Vibrant red color in my still life paintings

Red color in large still life paintings, watercolor

Just like other primary colors, red color can have numerous variations of cool and warm shades. Red color is eye catching and energizing. I won’t try to list all symbolic meanings, but among well-known attributes, red color has a protective aura.

Unfortunately, no camera with all automated settings, can ever much the sensitivity of experienced artist’s application of any color. Therefore, the red color in a painting might be more yellow, as it very often is, more orange, or bluer. The color distortion has a wide range, and it is also difficult to correct because any change affects the entire image.

Creating the still life with red jug from 2012 drawing

 It took a lot of guessing what goes where since I didn’t have the actual reference in front of me.

The new still life with red jug, has many red tones.  I tried to capture them on images, as well, and I must admit, not always successfully. I know, people say, it doesn’t really matter, but if you see the actual painting and image thereof, you would agree that it matters. I created the drawing on Arches cotton watercolor paper in 2012. When I started feeling better, I decided to finalize all paintings on good paper since it has become extra expensive. Painting on such paper, is a pleasure.

 The new painting is large: 24 x 18″ or 61 x 46 cm.

I noticed quite early that direction of light is very important for me. Whether you look at my drawings, pastel or acrylic paintings, or watercolor art, light always comes from the left. It’s just how I see everything. Once you have established your personal perception of light direction, you will notice how easy it is to apply shadows and use the composition effectively.

All still life paintings in this post have red color in them, some more, some less. Some have very warm red, some – rather cool. The same applies to different parts of one and the same image. When people start painting, they rarely think of these things – direction of light, cool and warm colors, volume and contrast and so forth. The subject is not that important, but the before mentioned things are since they are the main principles of painting.

I’ve always loved drawing and painting still life. It is easy to set up using whatever you already have at home. Certainly, some items suit still life settings better than the others. Yet, there is a way to implement anything. It could be your personal items, fruits, vegetables, flowers, books, souvenirs, attractive dishes, plants, bottles, jars and jug, I mean, the choice is endless. I love painting still life because I don’t need any photos for reference.

Any of my still life paintings always start with the pencil sketch or drawing. I draw sometimes straight on watercolor paper, sometimes – on whatever paper I have, and then transfer the drawing onto watercolor paper. Most of still life paintings are done on Arches cotton paper. I don’t use bright white paper, but rough and cold press for sure. I like the texture of paper even though it can make painting process more difficult.

I hope you enjoyed the attractive red color!

Original watercolor paintings for sale

Group art classes

Pastel paintings of vegetable still life and nature

Pastel still life of vegetables

Pastel for still life paintings

Pastel is a unique medium. Using pastel sticks and pencils, we are applying pure pigment to the surface. I love pastel because it is the bridge between drawing and painting.  I haven’t published many of my pastel paintings because they are difficult to photograph. This pastel still life paintings of vegetables and nature elements were done for my private art classes. Many people want to master drawing nowadays. Not trace and copy but learn being able to naturally draw.

The Giving hands of nature is a very large pastel painting: 24 x 20″ or 61 x 51 cm

Great start for good results

Drawing is very tough to teach since for the most part, people don’t see what’s important for drawing, as well are hesitant to put in efforts and practice. First step is to learn seeing, then we start developing our line work, after that we learn what’s important in painting, like recognizing values, applying contrast, shadows and so forth. Still life paintings in pastel are a fantastic starting point. I use pastel surface in dark grey and advise my students to do the same. That covers the darkest values already and is much friendlier surface than white. The same goes for acrylic painting.

Medium which doesn’t expire

Pastel still life paintings allow for many layers of pigments. That’s one more great feature: we build up the value and color as we go. I use Gallery and Faber Castell pencils and pastel sticks, as well as Conte pastel pencils. Each one has its application and suits for one or another step. I don’t have any specific tools and don’t use extra expensive pastel surfaces. All of this I had bought some 15 or more years ago. I love the pure colors of Conte pencils and subdued tones of my Faber Castell pencils. Gallery provides with pastel sticks in different sizes and numerous very attractive colors.

Layering for values and contrast

My process of using pastel pencils is exactly the same what for other medium. Dark surface, quick sketch, stronger values and darker tones first, after that I layer in lighter colors defining the shapes at the same time. The more layers, the more beautiful and saturated the pastel painting looks. Vegetable still life painting is a wonderful subject. Choose whatever you prefer and in whatever color or shape. We don’t have to limit ourselves with just peppers, tomatoes and cucumbers, there are lots of attractive shapes out there in the most wonderful colors.

Choice of subject

Still life paintings in pastel look gorgeous whatever items we use. The giving hands of nature was combined during the class since my student needed to paint hands and so we just filled them in with stuff from a magazine cover. Well, we just used it for inspiration, but added different colors and shapes. The herbal teacup was a nightmare to take picture of. iPhone camera changed the perspective so that it looked all wrong. The actual paintings are fantastic, and as you know no photo can ever compare to the original painting.

Summer subjects

Still life paintings in pastel are one the greatest summer subjects also. I cannot travel much because of the chronic pain which has worsened during the last year notably. Therefore, I use what I see around and paint in all kinds of combinations which are endless. I disagree that still life is boring. It’s the best way to teach about the multiple aspects and principles of painting also. These principles are all the same whether you paint buildings, faces, figures, flowers or landscapes.

Still life paintings which matter

I hope you will love my still life paintings, as well as the Giving hands of nature. It was almost impossible to take pictures of them. Well, at least the idea will be visible. Hands painting is huge, very hard to take pictures of. Each week I will feature one painting which goes for a lot less than usually. It will be available on Special offers page:

Learn pastel painting in private art classes:

Private art lessons

Also, still life paintings are most frequently sold as prints: Still life paintings available as prints

I hope your summer is fantastic!

Pencil drawings and sketches, new and updated

Pencil drawing, still life

Pencil drawings and sketches

It happened so that I gave numerous drawing classes this season. People love pencil drawing and sketches, and they are excited to learn how to create such art or a value drawing for other art, like for a watercolor and acrylic painting. Therefore, I have many drawings now. I always ask my students to also use big size paper for their creations. We most often use 24 x 18 in or 61 x 46 cm paper.

Using reference image or setting up still life

I personally prefer real items in front of classroom for my pencil drawings and sketches. During summer and fall, it’s extremely easy to find something suitable. We used real items for still life, but perspective pencil drawings and sketches are simply composed and constructed from imagination. I haven’t got images yet of other drawings with personal items, shoes, jeans jackets and figures. We gradually increased complexity and went from still life and perspective drawing to pencil drawings and sketches of figures. That took about 30 private art classes. Large size paper makes a lot of sense and allows creating the best compositions and value transitions.

Tutorial won’t do that

Tutorials usually teach something one: style or technique of a particular artist, one subject or one feature of it, and that doesn’t always mean your tutorial will include explanation or clear understanding why to choose exactly this one style, feature or part of subject. Demonstrations are frequently done on small sheets of paper. I’ve mentioned this numerous times before: if you can draw, you can draw anything without any limitations. You won’t need photos, printouts, grids and similar things. If you can draw, you just observe, pay attention and allow pencil to do its job. Which I always do! I hope you love seeing these drawings and sketches! I have to post many at a time because there are way too many.

Private art lessons

Art collections by Inese Poga

Style, subject, techniques: change is inevitable

Tree and poppies, textured acrylic painting

Paint features for interesting techniques

Acrylic paint is extremely versatile and it can be applied in numerous ways and using countless techniques. It’s water-soluble, has hardly any smell. It consists of pigment particles dispersed in an acrylic polymer emulsion. When it dries, it becomes hard and changes color. Paints which contain more fillers and binders, but less pigments, become darker. However, properties of this paint make it possible to use many layers and it could be used as a glue. All these features are perfect for creating very textured art, sometimes, it can be described even as sculpted.

Textured art

I created the first textured paintings around 2007. Since then, there have been so many from very large 6 feet by 4 feet to small ones, just 12 x 10 in. They sometimes sold very swiftly. I do not have any pictures of some. I didn’t try to showcase very textured paintings on my website, too, because pictures never looked right. As you could imagine: the highest areas of textured surface capture light more and camera creates a total disbalance of colors and contrast, therefore, these pictures are always off. In reality, however, they are extremely attractive and impressive works of art.

Old tree painting, textured painting
The old tree, 14 x 11 in or 36 x 28 cm

Vintage frames for impressive art

I went through my inventory recently since I have more time before live art classes resume. I added a new protective layer, so they are as bright and neat as brand new, not to mention removing some dust from corners and frames. The vintage frames which will be visible in some pictures are really old, but they make any art look like real art. I didn’t restore them to the extent they’d lose the feel of being old. The imperfections help them look more authentic.

Pears still life painting
Pears still life, 12 x 10 in or 30.5 x 20.5 cm
Poppy painting, textured painting
Textured poppies, 12 x 10 in or 30.5 x 20.5 cm

Distinctive creative periods

As I go through all my collections and create new products for sale pages, I cannot help but notice how each creative period is distinct with the use of specific color palette or subject. I’ve had the warm, earthy color period, the many shades of grey painting chapter, vivid blue and green landscape phase, as well as passion period for white, pink and red floral art, and then there are series of still life, birches and snow scenes. Reflecting on creative path from a distance of almost 20 recent years clearly reveals how I liked or disliked some colors and subjects over time.

Welcoming change

I wouldn’t say that paintings from 2010 are better than the ones from 2015, or the recent ones are the best. They are different, and each period of my creative journey emphases the dominant vision of that particular time span. We as humans change, and imagine the boredom if we as artists wouldn’t step off the beaten path! In fact, the greater the challenge, the more I love my new creations whether that refers to techniques, materials, subject or color palette. The pictures show art created around 2008 and up to 2015.

Textured flower painting, art for sale
Textured flower painting, art for sale

Time-consuming, yet, gorgeous

I used to paint everything as pairs of the same subject, quite frequently. I still continue that way, not with every single artwork, but there are many “twins” in my collections. The nicest feature is they work as series right away and look extraordinary great on the wall. Textured paintings are usually abstract by nature. While I am creating the texture layer, there is no outline, color or value. These are added later with layers of paint. Colors of textured art change depending on light and its placement. Photos capture some moments in time in a light which was present, and it might be that these images are able to convey the context and thought within the actual painting.

I hope this post inspires you to paint and create, as well as there might be somebody who loves the current featured paintings. I’d like to mention, that this is the first time images of these particular paintings are published. I will add them to art deals page soon, as well:

All other acrylic paintings can be seen here:

Shop original acrylic paintings

Thanks for reading!

Good addition to my watercolor flower collection

Watercolor flower collection, flower paintings

My watercolor flower collection grew noticeably

Previous year, while it was not good in many health- and business-related aspects, was a very good year for creating art. I added to my watercolor flower collection quite many paintings. I cannot share all in just one post. I also painted quite a few watercolor roses and still life art. Some of these painting have been published in previous posts, and some I will publish when time is right. I have a habit of painting flowers and spring landscapes from January to approximately end of May. Then, I move to still life, and I get to fall paintings in July and August. Painting flowers and spring in winter is a good habit because it shortens cold and chilly winter days during the dark months.

Addition to my watercolor flower collection: white trillium blossoms on dark background

Missing giving art classes

I was missing the live art classes and interaction with my students. While everything is available online, I think live art classes are the most beneficial. Just ask school kids and teachers, -everybody will tell you that serious and decent learning happens only in person. Art is an easy subject to put online, but there are very many things which you need to touch, to see close-up, to check with your own eyes. I don’t want to make large investments in equipment at the moment, but that’s what I would need to teach online. Space is one more issue. It might be so that I like the live classes too much.

These are spring flower watercolor paintings, fantastic addition to my watercolor flower collection! Magnolia, trillium, wild anemone and daffodils

Daffodils are a fantastic subject for spring flower painting. This is the close-up version.

Not abstract, not photo-realism

Very many artists paint abstracts nowadays, really many. Therefore, I’m glad I’m doing something different. Sometimes I’ve told, I should make my art more realistic, but I don’t intend to. I’m mostly painting what I can see. What I can see is not what camera captures and one can enlarge until every ant on a grass stem is visible. It’s just my opinion, but I don’t want to go into tiny photographic detail and use computer. My art is done by simply using sketch or real flower, or real still life as reference most often. As you know, I can draw anything and do it fast. I would sometimes add a little bit of extras from imagination, like water drops on pansy. So, it’s my own realism with touch of imagination.

Magnolia, pansy Purple variety apples. and trillium and the fantastic purple pansy.

Personalized use of color

White is a good background for flowers, and dark background colors make white flowers pop. I personally do not like black with watercolor, that suits oils or acrylic more, I believe, and makes watercolor too heavy, but that’s just my personal preference. When I was very young and at school, my art teacher told I should never use black watercolor paint. I have followed her advice. I never use black watercolor paint. I took one more advice to never premix watercolor paint, but add color as I go and use it as I see fit. I actually do the same with acrylic: I use paint without previously mixing it, unless it’s for extra-large area or under-painting.

Decided to leave my website as is

I spent about 3 or even more previous weeks trying to figure out how I could change my website. I tried different things, considered new themes and tested them, asked advice from very well-established artists, who have excellent online presence and whom I know personally. They all told their websites were done by web designers or specifically created for their needs. Most of them have also social media and online representation specialists, video editors and filming teams, etc. Therefore, I decided to leave my website as is. I’m the only one for every single task and I’m doing anything that comes my way. However, I cannot spend all time just editing social media posts and website. I want to paint, draw and create also. Therefore, I prioritized creativity over online perfection. That’s just what works for me right now. I hope you like my flower collection and it inspires you to create flower paintings, too.

Stay safe, healthy and thanks for reading!

Original watercolor paintings for sale