impress, but it isn’t impressionism. I love precision of a few details and let go undefined other parts. I stop painting when there is nothing more to say because my art isn’t a demo of technicalities. I always want it to work on the emotional level. Therefore, I cannot say what color I have used on any part, but I can name a few colors which started the painting. I mix these few colors in all possible ways and that unites the painting in one organic bundle. Harmony and balance matter to me a lot, and I do everything in order the view had flowing lines and smooth color transitions.

Artistic spring starts in January

Continuing my long-time tradition, I always paint spring and flowers in winter. These images were supposed to be presented in two posts, but I run out of time, and it’s one post now. I decided to show steps and reveal small painting secrets in PDFs for download. They will come, I’m just a bit too busy at the moment.

I always paint around edges of canvas, thus, extending the image. This allows using painting without a frame.

Healing art

Creativity and necessity to create something new never stop, never go away or cease. 3 things stronger than pain for my own conditions have been drawing and painting, taking care of garden, plants and room plants, as well as reading. It’s been a year we have been struggling with COVID-19, and we have the second complete lockdown here in Ontario. I don’t feel like painting masks on faces or injection needles. There’s already too much of that. The main healer for me is creating something at my own pace. Stay safe! Thanks for reading!

Art prints are available here: Many choices of my paintings

January 8, 2021October 17, 2024

Good addition to my watercolor flower collection

Watercolor flower collection, flower paintings

My watercolor flower collection grew noticeably

Previous year, while it was not good in many health- and business-related aspects, was a very good year for creating art. I added to my watercolor flower collection quite many paintings. I cannot share all in just one post. I also painted quite a few watercolor roses and still life art. Some of these painting have been published in previous posts, and some I will publish when time is right. I have a habit of painting flowers and spring landscapes from January to approximately end of May. Then, I move to still life, and I get to fall paintings in July and August. Painting flowers and spring in winter is a good habit because it shortens cold and chilly winter days during the dark months.

Addition to my watercolor flower collection: white trillium blossoms on dark background

Missing giving art classes

I was missing the live art classes and interaction with my students. While everything is available online, I think live art classes are the most beneficial. Just ask school kids and teachers, -everybody will tell you that serious and decent learning happens only in person. Art is an easy subject to put online, but there are very many things which you need to touch, to see close-up, to check with your own eyes. I don’t want to make large investments in equipment at the moment, but that’s what I would need to teach online. Space is one more issue. It might be so that I like the live classes too much.

These are spring flower watercolor paintings, fantastic addition to my watercolor flower collection! Magnolia, trillium, wild anemone and daffodils

Daffodils are a fantastic subject for spring flower painting. This is the close-up version.

Not abstract, not photo-realism

Very many artists paint abstracts nowadays, really many. Therefore, I’m glad I’m doing something different. Sometimes I’ve told, I should make my art more realistic, but I don’t intend to. I’m mostly painting what I can see. What I can see is not what camera captures and one can enlarge until every ant on a grass stem is visible. It’s just my opinion, but I don’t want to go into tiny photographic detail and use computer. My art is done by simply using sketch or real flower, or real still life as reference most often. As you know, I can draw anything and do it fast. I would sometimes add a little bit of extras from imagination, like water drops on pansy. So, it’s my own realism with touch of imagination.

Watercolor paintings, fmagnolia painting, pansy painting

Magnolia, pansy Purple variety apples. and trillium and the fantastic purple pansy.

Watercolor painting, purple pansy watercolor

Personalized use of color

White is a good background for flowers, and dark background colors make white flowers pop. I personally do not like black with watercolor, that suits oils or acrylic more, I believe, and makes watercolor too heavy, but that’s just my personal preference. When I was very young and at school, my art teacher told I should never use black watercolor paint. I have followed her advice. I never use black watercolor paint. I took one more advice to never premix watercolor paint, but add color as I go and use it as I see fit. I actually do the same with acrylic: I use paint without previously mixing it, unless it’s for extra-large area or under-painting.

Watercolor painting, pansy, trillium and petunia painting

Decided to leave my website as is

I spent about 3 or even more previous weeks trying to figure out how I could change my website. I tried different things, considered new themes and tested them, asked advice from very well-established artists, who have excellent online presence and whom I know personally. They all told their websites were done by web designers or specifically created for their needs. Most of them have also social media and online representation specialists, video editors and filming teams, etc. Therefore, I decided to leave my website as is. I’m the only one for every single task and I’m doing anything that comes my way. However, I cannot spend all time just editing social media posts and website. I want to paint, draw and create also. Therefore, I prioritized creativity over online perfection. That’s just what works for me right now. I hope you like my flower collection and it inspires you to create flower paintings, too.

Stay safe, healthy and thanks for reading!

Original watercolor paintings for sale

Category: spring

Spring edition, moving art studio

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Landscapes which live in my memory

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I’d love to take you for a walk in spring forest

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Seasons in art, seasons in life and nature

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Good addition to my watercolor flower collection

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